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Furniture, lights, objects, hardware and textile.
Category: Shopping & retail
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A meeting of rituals and cultures... Our Chulha oil diffuser rests beside a teapot at the Nakashima Workshop in New Hope. This pair of objects share an appreciation for craftsmanship and the hands that shape and use everyday objects.
Our warmest Diwali wishes from Casegoods.
The Chulha oil diffuser is available for purchase from our studio and stockists.
04 Nov 2026
Casegoods is pleased to announce a licensing collaboration with George Nakashima Woodworkers. With the support and leadership of Mira Nakashima, Casegoods joins a small group of workshops entrusted with carrying forward their incredible legacy.
The collaboration features a Grass-Seated Lounge Chair, originally designed by George Nakashima during his time in India, and an accompanying stool, newly designed and exclusive to Casegoods. Each piece has been crafted in India and is available in teakwood and rosewood.
The collaboration celebrates the Nakashima family’s enduring relationship with India, which began with George Nakashima in the 1930s and continues today through Mira. It reflects the values shared by Casegoods and George Nakashima Woodworkers: material honesty, respect for traditional woodworking practices, and an enduring commitment to fine craftsmanship.
Photo credits:
@kenneth.rodrigues
@photoisabel
03 Nov 2026
George Nakashima Woodworkers ( @nakashimawoodworkers ) in New Hope, Pennsylvania, has a unique involvement with design in India. It goes back 90 years, when its founder, the legendary Japanese American architect and furniture designer, first came to the country in 1936 to work on the Golconde building for the Sri Aurobindo Ashram in Puducherry. Eager to engage further with India, he later worked with Gira and Gautam Sarabhai at NID, Ahmedabad, in the mid-1960s, training people in the making of his designs. Around that time, his daughter, Mira Nakashima, took a break from graduate school in Tokyo to accompany him and had her first taste of India. Over five decades later, Mira, now leading the workshop and practice her father created, has collaborated with Mumbai-based furniture brand Casegoods, an offshoot of #AD100 firm Case Design, to turn this long relationship with India into a new chapter.
Two chairs are currently being produced and launched. The first is the iconic grass-seated chair designed by George in the 1940s, accompanied by a small companion stool. The second is a grass-seated lounge chair that he designed during his time in Ahmedabad. Inspired by the posture of sitting cross-legged close to the floor, the lounge chair is a contextual take on some of his earlier pieces, adapted to the materials and ergonomics of India. Mira and her husband, Jonathan Yarnall, worked closely with Casegoods to refine its proportions and details, as well as a newly designed accompanying ottoman exclusively for the Indian market.
Read more at the link in bio
Images 1,3,6: @photoisabel
Images 2,4-5,7-9: @raghavgoswamy
Words: Tanishka Kachru
The collection will be unveiled on November 21 at Nilaya Anthology in Mumbai @nilaya.anthology
548 likes · 12 comments · 02 Nov 2026
Our Folding Flat Chairs found another beautiful home in the hands of @framajpn
コペンハーゲンにあるレストランBarabba(@barabbacph)
FRAMA Projectsによるデザインは、長年ゲストに愛されてきた空間の魅力を大切にしながら、10年の時を経て変化した店の姿に合わせ、インテリアを新たに見つめ直すことから始まりました。
空間が持つ個性をそのままに、新たな魅力を加え、これからの10年へとつなぐ。FRAMAが手がけたオーダーメイドのデザインをご紹介します。
At the Copenhagen restaurant Barabba, design by FRAMA Projects emerged as the answer to a challenge: how to maintain a space beloved by its guests, but evolve its interior to better match what it had grown into over ten years of service. Discover every custom FRAMA addition that preserves the identity of the space while bringing it into the next ten years.
164 likes · 0 comments · 01 Nov 2026
A bespoke handle made with a simple marble rod and brass fin, designed to match the stone of the bar cabinet.
153 likes · 0 comments · 20 Oct 2026
East meets east in this stunning building designed by @kiyoakitakeda - our Alcove tea light holder reflects the form of a soft architectural niche while Kiyoaki Takeda’s found stone candle holder provides a lively illumination to the larger interior. Two approaches to hosting a flame come together for the first time. Looking forward to many more such encounters.
145 likes · 0 comments · 13 Oct 2026
An edition of our aluminium Hold Shelf, reworked in solid rosewood. The proportions of the stems and capitals were refined for the material, with each detail contributing to the character of the shelf as a whole.
125 likes · 1 comments · 05 Oct 2026
An organically shaped bar table with an earthy pink IPS top and a gently chamfered edge.
100 likes · 0 comments · 22 Sep 2026
Exploring the different configurations of our reclaimed Burma teak conference table. Three individual tables come together to create arrangements suited to varying group sizes and seating requirements.
82 likes · 0 comments · 16 Sep 2026
A bespoke outdoor table and bench crafted from granite slabs. The edges are left raw to express the qualities of the slab in contrast to its honed top. Designed as a simple, enduring form, the pieces explore the weight, texture, and natural character of the stone. Set in a beautiful landscape its meant to hold its own weight as well as dissappear in the materials of the landscape.
169 likes · 0 comments · 31 Aug 2026
A bespoke conference table in reclaimed Burma teak, shaped through considered woodworking and craftsmanship. Three individual tables come together to form one long table, allowing the configuration to adapt to different group sizes and seating arrangements.
309 likes · 1 comments · 25 Aug 2026
Soft, curved forms define the cast brass base, supporting a top in reclaimed Burma teak with hand worked intarsia detailing. Made from individually cast brass quadrants assembled into one form, the table is designed to seat six to eight.
235 likes · 1 comments · 18 Aug 2026
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