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The artist Takako Yamaguchi has at various points been drawn to the decorative, the minimalist and even the photorealistic. Some of her paintings depict geometric shapes; others, detailed views of clothing (a pleated skirt, a crocheted top) worn on her own body. Around 2021, the artist started creating surreal, stylized seascapes, employing what she calls “abstraction in reverse”: starting with an undefined shape and, through painting, transforming it into something recognizable from nature.
Although she’s been making work for over 50 years, it’s only in the last few that her work has reached a wider audience. In 2022, she secured representation by New York’s @ortuzargallery. Two years later, she was selected for the Whitney Biennial, at which she showed some of her seascapes. Last year, the Museum of Contemporary Art in Los Angeles hosted Yamaguchi’s first solo museum show.
The artist’s response to this late surge of success has been to continue working as always, from the studio in the same rent-controlled apartment she’s lived in since 1993. At the link in our bio, Yamaguchi reflects on her career and her new all-white paintings, currently on view at Ortuzar in New York.
Written by @annaefurman. Photo by @ariellebobbwillis. Artwork: © Takako Yamaguchi. Courtesy of the artist, Ortuzar, New York, and as-is.la, Los Angeles. Photo: Dario Lasagni
07 Nov 2026
This summer, when the Hungarian Parliament had just voted to ensure that Viktor Orbán would never return to power, Andrew Higgins set out on a series of nighttime walks in Budapest.
“A bewitching and often melancholy calm takes over the streets, many dotted with bland, modern blocks, others with majestically renovated Hapsburg villas and run-down but eerily beautiful apartment houses,” he writes. “With the exception of Pest’s rowdy party district in the old Jewish quarter, the city reveals itself in the quiet of the night, making it far easier to see its ghosts and grandeur.”
As Hungary embarks on a new political era, Higgins considers the way Budapest’s architecture conveys the country’s history. Tap the link in our bio to read the full story.
Photos by @anthonycotsifas.
06 Nov 2026
The fashion designer @grace___gui raises silkworms in her Queens studio, later using their cocoons for petal-like embellishments on her knit garments.
Gui is among a group of artists who cultivate their own materials. Tap the link in our bio to read the full story, written by Jameson Montgomery (@jame___son). Video by @miablessinger.
05 Nov 2026
The actress @glennclose has three projects debuting this month: the Spanish film “La Bola Negra,” the second season of the Hulu legal drama “All’s Fair” and the "Hunger Games" prequel “Sunrise on the Reaping.”
Here, she gives her rendition of a favorite song, “Inchworm,” written by Frank Loesser and first performed by Danny Kaye in the 1952 film “Hans Christian Andersen.” Tap the link in our bio to read the full profile of Close from T’s 2025 Greats issue, written by @nickkharamis. Video directed by @joshuawoods, edited by @haste.nyc.
04 Nov 2026
Just west of downtown Los Angeles is the neighborhood of MacArthur Park, named for its 32-acre green space. But more famous than the park is the Jewish deli cater-corner from its southeast entrance. Langer’s, the area’s anchor business, resides in a more than 4,000-square-foot corner structure outfitted with a long counter, Formica tables and tufted brown vinyl booths. Oil paintings on the back wall depict deli life, including one work showing the business’s founder, Albert Langer, taking pastrami out of the steamer as customers look on. Albert (known by everyone as Al) opened the place in 1947 alongside his wife, Jean Langer. Since 1963, their son, Norm Langer, now 81, has been at the helm.
In 2002, in an article published in The New Yorker, the writer Nora Ephron called the pastrami sandwich at @langersdeli the finest in the world. She wrote, in support of her proclamation (which was controversial, given that Langer’s is not in New York City): “It’s soft but crispy, tender but chewy, peppery but sour, smoky but tangy. It’s a symphony orchestra, different instruments brought together to play one perfect chord.”
Tap the link in our bio to read the full story about the 79-year-old institution and the technique behind its pastrami. Written by @emilywilsonemilywilson. Photos by @steph_martyniuk.
03 Nov 2026
The interior designer Carol Egan grew up in Dublin and moved to New York in 1999 to study interior architecture at the Parsons School of Design, quickly establishing her name with minimalist, color-rich home renovations. She lived in downtown Manhattan but would come on weekends to the Hamptons, where she began searching for a place. After three years she found a low-slung, glass-fronted house designed by the architect Richard Bender in the 1960s, which she eventually expanded and filled with her own sculptural furniture.
“When you’re in a glass house, your whole life changes,” @studiocarolegan says. “You live with the light.”
Tap the link in our bio to read the full story, written by Alice Newell-Hanson (@a_m_n_h). Photos by @richardmosse_.
02 Nov 2026
Taipei has a robust food scene dominated by brightly lit night markets and traditional restaurants serving dishes like lu rou fan (braised pork rice) and beef noodle soup. Offerings have been bolstered in recent years by a host of young chefs focused on local ingredients. There’s now a willingness “to seriously think about Taiwan and about the flavors and memories of their childhood,” says the chef Masa Chung. Such places are opening in up-and-coming areas like the Zhongshan district — a red-light zone in the 1950s and ’60s that’s now home to independent boutiques, cafes and galleries.
For T’s latest Flocking To guide, Chung and three other Taipei insiders share their favorite places to eat — as well as the best boutique hotels and tea shops — in the Taiwanese capital. Tap the link in our bio for the full guide.
Written by @lauramaytodd. Photos by @ijiachang. #TFlockingTo
01 Nov 2026
For more than a century, flowers have been associated with beauty and romance, appearing at weddings and other celebrations and serving as tokens of love and support — but that wasn’t always the case. Before modern embalming and refrigeration were available, highly scented varieties like lilies and white carnations were used at viewings and funerals to mask odor and thus became symbols of death. And in Victorian England, where social norms discouraged the open expression of emotion, flowers were used to communicate sometimes difficult sentiments or ideas, including disdain (yellow carnations) and deception (snapdragons).
Now, a new wave of floral designers is tapping into that darker side of botanicals, creating menacing arrangements and installations that look like they could crawl across the room and maybe even devour you in the night.
Tap the link in our bio to read the full story about these fearsome flowers, written by @mackenzieoster.
Pictured here:
An insect-inspired arrangement of willow branches, fuzzy fountain grass and spiky chrysanthemums by Satinee Sertsuwankul of @phka_studio, which operates out of Paris and Bangkok.
For a party earlier this year, the London-based botanist and artist @hamishpowell created an installation of thousands of red calla lilies that was meant to mimic blood and guts.
Green carnations, dark thistles and moss in a sculptural arrangement by Emily Rose Hill of the Melbourne, Australia-based @rosestudios___.
A pair of works by the Seoul-based botanical artist and art director @hai_ihwa made up of dahlias, roses, cockscomb celosia, pompon chrysanthemums and calla lilies with twisting artificial branches, berries and trailing foliage, all dyed a dramatic jet black. Photos courtesy of designers.
31 Oct 2026
While some Halloween revelers have been planning their costumes for months, others are scramblers, whose participation in the holiday now hinges on a last-minute bolt of inspiration and will. Thankfully, for those in the latter camp, the spring 2027 runways provided plenty of fodder.
Tap the link in our bio to see all the looks.
Written by Jameson Montgomery (@jame___son). Photos courtesy of the brands.
30 Oct 2026
Watch the actors @bradleywhitford, Thom Sesma (@thsesma), John Zdrojeski (@barstowdrive) and @milescfowler perform a scene from the Broadway revival of Aaron Sorkin’s “A Few Good Men” at the New York Times office.
Tap the link in our bio to read the full story about the performance — the latest in T’s Live From the 10th Floor series.
Written by @nancylcoleman. Video directed by @yoonha_park.
29 Oct 2026
The artist @alexprager is known for her psychologically taut and cinematically staged photographs, which combine elements of the past and present. “DreamQuil,” her first feature-length film, written with her younger sister, Vanessa, arrived in theaters last weekend. It follows a woman named Carol Gibson, played by @elizabethbanks, who goes to a virtual retreat — the eponymous DreamQuil — seeking an attitude adjustment. She returns to find her robotic clone, Carol Two, also played by Banks, performing the jobs she considers difficult or boring. Horror builds, sometimes comically, as Carol Two’s functions expand from the practical to the emotional.
Banks was drawn to the way the film “speaks to what women are dealing with” and to “this notion that we can have people come into our lives and do the little things,” she says. “But if you hand over certain duties to machines, what is the purpose of life?”
Tap the link in our bio to read the full story about how the movie came together. Written by Rose Courteau.
Pictured here: Prager crouches among large-scale miniatures used on the set of “DreamQuil”; Banks as Carol and Carol Two in “DreamQuil.” Photos: © DreamQuil
28 Oct 2026
With horror hitting big at the box office, a new generation of filmmakers is finding inspiration in the eerie offerings of the 1970s, a decade known for sophisticated genre fare that moved away from the previously prevailing B-movie gimmicks. In March, the director Mike Flanagan will release “The Exorcist: Martyrs,” the latest sequel to William Friedkin’s Oscar-nominated 1973 shocker. After putting out a string of well-received Stephen King adaptations, Flanagan also recently revisited King’s “Carrie,” first brought to the big screen by Brian De Palma in 1976, as a streaming series that premiered on Amazon Prime earlier this month. And a newly restored version of Ken Russell’s “The Devils” (1971), centered around an unhinged 17th-century convent, is currently playing in theaters.
“People return to these films over and over because very humanistic and relatable questions are being asked,” says the writer and director Arkasha Stevenson — who expanded on the ’70s franchise “The Omen” with her 2024 prequel, “The First Omen.” At the link in our bio, she and four other industry experts share their thoughts on the ’70s horror gems to seek out this Halloween.
Written by Carl Kelsch (@thecarlyouknow). Pictured here:
Olivia Hussey in “Black Christmas” (1974). Photo: Warner Brothers.
Sharon Williams as the daughter of an ill-fated family in “Don’t Look Now” (1973). Photo: Studio Canal Films/Mary Evans/Everett Collection
Marlene Clark as Ganja Meda in the vampire movie “Ganja & Hess” (1973). Photo: Everett Collection
Fats, the ventriloquist dummy that gives voice to his owner’s darkest thoughts in “Magic” (1978). Photo: 20th Century Fox
Lynne Frederick, in her role as a young farm girl in “Phase IV” (1974), observing a killer ant. Photo: © Paramount Pictures/Photofest
26 Oct 2026
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