@themuseumofmodernart

MoMA The Museum of Modern Art

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Connecting people from around the world to the art of our time. #MoMANYC

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#momamagazine #culturalalliance #moma #centrepompidou #mplusmuseum #mplus

Recent posts

Fall is in full swing at MoMA! 🍂 📣 “Brancusi: The Artist and His Studio” is now open 📚 “The Surrealist Book: Tomorrow Lives in Mirrors” features the work of Surrealism’s most fascinating figures 📽️ Now screening: “The Contenders,” our annual series celebrating influential films made in the last year that we believe will stand the test of time, and the first complete North American retrospective of Ukrainian filmmaker Sergei Loznitsa 🎉 On November 17, join us after the Museum closes for MoMA After Hours, an evening of art, movement, music, and collective expression 🛍️ Get ahead of holiday shopping with a visit to @momadesignstore Swipe through to see what else is on view now in our galleries ➡️ and plan your fall visit at the link in bio! 30 Oct 2026

📢 “Brancusi: The Artist and His Studio” is now open! Explore rarely lent sculptures along with a rich selection of Brancusi’s photographs, films, hand-carved furniture and pedestals, tools, and archival materials in dialogue with MoMA’s celebrated Brancusi collection. Experience “Brancusi: The Artist and His Studio” now on our sixth floor through Feb 27, 2027. — Installation view of the exhibition “Brancusi: The Artist and His Studio.” Photograph by Jonathan Dorado. © Succession Brancusi – All rights reserved (Adagp) 2026 28 Oct 2026

🌽 Enjoy this autumnal vision from photographer Eugène Atget! Working in and around Paris for some 35 years, Eugène Atget created a lived portrait of that city on the cusp of the modern era. His career began around 1890, when he hung a shingle reading, “Documents pour artistes” (Documents for artists) on a studio door in Paris’s fifth arrondissement. The sign declared his modest ambition of providing other artists with images to use as source material in their own work. Around 1900, Atget’s focus shifted. The city’s urban landscape had been recently reshaped by a modernization campaign that saw Paris’s medieval neighborhoods razed and transformed into wide avenues and public parks. Those changes, in turn, kindled a broad interest in vieux Paris (“old Paris”), the capital in its pre-Revolutionary, 18th-century form. Atget’s feeling for vieux Paris had been an integral part of his practice of making documents for other artists, but that interest eventually took center stage: His calling card from the period read, “E. Atget, Creator and Purveyor of a ‘Collection of Photographic Views of Old Paris.’” 📷 Atget’s documentary vision proved highly influential, first on the Surrealists and then on two generations of American photographers, from Walker Evans to Lee Friedlander. — Eugène Atget. “Corn and Zinnias.” 1922-23. Abbott-Levy Collection. Acquired through the generosity of Shirley C. Burden, and Family of Man Fund. 08 Nov 2026

Robert Rauschenberg worked in a wide range of mediums including painting, sculpture, prints, photography, and performance, over the span of six decades. In his landmark series of Combines (1954–64), he mixed the materials of art-making with ordinary things. “Canyon” is one of Rauschenberg’s Combines created with a combination of painting, collage, and objects. 🧦 “A pair of socks,” Rauschenberg declared of his Combines, “is no less suitable to make a painting with than wood, nails, turpentine, oil, and fabric.” By incorporating the stuff of the everyday world into painting, Rauschenberg asserted an openness to ordinary objects that would be widespread among later generations of artists. 🖼️ See Rauschenberg’s “Canyon” and “Untitled” on view now on our fourth floor. — Robert Rauschenberg. “Canyon.” 1959. Gift of the family of Ileana Sonnabend. © 2026 Robert Rauschenberg Foundation. 07 Nov 2026

Swipe through to discover how western Africa’s most innovative buildings captured an era of optimism and independence ➡️ 📖 Read about all of the innovative buildings that anchor the exhibition “Architects of Liberation: Modernism in Western Africa” on #MoMAMagazine at the link in our bio. Visit “Architects of Liberation” on view on our third floor through January 2, 2027. 06 Nov 2026

🎥 Filmmakers Curry Barker and Rian Johnson stopped by MoMA last week to open The Contenders, an annual screening series featuring outstanding films from the last year. Every year, the Department of Film combs through major studio releases and the top film festivals in the world, selecting influential, innovative films made in the past 12 months that they believe will stand the test of time. Head to the link in our bio to learn more about The Contenders, now through December 17. 05 Nov 2026

An abstract artist who ran for mayor of New York. A public garden gatekeeper who painted her visions at night. An avant-garde composer who appeared on a game show as a mushroom expert. MoMA’s new podcast “The Secret Lives of Artists” tells the stories you don’t know about the artists you think you do. Each episode explores the secret talents and obsessive pursuits of some of our favorite modern artists. 🎧 Listen to every episode of “The Secret Lives of Artists” and subscribe at the link in our bio! 04 Nov 2026

“Brancusi: The Artist and His Studio” is now open at MoMA! 🛠️ Meet Constantin Brancusi, the artist who redefined sculpture in the 20th century through the simplicity of his forms. For the first time in decades, rarely lent sculptures are on view in New York, along with a rich selection of Brancusi’s photographs, films, hand-carved furniture and pedestals, tools, and archival materials. 🎟️ Plan your visit to see the exhibition and get tickets at the link in bio. — Installation view of the exhibition “Brancusi: The Artist and His Studio.” © Succession Brancusi – All rights reserved (Adagp) 2026 03 Nov 2026

🦴 Have you ever seen such lively skeletons? We wish a meaningful Día de los Muertos to all who celebrate! We hope you enjoy it as much as these “Calavera las bicicletas” by Mexican artist José Guadalupe Posada. — José Guadalupe Posada. “Calavera of the Cyclists (Calavera las bicicletas).” c. 1889-1895, reprinted later. Larry Aldrich Fund. 02 Nov 2026

⏰ Time to fall back! Daylight savings time ended today here in New York, so don’t forget to change your many, many clocks and enjoy a little extra sunshine with your coffee moving forward. — Ralph Steiner. “Eight O'Clock Coffee.” 1935. Gift of the artist. Courtesy of the Estate of Ralph Steiner. 01 Nov 2026

👺 What costume will you be wearing for Halloween this year? In James Ensor’s “Masks Confronting Death,” a group of masked figures confronts the figure of Death, centrally situated and draped in white, a color that infiltrates the entire picture. The masks in Ensor's work were likely based on those sold in his family's curiosity shop a few floors below his studio. He explained, "The mask means to me: freshness of color, sumptuous decoration, wild unexpected gestures, very shrill expressions, exquisite turbulence." In this painting, the fantastical masked inventions appear to come alive and challenge Death—perhaps a reflection of the artist's preoccupation with mortality and his hope that he might prevail against its inevitable dominion. — James Ensor. “Masks Confronting Death.” 1888. Mrs. Simon Guggenheim Fund. © 2026 Artists Rights Society (ARS), New York / SABAM, Brussels. 31 Oct 2026

📣 Announcing a new cultural alliance! Founded respectively in 1929, 1977, and 2021, MoMA (@themuseumofmodernart), Centre Pompidou (@centrepompidou), and M+ (@mplusmuseum) have each introduced a new paradigm for collecting institutions dedicated to the art of their time. With an unprecedented footprint across three continents, this cultural alliance will be able to expand how modern and contemporary art is experienced in an increasingly interconnected world. The three institutions are uniting to bring their extraordinary collections to their respective audiences, develop co-organised exhibitions and programmes, and deepen collaborative curatorial research and conservation, providing expanded opportunities for their visitors. 🔗 Learn more about the unprecedented alliance at the link in bio. 📣 Une nouvelle alliance culturelle voit le jour ! Fondés en 1929, 1977 et 2021, le MoMA (@themuseumofmodernart), le Centre Pompidou (@centrepompidou) et le M+ (@mplusmuseum) ont chacun révolutionné le modèle des institutions consacrées à l’art de leur temps. Grâce à une présence unique sur trois continents, l’alliance culturelle qu’ils nouent va transformer la manière dont l’art moderne et contemporain est vécu dans un monde toujours plus connecté. Les trois institutions unissent leurs forces pour créer de nouvelles opportunités de collaboration en matière de recherche curatoriale et de conservation, permettre une découverte mutuelle de leurs collections exceptionnelles à leurs publics et organiser ensemble des expositions et des programmes, enrichissant ainsi l’expérience de leurs visiteur·euses. 🔗 Découvrez-en plus sur cette alliance inédite : lien en bio. 📣 全新文化聯盟登場！紐約現代藝術博物館（@themuseumofmodernart）、巴黎龐比度藝術中心（@centrepompidou）及M+（@mplusmuseum）分別於1929年、1977年及2021年成立，三者各自為現當代藝術收藏機構樹立了新典範。這個文化聯盟前所未有地橫跨三大洲，將在日益緊密連繫的世界中，進一步拓展大眾體驗現當代藝術的方式。三間博物館將攜手合作，讓來自世界各地的觀眾欣賞其珍貴的館藏，並共同策劃展覽及多元節目，同時促進策展研究及藏品修復方面的合作，為觀眾帶來更豐富的參觀體驗。 🔗 立即點擊帳號簡介連結了解更多。 #CulturalAlliance #MoMA #CentrePompidou #MPlusMuseum #MPlus 29 Oct 2026

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DfIb4gRn9KR	Fall is in full swing at MoMA! 🍂 📣 “Brancusi: T…
DfDYimYlEj2	📢 “Brancusi: The Artist and His Studio” is now o…
DffCen9F7In	🌽 Enjoy this autumnal vision from photographer E…

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DfIb4gRn9KR	Fall is in full swing at MoMA! 🍂 📣 “Brancusi: T…
DfDYimYlEj2	📢 “Brancusi: The Artist and His Studio” is now o…
DffCen9F7In	🌽 Enjoy this autumnal vision from photographer E…

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