Rob Carmichael / SEEN Studio

Rob Carmichael / SEEN Studio

@seenstudio

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Art direction, graphic design & dub enthusiasm —- Publisher @layout_press —-

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NEW WORK! Art direction and package design for “Value 8” the first album in, like 7 or eight years, from our friends A Hawk and a Hacksaw. The music Heather and Jeremy are making is striking and uplifting and buzzing with energy. They take inspiration from music traditions from all across the globe, somehow balancing a respect for those traditions while still expressing a personal energy and experimentation. And it just swings. The cover, for those who don’t read Arabic says “Salaam” — that is, “Peace” — and was beautifully drawn by @ameerahbadr. We took that made things bright and expressive while also nodding to sleeves of the past which married the modernism that was ascendent through, say the 1970s but also bubbled with an expressive energy and outlook. Big thanks to @ameerahbadr for the lettering, and, of course, to @trostheather and @a_hawk_and_a_hacksaw for firstly making some new music and secondly for reaching out in the first place. 06 Nov 2026 NEW WORK! Package design for our old pal @pandabearofficial and their new album “PB Band Live at Power Station” — a live-in-the-studio take on the songs played out on the Sinister Grift tour. With cursive-y lettering on the front by @a_mans_ass and another excellent painting by @sentientbbq. As always big thanks and love to Noah. Out December on @dominorecords. 06 Nov 2026 Out today! Rachel Shearer’s “Te Oro o te Ao” LP ✨Sound & Purchase links in our bio✨ 
The first album Shearer has released under her name; A bold sonic dreaming from a singular sound artist who over three decades has released works with Xpressway (NZ), Flying Nun (NZ), Ecstatic Peace (US), Corpus Hermeticum (NZ), Family Vineyard (US) among others. Each of her works is a portal into a vast aural realm. “𝘚𝘰𝘶𝘯𝘥 𝘦𝘮𝘦𝘳𝘨𝘦𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘢𝘯 𝘶𝘯𝘧𝘰𝘭𝘥𝘪𝘯𝘨 𝘶𝘯𝘪𝘷𝘦𝘳𝘴𝘢𝘭 𝘤𝘰𝘯𝘴𝘤𝘪𝘰𝘶𝘴𝘯𝘦𝘴𝘴, 𝘸𝘩𝘪𝘤𝘩 𝘨𝘪𝘷𝘦𝘴 𝘳𝘪𝘴𝘦 𝘵𝘰 𝘴𝘩𝘢𝘱𝘦, 𝘧𝘰𝘳𝘮, 𝘵𝘪𝘮𝘦, 𝘢𝘯𝘥 𝘴𝘱𝘢𝘤𝘦. 𝘚𝘰𝘶𝘯𝘥 𝘪𝘴 𝘵𝘩𝘦 𝘦𝘹𝘵𝘦𝘯𝘴𝘪𝘰𝘯 𝘰𝘧 𝘵𝘩𝘰𝘶𝘨𝘩𝘵 𝘢𝘯𝘥 𝘮𝘰𝘷𝘦𝘮𝘦𝘯𝘵, 𝘸𝘦𝘢𝘷𝘪𝘯𝘨 𝘵𝘩𝘦 𝘴𝘱𝘪𝘳𝘪𝘵𝘶𝘢𝘭, 𝘵𝘩𝘦 𝘱𝘩𝘪𝘭𝘰𝘴𝘰𝘱𝘩𝘪𝘤𝘢𝘭, 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳.” The album includes an extended essay by the artist discussing the intersection of the Māori concept of whakapapa, field recording, ecology, Pauline Oliveros’s Deep Listening, Pierre Schaeffer’s acousmatic approach, and an understanding of sound as well as the word itself that diverges profoundly from canonical western thought. Te Oro o Te Ao was first realized as an immersive eight-channel sound installation made in response to a close listening to the earth. It was also released as a limited artist’s acetate edition of 10. Thin Wrist is pleased to present Te Oro o Te Ao in a vinyl and digital edition mastered by Rashad Becker, Clunk Berlin. Housed in a tip-on gatefold jacket with embossed black paper stock, ink pigment foil stamping, with a mounted booklet in the inner gatefold and printed inner sleeves. Pressed at Optimal, Germany. Design by @seenstudio ! 09 Oct 2026 NEW WORK! Cover art (is that the term?) for a new podcast called BASKETBALL, ETC. It is hosted by the Guardian’s @clairempls and focuses on “cool, weird, untold and under-told basketball stories. Season one features folks like Flea, Desus Nice, Nick Wright along with many more.” It’s a project from @lifehereisgrand,a new book imprint and production company run by @petermatthewbauer and @lush.vida that has some great things coming up. Follow the podcast at @basketball_etc and listen via @iheartpodcast or, you know, wherever you get yr podcasts. First episodes drop Tuesday. Many thanks for Pete and Claire for bringing me on board. 30 Sep 2026 NEW WORK! Art direction, digital collage and design for THE HUMAN HEARTS, the band fronted by the O.G. Franklin Bruno ( @faith.and.credit ). You may know Franklin’s work in the late great Nothing Painted Blue or via his many recording for the esteemed Shrimper label. He is an excellent songwriter and we are thrilled to have been able to help out with the packaging for the new record “Faith and Credit.” The album’s is, as Franklin put it “about about cities, buildings, money, and to some degree politics, in a non-protest song post-punk vein” and so we leaned in hard on the brutalism of corporate architecture veering into an intensely colored pop situationism sort of thing (maybe?). Whatever, we like how it looks… Out Nov 13 2026 23 Sep 2026 NEW WORK! Art direction and design for the new @treyanastasio Live and Acoustic 3LP set. We had been tapped to make the visuals for these shows about a year back and now it’s come full circle in that we’ve designed the artwork for the records that capture those shows. Circle of life or something like that. Anyway, seeing as how the shows were all super stripped down we did the same for the album packaging — Just pink and the darkest blue. And we made an ever so slightly tripped-out shirt design that can be bought as a bundle with the album (and maybe on its own?). Thanks to Mitzy and Patrick and Trey for bringing me onboard and the assistance through the process. Album out July 7th but preorders are up now 17 Jun 2026 NEW WORK! Shirt designs for @futureislansds recent run of shows. Each shirty was sold at a single show along the tour — well, two of the designs had the date/location changed and appeared twice. But Basically three shirts. Thank tons to @thenoontime for being my point person and to the whole of Future Islands for giving me space to experiment a bit. 11 Jun 2026 NEW WORK! Single artwork and design for “Year of the Horse,” a new, non album, @alyandaj track. We put a horse on there because, you know, that’s the year being sung about. Big thanks to @auhasardspr @iamaly @iamaj or bringing me onboard. Always such great crew to work with. 11 Jun 2026 Summer brings the best. Join us for another evening adventure. Kudos to @seenstudio for the graphic spell and all the amazing contributing artists and curators. 04 Jun 2026 NEW WORK! Artwork and creative direction for DAYS, the newest album by our old pals @mountaingoatsmusic. In which we visually explore/visit the era of 1970s paperback self-help books (the album itself is lyrically much more broad). We’ve worked with the Mountain Goats on a number of occasions in the past but this is the first time where it’s kind of all SEEN, package-wise. An honor, as always. We also made a bunch of merch for the roll-out, including a pretty direct nod to vintage Dead bootleg shirts in honor of “Going to Fennario.” Gus our first ever hat design! Big thanks to John Darneille, Ryan Matteson, Kevin O’Halloran and the many folks @tenatoms who pushed things along. 13 May 2026 NEW WORK! Package design for C McAlister “Music From the Fire Ant Mound 1994-1997” 4 LP box set, out June 1 on @passwotrace . This one is very very meaningful to yours truly. Back in the 90s I had started a little record label called Catsup Plate. I was very into the home recording/“lo-fi” movement that was percolating up from the underground via little cassette and 7-inch labels and I wanted to be part of that. So I started reaching out to different folks asking if I could release music by them. One of the first folks I reached out to was Charlie McAlister. We talked not he phone about my little label and then less than a week later a cassette arrived in the mail; it was the master tape for Letting Go the Hatchet, Charlie’s first release for Catsup Plate. I still have no idea how he put it together so quickly — the music was so inventive and catchy and weird. And I keep wondering why he trusted me — a kid who literally was making it up as he went along — to release this music into the world. But Charlie was like that. Anyways this set compiles 4 of Charlie’s very best releases: Suburbian Beachtown, 1994, Flannel Banjo Southern Promenade Porch Party, 1994, Flannel Banjo Letting Go the Hatchet, 1996, Catsup Plate Mississippi Luau, 1997, Catsup Plate My work here was trying to make things look as “Charlie” as possible. Much of his visual work took place at the local copy shop and I strove here to be true to that. Charlie would not have liked having his work displayed as pristine artifacts so in replicating all of the artwork from the original releases I just cut it all up and splattered it around in the way Charlie would have. I cannot recommend this music enough. Charlie, who passed away in 2018, opened up so many new aesthetic paths in my life. His music has been a companion since the early 90s, his art and video work have shown me whole new way of being a creative person in this messed up world. Many thanks to @charlie_mcalister_archive, @passwotrace and @exodusjam for all the hep in corralling Charlie’s stuff. And, biggest, deepest thanks to Charlie himself, a great artist who I was lucky enough to call my friend. 18 Mar 2026 NEW WORK! I’m a little late in announcing the artwork for Croz Boyce, the new project by @aaaveytttare and @geobriensystem of @anmlcollective fame. And wow, what a record, this has been a near-constant spin here art SEEN Studio HQ. Some folks are calling this music ambient but to my ears its actually pretty intricate and involved while still being sort of dreamy and peaceful. The heavy visual lifting was done by Avey and his collage work but we were brought on board to lay everything out and sure things up to make a cohesive whole. One of those situations where the job is to stay out of the way of the already great visuals. Preorders are up now and the album will be out May 8th on Clear LP, Cd and cassette. All love and thanks to Avey and Geo and the @dominorecordco massive. 18 Mar 2026

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