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Anthony McCall: Solid Light, 1973, 2020, 2026 Luke Agada: When the Center Holds On view through October 31, 2026
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In Brian Rochefort’s ceramic sculptures, the surface holds the history of its own making. Commissioned by Canali for the New York chapter of Under the Surface, the works invite the viewer to look beyond their immediate impact and discover what lies beneath: layers of clay and colour, knowledge built through experimentation, and the many decisions that shape each creation.
For Canali, Rochefort has created sculptures from clays of different colours, bringing together earthy tones and vivid chromatic contrasts. The artist prepares his clay bodies himself, carefully selecting their consistency, grain, powders and pigments. The work therefore begins with the material itself, before any form takes shape.
The dialogue between Rochefort and Canali begins from a shared understanding of how a finished form is built: through research, precision, successive layers and the relationship between one stage and the next. Ceramic and fabric speak different languages, yet both require an intimate knowledge of how materials behave and respond to technique.
Images: Courtesy of Sean Kelly, New York
@energygoop @canali #Canali1934 #UnderTheSurface
07 Nov 2026
Another View: The Vibrant World of Contemporary Black Artists is a groundbreaking, intimate exploration of the studios, living spaces, and creative processes of twenty of today’s most notable Black artists is available now for purchase.
The book includes 150 never-before-published photographs taken by acclaimed artist Awol Erizku, presenting the ultimate behind-the-scenes tour of striking studios across the United States, works in progress by some of the world’s most creative people, and the objects and settings that inspire them.
Exclusive profiles inspired by interviews with celebrated curator Isolde Brielmaier offer compelling personal advice and unique insights into the art world, giving readers an inside look at the role of art in society, perspectives on legacy, and what it means to be a Black artist today.
An illuminating introduction by lauded scholar and critic Henry Louis Gates, Jr. explores the historical precedents and critical context that led to the exciting current moment of Black contemporary art in America.
@awolerizku @isolde_brielmaier @henrylouisgates @phaidonpress
06 Nov 2026
What the Light Becomes, Kehinde Wiley’s fourth exhibition at the gallery opens tonight, Thursday, November 5 from 6-8pm. The artist will be present.
The exhibition focuses specifically on contemporary New Yorkers and, more broadly, on how New York represents a portrait of America at this moment, not as a single cohesive identity, but as something diverse, shifting and continually being remade. The exhibition is conceived of as a love letter to New York and a return to the subject of the city that launched Wiley’s career, after a number of years in which his practice has taken him around the world.
Images: Kehinde Wiley, Portrait of Crash Colon, 2026, oil on canvas, painting: 48 x 36 1/4 inches, framed: 56 1/4 x 44 1/2 x 3 1/2 inches Photo: Adam Reich © Kehinde Wiley Courtesy: the artist and Sean Kelly, New York
@kehindewiley #KehindeWiley #SeanKellyNY
05 Nov 2026
In this making-of film, I share some of the ideas and conversations that shaped Cosmic Drive. One of the central questions throughout the process was how we attempt to reach the unknown through the instruments and forms of perception available to us, and how we confront their limits.
Cosmic Drive premieres this Saturday, November 7th, at MASS MoCA as part of my exhibition Metaphysical Maze.
Warm thank you to @setiinstitute @massmoca @perrotin @seankellygallery @galeriapedrocera
🙏🏻 @megan.northam @arturtortpujol @julien.hogert @cameralucida2 @andrew_wyke @wkrampf @imfuller
Graphic Design @mmparisdotcom
Special thanks to @villa.albertine , @a7ivan , @nelswone , @carolajain and the Art Contemporary Foundation, for their support
04 Nov 2026
Get out and VOTE! 🗳️
David Claerbout’s video work, the “confetti” piece, 2015-2018 captures a single moment from what appears to be a local election in the United States. As the crowd begins to applaud, thousands of pieces of confetti fall from the sky. Against the backdrop of a neoclassical building, they draw the viewer’s gaze upward. Drifting like translucent flower petals, the confetti suggests a sense of lightness.
Claerbout uses this scene to explore how digital images can retain a sense of physical presence. The work brings together two opposing qualities: weightlessness and heaviness. This tension is embodied in a small but significant detail—the panic reaction of a young boy. His quiet scream acts like a force of gravity, resisting the upward movement of the confetti and drawing the scene back down.
Lightness and heaviness remain in opposition, yet exist together. Over time, this tension creates a further dimension that becomes more apparent as the minutes pass. For Claerbout, digital materiality is not limited to virtual reality; it can extend into everyday life and change how we see and experience the material world. In this view, lens-based images are giving way to what he calls “dark optics.”
Images: David Claerbout, the “confetti” piece (Still), 2015-2018, double channel video projection, 3D animation, silent, color, 18 minutes 25 seconds © David Claerbout Courtesy: the artist and Sean Kelly, New York
@studiodavidclaerbout #VOTE
03 Nov 2026
“There has to be a relationship between the stone and me. Sometimes it’s color and shape, and sometimes it’s just like the stone told me to do something with it.” - Sam Moyer
Sam Moyer’s works merge abstraction and materiality, redefining conventional sculptural forms through her innovative use of natural materials.
Moyer’s sculptural wall works combine salvaged stone and painted plaster on canvas to create compositions that blur the boundary between painting and sculpture. By embedding fragments of reclaimed marble into textured, hand-painted surfaces, Moyer highlights the interplay between natural material and artistic intervention.
Images: Sam Moyer, Clipping 40, 2026, marble, acrylic on plaster-coated canvas mounted to MDF, 24 x 18 x 1 inches Photo: JSP Art Photography © Sam Moyer Courtesy: the artist and Sean Kelly, New York
@sammemoyer #SeanKellyGallery
02 Nov 2026
This is the final day to see Magic Atlas, a major film work by internationally acclaimed artist Sun Xun screened at the Tokyo International Film Festival.
The feature-length film, a project that spanned more than a decade to produce and is made up of over 100,000 hand-cut woodblocks along with a selection of woodcut taken from the films production. Blending woodcut animations, historical references, and philosophical inquiry, Magic Atlas unfolds as a richly layered, postmodern parable that reflects on the instability of truth, the construction of history, and the search for inner clarity in a fractured world.
Infused with Buddhist philosophical undercurrents, Magic Atlas meditates on the nature of suffering, attachment, and perception. Through a visual language populated by anamorphic creatures and symbolic transformations, the film suggests that clarity and truth are not external discoveries, but states of awareness already present within.
“A decade-long project deeply rooted in painting and woodcut art. It evolved alongside global shifts like the pandemic, blending exhibition aesthetics with a narrative that explores modern social reality and Buddhist allegory.” - Sun Xun
Video: Sun Xun, Magic Atlas (Trailer), 2026, 85 minutes © Sun Xun Courtesy: the artist and Sean Kelly, New York
@sun__xun @tokyo_intl_film_festival
01 Nov 2026
Wishing you a very Happy Halloween! Stop by the gallery today for a sweet treat 👻🎃🍬
Peter Liversidge’s illuminated light bulb sign sculptures are an invitation to think about something very specific without presenting a defined sense of what it actually is, was, or will be.
Image: Peter Liversidge, Hocus Pocus, 2013, work is accompanied by a framed artist’s proposal, powder coated aluminum, bulbs, 11 x 114 inches Photo: Jason Wyche © Peter Liversidge Courtesy: the artist and Sean Kelly, New York
@peterliversidge #SeanKellyGallery
31 Oct 2026
Mariko Mori: All That Shines, the artist’s first major retrospective in Japan since Mariko Mori: Pure Land, 2002, at the Museum of Contemporary Art Tokyo opens tomorrow, October 31.
Organized by the Mori Art Museum, the exhibition is co-curated by Alexandra Munroe, Senior Curator at Large, Global Arts, Solomon R. Guggenheim Museum and Foundation and Kataoka Mami, Director, Mori Art Museum.
The show features some forty works spanning more than three decades and surveys Mori’s artistic and conceptual innovations across all her signature media: performance-based and computer-imaging photography and video; drawing; sculpture and large-scale interactive installations.
Video by: @moriartmuseum
@marikomori
30 Oct 2026
Metaphysical Maze, Laurent Grasso’s largest exhibition to date in the United States at MASS MoCA opens next week! Join us for the opening celebration on Saturday, November 7, 5:30pm. The artist will be present.
Installed in the museum’s iconic Building 5, the exhibition takes the form of an immersive installation bringing together, for the first time, Grasso’s most emblematic films. The exhibition will also feature his newest film, Cosmic Drive, produced during a two-year research residency at the SETI Institute in Mountain View, California.
Laurent Grasso’s Metaphysical Maze is on view from November 7, 2026 – January 16, 2028 at MASS MoCA.
Image: Laurent Grasso, Cosmic Drive (Still), 2026, Film HR, approx. 20 min, Courtesy of the artist, Sean Kelly, Perrotin and Pedro Cera © Laurent Grasso / ADAGP, Paris, 2026
@laurentgrasso @massmoca @setiinstitute #LaurentGrasso
29 Oct 2026
A first look at the making-of my new film Cosmic Drive.
Insights into the research, ideas, and collaborations behind its creation.
Cosmic Drive premieres at MASS MoCA on November 7, 2026, as part of my exhibition Metaphysical Maze.
Warm thank you to @setiinstitute @massmoca @perrotin @seankellygallery @galeriapedrocera
🙏🏻 @megan.northam @arturtortpujol @julien.hogert @cameralucida2 @andrew_wyke @wkrampf
Graphic Design @mmparisdotcom
Special thanks to @villa.albertine , @a7ivan , @nelswone , @carolajain and the Art Contemporary Foundation, for their support.
The full making-of is coming soon to our YouTube channel.
28 Oct 2026
Do not miss the final week to view When the Center Holds, Nigerian artist Luke Agada’s first solo exhibition with the gallery.
Bringing together a new body of paintings and drawings, the exhibition explores how meaning and belonging persist during periods of profound historical and cultural transformation.
Images: Installation View of Luke Agada: When the Center Holds at Sean Kelly, New York, September 11 – October 31, 2026, Photography: Adam Reich, New York, Courtesy: Sean Kelly, New York
@lukechidiagada @agada.archv #LukeAgada #SeanKellyNY
28 Oct 2026
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