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Perrotin is pleased to take part in the first edition of Signature Art Fair, a new Parisian event devoted to modern and contemporary art in limited editions. Perrotin Editions & Store present a selection of prints, editions and objects born of the galleryâs dialogue with its artists.
For this first participation, Perrotin Editions & Store bring together limited editions by artists including Hernan Bas, Sophie Calle, Laurent Grasso, Lee Bae, Takashi Murakami, Jean-Michel Othoniel, Danielle Orchard, GaHee Park, Christiane Pooley, Claire Tabouret, Tatiana Trouvé and Xavier Veilhan. Their practices range from painting to sculpture, and each finds in the edition another territory of expression.
đ Join us Stand B5, Carreau du Temple, Paris
đ
From November 13 to 15
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@signaturesartfair #SignatureArtFair #PerrotinStoreParis #Perrotin
06 Nov 2026
We are back at Art Collaboration Kyoto with a site-specific installation titled âIn the Garden of Loveâ by @othoniel_studio.
The artist presents this installation for the first time at the fair. This immersive environment brings a new series of sculptures around a sea of pink glass bricks. It unfolds as a luminous imaginary landscape, where the shimmery beauty of glass fountains interacts with representations of golden Sakura flowers.
Othonielâs practice combines hand-blown glass elements, bricks and beads, with a deep sensitivity to material and sensory experience. In this context, water becomes an essential component: flowing, reflecting, and producing a gentle acoustic presence that activates the space and invites contemplation.
đ Find us Booth KM11
đ
Until November 9
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@othoniel_studio @artcollaborationkyoto #JeanMichelOthoniel #InTheGardenOfLove #ArtCollaborationKyoto #Perrotin
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View of Jean-Michel Othonielâs âIn the Garden of Loveâ at Perrotin booth, Art Collaboration Kyoto 2026. Photo by Yamato Ogawa.
Jean-Michel OTHONIEL, Sakura (A), 2026. Aluminium cast, gold leaf.
Jean-Michel OTHONIEL, Fontaine A, 2023.
Jean-Michel OTHONIEL, Fontaine C, 2023.
Courtesy of the artist and Perrotin.
06 Nov 2026
Now open: âParadise Opens Tomorrowâ by Mehdi Ghadyanloo at Perrotin Seoul.
Through an evocative combination of monumental animal figures, intricate playground structures, and imagined architectural environments, Ghadyanloo transforms the gallery into a space suspended between fantasy and reality.
His new paintings extend the artistâs ongoing exploration of hope, displacement, and collective experience, while introducing a heightened sense of uncertainty through the recurring presence of rising water.
On view until December 24.
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@mehdighadyanloo #MehdiGhadyanloo #ParadiseOpensTomorrow #PerrotinSeoul #Perrotin
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Exhibition views of âParadise Opens Tomorrowâ by Mehdi Ghadyanloo at Perrotin Seoul. Photos: Hwang Jung Wook.
Mehdi Ghadyanloo, The Rolling Dream, 2025
Mehdi Ghadyanloo, The Promised Paths, 2026
Mehdi Ghadyanloo, The Plastic Temple, 2025 - 2026
Mehdi Ghadyanloo, The Unseen Whole, 2026
Mehdi Ghadyanloo, The Candy Throne, 2025
Courtesy of the artist and Perrotin.
06 Nov 2026
Julian CharriĂšreâs âDeep Endâ opens at The Museum of Contemporary Art, Los Angeles, on November 15, as one of the museumâs inaugural exhibitions for the Eric and Wendy Schmidt Environment and Art Prize.
Organized by Paula Kroll, this exhibition features immersive environments that explore humanityâs evolving relationship with the planet, inviting audiences to reflect on the urgent realities of climate change and environmental degradation while meditating on natureâs powerful, raw beauty.
A new commission, as well as recent works, including video, photography, and installations, highlighting the fragility and resilience of planetary water systems will be featured in the exhibition.
The Eric and Wendy Schmidt Environment and Art Prize is a juried award supporting artists whose practices engage critical intersections of art, architecture, design, climate, conservation, sustainability, and environmental justice.
Visit MOCA Grand Avenue from November 15, 2026 â June 6, 2027 to see âDeep End.â
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@julian.charriere @moca #DeepEnd #Perrotin #MOCA
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Julian CharriĂšre, Midnight Zone - 85 Fathoms, 2025. Copyright the artist; VG Bild-Kunst, Bonn, Germany.
05 Nov 2026
For his first exhibition in the United Arab Emirates, Pieter Vermeersch presents âUntitledâ, a new experiment bringing together painting and stone.
Conceived as an assemblage of two separate entities, the work reflects the artistâs ongoing interest in the relationship between human and more-than-human forms of agency. Since 2013, Vermeersch has developed paintings on found and cut stone, wood, and petrified wood. Rather than treating these materials as passive supports, his works allow their physical presence, weight, and geological history to participate in the experience of the artwork.
In âUntitledâ, painting and stone remain distinct while entering into a new relationshipâone that opens a space for greater relational freedom.
On view at Perrotin Dubai through November 22.
â
@studiopietervermeersch #PieterVermeersch #PerrotinDuba i #Perrotin
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Pieter Vermeersch, Untitled, 2025.
Pieter Vermeersch, Untitled, 2026.
Pieter Vermeersch, Untitled, 2026.
Photo: Nicola Morittu.
Courtesy of the artist and Perrotin.
04 Nov 2026
Opening on November 9: Lynn Chadwickâs third chapter of the artistâs retrospective âHypercycleâ.
Launched in 2024, the three-continent, three-chapter retrospective âHypercycleâ comes to a close here with its final chapter, devoted to the period in which Chadwickâs work reaches its fullest maturity. âVigilantsâ brings together sculptures from the late period of the artistâs career (1978â1995), in which several long-running ideas and series, most of them initiated around 1950, are carried to their furthest and most fully realized and acknowledged point.
The exhibition is curated by @mattthieupoirier.
Join us for the opening on November 9 at 4pm.
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@lynnchadwickarchives @mattthieupoirier #LynnChadwick #Hypercycle #PerrotinShanghai #Perrotin
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Lynn Chadwick, Back to Venice (Small Version II), 1988
Courtesy of the Lynn Chadwickâs Estate and Perrotin
02 Nov 2026
Perrotin Seoul is pleased to present âParadise Opens Tomorrowâ, an exhibition by Iranian artist Mehdi Ghadyanloo, bringing together a new body of paintings that extends his distinctive exploration of architectural space, illusion and the boundaries between reality and imagination.
Combining his signature ladders, spiral slides and architectural structures with hybrid animal figures and rising waters, Ghadyanloo creates meticulously constructed environments in which familiar symbols of play take on an increasingly ambiguous character.
Drawing on the visual language of surrealism and the tradition of Persian miniature painting, his works invite viewers into worlds that oscillate between wonder and unease, where the promise of escape gives way to more complex reflections on contemporary life.
On view at Perrotin Seoul from November 5 to December 24.
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@mehdighadyanloo #MehdiGhadyanloo #ParadiseOpensTomorrow #PerrotinSeoul #Perrotin
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Portrait of Mehdi Ghadyanloo.
Courtesy of the artist and Perrotin.
02 Nov 2026
âThe prodigal son (farmers market, 3:30 pm)â by Hernan Bas is now on view at Perrotin Tokyo through November 11.
The painting depicts a young man selling wilted flowers beneath a âHappy Motherâs Dayâ banner, alongside a figure on the beach selling shells from a handwritten price list. What is depicted here is both the merchandise itself and the youth and labor of the person offering it. A discount sign taped by the drooping flowers signals a subtle transposition: the traditional vanitas motifâan allegory of transience and vanityâis here applied to the portrait of a living subject.
The exhibition âTIME TO SHINE! (the salesmen)â superimposes capitalist display with personal self-presentation, blurring the boundary between seller and sold. Through these mundane, commonplace scenes, the series quietly yet incisively confronts universal themes of value, time, and aging.
âTIME TO SHINE! (the salesmen)â is on view through November 11 at Perrotin Tokyo.
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@hernanbas #HernanBas #TimetoShine #PerrotinTokyo #Perrotin
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Hernan Bas, The prodigal son (farmers market, 3:30 pm), 2026. Photo: Silvia Ros.
Courtesy of the artist and Perrotin.
01 Nov 2026
A closer look at four artist focuses at Art Taipei 2026.
Mehdi Ghadyanloo explores the tension between freedom and constraint through surreal playgrounds, while Takashi Murakami bridges popular culture and classical Japanese painting through his iconic characters, flowers, and gold-leaf compositions.
Chen Fei reconsiders portraiture and still life through questions of identity and representation. Wang Fanseng draws on Chinese âshanshuiâ and âzhiguaiâ traditions to create fantastical pictorial worlds.
đ Booth B04, until November 2.
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@mehdighadyanloo @takahipom @chenfei18 @wangfanseng #MedhiGhadyanloo #TakashiMurakami #ChenFei #WangFanseng #ArtTaipei Perrotin
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Mehdi Ghadyanloo, Untitled, 2026
Takashi Murakami, Untitled, 2024
©2024 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy Perrotin
Chen Fei, èȘç»ć | Self-portrait, 2025
Wang Fanseng, é§ć€©é
äŒ | The Elegant Gathering of Celestial Music, 2026
Courtesy of the artists and Perrotin
01 Nov 2026
This past Wednesday, we celebrated the opening of 3 new exhibitions at Perrotin New York! âïž
- Solo exhibition by Izumi Kato
- âMoonwaterâ by Nancy Graves
- âIn the Making: La Caverne du Pont Neufâ by JR
Thank you for stopping by our artist talk and openings! All three exhibitions are on view until December 19.
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@izukat692 @jr @Nancygravesfoundation #Moonwater #IntheMaking #LaCaverneduPontNeuf
31 Oct 2026
Mathilde Denizeâs new work âThe Mirror Keeperâ is the result of a collaboration with Dong textile artisans from Dali, Guizhou, China, and Jenny Chou, architect, designer and co-founder of Atlas Studio.
Drawing on traditional indigo-dyeing practices, the work explores the relationship between textile, material and gesture. The artisansâ knowledge, shaped by seasonal cycles and generations of manual processes, resonates with Denizeâs own approach to cutting, layering, dyeing and reworking existing materials.
Inspired by the concept of the blueprint as a generative structure, âThe Mirror Keeperâ takes the form of two facing silhouettes, evoking the front and back of a garment. Between painting, textile and sculpture, the work recalls the guantouyi, an ancient Chinese tunic, and unfolds as a form suspended between image, skin and clothing, awaiting the body that might inhabit it.
âThe Mirror Keeperâ is presented in âA Sense of Touchâ, an exhibition by la Galerie du 19M Shanghai at the Museum of Art Pudong, Shanghai, from September 25 to November 15, 2026.
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@mathilde_denize @le19m @le19m_at_large @chanelofficial @design_atlas
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Exhibition views of âA Sense of Touchâ by la Galerie du 19M Shanghai at the Museum of Art Pudong. Photo: © le19M. AngĂšle ChĂątenet. © CHANEL.
Courtesy of the artist and Perrotin.
31 Oct 2026
This week, @jr and @yavachev came together at Perrotin New York to discuss JRâs monumental public art project from this past summer. đïž
Vladimir Yavachev, nephew of Christo and Director of Projects at the @christojeanneclaude Foundation, invited JR to create his own project as a tribute to âThe Pont Neuf Wrapped,â the landmark 1985 project by artists Christo and Jeanne-Claude that transformed the Pont Neuf bridge in Paris. This week, JR and Yavachev discussed the process behind bringing âLa Caverne du Pont Neufâ to life and the enduring possibilities of large-scale public art.
Discover âIn the Making: La Caverne du Pont Neuf,â now on view at Perrotin New York through December 19.
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@jr @yavachev #Inthemaking #lacavernedupontneuf #thepontneufwrapped #Perrotin #PerrotinNY
30 Oct 2026
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