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DANAE.IO

@danae.io

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DANAE.IO is a platform promoting digital art. We create and curate projects with institutions to showcase digital art in public spaces

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whitelist.danae.io/en/drops/les-villes-artificielles?utm_source=x www.danae.io whitelist.danae.io/en/human-traces We found Email for this account. Get the details

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#digitalart #contemporaryart #artexhibition #artgallery #2

Recent posts

We’re delighted to open the doors of our next exhibition Heterotopies opening October 20 at DANAE. Extending in physical form the curation initiated by @marlenecorbun at the Hôtel Le Bristol Paris, this show brings together @benjaminbardou , @louispaulcaron , @ivonatau , @alecwaxman , @wen_new_atelier (@kaleniwamoto and @julien_silvano) and The Wild Within (@ryan.koopmans and @alicewexell) around a single question: how the relationships between place, image and presence are replayed, within these other spaces, at once real and suspended. More than anything, we look forward to welcoming you back to share these new works. RSVP link in bio. 📍 DANAE - 17 rue du Bouloi, Paris 1er . . . #digitalart #contemporaryart #artexhibition #artgallery 25 Sep 2026

Thank you to @flobourgeoisfb , Director of @parisphotofair , for highlighting @jacopodicera ’s solo show, presented by DANAE in the Digital Sector, on @telematin_officiel (France 2). 📍Paris Photo 2026 | Grand Palais - Digital Sector - Booth F09 11 Nov 2026

All Is Fluid · @david.young._ DANAE x @lebristolparis The collaboration between DANAE and Le Bristol Paris opens with @david.young._ , who has worked at the frontier of computation since the 1980s. Rather than relying on massive datasets, he trains AI on small sets of his own photographs of flowers, woods and landscapes, letting the machine's errors and hesitations shape the image. An intimate way of seeing AI, where beauty and perception matter more than scale. Featured works: Dandelions (b63n,14000,1), 2020 Q (a,v,7,m,m2,d4a-21,7,16,13,31,55), 2021 David Young is an artist investigating how emerging technologies shape and constrain human perception. Working with AI and quantum computing, he creates images that expose the assumptions embedded in technological innovation. Drawing on decades of experience with advanced computation, he treats code and algorithms as materials for critical inquiry rather than tools for spectacle, inviting viewers to imagine more humane, diverse technological futures. A member of darktaxa-project, his work is held in the collections of Kunstmuseum Bonn and Kunstsammlungen Chemnitz and has been featured in Artforum. He holds a master's degree from the MIT Media Lab and lives and works in New York. On view until 22 November 2026 📍Le Bar du Bristol - Le Bristol Paris 112 rue du Faubourg Saint-Honoré, 75008 Paris All Is Fluid, a season of art, October 2026 - May 2027 Discover the works on danae.io 09 Nov 2026

Dry Series, 2022 - @jacopodicera In this chapter of Sospesi, Jacopo Di Cera flies over the Po River during a period of severe drought. As the water withdraws, sandbanks, sediments and traces of human passage surface as fragile, temporary geographies: the landscape recording its own vulnerability. Five works from the series will be shown in Human Traces, curated by @marlenecorbun at Paris Photo. 📍 Grand Palais, Paris · Booth F09 🗓 12-15 November 2026 More about the booth: link in bio. 06 Nov 2026

In memory of @fredforest (1933–2026) We are deeply saddened by the passing of Fred Forest, a pioneering figure in digital and media art, whose work and vision have left a lasting mark on the history of contemporary art. It was a true honor for DANAE to host a solo exhibition dedicated to his work in 2025, thoughtfully conceived by the Art Historian @helenegheysens as part of our Archaeology of Digital Art program. We feel incredibly grateful to have shared this special moment with Fred Forest, celebrating his remarkable career and lifelong commitment to pushing the boundaries of art. Our thoughts are with his family and loved ones, especially his wife, artist @sophielavaud.officiel. The DANAE Team 05 Nov 2026

Les Villes Artificielles by @benjaminbardou 210 unique works. An imaginary geography of abandoned cities, ruined monuments and impossible architectures. Launching on December 3 at 18:00 CET. Whitelist now open. Register via the link in bio. 02 Nov 2026

Human Traces at @parisphotofair by @jacopodicera This November, we’ll be presenting @jacopodicera at Paris Photo 2026 with Human Traces, a project curated by @marlenecorbun. Swipe for more about Jacopo → At our booth, you will discover several series by the artist: Ciclica (2026), presented at the Sierra Leone Pavilion during the 61st Venice Biennale, a visual cosmogony centered on the vulnerability of living systems and the increasingly evident fracture between natural order and human intervention. Sospesi (2015 – ongoing), which investigates Italian identity through a layered process of visual and social observation, from an unconventional perspective: the zenithal view. Dry Series (2022), which focuses on the Po River during a period of severe drought. The drought is not represented as an event, but through its traces. We can’t wait to share more with you over the next few days. 📍 Paris Photo, Grand Palais, 3 avenue du Général Eisenhower, 75008 Paris 🗓 12–15 November 2026 🖼 Booth F09 JACOPO DI CERA Born in Milan in 1981, Jacopo Di Cera worked for several years in the communications industry before turning his focus to art and moving to Rome. During this period, he studied photography with internationally renowned photographers. In 2010, he was selected as one of the winners of a National Geographic photography competition. In 2016, Di Cera developed a new artistic approach that he called Fotomaterismo. This research led to Fino alla Fine del Mare, a project addressing migration through the boats found on the island of Lampedusa. The project was exhibited at museums, galleries, and international fairs and festivals, including Paris Photo, PAN – Palazzo delle Arti Napoli, MIA Photo Fair and Les Rencontres de la Photographie d’Arles. In 2017, he exhibited during the Venice Biennale and was hosted aboard Pier Paolo Pasolini’s boat Edipo Re at the Venice Arsenal. He subsequently developed Il Rumore dell’Assenza, dedicated to the devastating Amatrice earthquake, and MiRo, an eight-year social study of commuting, photographed repeatedly through the same train window. In 2015, he launched Sospesi, an ongoing investigation into human relationships tha 31 Oct 2026

A look back at the opening of HETEROTOPIES, a group exhibition curated by @marlenecorbun , featuring works by @benjaminbardou , @louispaulcaron , @ivonatau , @alecwaxman , @wen_new_atelier by @kaleniwamoto & @julien_silvano and The Wild Within by @ryan.koopmans & @alicewexell Thank you to everyone who joined us for the opening night! Discover the artworks on danae.io and DM us to arrange a private viewing. On view until December 30, 2026. 📍 DANAE - 17 rue du Bouloi, Paris 30 Oct 2026

Introducing Resilience by @ryan.koopmans and @alicewexell from The Wild Within, presented in Heterotopies, our group show now on view at DANAE. Extending in physical form the curation initiated by @marlenecorbun at the Hôtel Le Bristol Paris, Heterotopies brings together @benjaminbardou , @louispaulcaron , @ivonatau , @alecwaxman , @wen_new_atelier by @kaleniwamoto & @julien_silvano and The Wild Within by @ryan.koopmans & @alicewexell around a single question: how the relationships between place, image and presence are replayed, within these other spaces, at once real and suspended. @ryan.koopmans and @alicewexell are Sweden-based artists whose collaborative practice explores the evolving relationship between architecture, nature, and time. Working together for the past fifteen years, they merge photography, motion, digital reconstruction, and sculptural form to reimagine built environments as living, transformative, and imaginative spaces. They are best known for The Wild Within, an acclaimed body of work that digitally revives historically significant and often abandoned interiors through the introduction of vegetation, light, and motion. For Heterotopies, they present Resilience, set in the Grand Aley Hotel. Built in 1926 in the mountain town of Aley, outside Beirut, it was designed by an Italian architect working in Lebanon. Over the decades, the building witnessed periods of glamour and wartime service before falling silent amid regional conflict. Its walls, now layered with flaking and peeling paint, bear the traces of this history. Embracing the building's monochromatic green palette, the work evokes a spirit of resilience and endurance. Resilience, 2025 Time-based media, infinitely looping, UHD (3840 × 2160) Includes an archival pigment print (2026), mounted on Dibond, framed in wood, 127 × 226 cm Edition of 3 Heterotopies On view until December 30 📍 DANAE, 17 rue du Bouloi, Paris 1er 29 Oct 2026

Introducing two works by @wen_new_atelier , an output and the Miniscriber, Le Bristol Paris edition, presented in Heterotopies, our group show now on view at DANAE. Extending in physical form the curation initiated by @marlenecorbun at the Hôtel Le Bristol Paris, Heterotopies brings together @benjaminbardou , @louispaulcaron , @ivonatau , @alecwaxman , @wen_new_atelier by @kaleniwamoto & @julien_silvano and The Wild Within by @ryan.koopmans & @alicewexell around a single question: how the relationships between place, image and presence are replayed, within these other spaces, at once real and suspended. @wen_new_atelier is the atelier of art couple @kaleniwamoto and @julien_silvano , who work in the space between art, language and technology. Through speculative literary devices, the design of imperfection and performance writing, the duo experiments with unconventional ways of reading and writing to reveal the hidden structures within language and technology. For Heterotopies, they bring electronic music and conceptual poetry into a generative system. The Miniscriber operates as a synthesiser of words: rather than a fixed text, it produces ever-changing combinations. First presented on the mirrored screen of the Bristol Bar, it is shown here alongside a selection of its outputs, unique prints that each fix one of these combinations on paper. Miniscriber, Le Bristol Paris edition, 2025 Wood, 3.2" screen, knobs, cables, Raspberry Pi, analog-to-digital converter, 17.8 × 12 × 4.2 cm Output #2 of Miniscriber, Le Bristol Paris edition, 2026 Pigment print on Hahnemühle paper, 44 × 44 cm Heterotopies On view until December 30 📍 DANAE, 17 rue du Bouloi, Paris 1er 27 Oct 2026

Introducing three paintings by @alecwaxman, presented in Heterotopies, our group show opening tonight at DANAE. Extending in physical form the curation initiated by @marlenecorbun at the Hôtel Le Bristol Paris, Heterotopies brings together @benjaminbardou, @louispaulcaron, @ivonatau, @alecwaxman, @wen_new_atelier by @kaleniwamoto & @julien_silvano and The Wild Within by @ryan.koopmans & @alicewexell around a single question: how the relationships between place, image and presence are replayed, within these other spaces, at once real and suspended. An avid hiker, Alec Waxman photographs places in nature that evoke a sense of awe and wonder: deserts, caves, mountains, rock formations, and bodies of water. Back in the studio, he uses digital tools to take these places apart and reconstruct them, creating landscapes that feel recognizable but impossible. Small, anonymous figures give a sense of scale and an entry point into the human experience of the landscape. His paintings exist somewhere between documentation, memory, and invention. Rather than fantasy worlds detached from reality, they reorganize reality into an "other" space: familiar enough that you can imagine entering it, yet governed by a logic that makes it subtly uncanny. Parting Ways, 2026 Oil on canvas, 60 × 80 cm Desert Moonrise, 2026 Oil on canvas, 50 × 70 cm Puddles After the Wave Oil on canvas, 30 × 40 cm Heterotopies Opening tonight, 7pm · On view until December 30 📍 DANAE, 17 rue du Bouloi, Paris 1er See you tonight! RSVP via the Luma link in our bio 20 Oct 2026

Introducing "Eglė, Queen of Serpents" by @ivonatau, one of the works presented in Heterotopies, our upcoming group show at DANAE. Extending in physical form the curation initiated by @marlenecorbun at the Hôtel Le Bristol Paris, Heterotopies brings together @benjaminbardou, @louispaulcaron, @ivonatau, @alecwaxman, @wen_new_atelier by @kaleniwamoto & @julien_silvano and The Wild Within by @ryan.koopmans & @alicewexell around a single question: how the relationships between place, image and presence are replayed, within these other spaces, at once real and suspended. "Eglė, Queen of Serpents" takes its title from a Lithuanian myth. Calling her serpent husband Žilvinas from the shore, Eglė waits for the sea's answer: milk foam if he is alive, blood foam if he is dead. Only blood foam returns. To create the work, Ivona Tau trained a GAN on custom imagery of water and plastic materials. Its images drift from one to the other through abstract forms, finding something in between, while a metaphorical red runs through them, linking plastic pollution to the loss of something cherished. For the artist, the sea is a heterotopia: a threshold space where "the natural and the man-made collide and mix." Eglė, Queen of Serpents, 2026 Generative Adversarial Network trained on custom imagery of water and plastic materials; archival pigment print on 350 gsm Hahnemühle Museum Etching cotton rag paper 90 × 48.1 cm Heterotopies Opening October 20, 7pm · On view until December 30 📍 DANAE, 17 rue du Bouloi, Paris 1er Don't forget to RSVP via the Luma link in our bio 18 Oct 2026

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Ddt2GPfjCeE	We’re delighted to open the doors of our next ex…
DfmEtFoRqiy	Thank you to @flobourgeoisfb , Director of @pari…
DfhpsdNCF_G	All Is Fluid · @david.young._ DANAE x @lebrist…

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Ddt2GPfjCeE	We’re delighted to open the doors of our next ex…
DfmEtFoRqiy	Thank you to @flobourgeoisfb , Director of @pari…
DfhpsdNCF_G	All Is Fluid · @david.young._ DANAE x @lebrist…

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