Benjamin Bardou

Benjamin Bardou

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@benjaminbardou

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Experimental Filmmaker | Visual Artist

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FIRST CONTACT "We live in the oblivion of our metamorphosis. But that echo that rolls around all day long, This echo out of time of anguish or caresses. Are we near or far from our consciousness." "Your eyes have returned from an arbitrary country where no one has ever known what a look is." Paul Eluard - Megalopolis is a project born from the fascination of megacities. Through different durations and forms the MGLP episodes propose an in-depth exploration of the city of Megalopolis. Each piece, each motif of the city is assembled in a montage that invites memories and dreams. More on benjaminbardou.com 08 Jul 2025 The Flow is a film project exploring the stream of consciousness over a 24-hour cycle. Rather than assembling images through cuts, it explores a new regime of images — where forms drift, merge, and evolve within a continuous field. This approach is made possible through the use of AI, not as a tool, but as a space in which images can transform continuously. It is an independent and experimental film, developed outside traditional production frameworks. 👇 Support is now open! https://benjaminbardou.com/works/the-flow.html 26 Mar 2026 🤩 Happy to exhibit Memories of Degas in collaboration with @meta and Convergence at @artsetmetiers_ensam ! 🙏 Big thanks to @dimitridaniloff 16 Feb 2025 sonder the realization that each random passerby is living a life as vivid and complex as your own 06 Nov 2026 Janine Sarbu présente : PROMPT/CINÉMA Commissariat : Dominique Moulon BENJAMIN BARDOU The Flow 2026 Organisé par METAHAUS #PromptCinema @benjaminbardou @janinesarbu @dominiquemoulon #byst @meta_haus @leclub13 #ArtContemporain #cinemaexperimental #ia @santiago_apk Commente PROMPT/CINÉMA et reçois en message privé le lien pour réserver ta place à Paris ou pour suivre la projection en direct si tu ne peux pas être présent. 06 Nov 2026 Les Villes Artificielles by @benjaminbardou 210 unique works. An imaginary geography of abandoned cities, ruined monuments and impossible architectures. Launching on December 3 at 18:00 CET. Whitelist now open. Register via the link in bio. 02 Nov 2026 To paint time, to approach the very texture of memory, its substance and its transformations. The past is not fixed. It never ceases to give rise to new forms, as though it were simply waiting for us to look more closely to reveal them. 19 Oct 2026 Introducing "L'Horloge ou la Mécanique des Seuils" by @benjaminbardou, one of the works presented in Heterotopies, our upcoming group show at DANAE. Extending in physical form the curation initiated by @marlenecorbun at the Hôtel Le Bristol Paris, Heterotopies brings together @benjaminbardou, @louispaulcaron, @ivonatau, @alecwaxman, @wen_new_atelier by @kaleniwamoto & @julien_silvano and The Wild Within by @ryan.koopmans & @alicewexell around a single question: how the relationships between place, image and presence are replayed, within these other spaces, at once real and suspended. "L'Horloge ou la Mécanique des Seuils" explores the potential of latent space as a site where time is reconfigured: a non-linear time in which layers of memory and traces of fiction overlap. Through artificial imagination, the Bar du Bristol becomes an echo chamber of past images, where figures emerge not as memories, but as afterlives. Heterotopies Opening October 20, 7pm · On view until December 30 📍 DANAE, 17 rue du Bouloi, Paris 1er RSVP link in bio 15 Oct 2026 Artificial Cities compose an imaginary geography of abandoned cities, ruined monuments, and architectures whose origins and functions seem to have been lost. These landscapes recall the architectural capricci of Francesco Guardi, the ruins of Hubert Robert, and the visionary architectures of Piranesi. In each of these representations, architecture breaks free from its historical reality to become a space of mental projection. Like architectural capricci, these images bring together fragments of different places and eras within spaces that have never existed. The ruins do not necessarily bear witness to a past catastrophe: they seem to belong to a suspended world, where civilizations succeed one another, disappear, and are endlessly reborn. The past sometimes takes on the appearance of a distant future, as though time had ceased to follow a single direction. These imaginary cities thus maintain an ambiguous relationship with utopia. They depict impossible places, situated outside history, which may evoke both the remnants of a lost paradise and the promise of a world yet to come. The ruin is no longer merely a sign of disappearance, but also of possible rebirth. It simultaneously contains the memory of what once was and the possibility of what might still emerge. Artificial Cities thus appear as fragments of a mythology without a definite origin. Places that seem to have always existed, destined to disappear and reappear, in a movement reminiscent of the myth of eternal return. Not the remnants of a world irretrievably lost, but images of a world that never ceases to begin again. 12 Oct 2026 “Under the gaze of melancholy, the object becomes allegorical.” In spleen, the present already seems overtaken by its own disappearance. The world appears as fragment, vestige, trace: no longer within the continuity of what is, but under the sign of what is coming undone. Ruin is no longer merely what remains after destruction; it becomes a mode of perception, a way of apprehending reality through the possibility of its loss. Every presence thus carries within it the possibility of absence, and every image becomes the trace of what is fading away. music: Monuments by @jamesonnathanjones the flow https://benjaminbardou.com/the-flow/ 06 Oct 2026 The blinding light of the present Still experimenting with The Flow https://benjaminbardou.com/the-flow/ 01 Oct 2026 For the most motivated. 🔗 https://benjaminbardou.com/the-flow 30 Sep 2026

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DL2V0NnKnHhFIRST CONTACT "We live in the oblivion of our m…
DWWPOFfivXYThe Flow is a film project exploring the stream …
DGILcRRt53s🤩 Happy to exhibit Memories of Degas in collabor…

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