Sablā Stays

Sablā Stays

@callmesabla

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Art Director & Designer @saintheron

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Love and gratitude to @anamibia @artnoirco @queencc @ghettogastro @ghettogray @newmuseum @phaidonpress 🖤 📸 by @mylesloftin 06 Oct 2026 I’m proud to announce something I’ve worked on quietly over the past year in collaboration with @phaidonpress and @newmuseum, ‘ARTHUR JAFA: I AM TONY’ exhibition catalog. The catalog accompanies his largest museum survey to date, opening this Fall on September 26th at The New Museum, curated by Massimiliano Gioni (@massimilianogioni). I’ve been a longtime admirer of AJ’s work, first after an old friend sent me his show studio interview, then coincidentally when my mentor and big sis @michaelaangeladavis invited me to his exhibition at Gavin Brown’s Enterprise in Harlem in 2018. That’s when I became immediately enamored and understood by his work. Thank you so much AJ for selecting me to work on this, we finally got to work on something tangible together. Immense gratitude to Massimiliano, the entire New Museum team, Phaidon Press and their MVP Maia for getting us over the finish line, and of course the entire team at Arthur Jafa Studio. Signed copies of ‘ARTHUR JAFA: I AM TONY’ are exclusively available for pre-order at Phaidon.com. Thank you to: Arthur Jafa (@anamibia) @phaidonpress @newmuseum Judith Butler Gary Carrion-Murayari Ekow Eshun (@ekoweshun) Mark Godfrey (@markgodfrey1973) J. Hoberman Kara Keeling Lawrence Rinder Martine Syms (@martinesyms) Hamza Walker Simone White (@simonefonsiba) 04 Aug 2026 Usually pride shows up for me after the work is already out in the world. This one was different. Every step of the way I felt it in real time, not just in the making but in looking back at everything I’ve created with @saintheron over the years and being tasked with creating one singular home for it all to live in. I’ve spent seven of Saint Heron’s thirteen years behind the scenes grinding with this team. What began as a website, a place where I felt seen since I was 19, has grown into a second family and a cornerstone of my professional life. 𝗘𝗻𝗰𝘆𝗰𝗹𝗼𝗽𝗲𝗱𝗶𝗮 𝗦𝗮𝗶𝗻𝘁 𝗛𝗲𝗿𝗼𝗻𝗶𝗰𝗮 is a fully immersive digital experience tracing Saint Heron’s many forms: publishing house, creative agency, design lab, library, archive, living record. Designed as an index, a portal, and a world of its own, the site gathers objects, films, music, web design, scenic design, printed matter, and the complete Small Matter object rolodex. If you haven’t already, pay a visit to 𝘀𝗮𝗶𝗻𝘁𝗵𝗲𝗿𝗼𝗻𝗶𝗰𝗮.𝗽𝗶𝗻𝘂𝗽𝗺𝗮𝗴𝗮𝘇𝗶𝗻𝗲.𝗼𝗿𝗴 for the full website experience and pick up a copy of PIN–UP 40 “𝗜𝗻𝗱𝗲𝗽𝗲𝗻𝗱𝗲𝗻𝗰𝗲” @pinupmagazine featuring @solangeknowles and @saintheron in conversation with @theastergates. Always, thank you to @solangeknowles and my entire Saint Heron squad. Special shoutout to Kai @thugvodou, for being the support I always desperately need, even when Solange has to force me to ask for it. And always, a special shoutout to the many Saint Heron collaborators I’ve worked with over the years. I’m never truly in design alone. This site came to life by looking back at everything we’ve made together over the years, even the pieces that didn’t make the final cut. @querida__si @studio__otto @angelaadesuwa @tatemegan @alberlaurentiv @studio.obv and more 🖤 Interview @theastergates Photography @kobewagstaff and @seandavidson for PIN–UP Additional imagery courtesy of Saint Heron Creative and Art Direction @solangeknowles for Saint Heron Art Direction and Web Design @callmesabla for Saint Heron Web Development @studio__otto Post Photo Editing @frisianpost 03 Jul 2026 PIN–UP 40 “𝗜𝗻𝗱𝗲𝗽𝗲𝗻𝗱𝗲𝗻𝗰𝗲” Featuring @saintheron and @solangeknowles In conversation with @theastergates at 𝘀𝗮𝗶𝗻𝘁𝗵𝗲𝗿𝗼𝗻𝗶𝗰𝗮.𝗽𝗶𝗻𝘂𝗽𝗺𝗮𝗴𝗮𝘇𝗶𝗻𝗲.𝗼𝗿𝗴 For #PINUP40, PIN–UP presents 𝗘𝗻𝗰𝘆𝗰𝗹𝗼𝗽𝗲𝗱𝗶𝗮 𝗦𝗮𝗶𝗻𝘁 𝗛𝗲𝗿𝗼𝗻𝗶𝗰𝗮 — an anthological exploration of Saint Heron as publishing house, creative agency, design lab, and living record of a practice rooted in vision, trust, and truth. Read the full conversation with Theaster Gates in #PINUP40, part of the anniversary issue box set, and experience the complete world of Saint Heron. 📸 @kobewagstaff 04 May 2026 𝘵𝘦𝘯𝘥𝘦𝘳 𝘩𝘦𝘢𝘳𝘵, amerikahaus münchen Collaborated again with my dear @micaiahcarter for the first time in a while for his first international show at @amerikahaus münchen. Thank you so much for tapping onto me Micaiah 🤎 📸 Exhibition Photography by @billie_clarken 10 Mar 2026 a series of random, fortunate, and unfortunate events… 16 Jan 2026 A 5 year journey of love, intention, honor, and reflection. Amaza’s story reflects so much of my own creative journey. The path of a Black woman working across disciplines, shaping worlds through imagination and skill, and carrying the weight of many identities while still choosing to make with clarity and intention feels deeply familiar. And within that, the experience of loving another woman and building space from that love, allowing intimacy and partnership to become a foundation for creative expansion mirrors my own path in a way that feels grounding. Her life shows how creativity, identity, and love can move together and open room for new possibilities. The making and sharing of this book symbolizes more than anyone could ever know and for that I’m so thankful to have a hand in bringing just a piece of Amaza’s ever expansive life to the world with @saintheron. – Sabla Stays ——— Saint Heron Press and The Saint Heron Library Present: ‘Azurest Blue: The Life and Legacy of Amaza Lee Meredith,’ a research journal zine on the passion-driven life and career achievements of twentieth-century Black and queer architect, artist and educator, Amaza Lee Meredith (1895–1984). 
Publishers Saint Heron Press Editor, Art Direction, Creative Director @solangeknowles for Saint Heron Executive Editor + Executive Project Manager  @thetrillfairy for Saint Heron @_kingshabazz_ for Saint Heron Book Designers Sablā Stays for Saint Heron @thugvodou for Saint Heron Zine Production & Printer Harley Smart At Antiesm Books BookArt, Montreal Videography: Matus Racek Photography: @rafaelrios__ Sound Designer and Music : Solange Knowles Recording Engineer: Mikaelin ‘Blue’ BlueSpruce Editor: Matus Racek, Stefani Saintonge, Solange Knowles Special acknowledgment is extended to Virginia State University. The research, information, and access that informed this work were made possible through the Virginia State University Special Collections and University Archives. Special thanks is extended to National Register of Historic Places – Sourced by Calder C. Loth. Special thanks is extended to Sabato De Sarno for the generous support. www.saintheron.com 25 Nov 2025 Soft launching my public speaking abilities with @solangeknowles and @saintheron 🥹. On October 13th, I sat beside my favorite collaborators, Shantel (@thetrillfairy ) and Solange, for the announcement of her scholar-in-residence role at USC Thornton School of Music (our girl is a professor 👩🏾‍🏫!). This day was extremely grounding for me as I listened to young undergrads reflect onto me words that felt like Deja vu post-discussion. Hearing young women who looked and sounded like me ten years ago share how and why it means so much to have a curriculum brought in by Solange and @saintheron at a PWI speaks to the core of the essential need for expansion beyond the boundaries we’ve been fed across many disciplines. Especially within academia. The forthcoming work and opportunity made possible by Solange, @jasonkingsays, and @uscthornton to come in 2027 is necessary and exciting to play a part in. Cheers to the work of @saintheron cementing itself in the canon of academia and musical curation. You know we been doin this! And as always gratitude to you @solangeknowles for inviting me to be a part of this conversation and announcement 🥂 📸 by Emma McIntyre of @gettyimages 31 Oct 2025 @michaelaangelad and I did a thing! Well, we’ve done many things together. I had the honor of designing the cover for my mentor, big sis, and auntie in taste! memoir ‘tenderheaded,’ published by @simonandschuster and edited by @yahdon. I’ve known Michaela since I was 19, though I later realized we first met when I was about 16 years old at Career Day at the High School of Fashion Industries (@fashionhighnyc) where I attended. We’ve crossed paths more than once and were truly destined to build the connection we have today. From designing decks for The Hair Tales when it was just a conversation series on the grounds of AFROPUNK, to tote bags adorned with vintage Ebony ads and 70’s hair ads, to leading design for her Hulu show of the same name, our creative journey has been full circle. I’m so happy we’ve collaborated again on something so near and dear, a memoir rooted in vulnerability and poetry in its purest form. I’m beyond grateful to have been part of your journey as an artist, curator, image activist, Black woman lover, and now, writer and author (although you’ve always been one). I love you deeply and am so proud to experience you anew through the pages you poured your all into. Here’s to many more creative collaborations and oyster dates filled with laughter and kiki’ing! 🥂🦪 17 Oct 2025 proof that I actually go outside. 03 Jun 2025 My faves over at @equatorproductions tapped me to create title graphics for a behind-the-scenes look at @walesbonner prepping for this year’s “Superfine: Tailoring Black Style” Met Gala, as she designs @omar.apollo’s stunning look. See slide 2 for exclusive moments captured in collaboration with @gq + @shopwithgoogle. __________ Client: @GQ @shopwithgoogle Talent: @walesbonner Production Company: @equatorproductions Agency: @equator.studio Director: @joshuakissi DOP: @anthonyprinceleslie Executive Producer: @ashleycimone Executive Producer: @anthonyprinceleslie Project Manager: @chanel.hinds Editor: Piacere Ryan Hansen Color: @breezus_christ Sound Mix: @reshaard Sound Design: @lewdacrisp GFX/Titles: @callmesabla VFX: Michael Cella NEW YORK CREW  Line Producer:  @burberryboxers Production Manager: @nemfisher 1st AD: @donnadonnamarie 1st AC: @commancheapache171 2nd AC: Ruben Herrera  2nd AD: Matt Hausmann Gaffer: @johnhbusch Key Grip: Yoel Collado BBE: Bryan Cardenas BBG: Chris Feleppa G&E Driver/Swing: Maxwell Bagnis G&E Driver: Dardenne Mixon Set Dresser: Stockton Hall Grace’s Nail Tech: Mayumi Abuku Grace’s MUA: Yumi Lee Grace’s Hairstylist: Dre Demry Sanders Grace’s Hairstyling Assistant: Nita J Stowe Van PA:  Danny Schmidt Set PA: Akil Mavruk LONDON CREW Line Producer: @mishparti Production Manager: @sophiadembitzer Production Coordinator: Jo Thompson 1st AD: Sascha Marden DOP: @anthonyprinceleslie 1st AC: @emmyland @emmyw0rld 2nd AC: @wesolowska_ada Camera Trainee: @kiffy_camera  BTS Photographer: @kaiferjoseph Gaffer: @ironhandfilmlighting Electrician: @bogdan.roth.robert Electrician: Sam Hussein Electrical Trainee: Francisco Alves Duque Grip: @sw_grips Grip: @Jordancaheath  Sound Operator: Adina Istrate DIT: Stuart McConville Production Designer: @mitchellfrankfenn PD Assistant: @_mey.line_ Manicurist: @jessica_ciesco Makeup Artist: @dandelgado_ Hair Stylist: @alexpriceglam Stylist Assistant: Kimia Amini PA: Adam Sarr Runner: Angela Ogunfuri Runner: Jack Savage AD Runner: Mo Ali Medic Dean Omar 21 May 2025 Touched a lot of grass, sand, and dirt these past few months. 03 Sep 2024

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