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@saintheron
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04 Nov 2026
Notes on 7 Years Of Recording Production
-I am most proud of my drum production improvement. We really knocking round here.
From getting my ass back on the drum kit, to teaching myself timpani, to unlocking new programming systems…
The thing that used to challenge me the most within my production, is now flowing like wataaa, and has become my favorite shit to do
-I tried, but Im still recording everything on the Shure 58. Vocals, Piano, Drums, Tambourines, Guitar.
My engineers who used to get stressed about this don’t even sweat it no more. I think we all know now when we pull out all the right mics, something happens within the playing that just don’t be bussinn.
-I gave up on the click track entirely. Tap ya foot sis.
-I have been writing, producing, and recording predominantly in Miami (S/O El Portal and Little Haiti) but have been fucking around and making a ton of shit in Upstate New York, Midtown, Atlanta, Los Angeles, and Paris as well. These days I need to be producing in the south, and I can’t write lyrics unless I’m sweating a lil bit.
-Speaking of the soufff, most folks I been musically collaborating with lately reside in atllllll
-Me and my recording engineer brothers Nino and Blue still go together real bad. It’s just been me and them 90% of the time in the room over these past 7 years and their energy gives me so much charge. Me and Nino been rocking since Solo Star era. Blue and I since the True sessions. But I think these sessions we have gotten to know each other the most. It’s crazy how much they have seen me grow and how much trust there is between us. They both move as slow and as fast as I do and for that I am forever grateful.
-I rarely get bounces at the end of the sessions no mo. My ears require breathing a lot more and all that obsessive retention and studying and microing in I used ta do, no longer serves me.
-I now like waking up mad early to edit drums, bass and keys in the quiet morning light when my monkey brain is more settled.
-I listened back to my piano on Scales from ASATT and have presently been trying to match that energy on the keys even though that joint was out of tune. The spirit is alive and well.
04 Nov 2026
Artina McCain Performing “A Fungus Amungus” directed by me for @performanyc Live On Broadway, a variety show at The Town Hall in NYC On June 10th, 2026
“A Fungus Amungus” Composed By Mary Lou William’s, is An excerpt from Saint Heron’s Glory to Glory (A Revival for Devotional Art), part of Saint Heron’s Eldorado Ballroom programed by me, honoring the enduring relationship between music, faith, and spiritual devotion through the work of two extraordinary Black women artists.
28 Oct 2026
Kara Jackson Live For “Paper in My Shoe,” Programmed By Me, for Saint Heron At The Historical Eldorado Ballroom, June 14, 2025
“Paper in My Shoe” celebrated Black women’s longstanding contributions to folk, Zydeco, and instrument driven music, honoring the enduring relationship between language, lyricism, and the art of telling our own stories.
From the wit of Jackson’s “Dickhead Blues” to the audacious sensuality of Ledet’s “You Can Eat My Poussiere,” the evening explored the explicit power of black women’s voices to articulate the complexities of desire, identity, and lived experience.
Program And Creative Director: Solange Knowles
Lighting Designer: John Torres
Associate Director: Carlos Soto
Special Thanks : Issey Miyake
28 Oct 2026
Eldorado Ballroom “Contrapuntal Counterpoints”, programmed and directed by me for @SaintHeron featuring multi instrumentalist William Parker
S/O : Patrice Rushen, Jeri Lynne Johnson, Zoie Reams, Bilal, J*Davey, Liv.e, Cooper-Moore, Michael Wimberly, Malcolm J. Merriweather, Dominique Johnson, Moses Sumney, GMWA Women of Worship Choir, and the spirits of Julia Perry and Mary Lou William’s that transcend 4 evaaaaa
26 Oct 2026
Artina McCain “A Fungus Amungus” directed by me for @performanyc Live On Broadway, a variety show at The Town Hall in NYC.
An excerpt from Glory to Glory (A Revival for Devotional Art), part of Saint Heron’s Eldorado Ballroom programed by me, McCain performs Mary Lou Williams’s “A Fungus Amungus,” honoring the enduring relationship between music, faith, and spiritual devotion through the work of two extraordinary Black women artists.
Directed by: Solange Knowles for Saint Heron
Associate Director: Carlos Soto for Saint Heron
Costume Design: Solange Knowles
Costume: Luar
Wardrobe Manager: Ruth Thao
Makeup: Miguel Ramos
Hair: Andrita Renee
26 Oct 2026
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22 Oct 2026
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22 Oct 2026
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22 Oct 2026
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15 Oct 2026
no man cast nooo shadowww
15 Oct 2026
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08 Oct 2026
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