@anamibia - IGDataHub

Arthur Jafa

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@anamibia

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See Instagram photos and videos from Arthur Jafa (@anamibia)

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www.phaidon.com/en-us/products/arthur-jafa-i-am-tony?variant=48323026190436&_pos=1&_sid=f237d1dc3&_ss=r

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#larahughes #arthurjafa #issue07 #arthurjafabook #listeningtoimages #mickeymouse #milesdavis #scorpio #judithbenhamoureports

Recent posts

Arthur Jafa for AnOther Man Winter/Spring 27 Disappear Here Photography: @nick_knight Styling: @sadie_davies Text: @nopeconnor Hair: @keiterada Make-up: @lauradomini2 Photographic assistants: @gilwarneruk, @oldnightkidwang and #LaraHughes Production: @liberteproductions Artwork: @anamibia  Artwork courtesy and copyright the artist and Gladstone, Sprüth Magers, and Sadie Coles HQ, London Editor-in-chief: @elliegracecumming Art director: @jonnylu Editor: @jackstuartmills Group editorial director: @jeffersonhack AnOther Man Winter/Spring 27 is on sale from November 5th 02 Nov 2026

Arthur Jafa at his studio in LA. Outtakes from the @m_magazine story earlier this year. 13 Oct 2026

Arthur Jafa’s work is always unmistakably his own—if the 65-year-old Mississippi native was involved in a project, his potent and complex perspective shines through loud and clear. Naturally, that’s also true of the way Jafa dresses. After falling in love with fashion in the ’80s through Martin Margiela’s boundary-pushing collections, Jafa has grown into one of the consistently most stylish men in contemporary art, with a penchant for freaky Rick Owens concoctions, hardwearing Visvim workwear, and sleek Fear of God tailoring. With a sprawling survey of his work, 'I Am Tony,' now on display at New York City’s New Museum—and an excellent accompanying catalog out now from Phaidon—@c.fenimore met up with @anamibia to discuss the fashion industry’s relationship to Blackness, his deep love for comic books, and the film projects he hopes to pursue next. Read the full interview at the link in bio. Photographs by @c.fenimore 11 Oct 2026

“Now, it’s not being pop, it’s just being in the world. Our work is in the world,” says Arthur Jafa. For Jafa and Mohamed Bourouissa, popular culture isn’t something that sits apart from art. Comics, manga, rap, Marvel, French hip-hop and the images they grew up around exist alongside art history as part of the same visual vocabulary. Brought together in London for POP, #Issue07 of Dazed MENA, the two artists pick up a conversation that began years ago. In conversation with Tamar Clarke-Brown, they move through representation and its limits, violence and its fallout, instinct, sound, and what happens when work escapes its maker and enters popular culture. Photographed by Jessica Madavo. Tap the link in bio to read the full conversation. 🔗 Cover photo shot at Bus Cafe, Waterloo. Special thanks to @st.clementinelondon @180.studios and @referencepoint180 Photographer @jessicamadavo Words @licklemore_ Editor-In-Chief @ahmadaswaid Deputy Editor @sarraalayyan Art Director @da.o.ud Photo Editor @fatimamouradd Fashion Director at Large @omaimasss Creative Director at Large @chndy_ Content Director @fadynageeb Fashion Editors @marligger @z_ztape Social Editor @zeinkaram 02 Oct 2026

A career-spanning survey of the celebrated and resonant work of Arthur Jafa (@anamibia). Richly illustrated with 165 images representing the full breadth of the artist’s practice — including his films, videos, installations, photographs, and sculptures — ‘I Am Tony’ is an expansive exploration of Jafa’s most acclaimed work. Accompanying a major solo exhibition at the New Museum (@newmuseum) in New York, the book includes an interview with Jafa by Massimiliano Gioni (@massimilianogioni); a roundtable discussion with Gary Carrion-Murayari, Simone White (@simonefonsiba), Mark Godfrey (@markgodfrey1973), Ekow Eshun (@ekoweshun), Martine Syms (@martinesyms), Hamza Walker and more. Together, the exhibition and accompanying book will constitute the most comprehensive presentation, to date, of one of the most important and influential artists of this generation. ‘I Am Tony’ is now out worldwide. Shop at the link in bio. #ArthurJafa #ArthurJafaBook 01 Oct 2026

I Am Tony There are a limited number of signed copies available for purchase in the New Museum Store. Additional signed copies and catalogues are available for purchase through the link in bio and the @phaidonpress website 🔗 25 Sep 2026

“I grew up with some artists who thought ‘I’m an artist first, not a Black artist,’” Arthur Jafa (@anamibia) tells the New York Times. “They were running away from being Black in order to be seen as ‘universal.’ My art is super-Black. My interests are super-Black. But for me, Black is not a narrow idea.” “Arthur Jafa: I Am Tony,” the largest survey of the artist’s work to date, opens September 24 at the New Museum. Through prolonged and thoughtful engagement with social media, internet culture, cinematic history, and popular music, Jafa wields an arsenal of images to communicate the complexities of contemporary Black life, along with the way it is both imagined, commodified, and consumed. Read Holland Cotter’s profile of Arthur Jafa in the New York Times using the link in bio 🔗 🎥: Visuals by Gioncarlo Valentine and cinematography by Sophia Alloggiamento for the New York Times. 14 Sep 2026

magazine issue zero. BEN GAZARRA and the Judas goat. ARTHUR JAFA in conversation with TREMAINE EMORY Artwork ARTHUR JAFA 07 Sep 2026

Arthur Jafa doesn’t want to tell you what to think. He wants to destabilize what you already believe. @anamibia As one of Whitewall’s Summer Impact Issue cover stars, the artist opens up about the power of images, his dialogue with Richard Prince, and “Helter Skelter” at Fondazione Prada in Venice. From appropriation and Black culture to intuition, ambiguity, and the possibility that things can always be otherwise, discover the full cover story on Whitewall.art 26 Aug 2026

📡 @anamibia citations —— on free association. audio via @art21 extended play ‘sequencing the notes’ (2025) #ListeningToImages #ArthurJafa #MickeyMouse #MilesDavis #Scorpio 27 Jul 2026

Evil. Finally received the impressively dark catalog of the Arthur Jafa s show organized in 2022 @luma_arles . Watch @anamibia s interview since 2019 in ➡️➡️➡️➡️#judithbenhamoureports ✍️and on my YouTube channel 🪾. Link in bio. Merci @thomaslozinski 15 Jul 2026

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498 posts & reels

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shortcode	caption	likes	comments
DfPhmu7CFQm	Arthur Jafa for AnOther Man Winter/Spring 27 Di…
DfPeKBdiBUV	Arthur Jafa for AnOther Man Winter/Spring 27 Di…
DecNf3yFOIK	Arthur Jafa at his studio in LA. Outtakes from t…

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Everyone who follows them

up to 50,000 followers of 80,372 total

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username	full_name	user_id	is_verified	is_private	profile_pic_url

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$250.00

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up to 2,180 accounts

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username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

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Every post & reel

498 posts & reels

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minimum

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

See a sample

shortcode	caption	likes	comments
DfPhmu7CFQm	Arthur Jafa for AnOther Man Winter/Spring 27 Di…
DfPeKBdiBUV	Arthur Jafa for AnOther Man Winter/Spring 27 Di…
DecNf3yFOIK	Arthur Jafa at his studio in LA. Outtakes from t…

Real rows from this account. The file continues in the same shape.

Everyone who follows them

up to 50,000 followers of 80,372 total

$250.00

Handle, full name, ID, and verified/private flags for each follower.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

Everyone they follow

up to 2,180 accounts

$10.90

Every account this one follows, same fields.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

You only pay for rows we deliver. Counts are the maximum available today; if an export comes back smaller, the difference is refunded automatically. Counts as last collected 5 hours, 21 minutes ago.