68.7K
Followers
1,731
Following
967
Posts
N/A
Reels
6
Highlights
6/6
Photos/Videos in last 12
Bio
Explore 1,500+ museums, sculpture parks, cultural spaces, and more with Bloomberg Connects! 🎨🏛️📲
-
Avg likes
-
Avg comments
-
Engagement
0.4/wk
Posting
Likes and comments are still being collected for this account. Check back shortly.
#bloombergconnects#worldartday#diwali#festivaloflights#daytonartinstitute#artgallery#artsandartists#guggenheim#newyork#nycart
Recent posts
Betye Saar’s legacy shows that “art can be personal, allegorical, political, all at the same time” - Christophe Cherix, The David Rockefeller Director at @themuseumofmodernart
Artist Betye Saar broke the mold by embracing found objects, non-traditional materials, and even recycling her own work, all while balancing the demands of raising her family.
🎧 Hear Saar speak directly about her life and work in the MoMA guide. 🔗 in bio.
19 Oct 2026
We stood on the steps of @nypl and asked, “What do the arts mean to you?” Each answer was artful in its own right.
Now we’re asking you: What do the arts mean to you? Tell us in the comments. 👇
03 Nov 2026
Art speaks every language 🎨
Whether it’s a gallery across the street or a masterpiece across an ocean, art has a way of connecting us all. On #WorldArtDay (and everyday) we’re helping to make those connections.
Tap the 🔗 in our bio to start your global tour✨
15 Apr 2026
Known as the Festival of Lights, Diwali celebrates the triumph of good over evil. Homes are cleaned, diyas are lit, rangoli designs bloom across doorsteps, and sweets are shared with family and friends.
This 18th-century Jain shrine from Gujarat, India, would have been at the center of those celebrations. Carved to resemble a full-scale temple, it was likely commissioned by a wealthy family who wanted a place to worship at home. Look closely, and you’ll find musicians and dancers carved into the wood, elephants on the roof, and glass inlay that catches the light.
Which carved detail caught your eye first? Tell us in the comments 🪔
Happy Diwali! ✨
🏛️: Dayton Art Institute @daytonartinstitute
📍: Dayton, Ohio
📷: Artist(s) unknown (India, Gujarat), Jain Shrine, 18th century, wood with relief, glass inlay and traces of pigments, 62 x 55 x 32 inches (157.5 x 139.7 x 81.3 cm). Dayton Art Institute, Museum purchase with funds provided by the Carnell Bequest for Fine Arts Objects, 1945.66
#Diwali #FestivalOfLights #DaytonArtInstitute
01 Jan 1970
Meet Tschabalala Self (@tschabalalaself) at her Catskill studio. We visited a few weeks ago, catching up ahead of her latest exhibition, now on view at Petzel (@petzelgallery) in New York. Alongside new paintings, it includes something she hasn’t shown before: sculptures cast in concrete. The show comes right after her New Museum façade sculpture and her Fourth Plinth commission in London, and it’s built around a question she keeps returning to: what does it mean to treat a body, or a work of art, as something worth devoting yourself to?
In the studio, she walks us through the figures she’s assembling on the floor, the sculptures that started as stage pieces for her 2021 Performa commission, and the miniature models she uses to plan her exhibitions. Upstairs, past the cameras from our shoot, we see a second sewing desk alongside her favorite spot in the building: the library.
Head to YouTube to see Tschabalala in action while talking through how she works: why she still calls herself a painter even as she turns increasingly to sculpture, how the Harlem bodegas of her childhood became the setting for her breakout series, and why she builds her figures from recycled fabric rather than starting clean. It’s the second of six episodes brought to you by Bloomberg Connects (@BloombergConnects) — which offers expert-curated guides to 1,500+ museums, galleries, and cultural spaces worldwide. Tschabalala’s Fourth Plinth Commission “Lady in Blue” and her sculpture “Art Lovers” on the facade of the New Museum in NY are both featured in their respective guides.
08 Nov 2026
On view in November at @iaahillyer!
“La Casa en la Montaña” by Diana Mercado explores memory, migration, and the invisible inheritance we carry with us. Drawing from her childhood in Ecuador, family stories, Andean landscapes, and the experience of immigration, the exhibition brings together 16 paintings where memory and imagination intertwine.
The show’s title, translated to “The House in the Mountains”, explores belonging, cultural inheritance, and the persistence of identity. Through landscape and feminine figures, Diana explores past and present, homeland and diaspora, affirming cultural memory not as something fixed in the past, but as a living presence that continues to evolve.
Together, these works form a journey through remembrance and belonging, reflecting how the places we leave continue to shape who we are and who we become.
“La Casa en la Montaña” closes in Dupont Circle on November 29th but is available in the International Arts & Artists guide on @bloombergconnects, where you can explore the full works on view and hear more from the artist in her own words (𝗶𝗻 𝗯𝗼𝘁𝗵 𝗘𝗻𝗴𝗹𝗶𝘀𝗵 𝗮𝗻𝗱 𝗦𝗽𝗮𝗻𝗶𝘀𝗵).
Link in our bio!
#artgallery #bloombergconnects #artsandartists
07 Nov 2026
I was completely drawn into Taryn Simon’s ‘Father Country I Do Love You’ at @guggenheim, an immersive exploration of family, history, and memory that fills the iconic rotunda.
One of my favorite parts was experiencing it through their digital guide on @bloombergconnects, which features narration by Jodie Foster and an AI-generated voice that resembles Simon’s father’s. Hearing those voices guide you through Simon’s sprawling story adds another layer to the experience.
Check it out for yourself!
📍 Guggenheim, 1071 Fifth Ave (& 88th St)
🗓️ Through March 14, 2027
⏰ Daily, 10:30am–5:30pm
🎟️ Pay-what-you-wish admission every Tuesday and Sunday, from 4–5:30pm
#bloombergconnects #guggenheim #newyork #nycart #artexhibition
06 Nov 2026
Lu Yang's 'DOKU: Yama Māyā' takes the concepts of Yama, the Lord of Death, and Māyā as its point of departure. Through the continual transformation between digital bodies, traditional bodily performance, motion capture, Buddhist artworks from LACMA’s collection, and virtual environments, the work reflects on death, cyclic existence, and illusion, as well as how bodies, identities, and worlds are experienced as ever-changing manifestations. It further asks whether there is truly an absolute boundary between what we ordinarily call “reality” and digital or virtual manifestation.
DOKU, the artist's digital avatar, is shown dancing an Indian traditional dance and practicing 'Shua Ya,' a traditional Chinese theatrical performance that involves rapidly protracting and extending tusk-like teeth through movements of the mouth and tongue. The sonic component of 'DOKU: Yama Māyā', which plays out in the Foundation's galleries, was created by the artist and structured around Buddhist mantras that unfold along the logic of a sonic journey: purification, expansion, wisdom, propulsion, stabilization, purification again, transcendence, and finally vajraic manifestation.
Check out the @hillartfoundation digital guide for 'Thucydides Fever Dream' on @bloombergconnects to discover more about 'DOKU: Yama Māyā'!
Lu Yang, DOKU: Yama Maya (still), 2026. 4K video created with Unreal Engine, original music by LuYang. Commissioned by the Los Angeles County Museum of Art (LACMA). Courtesy of the artist
Installation view: Thucydides Fever Dream. Hill Art Foundation, September 16–December 19, 2026 © Hill Art Foundation. Photo: Thomas Barratt
#ThucydidesFeverDream #XinWang #LuYang #HillCollection #HillArtFoundation #ContemporaryArt #BloombergConnects
05 Nov 2026
Kaska Dena photographer Kali Spitzer made “Audrey Siegl” and “Honouring Maria” eight weeks after Audrey’s sister Maria passed away. The works pay tribute to Maria and all Indigenous individuals who have been stolen, murdered, and are currently missing. “Our hope when visitors are looking at these works,” Spitzer says, “is that they hear our stories and see our faces and connect with us.”
Discover the stories for yourself in the @theamoncarter guide. 🔗 in bio.
🏛️: Amon Carter Museum of American Art
📍: Fort Worth, Texas
📷: Kali Spitzer (b. 1987, Kaska Dena / Jewish), Audrey Siegl, 2019, dye coupler print with audio, Amon Carter Museum of American Art, Fort Worth, Texas, P2023.22, © Kali Spitzer | Kali Spitzer, Honouring Maria, 2019, dye coupler print with audio, Amon Carter Museum of American Art, Fort Worth, Texas, P2021.59, © Kali Spitzer
04 Nov 2026
¡Feliz Día de Muertos! 🕯️ Watch this year’s Ofrenda come together at @museomodo.
Rooted in Mexican traditions, Ofrendas are built for Dia de Muertos to honor the dead and welcome the spirits of loved ones home. Every element has a purpose: marigolds guide spirits with their color and scent, candles light the way, and food, photos, and keepsakes show that they’re remembered.
Explore more from MODO, a museum dedicated to the everyday objects that tell the story of who we are, in their digital guide. 🔗 in bio.
🏛️: Museo del Objeto del Objeto (MODO)
📍: Mexico City, Mexico
📷: Museo del Objeto del Objeto, 2026.
02 Nov 2026
Waking up after the clocks change, unsure what day, time, or year it is 😵💫
#DaylightSavingsTime #19thCenturyArt
🏛️: Blackburn Museum and Art Gallery @blackburnmuseum
📍: Blackburn, Lancashire, England
📷: Study, Female Figure, Paul Émile Boutigny (1854–1929). Image credit: Blackburn Museum and Art Gallery.
01 Nov 2026
🔴 Spot the difference. 🔴
Roy Lichtenstein borrowed the visual language of comics and ads, like bold outlines, bright colors, and that classic smiling heroine, to make something new. I borrowed his to make something wearable:
🟡 A yellow dress with hand-painted black linework
⚪️ A white bodysuit covered in red dots
🔴 My face, painted to match hers
Look closely at the painting and you’ll notice something else: she’s painted as if she’s leaning out through an open window from inside the building. Now she’s stepping out of the frame for real. 🪟
Find Yourself in Art. Or in my case… become it.
Find out more about this work in the Whitney’s guide on @bloombergconnects, and see Roy Lichtenstein: Like New at @whitneymuseum.
🎨 Roy Lichtenstein, Girl in Window (Study for World’s Fair Mural), 1963. Oil and acrylic on canvas, 68 1/8 × 56 in. (173 × 142.2 cm). Whitney Museum of American Art, New York; gift of The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President 2002.254. © Estate of Roy Lichtenstein
#RoyLichtenstein #WhitneyMuseum #BloombergConnects #FindYourselfInArt #ArtfullyAwear
31 Oct 2026
Follower tracking
We have started recording @bloombergconnects, but only 1 observation so far — not enough to show a trend yet. Track it weekly →
Download @bloombergconnects's data
Everything below is derived from this account, priced on the counts shown. Delivered as CSV by emailed link.
You only pay for rows we deliver. Counts are the maximum available today; if an export comes back smaller, the difference is refunded automatically. Counts as last collected 22 hours, 37 minutes ago.
Tracking
What we have recorded about @bloombergconnects over time, and ongoing alerts.
Other reports
Not downloads of this account: they take their own inputs.
Similar accounts
Accounts we track that share hashtags, mentions or bio topics with @bloombergconnects.
@corvimora
17.3K followers
Also uses #artexhibition
@bsoa.bm
2,904 followers
Also uses #artexhibition
@_troy.lee_
3,883 followers
Also uses #artgallery
@refikanadol
1.1M followers
Also mentions @themuseumofmodernart
@coelocanthe
61.7K followers
Also uses #nycart
@tassosvrettos
4,036 followers
Also uses #artexhibition
@elledecor
4.3M followers
Also mentions @petzelgallery
@parlastudios
2,483 followers
Also mentions @guggenheim