@bjp1854 - IGDataHub

British Journal of Photography

@bjp1854

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The home of British Journal of Photography. Established 1854. Learn more 👇

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#prixpictet #photography

Recent posts

Revealing the cover of our POLITICS issue by Nikita Teryoshin @teryoshi. ⁠ ⁠ This summer, Pussy Riot invited Nikita Teryoshin to photograph their protest against the Russian Pavilion at the Venice Biennale; shooting the action, he helped propel it into the wider world, entering a complex nexus of expression and publicity. What does it mean to use images to help protest against art? Is photography part of politics, and if so can it also be stopped? Our cover feature by Lillian Wilkie sums up the questions in this issue of BJP, which is themed Politics and considers the relationship between photography and the way our world is operated. ⁠ ⁠ “You could say the photographs become more important than the action itself. There were maybe 200 people there at that moment. But the only thing the world will see are the pictures,” says Nikita Teryoshin.⁠ ⁠ Including Teryoshin’s images of Pussy Riot, arms fairs, art fairs, and parades, this issue of BJP also explores how images have become part of the war in Ukraine, or helped Jean-Marie Le Pen establish his far-right party in France – as well as how artists are subverting political posturing or building cases against the authorities that have failed them. We are living in interesting times; are images helping shape them and if so, to what end? ⁠ ⁠ POLITICS is available exclusively to all BJP Members on our Online Library. Subscribe via the link in bio and get full digital access to 8+ years of back issues, plus free entry to Portrait of Britain Vol. 9, now open for entries.⁠ ⁠ Become a Member via the link in bio. ⁠ ⁠ 📷️: @teryoshi⁠ ⁠ 27 Oct 2026

A letter from BJP’s Creative Director Mick Moore on pausing print, and what comes next. 19 Oct 2026

In Paris for Paris Photo? Join us this Friday – we’d love to see you there!⁠ ⁠ @miriamali @seemakhalique @linageoushy and @sebahchaudhry come together to discuss who makes the images, who is pictured in them, and what changes when women hold the camera and shape the archive. Lina Geoushy brings her insights into combining intergenerational histories and the present moment to represent a community more usually defined by stereotypes.⁠ ⁠ Places are free but limited, so email now to secure yours.⁠ ⁠ 💫 Friday 13 November from 10.30am⁠ 💫 9/11 rue de Constantine, 75007 Paris⁠ 💫 Free – book now via [email protected]⁠ ⁠ @bjp1854 @autographabp @britishcouncilfr⁠ ⁠ 12 Nov 2026

Nayra Aly's Baba is part of her hybrid memoir Longing for Belonging, a project that reflects her evolving relationship with her father.⁠ ⁠ His long absence during her childhood left her grieving a presence she feared losing altogether. Today, they are learning to rebuild as two adults. His traditional Egyptian thawb contrasts with her jeans and white t-shirt, embodying generational divides between tradition and modernity, presence and absence, and the complex ways love is expressed and understood.⁠ ⁠ A single image winner of Female in Focus x Nikon 2025, Baba is a portrait of two people finding their way back to each other. On show at @image.museum.ireland until 23rd December. ⁠ ⁠ 📷: @nayraaly⁠ 11 Nov 2026

Sam Faulkner has made award-winning work in Afghanistan, travelled from Colombia to Mexico for his long-term project Cocaine Wars and shown a series on Waterloo battlefield re-enactments at Somerset House. But it was a blank wall in his own home that prompted his latest project: Print Swap. ⁠ ⁠ Inspired in part by a conversation with Magnum photographer David Hurn, Faulkner founded Print Swap on the idea that photographers might want to collect and live with work they admire without paying exorbitant prices.⁠ ⁠ The app connects image-makers around the world to exchange physical, editioned prints – no money changes hands, there are no ‘likes’ and clicks, and no hierarchy. In an era where images are simply swiped by, Print Swap is aiming to bring photography back into homes in a democratic way. ⁠ ⁠ Read more at the link in our bio.⁠ ⁠ 📷️: @simoncroberts | @print.swap⁠ 🖊: @hohumha 11 Nov 2026

Ahmed, Aseel, Samar and Joudi, four siblings from GaⓏa City, have found refuge in Cairo. Since the outbreak of the Gaza war, more than 100,000 Palestinians have fled to Egypt.⁠ ⁠ Without residency status, the siblings cannot attend school or work. As they try to cope with their new situation and learn online, their thoughts are often with family and friends still in Gaza. those left behind. More than 70,000 people have been killed in Gaza since October 2023, according to the Gaza Health Ministry, with an estimated 80% of them civilians.⁠ ⁠ Laila Seiber's image, a single image winner of Female in Focus x Nikon 2025, holds this reality with clarity and care, and is on view at the International Centre for the Image, Dublin, until 23 December. ⁠ ⁠ 📷: @lailamareen⁠ 10 Nov 2026

Inspired by Virginia Woolf’s A Room of One’s Own, new agency The Other Room was launched to give female creatives the space, support and opportunities to build careers on their own terms. Photographer Hanna Moon, writer Moffy Gathorne-Hardy, and agent and artist advisor Sarah Dawes pooled their experience and determination to form this new creative force. The founders wanted it to be more than just an agency – The Other Room had to be about challenging existing structures, celebrating women across generations and creating a more sustainable future.⁠ ⁠ With an opening roster featuring photographers Donna Trope, Leigh Johnson, Sandy Kim and Hanna Moon herself, alongside artist Frances Waite, the agency is starting small but has big ambitions. While creative independence is the beginning, the ultimate aim is to champion female ownership and meaningful change in an industry where male photographers are often paid more and have more opportunity.⁠ ⁠ Alongside the agency, the group has launched The Other Times, a publishing platform starting conversations around creativity and the realities of working as a woman in the arts.⁠ Read more at the link in our bio⁠ ⁠ 📷️: @theotherroomrepresents⁠ 🖊: @dismy 10 Nov 2026

Join @miriamali @seemakhalique @linageoushy and @sebahchaudhry in⁠ Paris this Friday!⁠ ⁠ Sadly @camille.lenain can't make it but we're very happy to welcome⁠ Lina Geoushy to the conversation, bringing her insights into combining⁠ intergenerational histories and the present moment to represent a⁠ community more usually defined by stereotypes. Who makes the images,⁠ who is pictured in them, and what changes when women hold the camera⁠ and shape the archive?⁠ 💫 13 November from 10.30am⁠ 💫 9/11 rue de Constantine, 75007 Paris⁠ 💫 Attendance is free but must be confirmed via [email protected]⁠ @bjp1854 @autographabp @britishcouncilfr 10 Nov 2026

CHANEL Cultural Fund is backing a Photography Curator at London's National Portrait Gallery – the first time it's supported a medium-specific role at the institution, and announced as an exhibition of work from the NPG is on show at the CHANEL Nexus Hall in Tokyo, including works by Tami Aftab, Jack Davison, and Juergen Teller. It's part of CHANEL Cultural Fund's growing programme of photogaphy partnerships, which also include supporting Jimei x Arles International Photography Festival and Kyotographie, and an ongoing collaboration with Cindy Sherman – the latest iteration of which is on show at Hauser & Wirth. ⁠ ⁠ Meanwhile, CHANEL Cultural Fund is also backing wider arts and cultural projects, including partnerships with institutions such as Centre Pompidou, Paris; Power Station of Art, Shanghai; Leeum Museum of Art, Seoul; and Museum of Contemporary Art, Chicago. It also produces an annual magazine, Arts & Culture, the latest issue of which just launched – including a cover feature on Sherman, and an interview with Victoria Siddall, director of the NPG. ⁠ ⁠ “At the heart of the work of the CHANEL Culture Fund is cultivating care for ideas, for artists, and for the irreplaceable act of making something new,” says Yana Peel, President of Arts, Culture & Heritage at Chanel. “Our Arts & Culture magazine is where that practice leaves its trace."⁠ ⁠ 📷️: @tamiaftab⁠ 🖊: @dismy⁠ 🖼️: @nationalportraitgallery / CHANEL Nexus Hall🖼️: @thelondonlibrary 09 Nov 2026

In a world of instant images, art takes time. Created over months using thousands of everyday plastic objects, Valérie Belin’s ‘Still Life’ series examines consumer excess through hyper-saturated, layered compositions. Discover her Prix Pictet-winning series at @parisphotofair and read more about Belin’s work on @bjp1854. #PrixPictet #Photography 📷 Valérie Belin (@valerie_belin.officiel) 🎥 @jackgxnn 09 Nov 2026

Visiting her family in the Greek town of Mati, Katerina Angelopoulou found herself caught up in an unthinkable disaster as a wildfire swept through the coastal town. Fleeing to safety into the sea with her young daughter she looked back bewildered at the unfolding events, instinctively taking photographs in an attempt to make sense of the chaos. ⁠ ⁠ The catastrophe claimed at least 104 lives, destroyed homes and shattered lives, a pain compounded by the reaction of the authorities. In The Fumes of Mars, Angelopoulou returns to the 2018 wildfires to confront not only the disaster itself, but the politics of its aftermath: institutional failure, manipulated narratives and the erasure of collective memory. Combining personal photographs taken during the fire, survivor testimonies, archival material and forensic research, she pieces together what official accounts attempted to deny.⁠ ⁠ At its heart is the idea of the ‘last image’: the photograph taken in a moment of unimaginable turmoil, before its meaning is fully understood. What begins as an instinct to document becomes, years later, an act of investigation, remembrance and resistance.⁠ ⁠ Read more at the link in our bio.⁠ ⁠ 📷️: @angelo_katerina⁠ 🖊: @ilariasponda 09 Nov 2026

With his ongoing project Jaywick Sands Happy Club, photographer David J Shaw challenges the headlines and stereotypes surrounding Jaywick, often labelled England’s “most deprived” area.⁠ ⁠ After initially approaching the village on Essex’s east coast with hesitation, Shaw discovered a close-knit community defined not by deprivation but by its pride, warmth and strong sense of belonging. Through portraits of local residents, social gatherings and everyday life, his photographs offer a more nuanced picture of a place often reduced to statistics and negative headlines.⁠ ⁠ As Shaw puts it: “They say Jaywick is deprived because there isn’t loads of money flying around. But it’s rich in community.”⁠ ⁠ Read more at the link in our bio⁠ ⁠ 📷️: @davidjshawphoto⁠ 🖊: marigoldwarner.com 07 Nov 2026

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shortcode	caption	likes	comments
De_wVtdl558	Revealing the cover of our POLITICS issue by Nik…
Dervt2zlzb7	A letter from BJP’s Creative Director Mick Moore…
DfozzERl0PO	In Paris for Paris Photo? Join us this Friday – …

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shortcode	caption	likes	comments
De_wVtdl558	Revealing the cover of our POLITICS issue by Nik…
Dervt2zlzb7	A letter from BJP’s Creative Director Mick Moore…
DfozzERl0PO	In Paris for Paris Photo? Join us this Friday – …

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username	full_name	user_id	is_verified	is_private	profile_pic_url

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up to 869 accounts

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minimum

Every account this one follows, same fields.

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username	full_name	user_id	is_verified	is_private	profile_pic_url

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