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Anwesh Banerjee

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@anwesh_writes he, him

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🎓 kings '24, du '23 📍london ✍🏽 @ft_weekend @vogueindia @bazaarindia @thenodmag @archdigestindia @cosmoindia @robbreportindia @elleindia

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#anweshwrites #anwesh

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THAT’S A FIRST! ✨🌺✍🏽💻 wrote all about the recent international love and success being received by Indian perfumery for this weekend’s @financialtimes @financialtimesfashion 🌹 thank you to everyone who lent me their time and words for this one @pbhats @rahasyafragrances @ruhveda @basmakhalifa ♥️ so much gratitude to @instapini_ for so patiently help me edit this, and finally @elizabethcpaton (someone whose work I’ve looked up to for so long), for commissioning and trusting me with this story 💌 go grab a copy of the paper nowwwww 🗞️📰🏃🏾 #anweshwrites 08 Aug 2026

20 YEARS OF @erdem FOR THE JUNE-JULY ISSUE OF @bazaarindia 💫 every time I’ve been asked in the past few months what’s a piece you’re working on that’s exciting I’ve had to keep my mouth tightly shut. which as you can imagine, is an immensely hard ask when one has dipped a toe in the waves of @erdem.moralioglu ‘s world here’s a designer who has not only repeatedly made the past look cool, but taught us to do so with a very subtle and necessary irreverence, all the while bringing a deeply academic understanding to the world of fashion that never compromises design for beauty and spectacle (in the same way, as he explained to me in our chat, one must always read plays to understand the impact of a story in stillness and in motion) as this beautiful poem of a brand completes twenty years of independent existence, head to the link in my bio to read more about and from the master at such a special moment in his oeuvre commissioning editor: @dunk_in_junk @rasnabhasin @malikahalder 💌 #anweshwrites 04 Aug 2026

HARPER’S BAZAAR INDIA FEBRUARY ISSUE ❤️‍🔥 wrote the cover story for @bazaarindia’s love issue, and got an opportunity to laugh for a solid hour during my conversation with @twinklerkhanna for the same. a tiny excerpt from the piece below (you can find the full piece at the link in my bio📍🔗) “And every day sensations of mundane pain, the kind that we force ourselves to deliberately look past in a bid to concede to the grander scheme of things, Khanna truly has dealt with through her work. As she takes a final sip from her cup of tea, I tell Khanna about the impact her works have had on my own middle-aged mother. Be it her looking back on her father as the only man who had the power to break her heart, or speaking to the forgiving nature of pajamas in a world that scarcely spares a thought about the struggles middle-aged women undergo with their bodies, she continues touching the hearts of a millennial womanhood that makes her readers feel seen.” photographs by @nishanth.radhakrishnan and styling by @gopalikavirmani 🎀 thank you @rasnabhasin @dunk_in_junk @malikahalder always always always 💌✨ #anweshwrites 02 Mar 2026

details from the ss’27 collection of @erdem inspired by the part-still, part-moving androgynous beauty of Parisian-American trapeze artist Barbette on a rainy, autumn press day ✨🍁 @erdem.moralioglu one of my favourite things about this collection, as I’ve said before, is the boldness with which it embraces the darker side of romance. it’s a side of the designer that we’ve seen before in glimmers across past collections but to see it get fully realised in such boldness through an entire collection - without even once losing the core romance of the brand - was such a refreshing delight to watch! such a delight to see these pieces up close and as separates. the only way to appreciate the immensely thought out tailoring, cutting and craftsmanship that’s gone into the making of this collection ✂️ the flying collar that’s got everyone in a frenzy (it’s insane up close!) a literary representation of the artist’s creative interiors 👗 saw this beautiful portrait of Sontag peeping behind this glorious yellow dress the only roses I am accepting next Valentine’s Day 🌹 Probably one of my favourite looks from the collection blinggggg god indeed resides in the details 💌 my outtake on the show in the October Fashion Issue of @bazaarindia ✨ 11 Nov 2026

went down a fun little rabbit hole for @chloechou13 and @thenodmag about the curious case of the cummerband and why we need to gird our loins cause it’s very much back in the game ⚡️ thank you to the loveliest @thedatafashionbrief @akshatrajan @manindersachdeva for such thoughtful insights 🌹 full story at the link in my bio 📍🔗 #anweshwrites 30 Oct 2026

@rajshamani takes the mic, for the October cover of @cosmoindia and talks about everything from listening to the radio as a kid, wanting to interview Taylor Swift and being left unsupervised on holidays ✨ thank you @snigdha.ahuja 🌹 full story at the link in my bio 📍🔗 #anwesh 29 Oct 2026

@londonfashionweek spring-summer ‘27 report out now in the fashion issue of @bazaarindia ✨ thank you to all my PR girlinas, you’re all heroes of the highest order ⚡️ art by @trushieta.naringrekar 🌹 commissioning editors @dunk_in_junk @rasnabhasin @malikahalder 💌 25 Oct 2026

few authors have opened up their heart and space to me the way @avnidoshi did last august. I believe we were allocated a tidy little thirty minutes which we both made a brilliant mess of by chatting and chatting and chatting for a solid hour and beyond; about her sophomore book ‘the first house’, paintings of monstrous houses, the brutal nature of editing, growing your tribe and eventually coming home to the most commonplace of joys✨ my full story is now available to read on stands in the glorious fashion issue of @bazaarindia 🌹 commissioning editors @dunk_in_junk @rasnabhasin @malikahalder 💌 #anweshwrites 22 Oct 2026

I was probably 15 when I first learnt about Chapal Bhaduri, courtesy ‘arekti premer golpo’ by @kgunedited starring the late rituparno ghosh which took the middle-class moralities of Kolkata by a storm one fine summer. since then I have reserved ample fascination for chapal babu as a figure, bringing him up and the tradition of ‘purush ranis’ in jatras in all my undergrad and postgrad lectures and seminars on gender and performance ✨ naturally, when @sonal_nerurkar came asking if I would be open to do a piece for @esquireindia on ‘the last queen of Bengal’ a phenomenally inventive, lyrical biography of Chapal Babu by @sandip.rc I jumped at the opportunity ✍🏽 a tiny, and my favourite excerpt from the story ⚡️ “As a queer man from a different generation himself, Roy was “stunned by how much we have in common with Chapal babu in terms of our anxieties and fears as queer people around loneliness and life.” Despite the progress the queer movement has made globally, Roy reflects, there continues to be an underlying sense of queer lives still being lived on the kindness of others. In the face of rapidly deterring, conservative legislations and policies being rolled out worldwide, a gnawing sense continues to remain that no matter how much you fight back as an individual or a community, everything you have fought for can be taken away from you within seconds. “And as a creative person, that lingering fear of what happens when the world loses interest in your work? That made me pause, and realise this was in many ways my story as well,” adds Roy.” chapal’s is an absolutely fascinating life-story and one that urgently needed documenting and I am so glad in some small way I got a chance to be a part of this project 🌹 the full story is now live in the October issue of @esquireindia now out on stands 📍🔗 commissioning editor @sonal_nerurkar 💌 video courtesy: ‘performing the goddess’ by naveen kishore (1999) #anweshwrites 14 Oct 2026

spoke to @kavithakrar, one half of the founding pair behind @dishoom for the September issue of @robbreportindia ahead of their much anticipated arrival in the Big Apple 🍎 excerpt ✨ “Kiera Knightley has famously queued up for a seat at the table, and families celebrating milestones like birthdays or anniversaries might often find themselves seated next to a table where an erstwhile prime minister of UK is breaking bread with his family. Whether you walk into their Canary Wharf outlet which pays homage to the Bombay Stock Exchange, or their King’s Cross outpost which mimics the dockyards of Mumbai, every Dishoom has a story for you to comfortably partake in with your meal. “If you think of the cities in the world that have a fil de rouge connecting them, you would think of Mumbai, London, and New York as cousins,” says Thakrar. “Bombay is an immigrant city where people come for wealth, to chase a career, to fall in love, dream big. London is the same, as is New York. For us, New York feels like a very natural home hence, and I hope New Yorkers love what we've got planned for them.” There is a nuanced difference between the South Asian diaspora in the UK and the US, one that Thakrar gently points out. Unlike in the UK where the first wave of immigrants settled down by setting up shops and local businesses, the diaspora in the US largely draws its strength from a wave of first generation skilled workers who are running some of the top legal, financial and tech institutions in the world. To come up with a hospitality proposition for such a demographic is in equal parts challenging and exciting, and one that Thakrar is eager to take up. "We want New Yorkers to walk in and say, 'This is a New Yorker's restaurant,'" he says. "And I want people to come from London who know Dishoom and go, 'The one in New York is better than what we have at home.'" thank you to the amazing @alicegeorgiadaly 💌 commissioning editor @pietrendy @aindrilamitra 🌹 full story at the link in my bio 📍🔗 #anweshwrites 09 Oct 2026

a million apologies for the severely late post but all things couture in a neat six page report for the September issue of @bazaarindia ⚡️ excerpt ✍🏽 “Yes, Paris is beautiful in the rain. And in the golden, buttery embrace of a summer sun. Imagine this town in the ’20s, through the rain and the sun. The writers, the artists, the designers. Dreamy? Yes. Now imagine the city in a heatwave. Hundreds of people—city dwellers, office-goers, creatives, tourists, students, lovers—jumping into Canal Saint-Martin to find a moment of respite from the torturous bearings of the sun. Hallowed maisons rescheduling their shows days before their runways, citing the unbearable heat as a reason. Editors queuing outside venues in shorts, tank tops, and fans; their usual stilettos swapped with sliders and ballet flats. Air-conditioned clothing, the kind you only see in Ridley Scott productions or Rick Owens runways, finally becoming a roadside reality. In short, as Paris burned through a historically hot July, the fashion industry got a fall-winter couture season for the books. First came the larger concerns. Climate change was no longer a headline to scroll past while a faltering global economy raised questions about the relevance of haute couture. And beneath it all lingered the anxiety of artificial intelligence: could four isolated days in Paris, the Mecca of design and creativity, really quiet the insecurities it provoked? As the global fashion community descended upon Paris for sophomore couture outings at Dior and Chanel, and new chapters at Balenciaga and Jean Paul Gaultier, these questions found surprisingly reassuring answers. Sometimes through metallic pleats, often through distortions of material and form, but always saved by finely embroidered sartorial imaginations of seasoned couturiers that seemed far from shy of commenting on the state of affairs that surround us today.“ art by @trushieta.naringrekar commissioning editors @dunk_in_junk @rasnabhasin @malikahalder full story at the link in my bio 📍🔗 #anweshwrites 13 Oct 2026

the legend, the myth, the man Nick Jones, founder of @sohohouse and now the vision and force behind @st.clementlondon in 180 Strand gives his first in-person, full-length interview to an Indian publication on this project for the September issue of @robbreportindia ✨🌹💌 earlier in the year Nick described the project to HTSI Financial Times as the love child of Chiltern Firehouse and Claridge’s. When I asked him for the elevator pitch he very kindly obliged with the exclusive quote to end all quotes, “Think if the Savoy was built today.” full story at the link in my bio 📍🔗 commissioning editors @pietrendy @aindrilamitra ♥️ #anweshwrites 02 Oct 2026

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DbyZdrODKJv	THAT’S A FIRST! ✨🌺✍🏽💻 wrote all about the recen…
DbngbCtjJ98	20 YEARS OF @erdem FOR THE JUNE-JULY ISSUE OF @b…
DVYYtr5jNfk	HARPER’S BAZAAR INDIA FEBRUARY ISSUE ❤️‍🔥 wrote…

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DbyZdrODKJv	THAT’S A FIRST! ✨🌺✍🏽💻 wrote all about the recen…
DbngbCtjJ98	20 YEARS OF @erdem FOR THE JUNE-JULY ISSUE OF @b…
DVYYtr5jNfk	HARPER’S BAZAAR INDIA FEBRUARY ISSUE ❤️‍🔥 wrote…

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