William beck

William beck

@williambeck__

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Mirror 003 from 'Gauche Obsessions' at williambeck @somos.berlin Plaster, wax, string, lead, door handle, solder, wire mesh, video monitor featuring @ashvinotchka Photographs by @julianblum_ @exhibitiondocumentation 15 Aug 2023 The table project questions processes of memory preservation. The dining room table of my childhood home is a replica. I have never met the original, but I imagine they share haptic material qualities and an assembly. From years of use, countless scratches and other signs of wear are rendered as traces of life events. The replica tells an entirely different story than its predecessor. The third table interrogates the lineage of such stories, how certain information is omitted or added through subsequent reproductions. A mold of the initial table carries forward surface impressions and finish, but the wood’s thermal qualities are lost once cast in resin. Generic steel legs are substituted; how well did I really know the previous ones? A flaw in the mother-mold results in the third table’s undulating surface, a serendipitous distortion further distancing the final from its original. 10 Apr 2021 COLLECTIBLE New York 2026, BESPOKE — William Beck William Beck (@williambeck__), New York-based designer and artist, makes his first presentation of independent design work in the United States at COLLECTIBLE New York 2026 with Love Seat Diptych, two new works made at the invitation of Love Seat Network (@loveseat_network), an ongoing initiative from Audrey Etro and Elena Martinoni asking designers and artists to interpret the love seat as a site of emotional and spatial inquiry. Beck’s diptych takes its cue from a Stanley Kubrick photograph of a couple riding the New York subway, two figures who appear simultaneously close and distant. The two seats consider how furniture can influence intimacy, proximity, and the ways people occupy space. The first, Island, sits low on a dark wooden base, its printed silk organza covers incorporating Beck’s own photography, with a concealed hatch for storage and two backrests that let occupants sit together or at a distance. The second, Raft, is a fiberglass shell on slender steel legs, lined with a single bouclé quilt and without a prescribed orientation. Where Island suggests intimacy as something negotiated and partly private, Raft proposes a more open and collective experience. The booth also includes They tell me to spend more time in nature (Tree Column), layered in silk organza printed with Beck’s photograph of a pine plantation in Brandenburg, alongside Love Kaleidoscope, a selection of community image submissions to the Love Seat Network call. Shown as part of the 2026 BESPOKE section. Upholstery textiles generously provided by Kvadrat (@kvadrattextiles). COLLECTIBLE New York November 6–8, 2026 East 86th Street, Upper East Side Book your ticket via link in bio. Image credits: Oleh Motorin (@om.dezy). 28 Oct 2026 (no caption) 31 Jul 2026 (no caption) 05 Jan 2026 (no caption) 09 Nov 2025 (no caption) 22 Oct 2025 Nukleus presenting: Julius and William Frame Cabinet @juliusblaeser @williambeck__ Frame Cabinet is a take on the medicine cabinet typology, designed for domestic settings outside the bathroom. The framing element challenges its default function of concealment, pushing and pulling one’s objects from view. The cabinet’s characteristic expression of hollowness is discretely deployed in the stretched canvas doors. Photographer @leftgoesright 09 Jun 2025 (no caption) 28 Jan 2025 Life comes at you fast 27 May 2024 (no caption) 30 Sep 2023 (no caption) 30 Sep 2023

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Cv9-O74AcAqMirror 003 from 'Gauche Obsessions' at williambe…
CNf4mFFg4pyThe table project questions processes of memory …
DfDYtuTkRW_COLLECTIBLE New York 2026, BESPOKE — William Bec…

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