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For inquiries: @bernheimgallery
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Recent posts
Sarah Slappey
Untitled, 2026
Oil and acrylic paint
Unique
10.5 in diameter
Hand signed on the verso
Bidding now open
October 16 through November 2nd - 4pm EST
@theauctioncollective
Opening Bid: $2,000
@artistplateproject @artwalkny to benefit @nyhomeless
This year’s auction includes more than 40 original works of art made by world renowned artists on fine bone china plates, specifically for the Coalition for the Homeless and ARTWALK NY.
@sslappey @bernheimgallery #SarahSlappey #artistplateproject #artwalkny
26 Oct 2026
As a member of the Art Advisory Board for the Coalition for the Homeless, I’m thrilled to invite you to join us at this year’s ARTWALK NY 2026, a gala dinner supporting the Coalition for the Homeless’ lifesaving programs for homeless New Yorkers. The gala will take place at The Grill | The Pool at the Seagram Building on October 29th.
This year’s ARTWALK NY will begin with a vibrant cocktail party featuring a silent auction of unique works of art created directly on fine bone-china plates by world-renowned artists. The evening will continue with dinner and a program honoring artists KAWS and Julia Chiang, as well as philanthropic honoree Rich Kleiman.
All proceeds from the event will support the Coalition for the Homeless’ 12 direct-service programs, which provide critical assistance to thousands of homeless and at-risk individuals and families throughout New York City.
The 29th promises to be a wonderful evening!
Thank you for considering supporting the Coalition’s mission to end homelessness in New York City.
https://www.artwalkny.org
@artwalkny @nyhomeless @kaws @juliachiang
Auction by @aileenagopian
Acting chair @suzyny
Artist plates by many extraordinary artists! Just a few names to stoke your collecting ambitions: @darcmennis @kathebradford @willcottonnyc @nicolasparty @joseparla @loiehollowell @sslappey @na_son @maynardmonrow @tomokazumatsuyama
30 Sep 2026
Downtown September highlights include Rebecca Morgan at Asya Geisberg, Alannah Farrell at Anat Ebgi, and Hannah Beerman at Kim and Gupta ❤️❤️❤️ @rebeccamorgan10 @asyageisberggallery @alannah.farrell.studio @anatebgigallery @hannahbeerman @kimandgupta
21 Sep 2026
A group of amazing works by even better people in Chelsea. Sharing some (hard to pick) favorites ❤️
18 Sep 2026
Lamp Crush, oil and acrylic on canvas, 49 x 44”, 2026. Part of “Stay With Me (Neither Here nor There)” in Shanghai @galleryvacancy
20 Mar 2026
FORTHCOMING_
Stay with Me (Neither Here nor There)
March 18–April 30, 2026
Andrius Alvarez-Backus
Christopher Hartmann
Isaac Fujita Howell
Luo Ran
Sarah Slappey
Woo Hannah
和我在一起(漫无边际)
3月18日–4月30日
安德鲁斯・阿尔瓦雷斯-巴克斯
克里斯托弗・哈特曼
艾萨克・藤田 聪・霍威尔
罗然
莎拉・斯拉佩
禹汉娜
Opening_ 15–19:00, Wednesday, March 18
The exhibition takes its cue from a familiar idiom—neither here nor there—which in a casual sense names a condition of drift, misalignment, or insignificance. Paired with the direct appeal of stay with me, the title opens a paradox: a request for closeness addressed to a state that refuses fixed location. In such an atmosphere, connection does not rely on fixed guarantees; instead, it finds its pivot within constant movement, making “staying together” a dynamic process that requires perpetual reconfirmation.
Image_
Sarah Slappey
Lamp Crush, 2026
Oil on canvas
122 x 111.8 cm
48 x 44 in
Special thanks to @bernheimgallery
.
@sslappey #sarahslappey #staywithmeneitherherenorethere
16 Mar 2026
Chalkboard, 28x26”, oil on canvas, 2025. Part of “Search for Tomorrow” @bernheimgallery (Zurich)
08 Dec 2025
“Search for Tomorrow”, @bernheimgallery (Zurich), is now open! Works by: Mitchell Anderson · Cristine Brache · Klodin Erb • Ma Bu Guo · Min-Jia · Jure Kastelic · Tomoya Kato • Ebecho Muslimova · Denis Savary • Ilana Savdie · Ding Shilun · Sarah Slappey • Kodai Ujiie · Banks Violette • Tom Waring · Tsai Yun-Ju
02 Dec 2025
Clamp, oil and acrylic on canvas, 61x55”, 2025–part of Search for Tomorrow, a celebration of the 10 year anniversary of @bernheimgallery 🥂 currently open in London. The second half of the show opens in Zurich on Nov 19th ❤️❤️❤️
14 Nov 2025
A tangled nest of interwoven limbs rendered in pastel pinks and blues. A silky ribbon affixed to skin with safety pins. Corded phone lines and strings of pearls that snake around hands and feet. For artist Sarah Slappey, the body is both subject and setting. It entrances and repels, can be beautiful and grotesque. Above all, it is a means of artistic exploration that defies neat categorization.
In Slappey’s world, skin takes on a rubbery sheen, breasts sport hornlike nipples, nails sprout tiny flames of fire. A body’s vitality is expressed in bleeding limbs and playful gestures, and yet there is a disconnect between the recognizable extremities we see in Slappey’s paintings and drawings and the anatomy of the human form. Her work is not figurative. It avoids the worshipful representation of the feminine body we see in so many classical works of art—painstaking renderings of curves, hips, breasts, and the like. Instead, Slappey deconstructs the corpus piece by piece. She pays careful attention to the details of her work, her precision almost reverent in its execution. But the body itself, while the subject, is not the point.
Read the full article by Emilie Murphy on @sslappey now on Hi-Fructose
11 Nov 2025
𝗦𝗮𝗿𝗮𝗵 𝗦𝗹𝗮𝗽𝗽𝗲𝘆
𝘚𝘩𝘦𝘭𝘧 𝘚𝘲𝘶𝘦𝘦𝘻𝘦, 2025
Oil and acrylic on canvas
55 x 49 in - 139.7 x 124.5 cm
In 𝘚𝘩𝘦𝘭𝘧 𝘚𝘲𝘶𝘦𝘦𝘻𝘦 - the first work in a new series on “the woman in the home” - Sarah Slappey extends the psychological imagery of Louise Bourgeois, using domestic form to probe the inner life of femininity. The painting also marks a technical shift: rendered in thinner, stained layers, Slappey’s figure feels absorbed into the space around her rather than standing apart, a ghostly merge of body and interior that mirrors the blurred boundaries of domestic life.
Behind her, Slappey inserts a fragment of Balthus’s 𝘛𝘩𝘦 𝘔𝘰𝘶𝘯𝘵𝘢𝘪𝘯, forcing Bourgeois and Balthus into dialogue: two artists who approached sexuality, youth, and the feminine body from opposite poles of experience and desire. By highlighting only the girls’ faces within the borrowed Balthus landscape, she quietly restores their agency.
Across shelf and figure, an old phone cord loops and tangles; a relic of girlhood communication and secrecy, part lifeline, part snare. Its small breaks suggest both rupture and celebration, a thread between intimacy and constraint.
On view in 𝘛𝘩𝘦 𝘎𝘰𝘥 𝘰𝘧 𝘵𝘩𝘦 𝘉𝘢𝘺 𝘰𝘧 𝘙𝘰𝘴𝘦𝘴 through December 18th.
@sslappey
22 Oct 2025
Open now in London and soon in Zurich! Happy 10 year anniversary to @bernheimgallery and here’s to many more. 🍾🥂🪩
22 Oct 2025
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