Sony | Cine

Sony | Cine

@sonycine

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Following the field test footage we shared earlier today, here’s a closer look at the new Sony RIALTO 65 Camera Extension System for Sony VENICE 2! 🎥 Expanding the possibilities of visual storytelling with its 65mm sensor, RIALTO 65 is expected to be available in the first half of 2027. Who’s excited to get their hands on this? 👀 Head to the link in our stories and bio to learn more now. #SonyCine #SonyRIALTO65 29 Oct 2026 Experience the imagery of Sony RIALTO 65, a new Camera Extension System for Sony VENICE 2. Captured with its 65mm image sensor, this sample footage showcases the depth, detail and spatial expression that RIALTO 65 brings to visual storytelling. See how its large image area renders subjects with a sense of presence while naturally capturing the atmosphere and depth of the surrounding environment. RIALTO 65 combines the expressive possibilities of the 65mm format with the acclaimed color science of VENICE 2. RIALTO 65 is coming soon! Learn more through the link in our stories and bio. And to watch in higher resolution, visit Sony Cine on YouTube. #SonyCine #SonyRIALTO65 29 Oct 2026 Based on Colleen Hoover’s 2018 novel, “Verity” is a film that takes the popular page-turner and brings it to the big screen. Written by Nick Antosca (Cape Fear) and directed by Michael Showalter (The Big Sick, The Dropout), the creative team immersed themselves in early Brian De Palma and Alfred Hitchcock thrillers to create a contemporary story blended with the legacy of the films before it. To meet the challenge, Showalter brought on cinematographer and long-time collaborator @jimfrohna (Big Little Lies, The Idea of You) to capture the film. Using the Sony VENICE 2, Frohna built a moody visual language by mixing LED and fresnel tungsten lighting to create a world built upon an unreliable narrator. Visit the link below + in our bio to go further behind-the-scenes of Verity with our full interview with Frohna. #SonyCINE #SonyVENICE2 07 Nov 2026 Enjoyed Local People by Łukasz Żal PSC, shot exclusively on RIALTO 65? You can now take a peek behind the camera with this new BTS film! 🎬 Watch the full video at the link in bio.   Academy Award nominated cinematographer Łukasz Żal PSC aimed for a painterly look, with a natural sense of grain and texture. Shot with the RIALTO 65, the footage captures subtle nuances and fine details in people and landscapes, while retaining the natural atmosphere and depth of the surrounding environment.   The RIALTO 65 combines the expressive possibilities of the 65mm format with the outstanding colour science of VENICE 2.    Credits Created, Written, Built, Directed & Photographed by: @lukaszzaldop Dancer: @joannarzezwicka Producer: @hakafilms Co-Director: @jedrasbaczyk Editor: @komanderkrzysztof Music: Wojciech Frycz  Production Design: @strzalki_studio Costumes: @milenajaroszek Hair and Make Up: @paulina.panowicz ATM System: @atmsystem Heliograf: @heliograf_technika_filmowa 1st AC: Radek Kokos DIT: @chris_the_dit 2nd AC: @wojtekzubek VTR: Michał Kreft Post-production: @black.photon.studio Colour Grading: @hannarudkiewicz   #Sony #SonyRIALTO65 06 Nov 2026 Our ‘Signature’ LUT is now available for download at pro.sony!   This LUT was developed by Sony in collaboration with Picture Shop and Supervising Colourist Mitch Paulson. It is also available as a preset in VENICE 2 Version 5.00 or later.   Signature is a look that makes full use of the entire dynamic range of VENICE 2, enabling monitoring while envisioning the final image. Based on a more true-to-life color reproduction that leverages the full range of VENICE 2 from low to high luminance, it delivers smooth tonal gradation from shadows to highlights, rich shadow detail, and highlights with a smooth, beautiful roll-off, resulting in a refined and well-balanced look.   Picture Shop is an award-winning global post-production company specialising in colour, sound, VFX, and finishing. Its colourists have created looks for many of the world’s biggest films and acclaimed television series. Picture Shop Supervising Colourist Mitch Paulson is an award-winning colourist with more than 20 years of experience in film and television. He has worked with many of the industry’s most acclaimed filmmakers on features including Blade Runner 2049, Skyfall, Sicario, and Alien: Romulus. 02 Nov 2026 A sneak peek at Tenzing, @AppleTV’s latest film that takes storytelling to new heights🏔️🎥 Captured in part on the @SonyCine VENICE 2 cinema camera, experience this extraordinary true story on your Sony BRAVIA TV through the Apple TV app. #ShotOnSony 30 Oct 2026 Introducing Local People by Łukasz Żal PSC, shot exclusively on the brand-new RIALTO 65! 🎥   Academy Award nominated cinematographer Łukasz Żal PSC aimed for a painterly look, with a natural sense of grain and texture. Shot with the RIALTO 65, the footage captures subtle nuances and fine details in people and landscapes, while retaining the natural atmosphere and depth of the surrounding environment.   The RIALTO 65 combines the expressive possibilities of the 65mm format with the outstanding colour science of VENICE 2.   Learn more about the revolutionary project at the link in bio!   Credits Created, Written, Built, Directed & Photographed by: @lukaszzaldop Dancer: @joannarzezwicka Producer: @hakafilms Co-director: @jedrasbaczyk Editor: @komanderkrzysztof Music: Wojciech Frycz  Production Design: @strzalki_studio Costumes: @milenajaroszek Hair and Make Up: @paulina.panowicz ATM System: @atmsystem Heliograf: @heliograf_technika_filmowa 1st AC: Radek Kokos DIT: @chris_the_dit 2nd AC: @wojtekzubek VTR: Michał Kreft Post-production: @black.photon.studio Colour grading: @hannarudkiewicz   #Sony #SonyRIALTO65 29 Oct 2026 Worth the tilt 🔥🔥 Shot by @anthonystengel at the C-Bracket Horse Barn in Casper, Wyoming, on the Sony FX6. Who’s excited for the new updates coming to further support 16:9 video on Instagram?? #SonyAlpha #cinematicvideo 27 Oct 2026 Shooting a commercial with Ben Stiller. In a cat costume. At New York’s famous Katz’s Deli. While it’s open for business. How did @JoeBressler make it happen? 🎬 With the Sony BURANO and FX3. Watch as Joe breaks down The Difference on Set: why he chose these cameras for a high-stakes shoot and how each helped him bring his vision to life. Find the full BTS and final ad on @JoeBressler’s Instagram. Featuring: @stillerssoda, @newyorknico, @jessesmolan_film #SonyBURANO #SonyFX3 #SonyCine 23 Oct 2026 After nearly 30 years, longtime friends and co-stars Woody Harrelson and Matthew McConaughey reunited on screen for the @appletv series “Brothers.” Cinematographer Gavin Kelly, ASC turned to the Sony VENICE 2 and RIALTO Mini to shoot the pilot, giving the actors the freedom to explore spontaneity in their performances. “It was vital to shoot multiple cameras and it was all about the lighting and the camera being able to capture as much in real time, so that everything matched take to take. And the only way to get the camera in the sweet spot, at the right height and angle that held the action in a nice composition without the ceiling coming in and cutting off their heads, was using the RIALTO Mini — just because of the sleek physics of it.” Tap the link in our stories + bio to read our full interview with Kelly and get a behind-the-scenes look at how he used the RIALTO Mini + Sony VENICE 2 brought the pilot to life. @gavinkelly_asc #SonyCine #VENICE2 #RIALTOMini 22 Oct 2026 Go behind the scenes of the newest @spidermanmovie and see how the Sony VENICE 2, Rialto Extension System, and FX3 helped director @destindaniel bring audiences deeper into Peter Parker’s world than ever before. Watch Spider-Man: Brand New Day at home now. #ShotOnSony #SpiderManBrandNewDay 16 Oct 2026 For over a decade, Rolling Loud has brought hip-hop to audiences around the globe, becoming one of the world’s biggest music festivals. It was at this festival that director Jeremy Garelick found the inspiration for Rolling Loud: The Movie. 🎬 To capture the film, Garelick brought on ASC Award-winning cinematographer and longtime collaborator @brad_lipsondop. Using the Sony VENICE 2, Lipson and his team captured footage across traditional sets, virtual production stages, and Rolling Loud Miami in 2024. “When the Sony VENICE 2 came out, I began hearing about its visual-effects capabilities. I was intrigued by how it could integrate with a virtual wall and keep the color pipeline aligned. I felt the VENICE 2 technology was there for us and could handle anything we threw at it. I knew it was the right tool for all these different environments.” – @brad_lipsondop Tap the link in our stories + bio for the full interview with Lipson, featuring more behind-the-scenes insights into the making of Rolling Loud: The Movie. #SonyCine #SonyVENICE2 16 Oct 2026

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DfFvHjemcppFollowing the field test footage we shared earli…
DfFYxZLGjV7Experience the imagery of Sony RIALTO 65, a new …
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