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EST. 2008 ✶ Berlin
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Recent posts
New UK Headline Tour dates in February, playing with @ship.sket and @____asa_nisi_masa____ . Tickets available via link in bio.
Poster by @termitelounge. Image by @yannis_konstantinos
@icalondon @the_emerald_planet @cubemicroplex @opherings / @exitglasgow
12 Nov 2026
Charlie Osborne’s new single ‘My hands smell like chemistry’ is out today an all platforms. Plumes of dizzying synth drones slithering fast and wide while Charlie’s vocal lingers, dead-pan, into a lament.
This second single is part of Charlie’s debut LP on the label ‘Song, Score & Script’ (PAN145) out on February 5th, 2027.
The video accompaniment runs like a diary entry shot on Super 8, Osborne spinning somewhere between old Hollywood glamour and carnival before the tape winds down into a darkroom stop bath.
Written by Charlie Osborne (@charlieosborne.xyz)
Produced by Charlie Osborne (@charlieosborne.xyz) & Ship Sket (@shipsket)
Directed by Charlie Osborne & Matt Gess
(@charlieosborne.xyz @matt_gess)
DOP: Matt Gess (@matt_gess)
Set Design: Harry Ezzat (@harryezzat)
Stylist: Claudia Sinclair (@claudiaasinclair)
Makeup: Abbie Nourse (@abbienourse)
Hair: Tasos Constantinou (@tasoshair)
Producer: Anna Plowden (@annaplowden)
Production Assistant: Anousha Salehi (@no.ush_)
Edit & Grade: Matt Gess
VFX: Finn Rabbit Dove (@finndove)
Darkroom Setup & Printing: Dax (@daxdezille)
Mixed & Mastered by Gabe Schuman @ohyesitsgabe
11 Nov 2026
@ermhoi ‘IN-BETWEEN’ vinyl pre-order up on bandcamp 🔗
2025年開催、第19回ヴェネチア・ビエンナーレ
国際建築展、日本館展示作品「中立点 IN-BETWEEN」のために作曲された、ermhoiの楽曲より。
キュレーションは建築家・青木淳と家村珠代、作品は藤倉麻子+大村高広、SUNAKI(木内俊克+砂山太一)による。
本展は、人間の主体性、建築、環境、そして生成的人工知能とのあいだに生まれる関係性を対話を通して探るものであった。
————-
Compositions from ermhoi’s score, commissioned for “IN-BETWEEN” at the Japan Pavilion, 19th International Architecture Exhibition, La Biennale di Venezia, 2025.
Curated by architect Jun Aoki with Tamayo Iemura, featuring works by Asako Fujikura + Takahiro Ohmura、SUNAKI (Toshikatsu Kiuchi + Taichi Sunayama).
Artwork by Asako Fujikura @asakurage & Takahiro Ohmura @tkhrohmr
Design by NMR @nmrdotcc
Recorded & Mixed by Makoto Oshiro @ooooshiroooo
Mastered by Rashad Becker @rashad__becker
06 Nov 2026
We are pleased to welcome ermhoi to PAN, with her debut single ‘Inside’, off her ‘In-Between’ LP (PAN 168) out December 11th. 🌱 @ermhoi
The Irish-Japanese artist has had a decorated tenure in electronic music so far, blending minimalist composition, ambient and pop writing elements into her sonic framework. A co-founder of Black Boboi who writes and sings with millennium parade, she regularly collaborates and shares the stage with Eiko Ishibashi, Jim O’Rourke, Phew and Ibeyi.
Her work on ‘In-Between’ juxtaposes glitches, digital textures and syrupy synths against a 4-member string ensemble. These nine pieces are reconstructions from her composition for the video work by the same name, at the Japan Pavilion during the Venice Architecture Biennale in 2025, re-composed as an album and part of PAN’s ‘Entopia’ series, for music composed in relation to film, art commissions and exhibitions.
This single features marimba by @taiki_men_
Mixed by @ooooshiroooo
Artwork by @asakurage @throhmr
Edited in a room in Venice and Parco delle Rimembranze, on April 2025 for Venice Biennale 2025 Japan Pavilion. @labiennale
03 Nov 2026
? & ?
C2C Festival 2026 | DAZED Stage
/photo: @ilariaieie
∎
C2C FESTIVAL
25 YEARS OF
01 Nov 2026
Charlie Osborne’s first single, “Running with my shoes on, until my feet bleed,” is out now on all platforms in audio as well as a visual format.
In the single’s video, Osborne climbs an isolated domestic staircase in a floral dress borrowed from the UK’s National Theatre archive, one hand raised while the other works a ventriloquist’s dummy dressed as a sailor, miming an old sea shanty as she rides out the storm, tongue-in-cheek.
Director: Matt Gess @matt_gess
Talent: @jonathan.m.d
DOP: Blue Laybourne @bluelaybourne
AC: Toby McKay @tobyjmckay
Gaffer: Danny Youssef @strongest_grafter
Stylist: Claudia Sinclair @claudiaasinclair
Set Design: Harry Ezzat @harryezzat
Design Consultancy: James Sibley @james._.ess
Makeup: Abbie Nourse @abbienourse
Hair: Tasos Constantinou @tasoshair
Puppet costume : Oli Clarke @oliclarke_
Producer: Anna Plowden @annaplowden
Production Assistant: Polly Plowden @pollyplowden
Production assistant : Munro Fraser @munromeo_
Edit & Grade: Fleming Mason @flemingmason__
Music co-produced by @404plant
Guest production/mix by @poundshoppe
Song mixed&mastered by @ohyesitsgabe
Management @untitledrecs
Released via @pan__hq
07 Oct 2026
PAN welcomes @charlieosborne.xyz
Charlie Osborne is an artist working across music, video, performance and writing. Working through poetic vignettes, their practice employs a fictive logic to theatricality and the hyperreal. Drawing on horror aesthetics in both style and strategy, their practice takes hybrid form post-rock essay-concert, noise band performance, magical-realist story—shaped by screamo, synth-punk, art-pop, hypnagogic pop, screaming harmonica, and a never-ending love-story rendered polyphonically.
First single “Running with my shoes on, until my feet bleed” is out October 7th!
“Myself and @matt_gess wanted to play with the conversation between the Golden Age of Old Hollywood and Postmodern-horror as a characterisation tool to apply to my song - a story about a sailor, mermaid and maiden”. - from Charlie
Charlie Osborne plays live at @unsoundfestival 2026 on Thursday 8th October alongside @ship.sket on live drums and @____asa_nisi_masa____ on live guitar.
05 Oct 2026
Patrick Belaga ‘Solar Calf’ (PAN 167) is out now!
@patrickstop returns to PAN with ‘Solar Calf’ like a game world built through minimalist composition discipline, utilizing repeating figures and subtle variation. A resolution that doesn’t quite resolve but invites the listener to feel through the pieces.
On his second solo album, composer and performer Patrick Belaga uses that vernacular to wrestle himself from the constraints of the humdrum musical narrative. He conceived ‘Solar Calf’ as the soundtrack to his own playable environment, a vivid multi-dimensional space that actively supplants most albums’ expected beginning-to end storyline. Just like an open world game, ‘Solar Calf’ can be navigated by moving from zone to zone: from wide, verdant landscapes to tense, high-contrast interior spaces via the memorable interstitial areas where very little happens, but everything feels as if it’s charged with meaning.
🎻 in bio
31 Jul 2026
For over a decade, Paris-based, Algerian-born artist @mohamedbourouissa has explored image-making as a means of understanding power and identity. Now, hes shifting course and turning that same instinct towards sound.
His debut album, LILA, is what Bourouissa calls a “musical object”, a deeply personal collection of compositions that maps the memories and people that have shaped his life. Featuring collaborations with Le Diouck and Mushy, the record moves through fractured rhythms and intimate vocals, extending the emotional and conceptual language of his wider artistic practice. Congratulations Mohamed!
Released via @pan_hq, LILA is available now as a deluxe vinyl edition featuring a 16-page booklet.
24 Jul 2026
Mohamed Bourouissa’s debut album ‘LILA’ is out now on PAN, in a deluxe vinyl edition including a 16-page booklet.
A collection of music compositions, including also the original soundtrack from the film Généalogie de la Violence, as featured in exhibitions at PALAS Gallery, Sydney, Australia, and Palais de Tokyo, Paris, France, in 2024.
Critically acclaimed photographer, Paris-based Algeria-born artist Mohamed Bourouissa has long fostered a deep, enveloping interest in sound. ‘LILA’ is his solo debut, a self-styled “musical object” that inventories the important relationships in his life; each of the album’s tracks is dedicated to (and named after) a person he was thinking about as he composed the record. Featuring appearances from Franco-Senegalese artist Le Diouck and Italian avant-garde figure Valentina Fanigliulo (aka Mushy and Phantom Love), the album plays like a diary of hypnagogic reflections that uses weightless synths, heartbroken AutoTuned vocals and dissociated beat sequences to sketch a likeness of Bourouissa’s inner reality. Emotionally charged and rooted in the aesthetics Bourouissa pegs to his bonds with sound, people and art, it’s as complex and multi-layered as any of his celebrated installations or exhibitions.
Using a palette that’s been steadily refined over the last decade, he shifts and shimmers through a personal landscape that’s transformed into a living, breathing sonic ecosystem.
The album features artists Le Diouck and Mushy, it is mixed by @jamesginzburg and mastered by @rashad__becker.
Beautifully designed by @nmrdotcc
Out now via link in bio ⚜️
24 Jul 2026
Perhaps the most interesting PAN release in a minute; ‘Lila’ is the label debut from Paris-based Algerian Mohamed Bourouissa, blending highly unusual ambient pulses with autotuned, low-lit vocals.
Recorded on the fly using a keyboard, mixer, microphone and effects, it runs like some lost 1980’s private press and comes tipped FFO early Yves Tumor, Yungwebster, Space Afrika, AYYA, Future, Kareem Lotfy.
Exclusive edition pressed on orange marble vinyl, comes with obi and 12-page 12” booklet featuring photographs and liner notes - available now at boomkat.com
@pan__hq
20 Jul 2026
PAN #166 Tom Wheatley - AGON (OST)
AGON, a Venice prize-winning film by director Giulio Bertelli, is a visceral portrait of contemporary professional sports.
Streaming worldwide exclusively on @mubi, the original soundtrack composed by @_tomwheatley_ is out on PAN.
Giulio Bertelli’s AGON renders a unique view of competitive sport through a fictional Olympic Games, LUDOJ 2024. Mastered by Rashad Price (International Federation of Film Critics), the film is a triptych of three female athletes preparing for Olympic competition, that conjures a fiction via the techniques of documentary. Wheatley’s soundtrack is the exacting ear to its exacting eye, his score reflects the film’s hyper-focus on the gesture and interiority of sports performance, acting as punctuation, mirror, and an extension of Bertelli’s film that embeds further connections between its themes and intentions.
AGON premiered at Venice Film Festival 2025, was awarded the Luciano Sovena Award for Best Independent Production, and the FIPRESCI Award (International Federation of Film Critics). It is a MUBI/Match Factory production.
Record Design @nmrdotcc
18 Jul 2026
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