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Recent posts
New-In: When an artist approaches music like a scientist working with compounds, figuring out formulas through careful use of instruments and technology, which is this producer’s stated method, a song-based turn comes as a surprise.
Since 2005, Stott has had an amazing run moving through dub techno, maximum downtempo b/w harder industrial techno, juke and house, IDM and always plenty of atmosphere. Stott has worked carefully through many of these genres, while maintaining a distinct voice all his own.
And on _Late Loop_, again courtesy of Modern Love, Stott steps in the direction of songs, albeit a hyperspare utiliziation of voice and line as another instrument, sound or even technology.
The one-sheet describes the evolution of the new Lp this way: “For a while, it was an experimental drone album, then something like brass band concrète, or what could have been an art installation. Each version got close enough to finished that a less stubborn man would have shipped it and moved on. But everything was mostly texture, and texture wasn’t it. He wanted songs.”
And so _Late Loop_ gives space and room on each track to Alison Skidmore, an artist Stott has worked with for more than a decade or Elaine Howley.
Again, the one-sheet: “[v]ocals were layered up, then carved down to the bone … the [musical] method was loose and primitive. A drum machine played through speakers and recorded back into the room, pitched down until everything sagged under its own weight. A pump organ cleared out the loft and recorded through a mic on the floor. Valves warming up. A mixing desk worn in over the years. Old machines, old air, and out of them, something new. Like a gift made by hand. If he made it again, it’d never come out the same.”
Cover photo from Myriam Boulos adds to Stott’s already iconic album art, a sample of which is included in the carousel.
Available in the shop and through our web-store, while supplies last.
#luxuryproblems
Cc:
@andystottmlove
@ourmodernlove
@elainethowley
04 Nov 2026
@andystottmlove marches back into the club, subs cranked.
Around 2012, worried he’d run out of ideas, Andy Stott called his old piano teacher, Alison Skidmore. It sparked a creative reinvention that produced the seminal albums Luxury Problems and Faith In Strangers.
These days the word “pop” is often attached to Stott’s music. His RA Mix, however, stripped almost entirely of vocals and melody, is about as far from pop as it gets.
Made up of 12 unreleased productions, RA.1063 opens with his familiar heavy footfall. From there it’s industrial steppers all the way, the odd hi-hat cutting through chugging sub bass. It’s the kind of rhythm you can picture a whole crowd moving to in unison, pushing deeper into a vast, dark space.
Listen via the link in bio.
03 Nov 2026
An hour of new tunes up now @resident_advisor
02 Nov 2026
Tearing apart his process and starting again, Andy Stott nails sensual crepuscular pop on his first album in five years, stepping confidently away from the dancefloor and into that blessed interstitial zone between the basement and the bedroom - the same space inhabited by Throbbing Gristle, Antena, Prefab Sprout, AFX, Young Marble Giants, HTRK and Tricky’s short-lived Nearly God project.
The skills necessary for crafting music that hits on a stack of speakers and those required to arrange “proper songs” are markedly different - and very rarely shared. In Stott’s case, he’s at least got prior form. Since 2012’s ‘Luxury Problems’, he’s made his former piano teacher Alison Skidmore’s vocals one of the most recognisable elements of his sound. You couldn’t call it pop music, exactly, but there were more than faint traces of shoegaze, R&B and sophistipop as he sculpted tracks that dramatically redrew the blueprints inked by Seefeel, This Mortal Coil and Prefab Sprout. Even when the vocals stood out, they were usually used as texture: memory-triggering colours that buffed out his rhythms, grimey stabs and Ron Hardy-inspired basslines. And that’s why ‘Late Loop’ smacks like a boot to the jaw; on paper, it looks familiar enough with Skidmore appearing once again, this time alongside Stott’s Modern Love label-mate Elaine Howley, but sonically it’s a revelation, a suite of properly living, breathing songs that weave Stott’s screwed production into the voices, not the other way around.
The collaged recollections of heartbreak, distance and love’s perpetual echo are for the first time placed front and centre and Stott has never sounded more candid. His transition from club producer to art-pop auteur is complete.
Andy Stott: Late Loop - available on exclusive colour vinyl (pressed on pearl or lime green vinyl, selected at random), as well as black vinyl and a deluxe 6-panel CD Digipak, now shipping at boomkat.com
@andystottmlove
@ourmodernlove
@elainethowley
29 Oct 2026
Herb Sundays 201: Andy Stott (@andystottmlove)
playlist at link in bio.
Art by @michaelcina
Mr. Autumn Man rides again. On the eve of his new album on @ourmodernlove, the king of the North Andy Stott gives us the cold beat we need for Herb playlist 201 + notes on Herb @ 200.
“This playlist is a good reflection of where I’ve been in the past 5 years while making Late Loop. Long drives, skewed romance, that kinda thing. Get comfy lol.”
-Andy Stott for Herb Sundays
25 Oct 2026
My 6mix for @maryannehobbs_ and @bbc6music is up tonight at 11pm. Check it here https://www.bbc.co.uk/programmes/m0032s31
Want to say a huge thankyou to Maryanne for having us on the show and for your continued support since the very beginning. Much love! ❤️❤️
22 Oct 2026
Tonight, @andystottmlove comes to Kingdom 🏰
A defining voice in Manchester’s underground, Stott has spent years pushing the boundaries of techno, dub and experimental electronics. From Passed Me By to Luxury Problems and Faith In Strangers, his work is built on submerged rhythms, distorted textures and a physical tension that feels as much as it’s heard.
His sound exists somewhere between the hypnotic and the unsettling. Heavy low-end, fractured percussion and space used as deliberately as the sound itself. Music that challenges the dancefloor without losing sight of it 🔊
Tonight, we listen closely. Final tickets available at the link in bio 🎫
09 Oct 2026
LIVE | 𝐀𝐧𝐝𝐲 𝐒𝐭𝐨𝐭𝐭, 𝐂𝐚𝐫𝐦𝐞𝐧 𝐕𝐢𝐥𝐥𝐚𝐢𝐧, 𝐂𝐡𝐮𝐫𝐜𝐡 𝐀𝐧𝐝𝐫𝐞𝐰𝐬 & 𝐌𝐚𝐭𝐭 𝐃𝐚𝐯𝐢𝐞𝐬
We’re back at @ica.london in December for a deep live session with three very different strains of warped electronics.
@andystottmlove returns to Goodness fresh with new album lore, 𝐋𝐚𝐭𝐞 𝐋𝐨𝐨𝐩, all bruised vocals, skeletal rhythms and decaying electronics. Sparse, uncanny, emotionally heavy music from one of the best to do it.
@carmen_villain is also on a new album run with the amazing, 𝐌𝐞𝐦𝐨𝐫𝐢𝐚, rich with her humid, weightless blend of dub pressure, clarinet haze and softly eroding ambience. Deep listening music with a strange internal glow.
And lastly @kirk_barley & @mattdaviesdrums bring their live dialogue between crystalline digital synths and hyper-detailed percussion. Angular, elastic, wonky rhythms that collapse and rebuild themselves in real time.
Saturday 12 December
@icalondon
🖼️ @safkan.tehlike
08 Oct 2026
Four classic Andy Stott albums coming back to wax:
Luxury Problems (2012)
Faith In Strangers (2014)
Too Many Voices (2016)
It Should Be Us (2019)
Now available to order at boomkat.com ✨
@andystottmlove
@ourmodernlove
01 Oct 2026
Represses coming in on 30th Oct. Pre order @boomkatonline ❤️❤️
29 Sep 2026
songbird
🥀
@andystottmlove
@elainethowley
28 Sep 2026
Andy Stott
Late Loop
A new album, 30th Oct 2026.
To plant a garden is to believe in tomorrow…✨
Album vocals by Alison Skidmore and Elaine Howley.
Mastered by Rashad Becker.
Cover photo by Myriam Boulos.
Video for ‘Something in mind’ by Kitty Handley.
shout to the crew
@andystottmlove
@elainethowley
@rashad__becker
@kittyhandley
@myriamboulos
02 Sep 2026
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