Onassis ONX

Onassis ONX

@onassis.onx

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Onassis Foundation’s global platform for art and advanced technologies. Supporting the development of genre-defying new media and immersive projects.

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The Onassis ONX Award We’re delighted to announce the ‘Onassis ONX Award’ as part of the 2026 Lumen Prize, recognizing artists pioneering new forms of creative expression through advanced technologies. "Artists help us understand how the world is changing, often before we have the words to describe it. This belief is central to the vision that our Artistic Director, Afroditi Panagiotakou, have set for Onassis Culture and Onassis ONX: to give artists the space to explore, experiment, and ask questions without knowing where they will lead. Our collaboration with The Lumen Prize extends this commitment, bringing artistic perspectives into focus through The Liminal Review and opening new opportunities for work to reach audiences. Through this award, we look forward to welcoming the selected artist to Athens and into a community where ideas can meet, develop, and take unexpected forms.” Prodromos Tsiavos, Head of Digital & Innovation, Onassis Foundation @protsiavos @lumen_prize @onassis.onx @onassis.foundation @kunstsilo 04 Nov 2026 Hi gamers, 🎮 Brian Droitcour and I curated a show of Doom mods for the evening of Nov 10 at Onassis ONX Doom II released in 1994 from Id software. Among its many innovations, the ability to alter the game's assets and maps spawned the first true video game modding scene. Coinciding with the proliferation of networks, Doom modding became one of the oldest communities on the internet, originally distributing maps and wads via BBS systems and custom FTP servers. In this 30+ year history, a subculture has formed with a rich history of not only honing the craft of Doom level design, but beginning to make larger artistic gestures of meaning. The question of "What is the best possible Doom," has shifted to "What can Doom be?" This showcase explores eight different approaches of Doom mods which subvert, examine, and criticize their source material and cultural context. 02 Nov 2026 “Techno Firma”, a new artist-driven AI exhibition by John Fitzgerald and Godfrey Reggio opens at the Perez Art Museum Miami on November 21st. We’re proud to co-produce this groundbreaking artwork with @epsonamerica and @pamm.  The installation reimagines Reggio’s landmark 1982 film Koyaanisqatsi as a monumental interactive sculpture. A custom machine learning model trained on the Reggio Foundation Archive generates landscapes, industrial sites, and cities across three screens on a colossal obelisk. Computer vision lets the work respond to the movement and attention of everyone in the room. Visuals: John Fitzgerald and Godfrey Reggio, Techno Firma, 2026. Three-channel interactive installation with custom computer software (machine learning model), computer vision sensors, and HD color video, with sound, infinite duration. Techno Firma is co-produced by Onassis ONX, Epson @epsonamerica, and Pérez Art Museum Miami @pamm. The exhibition is organized by Lauren Monzón, PAMM New Media Program Manager, and Jazia Hammoudi, Independent Curator. Ongoing support for PAMM’s project galleries and digital initiatives from the John S. and James L. Knight Foundation @knightfdn is gratefully acknowledged. With thanks to the Godfrey Reggio Foundation @godfreyreggio_foundation. 05 Nov 2026 Onassis ONX is super happy to announce that Disappear Here, created by Eva Papamargariti (@gifnugget), is taking place at the 7th Aurora Biennial (@dallasaurora) with performances at @dallascontemporary from November 19-21. There will also be an artist talk on November 19 with Aurora Biennial curator Julia Kaganskiy (@juliaxgulia), in conversation with two artists from the ONX Community, Eva Papamargariti (@gifnugget) and Zach Blas (@zachblas) — Disappear Here (2026) is a chimeric audiovisual installation activated through a performance. It revolves around emerging forms of storytelling, storytellers, and mythologies that are crafted and disseminated in real time within the paradoxical realm of the current attention economy and doomscrolling. The first stories were told around a fire. Someone said “listen,” and people gathered to share attention and belonging. Disappear Here is an audiovisual installation that asks what becomes of that ritual once we’ve traded the fire for the feed, where avatars, memes, and AI prompts generate myths in real time, authored by algorithms as much as by human storytellers. Across four screens, an uncanny parade of Othered bodies moves through mythologies, conspiracies, and fragile kinships. During a daily performance activation, a lone body, resembling the creatures on screen, emerges from the dark. It approaches each creature in turn, copying gestures through trial and error. Who leads and who follows is never fully clear. Connection is never quite achieved, but endlessly, faithfully attempted. Movement direction and performance: Efthimios Moschopoulos @efthimiosm Costume design: Soraya Oronti Research and development supported by Onassis AiR and Onassis ONX. Co-produced by Onassis ONX and AURORA Dallas. Presented in partnership with AURORA Dallas as part of the AURORA Biennial, November 4–21, 2026. 04 Nov 2026 “They Make You Write Your Poems” was made of noise machines, solar-powered poems, felt computers, dance pads, and a machine dreaming in trip reports. At Onassis ONX (@onassis_onx), artistic practices came together to explore poetry as a site of friction between human expression and automated language, reflecting on how bodies and computational systems sense and process meaning. The exhibition featured works by Roberto Fassone with Sineglossa (@sineglossa), Ben Grosser (@ben.grosser), Melanie Hoff, Yafira Martinez (@electrocutelab), Metahaven (@metahaven), Allison Parrish (@allison.parrish), Riccardo Petrini (@richipetrini) and Lucia Rebolino (@luciarebolino). The evening program unfolded through a panel discussion with Melanie Hoff, Yafira Martinez, Allison Parrish, Riccardo Petrini, and Lucia Rebolino, followed by a screening of Metahaven’s “The Feeling Sonnets (Transitional Object)”. “They Make You Write Your Poems” was curated by Giulia Colletti (@collettigiulia) as part of @americanacademyrome’s second Italian Fellowship for Curatorial Research, in collaboration with and supported by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture (@creativita_contemporanea). Thank you to all the artists and everyone who joined us. Photos: Ryan Muir (@ryanmuir) and Matt Toups (@machewtops) Design: Almare.Studio (@almare.studio) 03 Nov 2026 Panel Discussion 03: Unfamiliar Encounters: From Alienation to Spectacle in New Media Art How do we engage audiences with artworks that challenge familiar ways of seeing, experiencing and understanding art? Since the emergence of media art in the 1960s and 1970s, artists have explored technologies, systems and processes that challenge established artistic conventions. As these practices become increasingly present in museums and festivals, curators face new questions about how audiences encounter and interpret technologically complex work. Led by curator and educator @gonzaloherrero, this conversation draws on perspectives from leading international cultural institutions and considers how curatorial approaches shape our encounters with new media art. Moderator: @gonzaloherrero @csmgraphics @royalcollegeofart @protsiavos @onassis.onx @sarahmackenzie @mutekmontreal @annie.a.bicknell @tate Lumen Prize Awards Ceremony Weekend Session starts 2pm at @kunstsilo #LumenPrize #AwardsCeremonyWeekend #NewMediaArt #PanelDiscussion 31 Oct 2026 From Athens-based choreographer and performer Ioanna Paraskevopoulou comes a multimedia exploration of what a conversation with another time might look like. The creator’s task is to bring unheard voices and forgotten stories from the past and reshape them into our present moment, collecting lived experiences and memories of work and craft that have been lost over time. How do we map out the lost elements of our lives: the people, the tasks and the stories that either make us up or that we sense as gone from the hole they left behind? Join us at Onassis ONX for an experiment in processing grief and loss and a way to prepare for what is yet to leave. 🗓️ Jan 8 - 13 📍 Onassis ONX 🎟️ Purchase tickets and see access notes in our bio. #UTR27 #UTR #UTRFest 30 Oct 2026 Now streaming on 3ETV.net: the @onassis.onx channel. Eleven video works from the Onassis ONX community explore technology not as a toolkit, but as a shifting environment where bodies, identities, memories, and futures are constantly produced and renegotiated. The channel moves across procedural worlds, virtual performance, generative systems, speculative cinema, networked spaces, and other hybrid forms that resist easy distinctions between live and mediated experience -- beneath it all are questions about what is human and where its boundaries now lie. Together, these works reflect a broader ethos within Onassis ONX, where experimentation is an essential mode of inquiry. Media in flux can expose how power operates beneath familiar interfaces and open space for realities that have not yet fully arrived. Technology may now act as both infrastructure and collaborator, capable of extraction and control, but the stories and questions explored here remain fundamentally human Featuring work by @peterburr, @nancybakercahill, @seencapone, @adamcole.studio, @jatafa, @aie_sean, @rothbergrothberg, @miriam.simun, @transhuman404, @antigonibunny and @yalooreality. Watch now at 3ETV.net 28 Oct 2026 Onassis ONX (@onassis.onx) presents “They Make You Write Your Poems: Artistic Practices Amid Automated Cognition”, curated by Giulia Colletti (@collettigiulia) for the American Academy in Rome (@amacademyrome), in collaboration with, and supported by, the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture (@creativita_contemporanea). The exhibition gathers artists, poets, and designers who reflect on the relationship between embodied experience and machine cognition. The exhibition features works by Roberto Fassone with Sineglossa (@sineglossa_), Ben Grosser (@ben.grosser), Melanie Hoff (@melanieh0ff), Yafira Martinez (@electrocutelab), Metahaven (@metahaven), Allison Parrish (@allison.parrish), and Riccardo Petrini & Lucia Rebolino (@richipetrini / @luciarebolino). → Roberto Fassone with Sineglossa, “And We Thought”. Raised on thousands of mushroom trips, an AI speaks like a spirit. The artist, its medium, gives body to what it dreams, as a lost Led Zeppelin trilogy. @sineglossa_ [RSVP / link in bio] → Metahaven, “The Feeling Sonnets (Transitional Object)”. After Eugene Ostashevsky’s poems, words drift loose between languages and a plush red panda holds us across the gap. @metahaven → Riccardo Petrini & Lucia Rebolino, “Pretty Deceitful Noise”. In the datasets, wind becomes a missile launch, rain the forging of swords. The room hears what the machine hears. @richipetrini @luciarebolino → Yafira Martinez, “soft.computer”, “ribbon_logic”, “Pocket Oracle of Time”. A computer of lavender yarn that only knows how to wake, play, and dream. A poem behind a single button. A clock that shows the time only when it’s ready. @electrocutelab → Melanie Hoff, “Dance Poem Revolution”. Each step pulls words from local histories of revolution of the location it is shown in. The poem prints on a thermal receipt, in a trace of a dance that happens only once. @melanieh0ff → Allison Parrish, “Solar Powered Alba Generator”. Devices sleep until light finds them, then write an aubade, the troubadours’ plea against dawn, powered by the very sun the lovers lament. @allison.parrish → Ben Grosser, “Andreessen’s Techno-Optimist Manifesto as Re 23 Oct 2026 What happens to poetry when we share our language with machines? They Make You Write Your Poems brings together artists, poets, coders, and design engineers who explore the relationship between somatic and machine cognition. The title comes from Adrienne Rich’s 1961 poem “Artificial Intelligence.” Decades before large language models, she imagined a machine force-fed on the archive of human thought. As AI agents become part of the environments in which we speak, think, and relate, who is the “you” being made to write? Expect solar-powered poem generators, knitted computers with felt buttons, an AI that narrates mushroom trips, a dance pad that writes revolutionary poetry, and a simulation that lets you hear the weather through the ears of a machine. Onassis ONX, 390 Broadway, 4th Floor, New York October 27, 5–8 PM Program 5:00 PM — Doors open 5:30–6:00 PM — Panel with Melanie Hoff, Yafira Martinez, Allison Parrish, Riccardo Petrini & Lucia Rebolino, moderated by Giulia Colletti 6:00 PM — Reception 6:30–7:05 PM — Screening of The Feeling Sonnets (Transitional Object) by Metahaven With works by Roberto Fassone with Sineglossa (@sineglossa_), Ben Grosser (@ben.grosser), Melanie Hoff (@melanieh0ff), Yafira Martinez (@electrocutelab), Metahaven (@metahaven), Allison Parrish (@allison.parrish), and Riccardo Petrini & Lucia Rebolino (@richipetrini / @luciarebolino). They Make You Write Your Poems is curated by Giulia Colletti (@collettigiulia) for the American Academy in Rome’s second Italian Fellowship for Curatorial Research (@amacademyrome), in collaboration with, and supported by, the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture (@creativita_contemporanea). It is hosted by Onassis ONX (@onassis.onx), the Onassis Foundation’s platform for art and advanced technologies. Design by Al Mare. Studio (@almare.studio) 14 Oct 2026 📢 Submission deadline: 26.10.26 Το ONX Seeds καλεί δημιουργούς να αναπτύξουν πρωτότυπα έργα που κινούνται ανάμεσα στο αναλογικό και το ψηφιακό, το υλικό και το δικτυωμένο, το προσωπικό και το συλλογικό.   Μάθε περισσότερα και κάνε αίτηση στο link του bio   ONX Seeds invites new media creators to develop functional prototypes that move between the analog and the digital, the material and the networked, the personal and the collective.   Find out more and apply at the link in bio   #onxseeds #newmedia #digitalart https://www.onassis.org/el/open-calls-past/open-call-onx-seeds-2026 22 Oct 2026 🌱 ONX SEEDS OPEN CALL 2026: SOFT CIRCUITS FOR HARD TIMES Onassis ONX invites emerging creators and collectives working in art, design, and creative technology to apply for ONX Seeds 2026. As human-made books and images become the exception and algorithmic production becomes the norm, the digital is no longer confined to or emanating from the screen. It permeates the body, clothing, objects, sound, the street, the room, the community, while also returning to the screen as a space for storytelling, connection, and imagination. ONX Seeds is looking for projects that give these signals new forms: images, objects, environments, and rituals that can be seen, touched, worn, inhabited, played, and shared. ONX Seeds invites new media creators, creative technologists, designers, game developers, and interdisciplinary teams to develop functional prototypes that move between the analog and the digital, the material and the networked, the personal and the collective. The program supports early-stage, proof-of-concept projects that approach technology not as intangible infrastructure, but as a material for experience, imagination, and design: something that can be worn, touched, heard, inhabited, played, and activated with others. ONX Seeds is primarily remote, with hybrid-access at Onassis ONX in Athens for those able to visit the studio. The final presentation of the work is hosted in person in Athens in March 2027. International and Greek applicants are encouraged to apply! Up to four projects will receive:
– Seed funding of up to €5,000
– Workspace in our Athens studio at Onassis Ready
– Tailored mentorship and production support
– Presentation at the ONX Exhibition in Athens in March 2027
– Access to the ONX network in New York and beyond 📅 Submission deadline: October 26, 2026
🔗 Full call and application – link in bio Photo: @studioplayfool, [OP]erator (ONX Seeds) © @stephie_grape #ONXSeeds #OnassisONX #OpenCall #CreativeTechnology 21 Sep 2026

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DfVKkFQDqwTThe Onassis ONX Award We’re delighted to announ…
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