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Bi-annual magazine about contemporary art and culture Our print issue is out on newsstands.
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numero.com/category/art-
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Today, Numéro art highlights the work of Moroccan-born, Paris-based visual artist and filmmaker Sido Lansari (@siido ), on the occasion of his presentation at @approcheparis (November 12–15, 2026, at @maisonmoliere , Paris).
Initially discovered earlier this year at the 69th Salon de Montrouge (@salondemontrouge_ ), this body of work operates as a critical archaeology of desire and erasure. Driven by the lack of representation of queer Arab and North African people within French LGBTQIA+ history, Lansari investigates the blind spots of collective memory, resurrecting overlooked militant narratives, such as the 1980s Arab-Berber queer collective LAHZEM.
Through an intimate and meticulous technique combining hand embroidery, textiles, photography, and archival prints - most notably sourced from the historic gay magazine Le Gai Pied - the artist physically re-encodes historical documents.
By weaving thread into archival pages and personal ads, he exposes the fetishization and racialized violence hidden beneath the surface of sexual liberation, while invoking craft and fiction to fabricate the missing images of an invisible history.
📍 @approcheparis 40 rue de Richelieu, Paris 1er (Nov 12–15, 2026)
Presented with @proche.asso
1, 2, 4, 6: courtesy of @siido and @approcheparis
3, 5, 7: @thibaut.wychowanok for @numeroart
11 Nov 2026
Exclusive – Numéro art unveils an exceptional cover of its new issue starring British artist Betsy Johnson @betsyjohnson_ .
For Numéro art 19, British artist Betsy Johnson stages herself in The Loop, a series of self-portraits that examines the performance of femininity within the framework of the English domestic ideal. Set in a dollhouse-like interior, familiar everyday rituals are repeated, distorted and gradually unravel. Gestures become mechanical, order gives way to chaos, and the image of the “perfect woman” begins to crack. Drawing on Johnson’s own experiences and the visual codes of British domestic culture, the work explores coercive control, expectations and the systems in which women may find themselves playing a role without even realising it. Blending dark humour, violence and absurdity, The Loop questions what happens when a woman stops playing the part expected of her. Far from ending in collapse, the work becomes an act of resistance: breaking the cycle, reclaiming control and choosing who to become beyond its confines.
A selection of photographs from the serie will be presented at @lafayetteanticipations on November 13, as part of a special @parisphotofair event in partnership with Numéro art. By invitation only.
Editor-in-chief — @thibaut.wychowanok
Directed by Betsy Johnson + Siniša
Creative Director — Betsy Johnson @betsyjohnson_
Videographer — Siniša @sinisaaaaa
Hair Direction — Charlie Le Mindu @charlielemindu
Hair — Harold Guadalupe @_hairbyharold
Make-up — Catalina Sartor @catalinasartor_
Make-up Assistant — Chloé Kozak @chloe.kz
Art Coordinator — Nina Passeggiati @ninapasseggiati
Fashion Assistant — Benji Matthews @benjiimatthews
Light Assistant — Jana Teus @teuusssss
Set Design Team —
Julia Bergantz @digitsphere
M Lovšin @lovsinofficial
Jana Teus @teuusssss
Matylda Ślipy @matyldaslipy
Martyna Staneczek @mstaneczek
Irene Milani @i.rene__
Retouching — Loïc Voghn @loicvoghn
Location — @u122ae_paris
09 Nov 2026
Today, Numéro art explores Philippe Parreno’s @philippeparreno latest presentation at Esther Schipper’s Paris gallery @estherschippergallery , where a domestic interior becomes an ever-changing environment shaped by light, movement and time.
Bringing together new and existing works, the exhibition transforms the gallery’s apartment-like setting into a space where architecture, objects and natural light interact in a constantly evolving choreography. At its centre, Membrane brings together a cluster of antennae that collect atmospheric data, from temperature and humidity to pressure and breath, triggering movements and variations in light throughout the room.
Alongside it, Chronochromes (2026), a phosphorescent wallpaper featuring a repeating palm motif, gradually reveals and conceals its image as the room moves between light and darkness. Meanwhile, Happy Ending (2014–ongoing) and Moving Lamps (2024–ongoing) introduce animated objects whose flickering lights suggest an almost ghostly presence. A new work, Marquee (2026), completes the presentation with a luminous bas-relief whose pulsing lights introduce yet another rhythm into the space.
All photos: courtesy of @estherschippergallery
05 Nov 2026
Today, Numéro art explores Like a Punch to the Guts, a group exhibition curated by Anya Harrison @anyacharrison at @galeriederouillon you need to have on your radar.
Bringing together artists Désirée Nakouzi De Monte and Andrea Parenti of @collezionenancydelroi , Keunmin Lee @painter_keunmin , Shahryar Nashat @shahryar.nashat , Steve Reinke @spreinke , James Richards jamesrichardsfineart , Sibylle Ruppert @itsmesibylle and Diane Severin Nguyen @_melancholia , the exhibition explores the physical and psychological impact of images, questioning how artworks can provoke visceral reactions, unsettle perception and challenge our relationship to meaning, through a variety of artistic practices and mediums.
Drawing on ideas of violence, repetition and disruption, the works come together to create an experience that is as much physical as it is intellectual.
On view until November 28, 2026, at @galeriederouillon
All photos : courtesy of Galerie Derouillon.
04 Nov 2026
Today, Numéro art explores Les Fous d’En Face, a new exhibition by renowned artistic duo Elmgreen & Dragset @elmgreenanddragsetstudio at @galeriemaxhetzler presented across the gallery’s two Paris spaces.
The iconic duo previously appeared on the cover of @numeroart 2.
Bringing together three new installations, the exhibition explores the boundaries between the familiar and the extraordinary, the absurd and the everyday. Through hyperrealistic sculpture, recontextualised objects and ready-mades, the artists transform ordinary situations into enigmatic scenes, leaving viewers to piece together the stories unfolding before them.
From a solitary young boxer standing in an empty ring to an oversized clown nose and a monumental figure strapped to the roof of a vintage Fiat 500, each installation plays with humour, scale and uncertainty. Drawing on personal memories and fragments of their own histories, the duo construct open-ended narratives in which the viewer becomes an essential part of the story.
On view until December 16, 2026, at Galerie Max Hetzler, 46 & 57 rue du Temple, Paris.
All photos: courtesy of Galerie Max Hetzler
03 Nov 2026
Inside Les Rendez-vous du 18 Vendôme, an exhibition by CHANEL.
At 18 Place Vendôme, home to CHANEL’s High Jewelry workshops, the House brings exceptional jewelry creations into dialogue with its archives and contemporary artworks, extending the encounter between craftsmanship and contemporary art.
At the heart of the exhibition is N°5. From the geometry of its bottle to Gabrielle Chanel’s lucky number, its codes inspire a journey through scent, form and light, culminating in the Nº5 necklace. A bottle, a flower, a fragrance trail becomes the starting points for exploring the relationship between olfaction and jewelry.
A selection of works from the Reiffers Initiatives collection enters into dialogue with works by invited artists, bringing contemporary art and the world of High Jewelry into conversation.
The exhibition brings together works by Hicham Berrada @hichamberradastudio , Bianca Bondi @bondi_bianca , Jean Claracq @jeanclaracq , Kenny Dunkan @kennydunkan , Clédia Fourniau @clediafourniau , Laurent Grasso @laurentgrasso , Camille Henrot @coelocanthe , Ugo Rondinone @ugorondinone0 , Pol Taburet @yves_ciroc and Elizabeth Jaeger @elizabethjaeger .
Through a diversity of artistic practices and perspectives, Les Rendez-vous du 18 Vendôme creates a space for encounters between contemporary creation, exceptional craftsmanship and the CHANEL universe.
An event held in partnership with @numeroart and @reiffers_initiatives , from October 20 to Octobre 22, 2026.
#RDV18VENDOME
#CHANELHAUTEJOAILLERIE
#CHANELHIGHJEWELRY
02 Nov 2026
Today, Numéro art explores Today Is OK, the new exhibition by Ali Cherri @ali.cherri at the @palaisdetokyo , curated by Hugo Vitrani @hugovitrani , assisted by Inès Fodil.
Presented at the 2026 Cannes Film Festival, the Franco-Lebanese artist’s new film The Sentinel anchors the exhibition. Following a French soldier caught between military duty and a world suspended between reality and dreams, the film extends beyond the screen through an installation of sculptures, sets and environments. Together, these elements examine the figure of the guardian, the preparation for conflict and the effects of war on bodies and imaginations.
At the heart of the exhibition, a monumental sculpture inspired by military monuments challenges traditional representations of heroism, revealing the vulnerability of soldiers and the narratives that shape the experience of war.
On view until February 14, 2027.
All photos: courtesy of @palaisdetokyo
30 Oct 2026
Inside Les Rendez-vous du 18 Vendôme with artist Bianca Bondi @bondi_bianca .
At 18 Place Vendôme, home to CHANEL’s High Jewelry workshops, the House brings exceptional jewelry creations into dialogue with its archives and contemporary artworks, extending the encounter between craftsmanship and contemporary art.
At the heart of the exhibition is N°5. From the geometry of its bottle to Gabrielle Chanel’s lucky number, its codes inspire a journey through scent, form and light, culminating in the N°5 necklace. A bottle, a flower, a fragrance trail becomes the starting points for exploring the relationship between olfaction and jewelry.
On Wednesday, October 21, artist Bianca Bondi joined Numéro art editor-in-chief and Reiffers Initiatives director Thibaut Wychowanok @thibaut.wychowanok for a conversation about her work Vagabond bien-aimé (2024), presented in the exhibition. Through a burnt medicine cabinet and an artificial lily, the artist explores transformation, the life of objects and the invisible forces that shape our relationship with the world. Her practice also opens up new ways of thinking about scent, matter and the sensory experience of art.
An event held in partnership with @numeroart and @reiffers_initiatives .
#RDV18VENDOME
#CHANELHAUTEJOAILLERIE
#CHANELHIGHJEWELRY
29 Oct 2026
Today, Numéro art celebrates Ibrahim Mahama @ibrahimmahama3 and shares an exclusive look inside the artist’s studio in Tamale, Ghana, photographed for Numéro art 19 by Sackitey Tesa Mate-Kodjo @sackiteytesa .
At the @fondationcartier , the Ghanaian artist presents Le Temps des récoltes, an exhibition of unprecedented scale in France, conceived with nine associated artists and collectives with whom he shares long-standing collaborations: Dorothy Akpene Amenuke @dotamenuke , Gideon Appah @appah_gideon , James Barnor @james_barnor_archives , Cercle d’Art des Travailleurs de Plantation Congolaise @catpc_lusanga , Courage Dzidula Kpodo @dzidula_k & Postbox Ghana @postbox.ghana , Zohra Opoku @zohraopoku , Tjaša Rener @tjasa_rener and Feda Wardak @fedawardak .
Bringing together new works and reimagined installations, the exhibition explores the legacies of Ghana’s independence, the role of cultural institutions across Africa and the possibilities of collective creation.
From Parliament of Ghosts, a gathering space that brings questions of democracy and political memory to the fore, to Things Fall Apart, a monumental reconstruction of a former Ghanaian glass bottle factory, Mahama transforms the traces of the past into spaces for learning, exchange and new possibilities.
The exhibition is curated by Aby Gaye-Duparc @abygaye_ (for Ibrahim Mahama) and Jeanne Barral @jeannebarral (for the associated artists), with Chiara Agradi @chiaraagradi as associate curator for James Barnor.
On view at the Fondation Cartier until February 28, 2027.
Thank you Bianca Manu @bianca_a_manu for the great text published in Numero art 19 !
Editor-in-chief: @thibaut.wychowanok
Photographer: @sackiteytesa
Talent: @ibrahimmahama3
Assistant photographer: @the.vintage.mason
28 Oct 2026
Today, Numéro art takes you inside Les Rendez-vous du 18 Vendôme, an exhibition by CHANEL bringing together exceptional jewelry and High Jewelry creations, the House’s archives and contemporary artworks, with a particular focus on the emerging French art scene. An event held in partnership with @numeroart and @reiffers_initiatives .
Among the artists: Numéro art cover stars Pol Taburet @yves_ciroc and Ugo Rondinone @ugorondinone0 , Reiffers Initiatives Prize winners Pol Taburet and Clédia Fourniau @clediafourniau , former nominees Bianca Bondi @bondi_bianca and Jean Claracq @jeanclaracq , and Kenny Dunkan @kennydunkan , the inaugural recipient of the foundation’s mentorship with Rashid Johnson @rashidjohnson .
And at the heart of the exhibition: N°5. From the geometry of its bottle to Gabrielle Chanel's lucky number, its codes inspire a journey through scent, form and light, culminating in the Nº5 necklace.
Extending this dialogue, a program of conversations invited last week artists as Cledia Fourniau and Bianca Bondi to share their perspectives on the exhibition, exploring how an idea becomes a form, a gesture becomes a language, and materials engage the senses.
#RDV18VENDOME
#CHANELHAUTEJOAILLERIE
#CHANELHIGHJEWELRY
27 Oct 2026
Inside Les Rendez-vous du 18 Vendôme with artist Clédia Fourniau @clediafourniau .
At 18 Place Vendôme, CHANEL brings exceptional jewelry and High Jewelry creations into dialogue with the House’s archives and contemporary artworks, with a particular focus on the emerging French art scene.
At the heart of the exhibition is N°5. From the geometry of its bottle to Gabrielle Chanel’s lucky number, its codes inspire a journey through scent, form and light, culminating in the N°5 necklace.
Extending this dialogue, a program of conversations invites artists to share their perspectives on the exhibition, exploring how an idea becomes a form, a gesture becomes a language, and materials engage the senses.
On Tuesday, artist Clédia Fourniau, winner of the 2024 Reiffers Art Initiatives Prize @reiffers_initiatives , joined @numeroart editor-in-chief Thibaut Wychowanok @thibaut.wychowanok discuss her painting Clean room white (2024), presented in the exhibition. An exchange on the possibilities of matter, the subtleties of light and the freedom of creation.
An event held in partnership with Numéro art and Reiffers Initiatives.
#RDV18VENDOME
#CHANELHAUTEJOAILLERIE
#CHANELHIGHJEWELRY
26 Oct 2026
Today, Numéro art gives you an exclusive preview of Thomas Houseago’s @thomas_houseago_studio_ exhibition at @reiffers_initiatives , part of the foundation’s 2026 Mentorship Programme, which brings together the British sculptor and French artist Théo Mercier @theomercier_official_ for a joint exhibition opening tomorrow during Art Basel Paris.
Under the foundation’s impressive glass roof, Thomas Houseago transforms the space into a working artist’s studio. After spending several weeks creating on site, the artist leaves the studio in place for the exhibition, inviting visitors into the energy, intimacy and processes behind his practice. The presentation also brings together a selection of recent sculptures, including a monumental bronze owl and one of his signature masks.
A major figure on the international art scene, Thomas Houseago develops a sculptural and pictorial practice centred on the human body. From monumental works to smaller-scale pieces, his sculptures explore the tension between strength and vulnerability. Working with materials ranging from wood, clay, plaster and bronze to steel rods, concrete and burlap, he makes the processes behind his work an integral part of the experience.
Following major exhibitions at the @museedartmodernedeparis in 2019, the Pinault Collection in Venice in 2020 and the @rubellmuseum in Miami in 2025, Houseago continues to explore the possibilities of sculpture through an approach that brings the artist’s studio to the forefront.
On view from October 23 to December 12, 2026, at Reiffers Initiatives, 30 rue des Acacias, Paris 17th.
All photos: @thibaut.wychowanok for @numeroart
23 Oct 2026
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