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Anya Harrison

@anyacharrison

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Curator & art scribe ••• @galeriederouillon ••• @june_crespo @montpelliercontemporain

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flash---art.com/article/89-seconds-to-midnight-yngve-holen-%25EF%25BF%25BC/%23 flash---art.com/article/in-minor-keys-61st-venice-biennale www.artforum.com/columns/diary-paris-art-week-2026-anya-harrison-1234762142

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#sibylleruppert #stevereinke #jamesrichards #manuelaammer #figureofthechild #love #curatedby2026 #curatedby #galerienaechstststephan #galerienaechstststephanrosemarieschwarzwaelder

Recent posts

Today, Numéro art explores Like a Punch to the Guts, a group exhibition curated by Anya Harrison @anyacharrison at @galeriederouillon you need to have on your radar. Bringing together artists Désirée Nakouzi De Monte and Andrea Parenti of @collezionenancydelroi , Keunmin Lee @painter_keunmin , Shahryar Nashat @shahryar.nashat , Steve Reinke @spreinke , James Richards jamesrichardsfineart , Sibylle Ruppert @itsmesibylle and Diane Severin Nguyen @_melancholia , the exhibition explores the physical and psychological impact of images, questioning how artworks can provoke visceral reactions, unsettle perception and challenge our relationship to meaning, through a variety of artistic practices and mediums. Drawing on ideas of violence, repetition and disruption, the works come together to create an experience that is as much physical as it is intellectual. On view until November 28, 2026, at @galeriederouillon All photos : courtesy of Galerie Derouillon. 04 Nov 2026

BURN BABY BURN My twice-a-year a-penny-for-your-thoughts musings for @numeroart, this time half disco inferno, half total apocalypse, with recent works by @kritbangkok (at @sonsbeek_artprojects), @yaldaafsah (with her video « Heat » recently presented by @galeriemolitor) and the carpet bomb-esque installation by @narcissolveig (shown by @pony.montreuil) to keep me company 🦇☄️ Merci as always to @thibaut.wychowanok for giving me space to yap freely 🫠 30 Oct 2026

[CURRENT] Like a punch to the guts → Curated by Anya Harrison @anyacharrison Galerie Derouillon, Étienne Marcel ‘’[…] If we’re talking about throwing punches, the works gathered here evade coercion, they skirt around the issue, waiting for that perfect, unobtrusive moment to deliver a blow. Not exactly lying in stealth but not playing nice, either. Transmission is deliberately interrupted, only to reappear full throttle, throttling. […]’’ Anya Harrison With the participation of: Dèsirèe Nakouzi De Monte & Andrea Parenti of Collezione Nancy Delroi (@collezionenancydelroi), Keunmin Lee (@painter_keunmin), Shahryar Nashat (@shahryar.nashat), #SibylleRuppert #SteveReinke #JamesRichards, Diane Severin Nguyen (@_melancholia) Special thanks to: @bluevelvetprojects @galeriemolitor @gladstone.gallery @isabellabortolozzi 29 Oct 2026

It’s the very last days (until October 31, to be precise) to visit « Requiem », the group show I curated @galerienaechstststephan as part of this year’s @curatedby.at With works by @barbarahammerestate @penygorig @madamdedangelaim and @a13mel.odom ~~~ Seventeen months I’ve pleaded for you to come home. Flung myself at the hangman’s feet. Written in 1940 but not published until 1987 due to the controversy of the topics addressed, Russian poet Anna Akhmatova’s Requiem is an elegy about love, loss and suffering. Interweaving the micro and the macro, politics and current affairs with tales of personal, lived experience (in other words, forced disappearances and exile, those of her husband and son, but also that experienced by millions of others, strangers united by the same tragedy), Akhmatova unleashes a vortex of feelings, veering from grief, disbelief, mourning and resolve. Yet read anew, this series of poems could be a testament to love and its double. For love, if not Janus-faced, is inherently double-edged, indissociable from loss, fear and pain. It is a risk that requires nerves of steel. To love is to give oneself over to the premise of death. How far are you willing to go? … Requiem is not about death, per se, but it is about the risks one is willing to take for love, a radical love, one that is often situated outside of traditional socially validated institutions. It speaks to how painful and solitary the feeling and experience of loving can be. And how it’s so worth it, despite, even maybe because of, the pain. Adam Christensen stages intimate scenes in which the most banal occurrences become an enticing narrative – an often-dramatic language with explicit, tragicomic content drawn from memories of late-night parties or cruising – that mingles autobiography with fantasy … Christensen’s testimony of fleeting encounters, unrequited love and broken hearts often bleeds into his performances, moments of pure grace during which the artist proffers spoken-word texts and love songs while accompanying himself on an accordion. However, in addition to this youthful angst, there is now an added weight, the loss in recent years of Christensen’s mothers, 29 Oct 2026

This is the last week to see Tolia Astakhishvili’s seminal exhibition at mumok – one that is entered through a long tunnel on the museum’s lowest level, creating a threshold between outer reality and her world. Once inside, as author Anya Harrison writes in her recent article for @flashartmagazine, “The museum becomes a second skin, an inhabited environment in which the collection not only constitutes a history, but takes on the attributes of the marks, traces, scabs and scars that accompany any body through its natural life cycle.” Harrison describes the resulting exhibition as “a gesamtkunstwerk, or an immersive, total work of art, that has none of the megalomaniac tendencies of its forebears; lacking their overpowering and didactic tones, it envelops instead.” Read the full feature via the link in our bio and make sure to visit the exhibition in this final week. On Sunday, its last day, Tolia Astakhishvili invites visitors to join her, General director Fatima Hellberg and curator Manuela Ammer, in person for a joint walk through the exhibition. Register now via the link in our bio. ___ @anyacharrison @toliaasta, @fatimahellberg, #manuelaammer, #figureofthechild Photos/Fotos: Tolia Astakhishvili Studio 27 Oct 2026

[UPCOMING] Like a punch to the guts → Curated by Anya Harrison Opening October 16th - 5 to 8p.m Galerie Derouillon, Étienne Marcel With the participation of: Désirée Nakouzi De Monte & Andrea Parenti of Collezione Nancy Delroi, Keunmin Lee, Shahryar Nashat, Steve Reinke, James Richards, Sibylle Ruppert, Diane Severin Nguyen. A heavy thud. A sharp sting. A flash of bright light. The momentary blindness that surely follows. Delivered hard enough, a simple punch can fully shut down the body, arriving soon enough at a permanent final destination. If a deep, rippling shockwave is enough to disrupt the normal functioning of an organism, could the same be said of these works? The anxiety-riddled materiality of an image, with all its synthetic fleshiness interrupted by the occasional glitch, contaminates its surroundings. Provoking a radiating pain in bodies without borders, a haptic seeing that weighs down on the nervous system’s pressure points, it frees form and images from the constrictions and stranglehold of meaning. We should be so lucky. @anyacharrison @collezionenancydelroi @painter_keunmin @shahryar.nashat @_melancholia #SibylleRuppert #SteveReinke #JamesRichards 12 Oct 2026

We are glad to share a few images from “Requiem” curated by @anyacharrison at @galerienaechstststephan. The show is on view until October 17. Participating artists: Penny Goring, Barbara Hammer, Mel Odom, Adam Christensen @penygorig @melodom @madamdedangelaim @barbarahammerestate More information about the exhibition is available on our website. Images: Courtesy the artist and Galerie nächst St. Stephan Rosemarie Schwarzwälder. Photo: @kunstdokumentationcom #LOVE #curatedby2026 08 Oct 2026

Cette semaine avec les Jeudis MO.CO. Panacée ! 👀 Rendez-vous avec toute l'équipe de @gaze.magazine, l'artiste @monicamays_ , l’autrice et podcastienne @jackxparker et la curatrice @anyacharrison autour du thème de la monstruosité féminine en lien avec l'exposition "À fleur de peau" visible jusqu'à ce dimanche 11 octobre !🦇 La table ronde sera suivie d'une séance de dédicace des livres de Taous Merakchi avec la librairie @fiersdelettres Événement en partenariat avec @midilibre @midilibre_montpellier 📆Jeudi 8 octobre, 19h 📍La Panacée, 14 Rue de l'Ecole de Pharmacie, Montpellier 💸Gratuit 05 Oct 2026

My first solo exhibition in Berlin ends tomorrow! If you’d still like to see it, it’s open by appointment (just send me a DM) It was such a great opening night during Berlin Art Week. Thank you so much to all friends who came! Also Thanks to @anyacharrison for the thoughtful curation and the beautiful text, to @nataliekubik_ova for the vision, and to @jakubkodl and @max.goelitz for their support. Jakub Jansa: Subterraneans Curated by Anya Harrison @anyacharrison Rudi-Dutschke-Straße 26 10969 Berlin, Germany foto: @verdikt11 01 Oct 2026

Follow @anyacharrison, curator of our current exhibition ‘Requiem’, at Domgasse 6, as she takes you through the show. Heartbreak. Crèvecoeur. An amalgamation of two words becoming one, a compound stuck together, forever for all times. I’ve always been struck by this image of a heart, shattered into smithereens, the body’s compass no longer able (or unwilling?) to offer it its life-sustaining blood. The sensation of a neural pathway, an energy field deep inside exploding and rendered physical. Overwhelming, unbearable, intense, it is a pain that keeps on giving, a phantom limb irrevocably reminding of its absence. – Anya Harrison Requiem ADAM CHRISTENSEN, PENNY GORING, BARBARA HAMMER, MEL ODOM 11 SEP – 31 OCT 2026 Domgasse 6, 1010 Vienna Curated by Anya Harrison @curatedby.at @madamdedangelaim @barbarahammer1 @a13mel.odom #curatedby #galerienaechstststephan #galerienaechstststephanrosemarieschwarzwaelder 30 Sep 2026

I’m very happy to have penned some words to accompany @andreafourchycatfish’s newly opened exhibition « No show » @lomexgallery, which looks messy and wacky and wild and poised all at once and in all the right ways that make my eyes and mind spiral 🌀 « As far as painting goes, if I had to give these works a diagnosis, I would call them obsessive-compulsive, a Freudian slip of the Rorschach tongue, allowing for images to appear where there is only pattern. A constructed mess that is moody, sexy, atmospheric and slippery. An attitude that suggests its disdain for the classical rules of the medium (while knowing them all too well), and all the while pillaging from its history. Figuration here is clearly an afterthought, a happy accident that transpires from a playfully inside-out approach to painting, layers woven together. Some of these paintings even go so far as to look like the aftermath of an AbEx vs Pop fist fight. Who threw the hardest punch is up for debate. Just look at Ann-Margret, the 60s sex kitten best known for her breakout hit Bye Bye Birdie, trying to crawl off the canvas but forever frozen in that kneeling pose, taken from a promotional photograph but now rendered a lump form, pure shadow. Even the leopard that remains by her side, forever twinned, has more life to it. Here it’s all about double images that bring in new motifs, leopard spots confusing themselves for lipsticked kisses, zebra print towering over crawl babies. Elsewhere, the pixelated, modular colours of Fair Isle knits threaten to trump Matisse cut-outs, while Mona Lisa eyes dissipate into camouflage. Order, order! Zeroing in on details can go either way, like flipping a coin, a painter’s troubled relationship to positive or negative, plus or minus, appearance or erasure. What one omits on the psychoanalyst’s couch is, after all, just as revealing. » ~ excerpt from my text 🐆 Image: Andrea Fourchy, « Cheetah print (Anne Margaret) », 2025 Many thanks to @andreafourchycatfish for letting me into your world while we were both coughing and sneezing on either side of the Atlantic 🖤 and to @spencer_y for introducing us. 28 Sep 2026

Today, Numéro art follows curator @anyacharrison Anya Harrison into the monstrous with her latest exhibition at MO.CO. Panacée in Montpellier @montpelliercontemporain . With Under the skin, Anya Harrison, assisted by Alexis Loisel-Montambaux @alexis__loisel_montambaux , brings together nearly 80 works by 28 artists, spanning from the 1970s to today, to explore monstrosity as a figure of difference, excess, deviation and everything society seeks to reject. From biological anomalies to the idea of the social monster, the exhibition looks at how the monstrous can reflect the fears, desires and contradictions of a society. Here, it refuses to stay at a distance, existing on both sides of the skin and disrupting identities, systems and established norms. An immersive, labyrinthine scenography takes visitors through a world of fear and desire, bringing together works by Albrecht Becker, Kévin Blinderman @kevinblinderman , Julien Ceccaldi @jlnccc , Sue Coe @suecoeart , Julian Farade @horsmilieux , Dorota Gawęda & Eglė Kulbokaitė @gaweda_kulbokaite , Penny Goring @penygorig , Tirdad Hashemi @that_tirdad , Richard Hawkins @richardhawkins03 , Augustin Katz @augustinkatz_ , Keunmin Lee @painter_keunmin , Tala Madani @talamadani , Stéphane Mandelbaum and Mónica Mays @monicamays_ . The exhibition also features Brilant Milazimi @brilant.milazimi , Arthur Monteillet @arthurmonteillet , Moor Mother moormother with Glenn Espinosa & Cauleen Smith, Ulrike Ottinger, Lili Reynaud Dewar @furieuxboy , James Richards & Steve Reinke, Sibylle Ruppert, Ebun Sodipo @epastry , Ceija Stojka, Michelle Uckotter, Jenkin van Zyl @jenkinvanzyl and Issy Wood @isywod . Anya Harrison also places a strong focus on new productions and ambitious adaptations, including works by recently graduated MO.CO. Esba artists Nuria Mokhtar @numokh and Arthur Monteillet @arthurmonteillet . Several artists are presented in a French institution for the first time, including Sue Coe, Keunmin Lee, Dorota Gawęda & Eglė Kulbokaitė, Brilant Milazimi, Sibylle Ruppert and Michelle Uckotter. On view until October 11, 2026. All photos : courtesy of MO.CO Panacée. © Pauline Rosen-Cros @pauline.rosen.cros 24 Sep 2026

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DfU-Y6SEYHY	Today, Numéro art explores Like a Punch to the G…
DfH7lv6DIp9	BURN BABY BURN My twice-a-year a-penny-for-your…
DfFPewBCCHH	[CURRENT] Like a punch to the guts → Curated by …

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DfU-Y6SEYHY	Today, Numéro art explores Like a Punch to the G…
DfH7lv6DIp9	BURN BABY BURN My twice-a-year a-penny-for-your…
DfFPewBCCHH	[CURRENT] Like a punch to the guts → Curated by …

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