Nathan Watts

Nathan Watts

@nrrwatts

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Recap from Weaving Feldman in Riga on 05.09 thanks to @skanumezs & @balta_nakts Pics from Oskars Upenieks โœจ 02 Oct 2026 All You Can Hear: Weaving Feldman Morton Feldmans 'Tweede Strijkkwartet' is een marathon van vijf en een half uur waarin je je helemaal kan laten onderdompelen. In het publiek zaten heel veel van onze All You Can Hear-passers. Dankzij die pas beleef je voor slechts 65 euro een grote selectie aan nieuwemuziekconcerten. Meer info: www.debijloke.be/allyoucanhear ๐ŸŽฅ Liese Lattrez 07 Sep 2026 Weaving Feldman. Een monumentaal klankdeken met Morton Feldmans vijf en een half uur durende โ€˜Tweede Strijkkwartetโ€™, van de late namiddag tot diep in de avond. Een unieke belevenis, in de prachtige abdijrefter van het @stamgent . Een prachtige start van onze nieuwemuziekreeks. Bekijk het fotoverslag door @evyvanhoucke op www.debijloke.be 01 Sep 2026 ๐๐‘๐„๐Œ๐ˆ๐„๐‘๐„ | ๐Ÿ๐Ÿ—.๐ŸŽ๐Ÿ–.๐Ÿ๐Ÿ” | @debijloke photos by @camillegraule And this happened ! ๐™’๐™š๐™–๐™ซ๐™ž๐™ฃ๐™œ ๐™๐™š๐™ก๐™™๐™ข๐™–๐™ฃ premiered to a sold out audience in Ghent last Saturday. I am very grateful to Maarten Quanten and all the team at @debijloke for the trust they put in this project. And a very special thanks from the bottom of my heart to the wonderful people around me on and off stage who made this a reality. Maya, Vero and Nathan for taking up the challenge and making it sound so crisp and fresh from the first to the last note. The incredible work of Leรฏla understanding and translating Feldmanโ€™s score into this beautifully woven textile piece. The magic tree of light of Max. The subtle and elegant touch of Alexandra. The inestimable contribution of Gabrielle and Gaรซtan when designing and realising a specific loom for this performance. And Andreas for all the admin work. Next Saturday in Riga at @skanumezs ! ๐™’๐™š๐™–๐™ซ๐™ž๐™ฃ๐™œ ๐™๐™š๐™ก๐™™๐™ข๐™–๐™ฃ ๐˜š๐˜ต๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜˜๐˜ถ๐˜ข๐˜ณ๐˜ต๐˜ฆ๐˜ต: ๐˜”๐˜ข๐˜บ๐˜ข ๐˜‰๐˜ฆ๐˜ฏ๐˜ฏ๐˜ข๐˜ณ๐˜ฅ๐˜ฐ, ๐˜๐˜ฆ๐˜ณ๐˜ฐ๐˜ฏ๐˜ช๐˜ฌ๐˜ข ๐˜—๐˜ข๐˜ญ๐˜ฆ๐˜ฆ๐˜ท๐˜ข, ๐˜๐˜ช๐˜ค๐˜ต๐˜ฐ๐˜ณ ๐˜Ž๐˜ถ๐˜ข๐˜ช๐˜ต๐˜ข ๐˜๐˜จ๐˜ถ๐˜ข๐˜ญ, ๐˜•๐˜ข๐˜ต๐˜ฉ๐˜ข๐˜ฏ ๐˜ž๐˜ข๐˜ต๐˜ต๐˜ด ๐˜›๐˜ฆ๐˜น๐˜ต๐˜ช๐˜ญ๐˜ฆ ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต: ๐˜“๐˜ฆรฏ๐˜ญ๐˜ข ๐˜—๐˜ช๐˜ญ๐˜ฆ ๐˜“๐˜ฐ๐˜ฐ๐˜ฎ : ๐˜“๐˜ฆรฏ๐˜ญ๐˜ข ๐˜—๐˜ช๐˜ญ๐˜ฆ, ๐˜Ž๐˜ข๐˜ฃ๐˜ณ๐˜ช๐˜ฆ๐˜ญ๐˜ญ๐˜ฆ ๐˜‰๐˜ข๐˜ณ๐˜ฃรฉ ๐˜ข๐˜ฏ๐˜ฅ ๐˜Ž๐˜ขรซ๐˜ต๐˜ข๐˜ฏ ๐˜”๐˜ข๐˜ด๐˜ด๐˜ข๐˜ถ๐˜ต ๐˜“๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜‹๐˜ฆ๐˜ด๐˜ช๐˜จ๐˜ฏ๐˜ฆ๐˜ณ: ๐˜”๐˜ข๐˜น ๐˜ˆ๐˜ฅ๐˜ข๐˜ฎ๐˜ด ๐˜Š๐˜ฐ๐˜ด๐˜ต๐˜ถ๐˜ฎ๐˜ฆ๐˜ด: ๐˜ˆ๐˜ญ๐˜ฆ๐˜น๐˜ข๐˜ฏ๐˜ฅ๐˜ณ๐˜ข ๐˜๐˜ฆ๐˜ณ๐˜ด๐˜ค๐˜ฉ๐˜ถ๐˜ฆ๐˜ณ๐˜ฆ๐˜ฏ ๐˜Š๐˜ฐ๐˜ฉ๐˜ฐ๐˜ณ๐˜ต ๐˜—๐˜ณ๐˜ฐ๐˜ฅ๐˜ถ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜๐˜ก๐˜ž @mayabennardo @veronika.paleeva @victor.guaita @nrrwatts @pile_leila @gabriellebarbe @max_adams_lmnsm @alexandraverschueren ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ถ๐˜ฑ๐˜ฑ๐˜ฐ๐˜ณ๐˜ต ๐˜ฐ๐˜ง ๐˜๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ๐˜ด ๐˜š๐˜ต๐˜ข๐˜ต๐˜ฆ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ˆ๐˜ณ๐˜ต, ๐˜Ž๐˜ฐ๐˜ฆ๐˜ต๐˜ฉ๐˜ฆ ๐˜๐˜ฏ๐˜ด๐˜ต๐˜ช๐˜ต๐˜ถ๐˜ต ๐˜๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ฏ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ข๐˜ญ๐˜ฆ๐˜ณ ๐˜’๐˜ฐ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฅ๐˜ถ๐˜ฌ๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ง๐˜ฐ๐˜ฏ๐˜ฅ๐˜ด, ๐˜๐˜ค๐˜ต๐˜ถ๐˜ด, ๐˜•๐˜ฆ๐˜ฆ๐˜ฅ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ข๐˜ฏ๐˜บ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜‰&๐˜› ๐˜›๐˜ฆ๐˜น๐˜ต๐˜ช๐˜ญ๐˜ช๐˜ข 01 Sep 2026 Doorzetten voorbij het comfortabele, volhouden omwille van de ervaring zelf: Morton Feldmans โ€˜Tweede strijkkwartetโ€™ is een gebeurtenis. In deze vijf en een half uur durende muzikale tocht ontvouwt zich een haast tijdloos klankweefsel, fragiel en eindeloos variรซrend. Deze zaterdag! Info & tickets op debijloke.be/feldman 26 Aug 2026 WEAVING FELDMAN final residency at @needcompanyarts studio & a glance at @pile_leila process of translating Feldman through ikat dyeing - Morton Feldman String Quartet no. 2 @mayabennardo @veronika.paleeva @victor.guaita @nrrwatts Textile design and weaving by @pile_leila Original backstrap loom by @pile_leila @gabriellebarbe gaรซtan Massaut Light sculpture by @max_adams_lmnsm Costumes by @alexandraverschueren Premiere this Saturday 29.08 at @debijloke ! & 05.09 at @skanumezs in Riga ! 26 Aug 2026 Riga, Latviaโ€™s Skaล†u Meลพs festival for adventurous music has participated in the White Night culture forum since its first iteration in Latvia.ย  This yearโ€™s free-entry White Night concert by Skaล†u Meลพs will take place at the photo studio and event space SunsStudo (9A Magoล†u Street) on September 5. Admission to the opening event is free, and it begins at 20:00.ย  This year, the event will be a celebration ofย Morton Feldmanโ€™s 100th birthday. The projectย Weaving Feldmanย will perform one of the composerโ€™s most ambitious late works โ€“ the nearly six-hour-long String Quartet No. 2 โ€“ visually accompanied by textile artistย Leรฏla Pile, thus drawing a surprisingly deep parallel between Feldmanโ€™s music and his fascination with Middle Eastern rugs. The players are Maya Bennardo, Veronika Paleeva, Victor Guaita Igual and Nathan Watts. The concert will be opened by a first-time duo performance byย Alan Wilkinsonย andย Chris Pitsiokosย โ€“ players from two different generations and scenes whoare nevertheless both fascinated by the more radical side of improvised music. The event is supported by the Riga City Municipality, the Trust for Mutual Understanding, and the soundโ€‘art project โ€œtekhnฤ“โ€, coโ€‘funded by the European Union and the Ministry of Culture of the Republic of Latvia. 24 Aug 2026 ๐๐‘๐„๐Œ๐ˆ๐„๐‘๐„ | ๐Ÿ๐Ÿ—.๐ŸŽ๐Ÿ–.๐Ÿ๐Ÿ” | ๐Ÿ๐Ÿ•๐ก๐ŸŽ๐ŸŽ @debijloke ๐™’๐™š๐™–๐™ซ๐™ž๐™ฃ๐™œ ๐™๐™š๐™ก๐™™๐™ข๐™–๐™ฃ is a multidisciplinary performance uniting Morton Feldmanโ€™s String Quartet No. 2 (1983) and the textile art of weaving. A milestone in the repertoire for string quartet, this pieceโ€™s extreme length (ca. 5h30min) defies any conventional concert situation and challenges both performers and audiences. Feldman was fascinated by nomadic rugs and took inspiration from their structures of imperfect symmetry for his late compositions. In this unique new performance the process is reversed: a weaving score is created from Feldmanโ€™s music. Alongside the string quartet, the weaver, seated with the loom around her waist, follows the unfolding of the music, translating it into patterns. The fabric that originates from this process is both a witness to the time past and a visual retelling of Feldmanโ€™s music. ๐˜š๐˜ต๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜˜๐˜ถ๐˜ข๐˜ณ๐˜ต๐˜ฆ๐˜ต: ๐˜”๐˜ข๐˜บ๐˜ข ๐˜‰๐˜ฆ๐˜ฏ๐˜ฏ๐˜ข๐˜ณ๐˜ฅ๐˜ฐ, ๐˜๐˜ฆ๐˜ณ๐˜ฐ๐˜ฏ๐˜ช๐˜ฌ๐˜ข ๐˜—๐˜ข๐˜ญ๐˜ฆ๐˜ฆ๐˜ท๐˜ข, ๐˜๐˜ช๐˜ค๐˜ต๐˜ฐ๐˜ณ ๐˜Ž๐˜ถ๐˜ข๐˜ช๐˜ต๐˜ข ๐˜๐˜จ๐˜ถ๐˜ข๐˜ญ, ๐˜•๐˜ข๐˜ต๐˜ฉ๐˜ข๐˜ฏ ๐˜ž๐˜ข๐˜ต๐˜ต๐˜ด ๐˜›๐˜ฆ๐˜น๐˜ต๐˜ช๐˜ญ๐˜ฆ ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต: ๐˜“๐˜ฆรฏ๐˜ญ๐˜ข ๐˜—๐˜ช๐˜ญ๐˜ฆ ๐˜“๐˜ฐ๐˜ฐ๐˜ฎ : ๐˜“๐˜ฆรฏ๐˜ญ๐˜ข ๐˜—๐˜ช๐˜ญ๐˜ฆ, ๐˜Ž๐˜ข๐˜ฃ๐˜ณ๐˜ช๐˜ฆ๐˜ญ๐˜ญ๐˜ฆ ๐˜‰๐˜ข๐˜ณ๐˜ฃรฉ ๐˜ข๐˜ฏ๐˜ฅ ๐˜Ž๐˜ขรซ๐˜ต๐˜ข๐˜ฏ ๐˜”๐˜ข๐˜ด๐˜ด๐˜ข๐˜ถ๐˜ต ๐˜“๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜‹๐˜ฆ๐˜ด๐˜ช๐˜จ๐˜ฏ๐˜ฆ๐˜ณ: ๐˜”๐˜ข๐˜น ๐˜ˆ๐˜ฅ๐˜ข๐˜ฎ๐˜ด ๐˜Š๐˜ฐ๐˜ด๐˜ต๐˜ถ๐˜ฎ๐˜ฆ๐˜ด: ๐˜ˆ๐˜ญ๐˜ฆ๐˜น๐˜ข๐˜ฏ๐˜ฅ๐˜ณ๐˜ข ๐˜๐˜ฆ๐˜ณ๐˜ด๐˜ค๐˜ฉ๐˜ถ๐˜ฆ๐˜ณ๐˜ฆ๐˜ฏ ๐˜Š๐˜ฐ๐˜ฉ๐˜ฐ๐˜ณ๐˜ต ๐˜—๐˜ณ๐˜ฐ๐˜ฅ๐˜ถ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜๐˜ก๐˜ž @mayabennardo @veronika.paleeva @victor.guaita @nrrwatts @pile_leila @gabriellebarbe @max_adams_lmnsm @alexandraverschueren ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ถ๐˜ฑ๐˜ฑ๐˜ฐ๐˜ณ๐˜ต ๐˜ฐ๐˜ง ๐˜๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ๐˜ด ๐˜š๐˜ต๐˜ข๐˜ต๐˜ฆ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ˆ๐˜ณ๐˜ต, ๐˜Ž๐˜ฐ๐˜ฆ๐˜ต๐˜ฉ๐˜ฆ ๐˜๐˜ฏ๐˜ด๐˜ต๐˜ช๐˜ต๐˜ถ๐˜ต ๐˜๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ฏ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ข๐˜ญ๐˜ฆ๐˜ณ ๐˜’๐˜ฐ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฅ๐˜ถ๐˜ฌ๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ง๐˜ฐ๐˜ฏ๐˜ฅ๐˜ด, ๐˜๐˜ค๐˜ต๐˜ถ๐˜ด, ๐˜•๐˜ฆ๐˜ฆ๐˜ฅ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ข๐˜ฏ๐˜บ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜‰&๐˜› ๐˜›๐˜ฆ๐˜น๐˜ต๐˜ช๐˜ญ๐˜ช๐˜ข Video by @deroute_videos 27 Jul 2026 I wrote โ€œSonderโ€ in 2015 for @colemanplayscello and Lina Bahnโ€™s violin studio at @uscthornton school of music. This recording features @nrrwatts, Timothy Steeves, Kevin Tompkins, Lijia Phang, Heemin Choi, @tiffchung, and me ten years ago at the @aspenmusicfest 21 Jul 2026 ๐๐‘๐„๐Œ๐ˆ๐„๐‘๐„ | ๐Ÿ๐Ÿ—.๐ŸŽ๐Ÿ–.๐Ÿ๐Ÿ” | ๐Ÿ๐Ÿ•๐ก๐ŸŽ๐ŸŽ @debijloke ๐™’๐™š๐™–๐™ซ๐™ž๐™ฃ๐™œ ๐™๐™š๐™ก๐™™๐™ข๐™–๐™ฃ is a multidisciplinary performance uniting Morton Feldmanโ€™s String Quartet No. 2 (1983) and the textile art of weaving. A milestone in the repertoire for string quartet, this pieceโ€™s extreme length (ca. 5h30min) defies any conventional concert situation and challenges both performers and audiences. Feldman was fascinated by nomadic rugs and took inspiration from their structures of imperfect symmetry for his late compositions. In this unique new performance the process is reversed: a weaving score is created from Feldmanโ€™s music. Alongside the string quartet, the weaver, seated with the loom around her waist, follows the unfolding of the music, translating it into patterns. The fabric that originates from this process is both a witness to the time past and a visual retelling of Feldmanโ€™s music. ๐˜š๐˜ต๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜˜๐˜ถ๐˜ข๐˜ณ๐˜ต๐˜ฆ๐˜ต: ๐˜”๐˜ข๐˜บ๐˜ข ๐˜‰๐˜ฆ๐˜ฏ๐˜ฏ๐˜ข๐˜ณ๐˜ฅ๐˜ฐ, ๐˜๐˜ฆ๐˜ณ๐˜ฐ๐˜ฏ๐˜ช๐˜ฌ๐˜ข ๐˜—๐˜ข๐˜ญ๐˜ฆ๐˜ฆ๐˜ท๐˜ข, ๐˜๐˜ช๐˜ค๐˜ต๐˜ฐ๐˜ณ ๐˜Ž๐˜ถ๐˜ข๐˜ช๐˜ต๐˜ข ๐˜๐˜จ๐˜ถ๐˜ข๐˜ญ, ๐˜•๐˜ข๐˜ต๐˜ฉ๐˜ข๐˜ฏ ๐˜ž๐˜ข๐˜ต๐˜ต๐˜ด ๐˜›๐˜ฆ๐˜น๐˜ต๐˜ช๐˜ญ๐˜ฆ ๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต: ๐˜“๐˜ฆรฏ๐˜ญ๐˜ข ๐˜—๐˜ช๐˜ญ๐˜ฆ ๐˜“๐˜ฐ๐˜ฐ๐˜ฎ : ๐˜“๐˜ฆรฏ๐˜ญ๐˜ข ๐˜—๐˜ช๐˜ญ๐˜ฆ, ๐˜Ž๐˜ข๐˜ฃ๐˜ณ๐˜ช๐˜ฆ๐˜ญ๐˜ญ๐˜ฆ ๐˜‰๐˜ข๐˜ณ๐˜ฃรฉ ๐˜ข๐˜ฏ๐˜ฅ ๐˜Ž๐˜ขรซ๐˜ต๐˜ข๐˜ฏ ๐˜”๐˜ข๐˜ด๐˜ด๐˜ข๐˜ถ๐˜ต ๐˜“๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜‹๐˜ฆ๐˜ด๐˜ช๐˜จ๐˜ฏ๐˜ฆ๐˜ณ: ๐˜”๐˜ข๐˜น ๐˜ˆ๐˜ฅ๐˜ข๐˜ฎ๐˜ด ๐˜Š๐˜ฐ๐˜ด๐˜ต๐˜ถ๐˜ฎ๐˜ฆ๐˜ด: ๐˜ˆ๐˜ญ๐˜ฆ๐˜น๐˜ข๐˜ฏ๐˜ฅ๐˜ณ๐˜ข ๐˜๐˜ฆ๐˜ณ๐˜ด๐˜ค๐˜ฉ๐˜ถ๐˜ฆ๐˜ณ๐˜ฆ๐˜ฏ ๐˜Š๐˜ฐ๐˜ฉ๐˜ฐ๐˜ณ๐˜ต ๐˜—๐˜ณ๐˜ฐ๐˜ฅ๐˜ถ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜๐˜ก๐˜ž @mayabennardo @veronika.paleeva @victor.guaita @nrrwatts @pile_leila @gabriellebarbe @max_adams_lmnsm @alexandraverschueren ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ถ๐˜ฑ๐˜ฑ๐˜ฐ๐˜ณ๐˜ต ๐˜ฐ๐˜ง ๐˜๐˜ญ๐˜ข๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ๐˜ด ๐˜š๐˜ต๐˜ข๐˜ต๐˜ฆ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ˆ๐˜ณ๐˜ต, ๐˜Ž๐˜ฐ๐˜ฆ๐˜ต๐˜ฉ๐˜ฆ ๐˜๐˜ฏ๐˜ด๐˜ต๐˜ช๐˜ต๐˜ถ๐˜ต ๐˜๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ฏ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ข๐˜ญ๐˜ฆ๐˜ณ ๐˜’๐˜ฐ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฅ๐˜ถ๐˜ฌ๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ง๐˜ฐ๐˜ฏ๐˜ฅ๐˜ด, ๐˜๐˜ค๐˜ต๐˜ถ๐˜ด, ๐˜•๐˜ฆ๐˜ฆ๐˜ฅ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ข๐˜ฏ๐˜บ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜‰&๐˜› ๐˜›๐˜ฆ๐˜น๐˜ต๐˜ช๐˜ญ๐˜ช๐˜ข Video by @deroute_videos 12 Jun 2026 HYPER 3 is a rare occasion to discover some hidden talents of our players at secondary instruments: @nicolelizee lets @nrrwatts and @yukoharaviola Omnichord and Stylophone skills shine, @ahmetcan_gokceer tests @johannes.haase โ€˜s coordination with some @moogsynthesizers Taurus 3 action all staged by @julioernestoescobar with dedicated help by Andre and Arne of @zentrumfuerkunstbremen crew. 10 Jun 2026 WEAVING FELDMAN in progress with @mayabennardo @veronika.paleeva @nrrwatts and @pile_leila Pics from @deroute_videos Premiering on August 29th at @debijloke 25 Apr 2026

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Dd_nf5agGnjRecap from Weaving Feldman in Riga on 05.09 thanโ€ฆ
Dc-4EjZEW1ZAll You Can Hear: Weaving Feldman Morton Feldmaโ€ฆ
Dcvkwz8CI8pWeaving Feldman. Een monumentaal klankdeken met โ€ฆ

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