nathaniel clifford walcott

nathaniel clifford walcott

@natewalcott

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“Midflight” from the forthcoming James Felice album I produced - Homeworld Blue - is out now. This was a fun one! Thanks as always to my very good friend @cucumberguy and the many musicians who were a part of this. Full album out 11/13/26 via @millionstarsrecords Paul Cartwright, Kerenza Peacock, Zach Dellinger, Luanne Homzy, Andrew Duckles: violin and viola Vanessa Freebairn-Smith, Ross Gassworth, Ro Rowan: cello Billy Mohler, Ben Tervort: double bass Johanna Borenstein: flute Sean Billings: trumpet Kevin Hicks: trombone Laura Brenes, Katie Faraudo: French horns Marcia Dickstein: harp Ben Armstrong: drums+percussion and James Felice of course sings and plays piano and wrote the beautiful song Recorded in Omaha and LA at ARC and 64 Sound by Adam Roberts and Pierre De Reeder//mixed by Mike Mogis 23 Oct 2026 Grammy friends! For your consideration! Thank you again to @flea333 for asking me to help out with this and to all the wonderful musicians involved -> @joshuaajohn @jeffparkersounds @buttersscup @deantoniparks @maurorefosco 17 Oct 2026 The Bright Eyes / Lullaby for the Working Class tour is underway! When I was in high school in Lincoln NE @mike.mogis called me out of the blue and asked me to come and record on this music he was making with Ted Stevens (later of the band Cursive) and his brother AJ and Shane Aspegren which were the first Lullaby recordings - the Consolation E.P. snd Blanket Warm. These were my first sort of real recording sessions. Mike and AJ’s studio was still in their parents’ basement then - I was recording trumpet in the laundry room and Mike had one of the microphones in the clothes dryer which was a little confusing and he said something about spring reverb and that’s the first time I had seen any such thing. Then Rykodisc signed Lullaby and we went to Europe for a couple months in the fall of 1997 which was my first time over there. It was a trip! It’s fun having Lullaby on tour with us and doing double duty and revisiting this music 30 years later. Come on out! 07 Oct 2026 I Never - Rilo Kiley - More Adventurous — another one from the pencil and paper days. It was fun revisiting this for @rilokileyofficial ‘s show last night at the Hollywood Forever Cemetery, accompanied by some strings on a few songs - (thank you @jennytallpine @redrumrod @davemergen !) And don’t forget to tape your parts folks, it’s the little things! 27 Sep 2026 James Felice’s Homeworld Blue will be out November 13 via @millionstars. I’ve known James a long time and he’s one of my favorite human beings walking this planet and it was an honor and a privilege to be entrusted with the task of producing and arranging his new record. More on that later. For now- one song, Let Yourself Live is out in the world now, with more to follow soon. Check it out!! —> @cucumberguy James - piano+voice Josh Johnson - baritone + tenor saxophones Paul Cartwright, Kerenza Peacock, Zach Dellinger, violins Ben Armstrong - drums Ben Tervort - bass Griffin Goldsmith - percussion Me on trumpet and 5 seconds of Hammond M100 organ Engineered by Pierre De Reeder and Adam Roberts in Omaha and LA/Mixed by @mike.mogis 25 Sep 2026 Music is an exorcism. Sometimes it won’t come out. ‘Invention 13,’ the short film debut of Conor Oberst & Shawn Foree, premieres September 26 at Los Angeles’ Egyptian Theatre in partnership with Beyond Fest. Tickets available on Sept 9 at 10am PT via BeyondFest.com. On a cold, windy night, a frustrated pianist encounters strange obstacles while trying to learn Bach’s notoriously intricate ‘Invention 13.’ Shot on Super 16mm, the film stars Emory Cohen (Rebel Ridge, Marty Supreme) and newcomer Olivia Howard, with original music composed by Bright Eyes member Nathaniel Walcott. World Premiere Saturday, September 26 10pm Egyptian Theatre Los Angeles, CA Director Q&A with Conor Oberst & Shawn Foree hosted by Whitmer Thomas, followed by a screening of House (1977). Expect the unexpected. Poster credit @nalart___ & @pondcreative 09 Sep 2026 Round 2! Brooklyn Paramount -> January 11/12 2027 25 Aug 2026 A belated thank you to everyone who came out to our wide awake and digital ash anniversary shows earlier this spring + summer and stuck with us despite the weather issues. And to our crew who dealt with among other things me complicating matters with two different and involved rigs for the two different sets and the two different records in the same show and for switching back and forth between them during rehearsals and the shows about 800 times. And to all the wonderful musicians involved, many of whom were such a big part of these records. Who knows, maybe we can give this another go sometime! 25 Aug 2026 scores and parts for symmetry and rabbit hole from digital ash. from the pencil and paper days! usually in those days i’d finish the last score around midnight the night before the session and then copy all the parts by hand between midnight and 9am and would typically be finishing the last part as the string players showed up. and forget about mockups! it was always a leap of faith. usually it worked out! come here these 21 years later tomorrow night 6/6 at forest hills in queens ny with a string section of @jennytallpine and some of new york’s finest 05 Jun 2026 My ‘04-‘05 Digi Ash era trumpet mute/mic pickup system for running my trumpet through effects and a guitar amp. Yes, that’s half of a gatorade bottle. It kind of worked! Come see us at red rocks 5.6 or hollywood bowl 5.23 or forest hills nyc 6.6 and see if I’ve upgraded from the gatorade bottle 20 Apr 2026 kids this is how we used to do it betore MasterTour #kinkos 26 Mar 2026 I was happy to write some string arrangements for my dear friend Maria Taylor’s upcoming album “Story’s End”. Two songs, “Story’s End” and “Sorry I Was Yours” are out now and the rest of the album is out April 3. Check it out! Violins/violas: Paul Cartwright, Tiffany Osborn, Hannah Murray Strings recorded at 64 Sound by Pierre de Reeder 23 Mar 2026

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