@cauleen_smith - IGDataHub

Cauleen Smith

@cauleen_smith

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https://www.moussemagazine.it/shop/cauleen-smith-breaking-cinema-experimental-film-•••/

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www.afmuseet.no

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#wandacolemansongbook #rockmusic #biennalearte2026 #inminorkeys #labiennaledivenezia #biennalearte

Recent posts

(no caption) 30 Oct 2026

In conjunction with LaRissa Rogers’s (@larissa_rogers) 'subterranean convergence,' film curator Jheanelle Brown (@jheaneeeeeelle) presents an evening of experimental short films, 'caves are our way home' on December 3 at Now Instant (@now_instant). Her selections explore the politics and narratives of the “subterranean,” physical and metaphorical underground networks, as a way of thinking and relating to each other, our ancestors, descendants, and the land. These films sit within Rogers’s engagement with Zora Neale Hurston’s idea of ground thoughts, or earth knowledge, as a path to liberation. The film screening will be followed by a short conversation with Adam Piron (@adampiron) and Cauleen Smith (@cauleen_smith), moderated by Jheanelle Brown. Also accompanying the screening will be a Reading Room, also curated by Brown, and inspired by 'subterranean convergence.' Now Instant’s venue has a forty-seat capacity. Seating is limited, so please purchase a $15 ticket with Now Instant to reserve your spot. Learn more at clockshop.org/events 26 Oct 2026

@doverstreetmarketparis @kikokostadinovlosangeles 🌋🌋🌋🌋🌋🌋🌋🌋🌋 💚💚💚💚💚💚💚💚💚 💜💜💜💜💜💜💜💜💜 🩶🩶🩶🩶🩶🩶🩶🩶❤️‍🔥 So fun! I love making schwag, especially when it’s a collab with cool people. Pop into Dover Street Paris to get your Cozy Autumn #wandacolemansongbook Long Sleeve T # 🤗✨ @moranmoran 17 Oct 2026

This summer, the National Museum of the Aftermath operated out of @oxyarts as a residency and sound stage for the artist Cauleen Smith, who filmed scenes hovering between the real and speculative, each staging the internal negotiations of collective struggle: the gatherings, disagreements, and nuances of people trying to build something together within and alongside what remains. The Museum was also a space for many others, featuring a film series, reading group, broadsheet, radio show, and an open call to individuals and organizations motivated to confront the proposition that we are already living in an aftermath. Curators: Harrison Kinnane Smith @kinnanesmith and Jon Rubin @jonrubinstudio Featured Artist: Cauleen Smith @cauleen_smith Host Organization: OXY ARTS @oxyarts Love and Tumult Reading Group: @adrianlburrell @blksalome__ @tunmininuuu The Aftermaths: @jeffparkersounds @buttersscup @aaronsteele_damn @joshuaajohn Designer: Nick Caruso @lookyheresigns Video: Brian Hashimoto @hashimoto_images ——— National Museum founder and organizer: @jonrubinstudio 14 Oct 2026

Cape Town, South Africa @zeitzmocaafriends @zeitzmocaaocularevents @zeitzmocaashop @zeitzmocaa @chimurenga_sa Deepest honor and abundant pleasure to have my work so gracefully and lovingly held by the incredible stalwart brilliant peoples: The @zeitzmocaa Team. This is the only collecting contemporary art museum on The African Continent. I had the privilege of showing there. 🙏🏾🖤 Koyo Kuoh invited me to make a survey. ThatoMgotsi -along with a tribe of inspiring research fellows and intrepid curatorial staff, and brilliant collections staff- raised the show up when the entire museum was feeling the depth of Koyo’s absence. It was not easy. But we made something gorgeous. For the continent. If I try to list all of the people who carried this show, produced the gorgeous book (WOW!) Wrote the dazzling essays, planned the rigorous full day symposium, and the carried on to party all night, I will miss mentioning someone and that will pinch my heart. So to each person who spoke with me, said hello to me in the building, emailed me, whassap’d me, spilled tea with me, studied the work for a workshop, combed over text for the book, asked me to sign the book, asked me to talk about the films, invited me to go Spinning in Mitchell’s Plains, invited me to their home in Langa, drove me across the countryside, gave me tips on record stores and bookstores, got me lunch, made me smile- you all have my gratitude and a huge part of my heart stays in South Africa with you. But I am taking this sexy book home!!! Whoooowheee. The book is a banger, just like the show. I wish I had better words a better way with names, and a better way to mark the occasion of the closing of Afflict The Comfortable, Comfort The Afflicted. I hope you give me grace. And I hope my affection for everyone at Zeitz and Chimurenga is deeply felt. ❤️‍🔥💝💫🌸 Thank you. 11 Oct 2026

Anthony Elms, Karyn Olivier, and Cauleen Smith at FAI yesterday, ahead of tonight’s conversation at the Free Library of Philadelphia. Join us tonight for Public Works in Conversation: 𝑆𝑖𝑡 𝑊𝑖𝑡ℎ 𝐼𝑡, exploring free speech, liberated knowledge, and the ideas behind Karyn’s latest work. Karyn is the 2026 Public Works Artist-in-Residence, embedded with the Free Library of Philadelphia (@freelibrary) as part of our residency program with Mural Arts (@muralarts), which places artists within Philly civic agencies and organizations. Wednesday, September 16 | 6–8 PM Parkway Central Library, Montgomery Auditorium Swipe for details. → 16 Sep 2026

Hi LA People! I want to get your attention about a screening happening tonight @humanresourcesla I am delighted to screen 2 works ahead of @vishaljugdeo ‘s film DOES YOUR HOUSE HAVE LIONS! Tonight, at 7pm, THE FULLNESS OF TIME will screen as well. Shot on location in New Orleans just 2 years after the waters tried to wash NOLA away, this piece came about as a collusion between myself, Paul Chan, Creative Time, and the creative communities of New Orleans. I was completely flabbergasted when, while sitting on the porch during a rainstorm in Skowhegan, Paul, the visiting artist that week, asked me if I would be interested in coming down to New Orleans to make videos for him. He was completely absorbed with producing Waiting for Godot, but his sponsor, Creativetime, needed promo videos for youtube. Paul was very clear with me. He didn’t want any promo videos. In fact if I accept the mission, I wasn’t even allowed to record him! But aside from that he would do everything he could to help me make whatever I wanted to make. Literally “whatever you want”. That’s what he said. 21 Aug 2026

This is a THANK YOU to the The Love & Tumult Study Group. I am still working through the things my study mates illuminated in our reading group. Regina Freer, Avery Collin’s-Byrd, Adrian Burrell, Harrison K Smith, Tunmi Da Silva, @oxyarts, Jon Rubin, @the.national.museum , the interns: Q & Q🫶🏾, Jeffery Ono- always getting it done. It’s over. But the Aftermath is always already happening and ongoing. @adrianlburrell @tunmininuuu @blksalome__ @reginafreer @kinnanesmith 📖♥️🫶🏾 Still absorbing the vibes created onwards ever backwards never. 🖤 I 20 Aug 2026

I need to record it in a serious way. Bisque shingle polyrhythms are pretty intoxicating. 🩶🩷🖤🤎💜🖤🪨🎧🎶#rockmusic 20 Aug 2026

#BiennaleArte2026 | #InMinorKeys: Arsenale “I film, i tessuti, gli oggetti scolpiti e le installazioni sperimentali di Cauleen Smith indagano la creatività nera, le potenzialità liberatorie della spiritualità e della tecnologia e ‘le potenzialità quotidiane dell’immaginazione’. Con THE WANDA COLEMAN SONGBOOK, Smith propone una meditazione multisensoriale su Los Angeles. La poetessa Wanda Coleman (1946-2013) è allo stesso tempo protagonista e sorgente, la chiave di Smith per accedere a una forma e a un linguaggio adatti ad affrontare la città più enigmatica degli Stati Uniti.” Visita la 61. Esposizione Internazionale d’Arte a Venezia fino al 22 novembre! Scopri di più e acquista il biglietto → www.labiennale.org - link in bio --- “@cauleen_smith’s experimental films, textiles, sculpted objects and installations explore Black creativity, liberatory potentialities of spirituality and technology, and ‘everyday possibilities of the imagination’. With THE WANDA COLEMAN SONGBOOK, Smith offers a multi-sensory meditation on Los Angeles. The poet Wanda Coleman (1946-2013) is at once subject and source, Smith’s key to finding form and language to address the most enigmatic city in the United States.” Visit the 61st International Art Exhibition in Venice until November 22! Find out more and buy your tickets → www.labiennale.org - link in bio #LaBiennaleDiVenezia #BiennaleArte 📹 @c3tecnologie 07 Aug 2026

The National Museum of the Aftermath is open for just a few more days - stop by before August 8th to experience Cauleen Smith’s speculative museum. The National Museum of the Aftermath is a space to gather and strategize. It is a container, not a space for observation. While you’re here you can pick up a free printed broadsheet with an interview between Cauleen Smith and Dr. Regina Freer, browse a collection of selected texts in the museum’s reading room, and respond to the prompt the National Museum of the Aftermath poses - “In the wake of the uncountable endings our history contains, how do we build resistant relationships to the permanence of racism?” Open hours: Tuesday - Saturday, 11am - 4pm through August 8th @cauleen_smith @the.national.museum @jonrubinstudio @kinnanesmith @oxyarts 03 Aug 2026

Cauleen Smith on the naming of the National Museum of the Aftermath. From June 8 - August 8, The National Museum of the Aftermath is operating within @oxyarts. This speculative museum is conceived and titled by Cauleen Smith @cauleen_smith. The Museum will periodically operate as a sound stage for the artist, who will film three scenes hovering between the real and speculative. Each stages the internal negotiations of collective struggle - the gatherings, disagreements, and nuances of people trying to build something together within and alongside what remains. Stop by Tuesday - Saturday, 11am - 4pm, 4757 York Blvd. Video Footage: Brian Hashimoto @hashimoto_images @cauleen_smith @kinnanesmith @jonrubinstudio @oxyarts 30 Jul 2026

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De-Tcxyy2-e	In conjunction with LaRissa Rogers’s (@larissa_r…
DenC7UEEvUu	@doverstreetmarketparis @kikokostadinovlosangel…

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