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International leader in music photography representing 125+ industry luminary photographers since 2001
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Released November 8, 1971 with no self-evident title on its cover, the enigmatic masterpiece variously referred to as ‘Four Symbols’, ‘The Fourth Album’, ‘Untitled’, ‘Zoso’, or, most commonly, ‘Led Zeppelin IV’ takes its official namesake from four unpronounceable symbols chosen by each member. Effectively perplexing its intended audience, the act was a symbolical gesture of retaliation against misguided music critics who’d written off the widely-celebrated band’s taste-making sound as mere hype.
Just over a half-century onward, we look back on the lauded fourth studio album from Led Zeppelin (@ledzeppelin) as a piéce de résistance in both form and function. Beyond superficial preoccupations like title and publicity stunts, its contents grapple with a more universal language of sonic excellence. Punctuated by time-honored hits such as “Stairway to Heaven”, “Black Dog” and “Going to California”, the ambitious if not exhaustive classic straddles the experimental brutality and painstakingly meticulous craftsmanship that would become integral to their enduring legend. Furthermore, the record would also reflect the group’s proclivity for borrowing from peers, naming certain influences spanning the gamut from Muddy Waters’ psychedelicized ‘Electric Mud’ and Fleetwood Mac’s “Oh Well” to Page and Plant’s personal devotion to folk singer Joni Mitchell.
Though “it’s been a long time…”, today’s moment in music history reminds us that while “there’s still time to change the road you’re on”, what’s truly great will remain evergreen.
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Ph. Bob Gruen (@bob_gruen), Led Zeppelin, “Avión”, New York, 1973 #morrisonhotelgallery
08 Nov 2026
On November 6, 1965, the Rolling Stones (@therollingstones) started a two-week run on the U.S. singles chart with “Get Off Of My Cloud”, earning the burgeoning group its second stateside charttopper.
Knocking The Beatles’ “Yesterday” from the coveted spot, today’s moment in music history would prove neither the first nor last for the dueling legends as the beat goes on 61 years later. Here’s hoping for a Thursday full of clear skies and legendary company no matter where you’re spending it.
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Ph. Terry O’Neill (@terryoneillofficial), Rolling Stones, Donmar Rehearsal Theatre, Covent Garden, London, 1964 #morrisonhotelgallery
06 Nov 2026
Billy Idol on the inspiration behind the “White Wedding” set 💍
2026 Inductee @billyidol spoke with us at @morrisonhotelgallery about the graveyard altar in the “White Wedding” video and how songs like “Rebel Yell” and “Dancing With Myself” have held up.
Watch the full interview at the link in bio 🔗
05 Nov 2026
“Much has been said about Robert, and more will be added. Young men will adopt his gait. Young girls will wear white dresses and mourn his curls. He will be condemned and adored. His excesses damned or romanticized. In the end, truth will be found in his work, the corporeal body of the artist. It will not fall away.”, shares Patti Smith (@thisispattismith).
Just a few months after the groundbreaking artist’s June 1989 passing from AIDS-related illness, a major retrospective of Robert Mapplethorpe’s lifework due to open at the Corcoran Art Gallery in Washington, DC was hastily cancelled in a misguided attempt to quell controversy surrounding some of the photographer’s sexually charged imagery.
In protest, Mapplethorpe supporters congregated outside the gallery on the exhibition’s would-be opening night. Projecting sprawling images of his work onto the building’s facade, the act ultimately proved a far more powerful and moving tribute than that which could ever be contained within gallery walls. Riddled in profound intimacy and boundary-breaking simplicity, this is but one of countless moments which illustrate the time-honored impact that the late-great Robert Mapplethorpe would continue to have on the democratization of art and pop culture at large.
Upon the occasion of his 80th birthday, Morrison Hotel Gallery celebrates the life and legacy of Mapplethorpe and unflinching artists everywhere.
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Ph. Norman Seeff (@normanseeff), Robert Mapplethorpe and Patti Smith, New York City, 1969 #morrisonhotelgallery #onthisday
04 Nov 2026
“What I love about his photos is that they’re not only photographs, they’re also little theatrical scenarios. Some of them floating free with nothing to do with anything, just illustrations to create mood and atmosphere, and then got into detail and started to help describe the story.”
PETE TOWNSHEND (@officialthewho)
In anticipation of the legendary photographer’s highly-anticipated ‘Let It Be, Let It Bleed’ solo retrospective opening at Morrison Hotel Gallery’s NYC flagship on Thursday, November 11th (RSVP link in bio), there truly is no time like the present to take a deeper dive into the oeuvre of Ethan Russell (@ethanarussell), November 2026 Photographer of The Month.
Intimate yet unflinching, Russell’s work moves beyond the mythology of rock icons to reveal the humanity beneath: the tension, the tenderness, the exhaustion and the electricity of idols at the peak of their power, and on the precipice of change. Debuting renowned and rarely seen works now available exclusively at Morrison Hotel Gallery, this month’s featured collection is now on view at link in bio.
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1. Ethan Russell (@ethanarussell), The Who, ‘Who’s Next’ Album Cover, 1971
2. Ethan Russell (@ethanarussell), Keith Richards in Purple Suit, 1969
3. Ethan Russell (@ethanarussell), The Rolling Stones, 1968
#morrisonhotelgallery
01 Nov 2026
Predating tricks and treats, the origins of All Hallows’ Eve can be traced back to Samhain, an ancient Celtic festival in which bonfires and costumes are employed as a means of warding off evil spirits believed to be ushered in with the harvest season and “dark half of the year.” Over centuries of dissemination, the pagan tradition is more or less continued under the contemporaneous guise of #Halloween.
Feed your Frankenstein at link in bio with THRILLS, CHILLS & LOOKS THAT COULD KILL, a spooktacular collection of spellbinding imagery and @spotify soundtrack spanning the gamut from macabre classics to spooky surf rock iconoclasts.
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Ph. Jerry Schatzberg (@schatzbergarchive), Halloween Party, New York, 1954 #morrisonhotelgallery
31 Oct 2026
Exactly 334 years ago today, on October 29, 1692, colonial Massachusetts convened for the disbanding of the infamous Salem witch trials — a mass exodus of individuals believed to dabble in the dark arts. These days, the terms and treatment of witch lore take on a different tone as we pause at this particular time of year not to condemn but to celebrate witchy women everywhere and there is perhaps none more spellbinding than the supremely talented Stevie Nicks (@stevienicks).
Visit morrisonhotelgallery.com for an extensive collection of images paying crystalline tribute to the quintessential gold dust woman’s enchanting style.
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Ph. Ken Regan, Stevie Nicks at home, Los Angeles, CA, 1977 #stevienicks #morrisonhotelgallery
29 Oct 2026
JUST ANNOUNCED || Morrison Hotel Gallery’s Los Angeles outpost rolls out the red carpet for ‘Snapshot: The Rock & Roll Hall of Fame in Focus’, opening exclusively in West Hollywood on Tuesday, November 10th (7-9PM).
Presented in collaboration with the Rock & Roll Hall of Fame (@rockhall), this special retrospective offers fans the perfect Induction Week kickoff, honoring past inductees and present nominees through the lens of celebrated photographers such as Richard E. Aaron, Adrian Boot, Danny Clinch, Jay Dickman, Henry Diltz, Barry Feinstein, Jill Furmanovsky, Cheryl Fox, Lynn Goldsmith, Bob Gruen, Jim Herrington, Elliott Landy, Jonathan Mannion, Ken Regan, Ebet Roberts, Jack Robinson, Mick Rock, Jerry Schatzberg, Norman Seeff, Charles Trainor, Mark Weiss, Barrie Wentzell, Timothy White, and more.
Spanning the gamut from Dolly Parton to Green Day, The Band to Wu Tang Clan, ‘Snapshot: The Rock & Roll Hall of Fame in Focus’ celebrates Rock Hall’s Class of 2026 and the great, ever-expansive tradition of sonic excellence at large.
RSVP now via link in bio.
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1. Jill Furmanovsky (@jillfurmanovsky), Noel & Liam Gallagher, Oasis, London, 1995
2. David Montgomery (@davidmontgomerystudio), Sade, 1980
3. Jim Herrington (@jimherrington), Billy Idol, Hollywood, CA, 1989
#morrisonhotelgallery #rockhall
28 Oct 2026
“Be here. Be present. Wherever you are, be there.”
Midweek motivation courtesy of outlaw icon Willie Nelson (@willienelsonofficial) as seen through the lens of Jim Herrington (@jimherrington), October 2026 Photographer of The Month. Additional highlights from Herrington’s exceptional oeuvre now on view at link in bio.
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Ph. Jim Herrington (@jimherrington), Willie Nelson, San Jacinto Mountains, CA, 2004 #morrisonhotelgallery
28 Oct 2026
On October 26th, 1963 and an afternoon ripe with impending particulars, — Kennedy was in office, the U.S. Army was performing underground nuclear tests in Nevada and Jimmy Gilmer And The Fireballs’ “Sugar Shack” topped the charts — New York City’s Carnegie Hall played unwitting host to an altogether different genesis. More specifically, it was on this day in music history that no-frills, freewheeling newcomer Bob Dylan (@bobdylan) opened an ambitious solo concert with “The Times They Are a-Changin’.”
Though it may be hard to imagine the song as anything less than the sum of those pivotal moments and profound socio-political movements by which the time-honored anthem has been adopted over the last 63 years, there remains something to be said for the sanctity beheld by those fortunate enough to have been present for the very first time it was heard publicly, just two days after it was recorded at Columbia Records’ nearby studio and three months shy of its January 1964 release date.
More #BobDylan highlights now on view at morrisonhotelgallery.com.
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Ph. Don Hunstein (@don.hunstein) Bob Dylan, Carnegie Hall, New York City, October 26, 1963 #morrisonhotelgallery
26 Oct 2026
A voracious creator, innovator and raucous bon vivant with a radical streak as unapologetically jagged as his painterly line, the narrative of #PabloPicasso is not entirely unlike those of his rock & roll compatriots. Having amassed a rolodex of A-list collectors and admirers of note including the likes of Madonna, Yoko Ono, Steve Martin (‘Picasso at the Lapin Agile’), Beyoncé and Jay-Z (“Picasso Baby”), the modernist’s reputation as one of the most prolific artists of the 20th century irrefutably precedes him into the 21st.
To celebrate what would otherwise be the late-great artist’s 145th birthday, here’s hoping your weekend is nothing short of a masterpiece — even if your Sunday looks more like a Pollock of haphazardly laid plans.
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Ph. Peter Simon (@petersimonarchives), Pete Townshend, The Who, NY, 1968 #morrisonhotelgallery #onthisday
25 Oct 2026
Thank you to everyone who gathered at the @morrisonhotelgallery NYC last night for the ‘Tom Petty: An American Dreamer’ retrospective and helped us celebrate 50 years of the Heartbreakers in NYC and the upcoming release of ‘Origins 1971-1978’ - out November 6!
The exhibit will remain up through November 8 in LA and NYC.
Pre-order your copy of ‘Origins’ - the comprehensive early years box set: link in bio.
Photos by @tichomirovgeorge
23 Oct 2026
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