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Larkin Erdmann Gallery

@larkinerdmann

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Modern Art Current Exhibition: Alighiero Boetti 10 September — 20 November 2026

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#larkinerdmann #larkinerdmanngallery #artbaselparis2026 #friezemasters2026 #artbaselmiamibeach #alighieroboetti #kenprice #pablopicasso #sophietaeuberarp #palazzorealemilano

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Inside the Crater, 2004 / Cup, 1965 Ken Price (1935–2012) was born in Los Angeles and later lived and worked in Taos, New Mexico. He is best known for his ceramic sculpture, whose forms, surfaces and colors he kept changing over five decades, from small, playful vessels in the 1960s and 70s to sanded, multicolored clay forms and, late in life, larger works with glossy, iridescent surfaces. He also drew daily throughout his career. “I’ve been drawing since I can remember,” he said. “I think sculptors learn to draw so that they can see what they’ve been visualizing.” The cup occupied him for years, a form he called “a real kind of primal idiom,” turned and painted by hand, and drawn as often as it was made. His works on paper include studies for existing and forthcoming ceramics alongside cups that could never be built: handles made of leaping frogs, vessels fused to the shells of swimming turtles. His early drawings often show Los Angeles, with palm trees and hazy skies. After moving to Taos in the 1990s, his landscapes grew wilder, with volcanoes, lava fields and stormy skies. 1 Ken Price Inside the Crater, 2004 Signed and dated in graphite: PRICE’04 Titled in graphite: “INSIDE THE CRATER” Acrylic and ink on paper 28 x 22 cm (11 x 8 5/8 in) 2 Ken Price Cup, 1965 Painted ceramic Height: 8 cm (3 1/8 in) This work will be presented at our Booth F03 at Art Basel Miami Beach 2026 in the main section from 02 – 06 December. @artbasel #LarkinErdmann #LarkinErdmannGallery #KenPrice #ArtBaselMiamiBeach 12 Nov 2026

Femme debout, 1945 Pablo Picasso spent 1945 in his Paris studio at 7 rue des Grands-Augustins, where he had worked since 1937 and painted Guernica. Under the Occupation bronze had been requisitioned and casting forbidden; Picasso had plasters taken to foundries at night. The Liberation of Paris in August 1944 ended that, and the small bronzes of 1945 are among the first he was able to cast openly in four years. Femme debout belongs to a group of small bronze female figures Picasso modelled in 1945 and again in 1947. The standing figure was the form he found hardest: "Everything is difficult: an arm, a hand. You make a head but then you have to attach the legs. That's why I often make a head, very large or very small." 1 Pablo Picasso Femme debout, 1945 Edition 4 of 10 Bronze with brown patina 12.7 x 6.03 x 2.54 cm (5 x 2 3/8 x 1 in) This work will be presented at our Booth F03 at Art Basel Miami Beach 2026 in the main section from 02 – 06 December. #LarkinErdmann #LarkinErdmannGallery #PabloPicasso #ArtBaselMiamiBeach 11 Nov 2026

Come visit us during the last weeks of our Alighiero Boetti Exhibition. On view until 20 November 2026 1 Alighiero Boetti Piegare e spiegare (‚To Fold and Unfold‘ or ‚To give in and to explain‘), 1989 Signed on the overlap Embroidery on canvas mounted on board 24.3 x 24.3 cm (9 5/8 x 9 5/8 in) 2 Alighiero Boetti Dama, 1967-68 Signed and dated on one block: ‚Alighiero Boetti / 1967‘; signed on one block: ‚Alighiero‘; signed on one block: ‚e‘; signed on one block: ‚boetti‘; dated on one block: ‚1968‘ Wood 54 x 54 x 6.5 x cm (2 1/2 x 21 1/4 x 21 1/4 in) 3 Alighiero Boetti Ordine e disordine (Order and Disorder), 1977 Signed on the overlap; inscribed ‚Kabul‘ on the reverse Embroidery on linen, mounted on board 18 x 18 cm (7 1/8 x 7 1/8 in) 4 Alighiero Boetti Fortuna e Sfortuna (Good Luck and Bad Luck), 1994 Embroidery on linen, mounted on board 17.5 x 17.7 cm (6 7/8 x 7 in) 5 Alighiero Boetti Il tesoro nascosto (The Hidden Treasure), 1989 Signed on the reverse Embroidery on linen, mounted on board 16 x 16.5 cm (6 1/4 x 6 1/2 in) 6 Alighiero Boetti Le nuove autonomie (The New Autonomies), 1979 Signed on the reverse Embroidery on fabric 23 x 23.5 cm (9 x 9 1/4 in) 7 Alighiero Boetti Dama, 1968 Signed and dated ‚Alighiero e Boetti 68‘ on the reverse of one of the wooden elements Punched wood 54 x 55 x 6 cm (21 1/4 x 21 5/8 x 2 3/8 in) Tuesday to Friday, 10:00 – 18:00 at Hirschengraben 3, 8001 Zurich. @agataboetti @alighieroboettiblog #LarkinErdmann #LarkinErdmannGallery #AlighieroBoetti 03 Nov 2026

Alighiero Boetti – Dama 1967/1968 Created during Alighiero Boetti's early phase and within the context of Arte Povera, the Dama series ranks among the artist’s earliest sculptural works. Through stamped/punched wooden blocks featuring geometric symbols (dots, circles, crosses), he creates a computational, almost mathematical game of virtually infinite combinations. A system of rules and chance, Dama is a early example of how a strict grid structure transforms into a playful, dynamic principle. 1 Alighiero Boetti Dama, 1967-68 Signed and dated on one block: 'Alighiero Boetti / 1967'; signed on one block: 'Alighiero'; signed on one block: 'e'; signed on one block: 'boetti'; dated on one block: '1968' Wood 54 x 54 x 6.5 x cm (2 1/2 x 21 1/4 x 21 1/4 in) 2 Alighiero Boetti Dama, 1968 Signed and numbered on the reverse Wood 25 x 25 x 5 cm (2 x 9 7/8 x 9 7/8 in) Edition 3 of 10 3 Alighiero Boetti Dama, 1968 Signed and dated 'Alighiero e Boetti 68' on the reverse of one of the wooden elements Punched wood 54 x 55 x 6 cm (21 1/4 x 21 5/8 x 2 3/8 in) On view Alighiero Boetti Show until 20 November at the Gallery. Tuesday to Friday, 10:00 – 18:00 at Hirschengraben 3, 8001 Zurich. @agataboetti @alighieroboettiblog #LarkinErdmann #LarkinErdmannGallery #AlighieroBoetti 05 Nov 2026

Sophie Taeuber-Arp (1889–1943) was a Swiss pioneer of classical modernism and a central figure in 20th-century geometric abstraction. In her interdisciplinary work, she erased the traditional boundaries between art and life with apparent ease. The experimental spirit of the Zurich and Parisian avant-garde circles to which she belonged, combined with her training and teaching activity in the applied arts, merged into a lived abstraction applied to daily existence. Following her studies in St. Gallen and Munich, she taught textile design and fine crafts at the Kunstgewerbeschule in Zurich, while simultaneously participating in Dada performances at the Cabaret Voltaire, creating puppets and sculptural heads, designing interior spaces such as the Aubette in Strasbourg alongside her husband Hans Arp, and co-founding avant-garde periodicals in Paris. This seamless dialogue between fine art and applied craft is beautifully captured in her Drawing for textile project. Executed in charcoal on delicate tracing paper, the compact study reveals her precise design process for functional items such as embroideries, cushions, or tapestries. The composition uses mirrored symmetry and a clear rhythm, combining vertical and diagonal zigzag lines with simple circles and rectangles. 1 Sophie Taeuber-Arp Drawing for textile project, 1920-21 Signed on the reverse Charcoal on tracing paper 19 x 15.7 cm (7 1/2 x 6 1/8 in) 2 Sophie Taeuber-Arp Ohne Titel, 1936 Signed on the reverse, S.H. Taeuber-Arp, 1936 Pencil on paper 23.5 x 32 cm (9 1/4 x 12 5/8 in) #LarkinErdmann #LarkinErdmannGallery #SophieTaeuberArp 30 Oct 2026

We are at Art Basel Paris 2026! Come visit us at Booth D32 in the main section. The fair runs until the 25 October 2026 at the Grand Palais, Paris. Public days 23 – 25 October Visit us to discover, among others: 1 Agnes Martin Innocent Love, 1999 Signed, titled and dated on the reverse upper right: a. martin / ’99; inscribed on the stretcher bar: Innocent Love Acrylic and graphite on canvas 152.4 x 152.4 cm (60 x 60 in) 2 Andy Warhol Vesuvius, 1985 Signed on the reverse ‚Andy Warhol 85‘ Acrylic on canvas 143 x 163 cm (56.3 x 64.2 in) 3 Max Bill Drei Gleichgrosse Teile (Three equal parts), 1959 Signed and dated 1959 on the reverse Oil on canvas Diagonal: 90 cm (35 3/8 in) Sides: 63.5 x 63.5 cm (25 x 25 in) We look forward to welcoming you. Photographs by @flaviokarrer @artbasel #LarkinErdmann #LarkinErdmannGallery #artbaselparis2026 22 Oct 2026

We are looking forward to exhibiting for the first time at Art Basel Paris 2026, from 21 October – 25 October at booth number D32 in the main section. Here is a preview of the works to be presented at our booth. 1 Giorgio Morandi Natura morta, 1962 Signed lower left Oil on canvas Unframed: 30.5 x 30.7 (12 x 12 1/8 in) Framed: 41.5 x 41.5 cm (16 3/8 x 16 3/8 in) 2 Piero Manzoni Merda d’artista no. 19, 1961 Signed and stamped Tin can 4.8 cm (1 7/8 in) Number 19 of a series of 90 3 Man Ray Le Violon d‘Ingres, 1924/70 Signed Man Ray and numbered 3/8; inscribed Paris 4.22.71 Je certifie que cette épreuve est de moi numéro 3/8 on the reverse Gelatin silver print 38.1 x 29.5 cm (15 x 11 5/8 in) Edition 3 of 8 plus AP We look forward to welcoming you. #LarkinErdmann #LarkinErdmannGallery #ArtBaselParis2026 20 Oct 2026

Larkin Erdmann is pleased to participate at Frieze Masters 2026 at Booth F13. Frieze Masters 2026 takes place from 14 october – 18 october 2026 at The Regent‘s Park in London. Here is a preview of the works to be presented at our booth. 1 Jean Dubuffet Arabe devant la Ville (avec main sur la porte), 1948 Signed and dated lower right Glue paint on paper 45.5 x 56 cm (17 7/8 x 22 in) 2 Alexander Calder Three White Dots on Skinny Platform, 1964 Signed „CA“ Sheet metal, brass, wire and paint 16.5 x 8.9 x 2.5 cm (6 1/2 x 3 1/2 x 1 in) 3 Max Bill Strahlung gedämpft, 1972-74 Signed and dated on the back Oil on canvas Diagonal 90 x 90 cm (35 3/8 x 35 3/8 in) Sides: 62.5 x 62.5 x 3 cm (24 5/8 x 24 5/8 x 1 1/8 in) 4 Robert Ryman Region (I), 1978 Signed; titled and dated 78 on the overlap Oil paint and Elvacite on stretched linen canvas with four fasteners and bolts 81.2 x 76.2 cm (32 x 30 in) We look forward to welcoming you. @friezeofficial @friezemasters #LarkinErdmann #LarkinErdmannGallery #FriezeMasters2026 06 Oct 2026

We are at Frieze Masters 2026! Come visit us at our Booth B13. The fair runs from 14 – 18 October 2026 at The Regent’s Park, London. VIP preview 14 – 15 October Public days 16 – 18 October We look forward to welcoming you. @friezeofficial #LarkinErdmann #LarkinErdmannGallery #FriezeMasters2026 14 Oct 2026

Excited for the opening of Frieze Masters 2026 tomorrow! The fair runs from 14–18 October 2026 at The Regent’s Park, London. Visit us at Booth B13 to discover, among others: 1 Odilon Redon Femme Ailée, (Winged Woman), c. 1870 Signed lower right Oil on panel 36.8 x 26.7 cm (14 1/2 x 10 1/2 in) 2 Jannis Kounellis Untitled (Bilbao Song), 1974 Biro pen, gouache and collage on paper 41.5 x 29 cm (16 3/8 x 11 3/8 in) 3 Sophie Taeuber-Arp Ohne Titel, 1936 Signed on the reverse, S.H. Taeuber-Arp, 1936 Pencil on paper 23.5 x 32 cm (9 1/4 x 12 5/8 in) 4 Man Ray Untitled (Abstracted Nude), 1949 Signed with initials and dated ‚MR.49‘ Oil on canvas mounted in the artist‘s frame 29 x 14 cm (11 3/8 x 5 1/2 in) 5 Giovanni Giacometti Paesaggio sole, 1910 Signed and dated Oil on canvas 61.5 x 50.5 cm (24 1/4 x 19 7/8 in) We look forward to welcoming you. @friezeofficial #LarkinErdmann #LarkinErdmannGallery #FriezeMasters2026 13 Oct 2026

We are looking forward to exhibiting for the first time at Art Basel Paris 2026, from 21 October – 25 October at booth number D32 in the main section. Here is a preview of the works to be presented at our booth. 1 Pablo Picasso Trois personnages debout, 1969 Signed, dated and numbered ‘30.1.69. II Picasso’ (upper right) Oil sticks, colored wax crayons and pencil on paper 44.4 x 31.5 cm (17 1/2 x 12 3/8 in) 2 Alexander Calder Yellows in the Air, 1961 Incised with the artist‘s monogram and dated „CA 61“ on the highest blue element Sheet metal, wire and paint 113 x 96.5 x 71.1 cm (44 1/2 x 38 x 28 in) 3 Lucio Fontana Concetto spaziale, Attesa, 1964/65 Signature, title and inscription on the verso: l. Fontana / “Concetto Spaziale” / ATTESA / il sole sta per / tramontare, sono / le sette Water-based paint on canvas 46 x 38 cm (18 1/8 x 15 in) We look forward to welcoming you. #LarkinErdmann #LarkinErdmannGallery #ArtBaselParis2026 15 Oct 2026

PICABIA. APRIRE LE PORTE DELLA NOTTE Starting today, Palazzo Reale opens its doors to over 170 works by Francis Picabia — sourced from major European museums and international collections alongside photographs, letters, personal documents, and archival materials — all centered around the theme of night as a metaphor for life, desire, and reinvention. In this exhibition, night is far more than a mere backdrop — it serves as the central metaphor for Francis Picabia's relentless creative transformation. Rather than guiding visitors through a linear chronology, the curatorial concept envisions the showcase as a sleepless night (une nuit blanche) spent alongside the artist. Curated by Anne Berest Picabia @anneberest We are honored to contribute selected works from our Francis Picabia collection to this exceptional exhibition. Featured among others: 1 Francis Picabia Espagnole (Spanish Woman), 1921 Signed „Francis Picabia“, dated „1921“ and located „Barcelona“ (lower centre) Watercolour on paper 71 x 51 cm (28 x 20 1/8 in) 2 Francis Picabia Untitled , c. 1926 Signed on the lower right Watercolor and pencil on paper 24 x 18.7 cm (9 1/2 x 7 3/8 in) 3 Francis Picabia Untitled, 1927 Signed lower left Pencil and watercolor on paper 25.8 x 18.5 cm (10 1/8 x 7 1/4 in) 4 Francis Picabia Danseuse de french cancan, c. 1942-43 Signed lower left Oil and pencil on panel 105 x 76 cm (41 3/8 x 29 7/8 in) 9 October 2026 – 24 January 2027 @palazzorealemilano @francispicabia.official #LarkinErdmann #PalazzoRealeMilano #FrancisPicabia 09 Oct 2026

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DfSL35cjXcM	Come visit us during the last weeks of our Aligh…

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DfpexIAEbtw	Inside the Crater, 2004 / Cup, 1965 Ken Price (…
DfmxXE1DWPC	Femme debout, 1945 Pablo Picasso spent 1945 in …
DfSL35cjXcM	Come visit us during the last weeks of our Aligh…

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