ANNE ROTHENSTEIN

ANNE ROTHENSTEIN

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@annerothenstein

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A huge thank you to Counter Editions for seamlessly translating this work into print. It is part of a portfolio of limited-edition prints raising funds for Tate’s work. ➡️ for the list of contributors and go to @countereditions for full details. 03 Nov 2026 So pleased to have this work included in The Nabis Shock, the inaugural exhibition celebrating the opening of Waddington Custot @waddingtoncustot in Paris. Wonderful to be showing alongside Vallotton and Vuillard and others, complemented by the mix of contemporary artists who the Nabis have continued to affect and influence. Huge thanks to Stéphane Custot, Jacob Twyford and Victor Custot for their delightful enthusiasm. It opens on the 9th April. ➡️. For a full list of artists Black Lake 4ft x 4 ft Oil on wood panel 2026 27 Mar 2026 Anne Rothenstein talks about her intuitive painting practice and the ideas behind her new limited edition screenprint Under a Red Cloud (2025) will launch on Thursday 29th January, 2pm (GMT). Exclusively available from CounterEditions.com Sign up in the link in @countereditions bio to get early access + an exclusive discount code #AnneRothenstein #LimitedEditionPrint #Screenprint #CounterEditionsArtist 28 Jan 2026 We are delighted to announce our first collaboration with Anne Rothenstein, Under a Red Cloud (2025) - a new screenprint in an edition of 50. Anne Rothenstein is a quietly significant figure in British art, known for her painting practice that privileges psychological depth over display. Working with an economy of line and an acute sensitivity to presence, her images resist narrative and spectacle in favour of intimacy and intelligence. Often working from found imagery, memory, and personal experience, Rothenstein’s work is less about likeness than with presence - intuitive acts of layering and blending that create a dreamlike atmosphere charged with psychological tension. Born in 1949, Rothenstein lives and works in London. She has exhibited widely in the UK and her work is held in major public and private collections. Long admired by artists and writers, her practice has developed steadily over several decades, maintaining a position of independence from prevailing trends while remaining deeply engaged with the artistic community. Under a Red Cloud (2025) will launch on Thursday 29 January, 2pm (GMT) Exclusively available from CounterEditions.com Sign up to @‌countereditions newsletter via the link in bio to get early access and an exclusive discount code. #annerothenstein #limitededitionprints #screenprint #countereditionsartist 21 Jan 2026 Showing with Pace LA in a group show ‘ Land Marks’ curated by @joshua__friedman . Up until Jan 17 2026. Full list of contributors 3rd slide. In Thought Oil on wood 5ft x 4ft 09 Nov 2025 One of two paintings I have in a group show, ‘ Land Marks‘ opening tomorrow at Pace LA . Nov 1 - Jan 17 2026. A big thank you to @joshua__friedman For a full list of contributing artists go to @pacegallery #pacegallerylosangeles Evening Walk Oil on wood 2025 31 Oct 2025 Wonderful few days last week showing in ‘ Studio’ section at Frieze Masters curated by Sheena Wagstaff and Margrethe Troensegaard. @stephenfriedmangallery. Thank you to all. 23 Oct 2025 Don’t miss Anne Rothenstein, on view at Frieze Masters 2025 (Booth C11), as part of the Studio section curated by Sheena Wagstaff with Margrethe Troensegaard.⁠ ⁠ Drawing on found imagery, personal experience and memory, Anne Rothenstein works instinctively to communicate atmosphere and psychological tension. The solo, androgynous figure in 'Red Towel with Reflection' is rendered with the artist’s characteristically sinuous lines and distinctive palette. Seated in profile and partially mirrored from behind, the subject appears timeless, clothed only in a delicate string of beads and a drape of richly coloured fabric.⁠ ⁠ Discussing the origins of her portraits, the artist reflects that she “will be struck by a particular photo, which will leap out at me because it, rather mysteriously, translates itself into a painting as I look. That’s not to say that the finished work will resemble the original photo, it won’t. Facial likeness doesn’t interest me… ambiguity, blurred boundaries, questions to be asked… this is what interests me.”⁠ ⁠ Find us at Booth C11, Regent’s Park, from 15 — 19 October.⁠ Click the 🔗 link in bio to find out more.⁠ ⁠ ________⁠ ⁠ @friezeofficial @annerothenstein 'Red Towel with Reflection', 2025.⁠ Oil on wood panel. Framed: 155.3 x 124.5cm (61 1/8 x 49in). Copyright Anne Rothenstein. Courtesy the artist and Stephen Friedman Gallery, London and New York. Photos by Todd-White Art Photography.⁠ ⁠ ⁠ ⁠ #AnneRothenstein #FriezeLondon #StephenFriedmanGallery 17 Oct 2025 We are delighted to showcase six new paintings by British artist Anne Rothenstein, currently on view at Frieze Masters 2025 (Booth C11). The works are within the Studio section curated by Sheena Wagstaff with Margrethe Troensegaard.⁠ ⁠ 'Night Flood’ is a new painting by the artist. “Seascapes are a time when I consciously choose to make a blue painting,” Rothenstein says. “Blue has a very special place among colours, so many of the blues have a story.” Here, blue water is cut with dark silhouettes of trees and a glistening moon, rendered in delicate, arching brushstrokes.⁠ ⁠ Rothenstein quotes Derek Jarman as she thinks about blue in this work. In ‘Chroma: A Book of Colour’, 1994, Jarman writes: 'Blue protects white from innocence. Blue drags black with it. Blue is darkness made visible.' The artist builds her works in washes of oil, allowing stretches of the panel’s grain to remain visible. Here, the wood pattern rises through the blue wash, suggesting ripples and wave patterns.⁠ ⁠ Find us at Booth C11, Regent’s Park, from 15 — 19 October.⁠ Click the 🔗 link in bio to find out more.⁠ ⁠ ________⁠ ⁠ @friezeofficial @annerothenstein ‘Night Flood’, 2025. Oil on wood panel. Framed: 121 x 151.5cm (47 5/8 x 59 5/8in). Copyright Anne Rothenstein. Courtesy the artist and Stephen Friedman Gallery, London and New York. Photos by Todd-White Art Photography.⁠ ⁠ ⁠ ⁠ #AnneRothenstein #FriezeLondon #StephenFriedmanGallery 13 Oct 2025 This October at Frieze Masters, British artist Anne Rothenstein debuts six new paintings (Booth C11) in the Studio section, curated by Sheena Wagstaff with Margrethe Troensegaard.⁠ ⁠ Rothenstein builds her works in delicate washes of oil, deliberately exposing the grain of the wood. ‘Pink Waves’ depicts a pair of silhouetted trees against a cool background, contrasted with delicate pink clouds and a red full moon. Here, the surface of the wood appears through layers of oil, suggesting thin clouds and translucent sky, lending the sparse composition rhythm and depth.⁠ ⁠ Speaking of her process, Rothenstein says, “My reasons, or intentions, when making a particular painting are quite mysterious to me. The spark is always lit from an existing image, a photograph or another painting, and I often don’t discover why that image leaped out at me or what it is I’m exploring until the work is finished. Sometimes I never find out. It is almost entirely intuitive."⁠ ⁠ Find us at Booth C11, Regent’s Park, from 15 — 19 October.⁠ ⁠ Click the 🔗 link in bio to find out more.⁠ ________⁠ @friezeofficial @annerothenstein ‘Pink Waves’, 2025. Oil on wood panel. Framed 121 x 121cm (47 5/8 x 47 5/8in). Copyright Anne Rothenstein. Courtesy the artist and Stephen Friedman Gallery, London and New York. Photos by Todd-White Art Photography.⁠ ⁠ #AnneRothenstein #FriezeLondon #StephenFriedmanGallery⁠ 06 Oct 2025 Detail from one of six new paintings to be shown in solo presentation at @friezemasters next month with @stephenfriedmangallery . 06 Sep 2025 Another version of Fire and Ice showing this weekend @artbasel with @stephenfriedmangallery Oil on wood 152 x 122 cm 2025 Photo Todd-White Art Photography 20 Jun 2025

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DfSnwprDC4zA huge thank you to Counter Editions for seamles…
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DUEEmMRiG54Anne Rothenstein talks about her intuitive paint…

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