Kadeem En Pointe

Kadeem En Pointe

@kadeem.enpointe he, him

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🩰Ballet for anyone, anywhere ā›“ļøā€šŸ’„Breaking ballet’s gender binary šŸ«±šŸ¾ā€šŸ«²šŸ¼collabs: ••• ā¬‡ļø SEE ME IN THE NUTCRACKER WORLDWIDE

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I am beyond excited to announce the full cast of insanely talented artists that will be helping me to bring my reimagining of The Nutcracker Act II - A World Of Our Own - to life this holiday season. And to make the Kingdom of Sweets even sweeter, we are joined by Mark Rogers on the piano to bring Tchaikovsky’s divine score to life live on the night šŸŽ¹ šŸŒ Join from ANYWHERE in the world! Streaming live on YouTube + available to catch up for 14 days šŸ“ The Shaw Theatre, London šŸ“… 19 December 2026 at 7:30pm You can book tickets now via the link in my bio #ballet #thenutcracker šŸ“– A little more of the world we’re building ✨ šŸŒ Join from ANYWHERE in the world! Streaming live on YouTube + available to catch up for 14 days šŸ“ The Shaw Theatre, London šŸ“… 19 December 2026 at 7:30pm You can book tickets now via the link in my bio. 🧁 Trinidadian dancer Kadeem En Pointe leads the cast as The Sugar Plum Fairy. He trained at the Caribbean School of Dancing in Trinidad and Tobago before moving to the UK, and is the creator of Kadeem En Pointe, a platform exploring ballet beyond traditional ideas of gender and who the art form is for. His work includes the En Pointe In Public series and All The World’s A Stage, his first independently produced stage production, which premiered at London’s Shaw Theatre in August 2026. šŸ“ø @mandyleft ā„ļø English dancer Evie-Leigh Savage joins the cast as Snow Fairy. She graduated from Rambert School of Ballet and Contemporary Dance in 2025, following her training at London Vocational Ballet School. Evie-Leigh made her West End debut in 2024 with Complexions Contemporary Ballet and has since worked with companies and organisations including Birmingham Rep, Constella Music and New Adventures, alongside a range of independent choreographers. šŸ“ø @nickguttridge & @j_a_c_k_t_h_o_m_s_o_n šŸ’‚ Classical ballet dancer InĆØs Vebole joins the cast as The Nutcracker. She trained at the Francis Poulenc Municipal Conservatory in Paris, the Paris Conservatoire National SupĆ©rieur de Musique et de Danse, and English National Ballet School in London. Her international career has included performing as a demi-soloist with Barcelona Ballet, appearan 10 Sep 2026 My next show is happening on Saturday 19th December at 7:30pm at @shawtheatreldn in London and I am SO excited for this one. I hope you’ll join from wherever in the world you may be as it will also be live streamed on YouTube for ticket holders šŸŒ Tchaikovsky’s iconic music for The Nutcracker is going to be such a joy to dance and choreograph to. I’ll be joined by a fantastic cast soon to be announced! Tickets are now available via the tagged products or on my website www.kadeemenpointe.com ā„ļø Original photo by @mandyleft #ballet #thenutcracker 24 Aug 2026 THIS IS MY MISSION šŸ’ŖšŸ¾šŸ©° If you’re new, welcome. If you’ve been here a while, thank you for dancing alongside my journey. I’m glad and grateful for every single one of you helping me spread the love of ballet and the passion of passion. Photo 1: @mandyleft Photo 6: @themancorialist #ballet #enpointeinpublic #balletlife #dance 12 Dec 2025 AND REMEMBER THIS: ā€˜Those who mind don’t matter, and those who matter don’t mind.’ (Bernard Baruch) šŸ’ŖšŸ¾ Photos 1, 3, 4, 7 & 10: @mandyleft #ballet #enpointeinpublic #queer 07 Nov 2026 Watch twice for maximum impact šŸ–¤ #ballet #dance 06 Nov 2026 Giselle’s Entrance II by @michaeltulley.photo from my performance in August @shawtheatreldn šŸ’› #ballet 05 Nov 2026 Happy Tutu Tuesday one and all!! šŸ¤ŽšŸ§‘šŸ¾ā€šŸ©° #ballet #enpointeinpublic 03 Nov 2026 The Dying Swan V by @michaeltulley.photo from my first self-produced show in August. One of just ten prints that will ever exist. There’s something about this photograph that makes me quite emotional. I think one of the most beautiful and heartbreaking things about dance is how fleeting it is. You spend so much time creating something, and then, in a matter of moments, it’s gone. All that’s left is the memory of how it made you feel. The Dying Swan has always meant a lot to me because, at its heart, it’s not really about death. It’s about the fight to keep living. That desire to hold on for just a little longer, even when letting go is inevitable. And I think this photograph captures something of that. There’s strength in it, but there’s also so much vulnerability. Being able to preserve a moment like this, and knowing that it might find a place in someone’s home, means more to me than I can really explain. I’ve made this photograph available as a limited edition fine art print, beautifully printed on Hahnemühle Photo Rag Metallic paper. Just ten will ever be produced, each individually numbered and labelled. If you’d like to own one, you can shop through the tagged product or the link in my bio. There’s free worldwide shipping too šŸŒ Or leave me a comment and I’ll happily send you the link directly. Every print purchased helps me continue creating and sharing my work as an independent artist, and I’m so grateful to everyone who makes that possible šŸ–¤ #ballet #thedyingswan 01 Nov 2026 A video posted by @a_mug_of_life featuring the gorgeous Ciku reminded me that sometimes joy is its own form of rebellion, and inspired this post. And on the last day of Black History Month (UK) it seems fitting to post. When was the last time you did something simply because it brought you joy? Photos 1, 3, 4, 5, 6,8 & 9 by @mandyleft #balletĀ #dance #enpointeinpublic 31 Oct 2026 Happy World Ballet Day. I have no more to say because you all know how much I love this art form and sharing it with you šŸ§‘šŸ¾ā€šŸ©°šŸ¤Ž Photo by @mandyleft #ballet 29 Oct 2026 Swanhilda’s entrance from CoppĆ©lia from my London show back in August šŸ’— CoppĆ©lia was the first ballet I ever saw (on DVD) starring @leannebenjamin_official & @cacostaofficial so it felt fitting to perform it at my first live show! It’s an entrance full of comedy and classical ballet mime. While I won’t performing this sequence in December I can guarantee you that there will be comedy and classical ballet mime to keep everyone entertained in this new imaging of Act II of The Nutcracker. I can’t wait 🤩 Photos by @michaeltulley.photo #ballet #coppelia 24 Oct 2026 šŸ–¤ At its heart, Not So Little Dancer is a piece I choreographed to challenge the idea of dancers as merely beautiful, delicate or (dare I say) decorative figures. Instead, it presents dancers as complex human beings whose artistry requires strength, athleticism, intelligence and a constant pursuit of perfection. Through the choreography, I use some of the world’s most famous sculptures to bring these different aspects of a dancer’s artistry to life. This piece is best viewed on my YouTube channel (same name!) as it was filmed in landscape, and I’d really encourage you to watch it there to experience the full scope of the choreography as I intended. The first time I filmed this piece in full costume was in Paris in June 2026. I chose Paris because both Claude Debussy, whose music accompanies the choreography, and Edgar Degas, whose Little Dancer inspired the work, were French. It’s also one of my favourite cities in the world! But I wanted to film it again here in London because this is my home. It’s the city where I’m constantly surrounded by art and where I continue to find inspiration for my own work. I hope that when you watch this piece and take in the commentary, you’ll see a little more than just a dancer moving to music. I hope you’ll see the strength, the thought and the humanity behind the art ā¤ļø And don’t forget to watch the full landscape version on my YouTube channel, repost this video and share it with a friend šŸ§‘šŸ¾ā€šŸ©° Filmed on 5 October 2026 by @amdefreitas Costume by @storrveldi #ballet #london 18 Oct 2026

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