@humanresourcesla - IGDataHub

Human Resources

@humanresourcesla

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See Instagram photos and videos from Human Resources (@humanresourcesla)

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www.h-r.la/event/cinemaland pools.events/o/human_resources_la/?i=4NpR7Ra1

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Graves, Holes, and Mythographies Film and performance by Vitreous Chamber -Malic Amalya and Nathan Hill- @malic_acid 🖤@n888.tv Two nights of film and live sound performance GRAVES & HOLES ◆ SATURDAY, NOVEMBER 7 — 8PM A night to worship at Vaseline graves, descend into holes, and rest toward the death of cinema MYTHOGRAPHIES ◆ SUNDAY, NOVEMBER 8 — 6PM A political and sober excavation of myth, living lessons and your first breath on Mars ◆ Vitreous Chamber is the audio/visual collaboration between Malic Amalya and Nathan Hill. Together they make experimental films and videos with electronic musical scores. Visceral and cacophonous, their work traverses gritty landscapes of abandoned buildings, blast zones, and back rooms. They burn 16mm film, smear Vaseline on camera filters, and circuit bend electronics. The duo has been collaborating since 2014. They co-direct as well as provide integral visual and technical assistance on individually directed projects. Malic specializes in 16mm filmmaking, while Nathan’s expertise lies in analogue video and synthesizer music production. Malic and Nathan’s works have screened throughout the US and Europe. Their 16mm film Vaseline is distributed by Collectif Jeune Cinéma in Paris and has screened in Light Field (San Francisco), Anthology Film Achieves (NYC), Onion City (Chicago), the Berlin Porn Film Festival (Germany), and Le Cirque Électrique (Paris). They have performed Towards the Death of Cinema in the San Francisco Cinematheque’s Perpetual Motion series, in the MIX NYC Experimental Queer Film Festival, at Microlights in Milwaukee, and at Nightingale Cinema in Chicago. In 2018, Malic and Nathan were resident artists at Signal Culture. Their video Magnetic Resonance won an Audience Choice Award at the 2016 San Francisco Cinematheque’s Crossroads Artist-Made Film and Video Festival. 05 Nov 2026

Friday! 𝗟𝗘𝗜𝗟𝗔 𝗕𝗢𝗥𝗗𝗥𝗘𝗨𝗜𝗟 live in concert at Human Resources ⚡ This astounding Brooklyn-based cellist and composer from France – corrals feedback with shredder moves, stretching it out, far out. From delicate play on the thresholds between tonality and atonality to aggressive scrape and scrunch, her solo sets on amplified cello are full frequency affairs. These excursions not only plumb the possibilities of the instrument, but also the resonances of the architecture in which they are aired. Come feel her expansive range in full force in the cavernous space that is @humanresourcesla @variousartists_ 𝘓𝘌𝘐𝘓𝘈 𝘉𝘖𝘙𝘋𝘙𝘌𝘜𝘐𝘓 / 𝘛𝘞𝘐𝘎 𝘏𝘈𝘙𝘗𝘌𝘙 / 𝘌𝘓𝘐𝘍 𝘋𝘐𝘕𝘊̧𝘌𝘙 Friday Nov 6 Human Resources Doors at 8pm 🔗 ➜ 🎟️ 📸 @im.alexbalea Friday! 𝗧𝗪𝗜𝗚 𝗛𝗔𝗥𝗣𝗘𝗥 live in concert at Human Resources 🌀 The original American intuitive esoteric Twig Harper is back and never left. Channeling expressions from other dimensions, this psychonaut has dissolved the ego and floated to the surface. Though it’s less about the method and more about the madness, his recent headventures (2026 edit here now, for those keeping track) have included flipping the script, flipping the noise table, and delving back into the circuitry obsessions. @twigharperartifical 𝘓𝘌𝘐𝘓𝘈 𝘉𝘖𝘙𝘋𝘙𝘌𝘜𝘐𝘓 / 𝘛𝘞𝘐𝘎 𝘏𝘈𝘙𝘗𝘌𝘙 / 𝘌𝘓𝘐𝘍 𝘋𝘐𝘕𝘊̧𝘌𝘙 Friday Nov 6 Human Resources Doors at 8pm 🔗 ➜ 🎟️ 📸 @_briancmcfarlane Friday! 𝗘𝗟𝗜𝗙 𝗗𝗜𝗡𝗖̧𝗘𝗥 live in concert at Human Resources 🪉 L.A.-based harpist and composer Elif Dinçer has spent her time developing a large instrumental vocabulary and researching alternate tuning systems, actively performing solo and as a collaborator in several varied projects. Her latest solo album – Blue House, released by @littlemangorecordings isa collection of improvised short pieces, each inspired by a unique tuning scale Dinçer derived via experiments using tuning ratios based on just intonation. Come check out the artistry and instant compositions of this intuitive listener! @elifdincerr 𝘓𝘌𝘐𝘓𝘈 𝘉𝘖𝘙𝘋𝘙𝘌𝘜𝘐𝘓 / 𝘛𝘞𝘐𝘎 𝘏𝘈𝘙𝘗𝘌𝘙 / 𝘌𝘓𝘐𝘍 𝘋𝘐𝘕𝘊̧𝘌𝘙 Friday Nov 6 Human Resources Doors at 8pm 🔗 ➜ 05 Nov 2026

Thursday at 8:30 - bring your favorite plant to this concert by @jazzygirl______ & @bunnyjrtapes Free 04 Nov 2026

*UNNATURAL BEAUTY* A new event at @humanresourcesla November 10th Long form durational explorations of contemporary music Non-cover covers Meditations on themes and dynamics in beloved works Experiments with our own crafts and modes through the lens of others creations Exploring work by @kelela @alicecoltraneofficial and Russia Featuring @alex_licktenhour @paulinelay @dejoireh @shebreaks4rainbows @ginaserpentina @vaguelypersonable @isaacalpertsherman @juliussmack @mxpeeks @casialevine @travesdee @howls.road @i.get.mysty @thetylerholmes and many many more!!!! 04 Nov 2026

Los Angeles, November 6: An auspicious sonic summit as LEILA BORDREUIL brings her trademark cello and feedback artistry back to @upend.la at @humanresourcesla PLUS system trickster TWIG HARPER brings fresh cybernetic moves into his post-concrète carnival of sound, and harpist ELIF DINÇER opens the show with her clever (and microtonally forward) improvisations and inventions. Advance tickets available via bio link. Do come through. • ● 29 Oct 2026

SONANCE NO.1 w/ Jazmin Jazzy Romero & Friends Thursday, November 5 at 8:30 pm free - bring your favorite plant. SONANCE NO.1 is a 30-minute musical performance featuring a group of collaborating musicians, composed for an audience of humans and plants. Could a musical performance be composed not only to be heard, but to physically participate in the life of another organism? Shall we play the sound of a caterpillar munching? Or a bee buzzing? SONANCE NO.1 invites plants to occupy seats alongside human audience members. Together, they will attend a musical performance in which human reception is no longer the sole measure of the experience, and performers are invited to play for plants whose ways of receiving and responding to sound are uniquely their own. SONANCE NO.1 asks us to reflect on who or what we make things for, and what it means to attend to the living beings with whom we share space. Guests are invited to bring a plant, share the audience with a gathering of living plants, and to consider what it might mean to listen alongside another species. -Jazmin Jazzy Romero @jazzygirl______ 27 Oct 2026

Fri Nov 6th – 𝗟𝗘𝗜𝗟𝗔 𝗕𝗢𝗥𝗗𝗥𝗘𝗨𝗜𝗟 – the astounding Brooklyn-based cellist and composer from France returns to @upend.la at @humanresourcesla Dream gig also features solo sets from a couple L.A. heads – system trickster 𝗧𝗪𝗜𝗚 𝗛𝗔𝗥𝗣𝗘𝗥 and microtonal-forward harpist 𝗘𝗟𝗜𝗙 𝗗𝗜𝗡𝗖̧𝗘𝗥. Advance tickets available via bio links… Leila Bordreuil corrals feedback with shredder moves, stretching it out, far out. From delicate play on the thresholds between tonality and atonality to aggressive scrape and scrunch, her solo sets on amplified cello are full frequency affairs. These excursions not only plumb the possibilities of the instrument, but also the resonances of the architecture in which they are aired. An active force in New York’s most forward improvising and composing scenes, Bordreuil tours extensively and has collaborated with a wide gamut of key players including Kali Malone, Laurel Halo, Tamio Shiraishi, Michael Foster, Chris Corsano, Bill Nace, Luke Stewart, and Lee Ranaldo. Bordreuil’s music accesses concepts from noise, free jazz, contemporary classical, and other experimental traditions but adheres to no single genre. Mixing melancholic cello melodies with harsh noise walls, she creates “steadily scathing music, favoring long and corrosive atonalities” (New York Times). Driven by a fierce interest in pure sound and inherent texture, she challenges conventional cello practice through extreme extended techniques and amplification methods, to the extent she sometimes seems to be playing the P.A. rather than her cello. PLUS System trickster TWIG HARPER brings fresh cybernetic moves into his post-concrète carnival of sound, and harpist ELIF DINÇER unfurls improvisations in tunings found and fashioned. @variousartists_ @twigharper_artificial @elifdincerr 📸 Pedro Roque 26 Oct 2026

Fri, Oct 30 & Sat, Oct 31 On the Floor at @humanresourcesla • ticket link in bio :) Guest performers: @styles__alexander 10/30 and @sevyn0000 10/31 (Video by @chanibocks and Ben Estabrook, music by Izaak Schlossman) 26 Oct 2026

Normal Dreams is a live music and dance performance art piece by dancer @liana.zhenai and musician @astridsonne_ . The piece is now being brought to Los Angeles at @humanresourcesla via @prettybutwicked on November 4 First presented as a part of the Pairings series at La Mama Experimental Theatre Club in New York, curated and produced by Cameron Sczempka, now brought to London via Club Cheek and Qu Junktions. Expect never heard before songs, movement, noise, props and a video call from the big apple. Liana Zhen-ai is a Brooklyn/London-based dancer and interdisciplinary artist from Los Angeles. She has performed as a soloist with choreographers Holly Blakey, Andrea Miller, and Akira Uchida. Her dancing has been featured in Vogue US, NOWNESS, and Face Magazine, and in venues including MoMA, Lincoln Center, Southbank Centre, and Théâtre Chaillot de Nationale. Liana’s work uses the lenses of new materialism and object-oriented ontology to interrogate shame, nature, and narrative. Her choreographic practice sits at the intersection of dance, dramaturgy, and scholarship, and her work has been presented at Prototype Festival, Amant, Center for Performance Research, and Green-Wood Cemetery in collaboration with the New York Philharmonic. Astrid Sonne is a Danish, London based composer and viola player. Throughout her acclaimed discography, Astrid Sonne has been carefully crafting different moods through electronic and acoustic instrumental endeavours. On her most recent album Great Doubt (January 2024) this skill is refined, now with the distinct addition of the composer’s own vocal in the fore. The tone of each track is unmistakably Sonne’s, structured around contrasts through an impeccable sense of timing. Lyrics on the album are sparse, merely highlighting different scenes or emotional states of being, leaving the music to fill in the blanks. Yet they also form a pattern of ambiguity, consolidated through the album title, searching for answers through looking at how and what you are asking, questions for the world, questions of love. Ticket link below or at prettybutwicked.com 21 Oct 2026

Friday, October 30 & Saturday, October 31 Performances at 8 pm Human Resources On the Floor attempts to piece together traces of 70s and 80s queer San Francisco. Friends and collaborators Théophylle Dcx and Maria Silk explore the legacies carried by the dance music genres of disco and hi-NRG in relation to the early days of the HIV/AIDS crisis. Weaving together the links between nightlife, the virus, and queer memory, Dcx and Silk push themselves into altered states induced by dance, moving through an inner space of hedonism, exhaustion, escape, and discipline.  With guest performances from:   Styles Alexander - October 30 CAUDA: For a solitary they-goat in West Hollywood is a solo dance-theatre project by Styles Alexander exploring cultural extinction, erotic desirability, and the hauntological persistence of counterculture. Reimagining Nijinsky’s faun as a gay cryptid wandering through West Hollywood, the work considers the body a site of historical haunting: an accumulation of mythology, choreography and history of erotic transgression—a subcultural survival. Sevyn 0000 - October 31 Ahead of her brief return to Los Angeles, Sevyn 0000 shares work from an upcoming EP project The Perverse as an intimate performance combining original sound composition, movement, and the physical body. Through layered sound design and atmospheric composition, the work constructs an immersive world exploring desire, vulnerability, and transformation. Moving through states of pleasure, tension, and surrender, the performance blurs the boundaries between intimacy and exposure, creating a space where sound and the body become vessels for longing, memory, and emotional release. @silkymaria_ @theophylle.dcx @styles__alexander @sevyn0000 @kekojackson Photo 1 and 2 by @robbiesweeny 21 Oct 2026

Join me on Friday, Oct 23rd from 2-6pm to transform fabric scraps, stuffing, and thread into strange textile forms of your own imagining, with openings, cavities, pockets, appendages, and unexpected ways of holding and being held. so excited to offer this gathering as part of my solo exhibition 𝓪𝓻𝓮 𝓽𝓱𝓮𝓻𝓮 𝓻𝓸𝓸𝓽𝓼 𝔀𝓱𝓮𝓻𝓮 𝓽𝓱𝓮 𝓰𝓻𝓸𝓾𝓷𝓭 𝓽𝓻𝓮𝓶𝓫𝓵𝓮𝓼 opening this weekend! Friday, Oct 23rd, 2–6 pm Sliding scale: $15–40, get tickets through the link in my bio! 📍Human Resources 410 Cottage Home St, LA come make something strange w me 👾 20 Oct 2026

Saturday: 2 performances by @ybdg_4 as part of their Not Not Dance Tour. The show at 8 is sold out and the few remaining tickets for the 5pm performance are going fast. Limited tickets will be available at the door based on capacity. Young Boy Dancing Group was initiated in 2014 as a mercurial performance group. As Spike Magazine wrote: “Since making their debut as a performance group at Paris’s Club Silencio in 2014, eccentric tactics earning early viral fame have matured into immersive studies in physical intensity, sensuality, and extreme absurdity.” In other words by Sam Max for Culture Bot: ”In their work, I experience Young Boy Dancing Group as hovering between life and death. The choreography sustains suspension between a quivering, levitating ecstasy of the body and spirit, and the inevitable silence of death. None of it is easy, but we do it anyway, and the best we can ask for is a collective ritual, maybe in the form of a dance, that makes meaning of it all. In this way Young Boy Dancing Group’s language is just like life. It’s as devastated as it is celebratory. The dance is something to be moved through, despite the constant threat of collapse.” Image 1: YBDG at ACS, Seoul 2025 Image 2: YBDG at BUOY Tokyo 2025 16 Oct 2026

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shortcode	caption	likes	comments
DfYYlFmmlWs	Graves, Holes, and Mythographies Film and perf…
DfX0xxkEsi9	Friday! 𝗟𝗘𝗜𝗟𝗔 𝗕𝗢𝗥𝗗𝗥𝗘𝗨𝗜𝗟 live in concert at Human…
DfVlu7YP2_8	Thursday at 8:30 - bring your favorite plant to …

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shortcode	caption	likes	comments
DfYYlFmmlWs	Graves, Holes, and Mythographies Film and perf…
DfX0xxkEsi9	Friday! 𝗟𝗘𝗜𝗟𝗔 𝗕𝗢𝗥𝗗𝗥𝗘𝗨𝗜𝗟 live in concert at Human…
DfVlu7YP2_8	Thursday at 8:30 - bring your favorite plant to …

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username	full_name	user_id	is_verified	is_private	profile_pic_url

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Everyone they follow

up to 3,314 accounts

$16.57

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