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A house of makers, founded on silver in 1904.
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Making Magnolia: a four-part series exploring the making of one Georg Jensen's best-known cutlery designs, hand-crafted to this day at the house's Copenhagen silversmithy.
It was in 1919 that Georg Jensen designed the set. Rooted in the artistic ideals that shaped the house from its founding in 1904, the design reflects the Art Nouveau movement's love of detailed ornamentation inspired by the natural world.
Jensen also looked beyond his atelier for inspiration. Among the key influences behind Magnolia was the work of German photographer and sculptor Karl Blossfeldt, whose close-up studies of plants blurred the boundaries between art and nature.
08 Jul 2026
It takes around five thousand hammer blows and decades of training to transform a silver rod into a Magnolia spoon.
The artisan begins by heating the silver rod and hammering it for hours until it reaches its desired shape. It is then polished, and its surface is carefully textured with tiny hammer marks – one of the defining characteristics of Georg Jensen silver – a painstaking process carried out with meticulous precision to create an even finish.
15 Jul 2026
Unique to the Magnolia cutlery is the floral bud that adorns each piece and gives the collection its name.
The motif originates from a teapot Georg Jensen crafted in 1905, where a partially opened magnolia bud is paired with a flowing stem on one side and a cluster of beads on the other. It went on to become a defining feature of the cutlery, whether as a blossom with beaded detailing at the end of a ladle or as flowing floral forms carved into the handle of a knife.
22 Jul 2026
Objects that tell a story. From the Fusion pendants, which reinterpret a 1987 ring design as diamond-set gold necklaces, to an archive silver tray designed by artist Henning Koppel, Georg Jensen pieces embody over a century of creativity and collaboration.
05 Nov 2026
Giving is a ritual deeply rooted in the season. It takes many forms, from welcoming friends and family around the table to sharing festive meals and moments of celebration.
03 Nov 2026
Gifts shaped by a legacy of craft.
The Weft earrings reimagine Georg Jensen’s founding material through the techniques of weaving, building on the house’s legacy of innovation in silver.
30 Oct 2026
A time for togetherness, crafting shared experiences through rituals old and new.
28 Oct 2026
Drawing on the traditions of the Scandinavian winter solstice, this season we celebrate the moments that bring us closer. As changing light and nature intertwine with tradition, we embrace the season through generosity, togetherness and the rituals we return to year after year.
22 Oct 2026
From the archives: Fusion.
It was back in 1987 that Nina Koppel, Danish textile artist, designed Fusion. An innovative creation for its time, Koppel brought a sense of both playfulness and flexibility at the heart of the design through interlocking bands that could be worn in varying combinations.
The design, initially conceived as both rings and a bracelet, was born from the idea of allowing the wearer to bring their individuality to the jewellery, assembling it in their own way.
She named it Fusion – reflecting the coming together of different elements – and since then, it has established itself as one of the house’s most enduring jewellery designs.
17 Oct 2026
The new Weft collection, the first under the creative direction of @paulagerbase, translates the techniques of weaving into sterling silver, resulting in jewellery defined by a distinctive sense of movement.
08 Oct 2026
Janne Villadsen (@jannevilladsen) has spent the better part of the past two decades championing the arts. “I started out as a journalist and found myself always drawn to stories about the work of contemporary artists,” she tells us.
Then she turned to producing it herself. Since 2024, she has been director of Copenhagen’s Nørrebro Teater, where we visited her ahead of the event she moderated last week. The institution is one of Denmark’s oldest theatres, which she and co-director Jennifer Vedsted Christiansen were tasked with repositioning as a hub for performative art and new perspectives. “I realised I wanted to make something for a big audience, rather than just communicate about it. I’m interested in the power of community that culture can bring,” she adds.
During her time at the theatre, Villadsen has worked to strengthen its role in Copenhagen’s contemporary cultural landscape. Recent projects range from reimagining the theatre’s 1932 building by Danish modernist architect Vilhelm Lauritzen – including a foyer bar featuring elements inspired by the original carpet that once covered the space – to collaborating with talent from abroad as the Danish capital becomes home to an increasingly international community.
Central to her work is also the question of what theatre can mean today. “We are living through crisis after crisis and the culture we share needs to engage us,” she says. “I think the theatre auditorium remains one of the only places today where people come physically together in a shared community without distractions. That is rare and something to treasure.”
05 Oct 2026
On Wednesday, we hosted a conversation between creative director Paula Gerbase and Danish weaver and designer Kim Naver at our Copenhagen flagship. Moderated by Janne Villadsen, director of Copenhagen’s Nørrebro Theatre, the talk explored craft, creative process and what it means to carry forward the house’s legacy of collaboration and community.
The conversation was anchored in the new Weft collection, which translates the craft of weaving into sterling silver, opening up a wider discussion about working across mediums and bringing different crafts together.
02 Oct 2026
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