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Bringing together the global art community since 1991. Join Frieze!

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#frieze #friezeabudhabi #فريز #فريز_أبوظبي #abudhabiart #فن_أبوظبي #no9corkstreet

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Early Bird tickets for Frieze Abu Dhabi 2026 are now on sale! This November marks a landmark moment for Abu Dhabi. Be there as a new chapter begins. Building on 17 years of #AbuDhabiArt and drawing on #Frieze’s global network, the inaugural edition of #FriezeAbuDhabi brings together more than 80 galleries from 36 countries and regions. Discover new commissions, talks, events across the city and more. 19-22 November 2026. Manarat Al Saadiyat. Early Bird tickets are available at a special price for a limited time. Book through the link in bio. Global Lead Partner – @deutschebank @deutschebankart Artwork: Hassan Sharif, Slippers, 2016 (Detail). Courtesy of the Estate of Hassan Sharif and Gallery Isabelle, Dubai تذاكر الحجز المبكر لمعرض فريز أبوظبي 2026 متاحة الآن! يشهد شهر نوفمبر انطلاق مرحلة جديدة في مسيرة المشهد الفني بأبوظبي. امتداداً لإرث #فن_أبوظبي على مدى 17 عاماً، وبالاستفادة من شبكة #فريز العالمية، تستقطب النسخة الأولى من فريز_أبوظبي أكثر من 80 صالة عرض من 36 دولة ومنطقة، إلى جانب أعمال فنية بتكليف خاص، وجلسات حوارية، وفعاليات تقام في أنحاء المدينة. 19 – 22 نوفمبر 2026. منارة السعديات. تتوفر تذاكر الحجز المبكر بسعر خاص لفترة محدودة. احجزوا تذاكركم عبر الرابط في البايو. مع الشريك العالمي الرئيسي، دويتشه بنك. العمل الفني: حسن شريف، شباشب، 2016 (تفاصيل). بإذن من تركة حسن شريف وجاليري إيزابيل، دبي. 27 Sep 2026

THE NOVEMBER/DECEMBER ISSUE IS OUT NOW In the new issue, we explore how artist and writers respond to the politics of image and the widening gap between the image world and the real one: Laura McLean-Ferris meets artist Diane Severin Nguyen, ahead of her exhibition at Haus Der Kunst In a roundtable, four writers and artists discuss photography’s contested relationship to truth as the medium nears its 200th anniversary Artist and researcher Mindy Seu considers how gossip, Ursula K. Le Guin and Instagram stories influence her work In an interview with Susana Plotts-Pineda, Doris Salcedo discusses how art can act as a kind of ‘secondary witness’ to the after-effects of conflict and climate change. Lou Stoppard asks why fiction in art matters, through a slate of new novels about artists Columns explore the ‘otherworldly’, from Ana Vaz’s fractured horizons and Portia Zvavahera’s painted dream worlds to the karaoke, cash, and time machines of Wong Kit Yi. Issue 263 is out now. Head to frieze.com for more. Cover: Diane Severin Nguyen, Powerless, 2026, film still, produced by if… Productions Film GmbH, co-commissioned by Haus der Kunst, Munich; CCS Hessel Museum of Art, Bard College, New York; The Vega Foundation, Toronto; The Alexander Tutsek-Stiftung, Munich; LUMA Foundation; Chisenhale Gallery, London. Courtesy: the artist #Frieze 28 Oct 2026

‘For the first time since I was 10, I didn’t have to work. But instead of enjoying this freedom, I slowly went into depression.' ⁠ ⁠ For London-based Lithuanian philanthropist Justas Janauskas (@jjanauskas) stepping down as CEO from Vinted, the unicorn startup he cofounded in 2008 following a conversation at a Vilnius house party, created a challenging sense of purposelessness. Out of this, a growing connection with contemporary art offered 'a feeling of real curiosity, which I followed', he explains for the ‘Risk and Reward’ series, supported by Deutsche Bank. ⁠ ⁠ ⁠ ⁠ In 2025, Janauskas co-founded the Upė Foundation (@upefoundation) - named for the Lithuanian and Latvian word for ‘river’ - with @adomas.n, aiming to bring the art communities of the Baltic states (Lithuania, Latvia and Estonia) into a flow of exchange with the rest of the world. ⁠ ⁠ ⁠ The foundation's projects so far have included curatorial fellowship exchanges between Camden Art Centre and Sapieha Palace and Hayward Gallery and Tallinn Art Hall, a scholarship at the @courtauld Institue of Art and the Frieze Curator Travel Grants at the recent Frieze London. ⁠ ⁠ ‘Just as Vinted wouldn’t have started without that conversation, I knew that the foundation was something was not going to come from me alone', he shares. ⁠ ⁠ ⁠ Hit the link in bio to read the full ‘Risk and Reward’ interview. ⁠ ⁠ ⁠ ⁠ ‘Risk and Reward’, supported by @deutschebankart @deutschebankwealth, is a series of interviews with influential figures shaping the future of the art world with new strategies and business acumen. ⁠ ⁠ ⁠ Special thanks to Upė Foundation curatorial fellows Diāna Mikāne (@m1aana) Martyna Ratnik (@martyna_ratnik), @camdenartcentre, @hayward.gallery and Galerina, London (@mygalerina). ⁠ ⁠ ⁠ Photography by Greta Požaricka @pozaricka_ 06 Nov 2026

Frieze Masters Talks: Breaking the Mould⁠ ⁠ Presented in collaboration with @dunhill and curated for the second consecutive year by @ArturoGalansino, Director General of Fondazione Palazzo Strozzi, this year’s Frieze Masters Talks brought together leading artists, curators and museum directors to explore the enduring influence of historical art forms and materials on contemporary artistic practice.⁠ ⁠ Featuring Sheila Barker, Es Devlin, Lina Ghotmeh, Tim Marlow, Iris Moon, Grayson Perry, Danh Vo, Kulapat Yantrasast and others, the programme examined how the past continues to inform, challenge and inspire artistic thinking today.⁠ ⁠ 🎧 Missed the talks in person? Catch up soon, with recordings available on Spotify and Apple Podcasts. 06 Nov 2026

‘It’s a demonstration of the disconnect from my culture,’ says Nigerian-born artist Ken Nwadiogbu (@kennwadiogbu), ‘and me coming back to reconnect with it.’⁠ ⁠ ⁠ As winner of the 2026 Degussa Young Generation Art Award initiated by @degussa.gold and @monopolmagazin, Nwadiogbu displayed his work in the Degussa Lounge at Frieze London. In this video filmed at the fair, he explains the background to his presentation, ‘I Know the Shadows Will Always Be There’ – a series of paintings exploring the Igbo masquerade tradition alongside live performances in the space.⁠ ⁠ For Nwadiogbu, the work is not just a celebration of his heritage; it is a way to reflect upon his displacement – both literal and cultural – from his roots in Lagos and a chance to bring the power of the masquerade into a Western art context.⁠ ⁠ I’m happy and honoured to show my work here,’ he says, ‘and to present my culture to the world.’⁠ ⁠ Hit the link in bio to watch the full video.⁠ ⁠ Produced by Frieze Studios⁠ Producer: @shakstevens⁠ Cinematography & Edit :@jamesmaiki⁠ Camera Operator: @crystalpulse⁠ Sound : @threekeyaudio 05 Nov 2026

From Gregor Schneider’s disorienting domestic interiors to Anna Virnich’s vibrant textile paintings, here’s what not to miss in Germany’s Rhineland this autumn...⁠ ⁠ Swipe for the full list →⁠ ⁠ Hit the link in bio to read more 🔗⁠ ⁠ #Frieze⁠ ⁠ Words: Leonie Pfennig 05 Nov 2026

Six 'Focus' artists to watch at #FriezeAbuDhabi 2026 'Focus', Frieze’s long-standing section dedicated to younger international galleries and experimental presentations makes its way to the inaugural fair. Tahir Karmali ( @tacaka ) turns a booth into a construction site. Thuy Tien Nguyen’s ( @tieen.ngx ) automated music boxes reconstruct memory. Jawad Al Malhi ( @jawad.almalhi ) paints land as a living archive. Dala Nasser’s ash-and-pigment rubbings bear witness to lost sites. Marigold Santos ( @marigoldasantos ) layers ink drawings of shrouded dancers. Chonon Bensho ( @chononbensho3 ) builds an immersive world from Shipibo-Konibo visual language. Learn about their practice and work through the article in the link in bio. 19–22 November 2026 Manarat Al Saadiyat Global lead partner — @deutschebank & @deutschebankart #Frieze ستة فنانين يستحقون المتابعة ضمن قسم "فضاءات" في #فريز_أبوظبي 2026 يشارك قسم "فضاءات"، أحد الأقسام الراسخة في معارض فريز والمخصّص لصالات العرض العالمية الناشئة والتجارب الفنية المبتكرة، في النسخة الأولى من معرض فريز أبوظبي يحوّل طاهر كرمالي مساحة العرض إلى موقع بناء، فيما تعيد صناديق الموسيقى الآلية للفنانة ثوي تيين نغوين تشكيل الذكريات، ويصوّر جواد المالحي الأرض بوصفها أرشيفاً حياً وتوثّق دالا ناصر آثار مواقع اندثرت من خلال أعمال تستخدم فيها الرماد والأصباغ، بينما تقدّم ماريغولد سانتوس رسوماً بالحبر تتداخل فيها صور راقصين متّشحين بالأقمشة، ويستلهم تشونون بينشو اللغة البصرية لشعب الشيبيبو كونيبو ليبتكر عالماً فنياً غامراً تعرّفوا على المزيد عن الممارسات الفنية لهؤلاء الفنانين وأعمالهم من خلال المقال عبر الرابط في البايو 19 – 22 نوفمبر 2026 منارة السعديات الشريك العالمي الرئيسي — دويتشه بنك وبرنامج دويتشه بنك للفنون #فريز 05 Nov 2026

From Mariko Mori’s urban avatars to Kishio Suga’s pared-down ‘situations’, here’s what not to miss during Tokyo Art Week...⁠ ⁠ Swipe for the full list →⁠ ⁠ Hit the link in bio to read more 🔗⁠ ⁠ #Frieze Words: Marilena Borriello 04 Nov 2026

Frieze Sculpture 2026 will draw to a close this weekend. Join Fatoş Üstek for her last curator tour of the display on Sunday 1 November, 12-1pm, in the English Gardens, The Regent’s Park. The tour is free to attend and open to all. This year’s outdoor exhibiton features works by 11 artists that consider sculpture as a porous and relational ecology, influenced by social, spatial and environmental contexts. Participating artists and galleries include: Albion Jeune with Ivana Bašić, Metanoia, 2025 Dirimart with Özlem Günyol and Mustafa Kunt, Possibilities for a Sculpture, 2026 Dom Art Gallery with Elena Nemkova, Agony in the Garden, 2026 Hauser & Wirth with Angel Otero, Dreams and Salt, 2025–2026 Jhaveri Contemporary and Sullivan+Strumpf with Ramesh Mario Nithiyendran, Warrior Figure, 2026 Leila Heller Gallery with Douglas White, Black Palm, 2026 Rajiv Menon Contemporary with Tarini Sethi, The Sun Bathes Its Friends and Neighbours, 2026 Ruttkowski;68 with Carolina Aguirre, Held, 2026 The Chemistry Gallery with Matyáš Chochola, BRUTALIST, METEOR and MACE II, 2024 The Muse Gallery with Catriona Robertson, WYRM, 2026 Victoria Miro with Conrad Shawcross, Eye of the Needle (Time Pebble (E30A13)), 2026 @BloombergConnects returns as the Official Digital Guide for Frieze Sculpture. Explore exclusive content and audio tours narrated by Fatos Üstek and participating artists, available throughout the exhibition’s run. Head to frieze.com to discover more about the artworks 🔗 29 Oct 2026

On view at No.9 Cork Street from 30 October to 21 November are An Appetite That Survives All Feasts by @jack___penny, presented by @the.dot.project, and Afterglow: From the Residue of a Departed Sun, presented by @tabari_artspace. Hit the link in bio to learn more. #No9CorkStreet — Seen Here: 1. Jack Penny, ‘Changing of the guards’, 2026, acrylic on linen canvas, 150 x 400 cm. Courtesy of the artist, The Dot Project and Reliant Imaging. 2. Jack Penny, ‘Rushes’, 2026, acrylic on linen canvas, 155 x 400 cm. Courtesy of the artist, The Dot Project and Reliant Imaging. 3. Jack Penny, ‘Oxytocin loop I’, 2026, acrylic on raw canvas, 155 x 185 cm. Courtesy of the artist, The Dot Project and Reliant Imaging. 5. Maitha Abdalla, ‘When you see me’, 2026, acrylic and charcoal on canvas, 57.5 x 71.5 x 5 cm. Courtesy of the artist and Tabari. 6. Mohamed Monaiseer, ‘Untitled’, oil on canvas, 250 x 160 cm. Courtesy of the artist and Tabari. 29 Oct 2026

Dala Nasser (@dala.nasser) has been announced as the winner of the inaugural Frieze Abu Dhabi Artist Award, curated by Nabila Abdel Nabi (@nabilaanabi). The award is supported by Friends of Frieze Abu Dhabi and enables an ambitious new commission to be realised for #FriezeAbuDhabi, with Nasser's site-responsive installation, 'Qubbat Duris', taking centre stage at the fair from 19-22 November at @manaratalsaadiyat. A timber framework evoking the heritage site will be draped in cloth, transformed through a process of rubbing and staining textile surfaces with materials including charcoal, ash, clay and terracotta. Book your tickets for #Frieze Abu Dhabi through the link in bio. Global lead partner — @deutschebank & @deutschebankart Seen here: Installation view, Dala Nasser: 'Adonis River', 2023, Renaissance Society, Chicago. Courtesy of the artist, @rensoc and @commonwealthandcouncil. Photo: Bob أُعلن عن فوز الفنانة دالا ناصر بالنسخة الافتتاحية من جائزة فريز أبوظبي للفنان المبدع، بإشراف القيّمة الفنية نبيلة عبد النبي بدعم من “أصدقاء فريز أبوظبي”، تتيح الجائزة إنجاز تكليف فني جديد ضمن #فريز_أبوظبي، يتمثّل في العمل التركيبي “قبة دوريس” للفنانة دالا ناصر، الذي يستجيب لطبيعة الموقع وخصوصيته، ويبرز بوصفه أحد الأعمال الفنية الرئيسية في المعرض المقام من 19 إلى 22 نوفمبر في منارة السعديات يتألّف العمل من هيكل خشبي يستحضر ملامح الموقع التراثي، وتنسدل عليه أقمشة تخضع لعمليات معالجة وتلوين باستخدام مواد تشمل الفحم والرماد والطين الخام والطين المحروق احجزوا تذاكركم لحضور #فريز أبوظبي عبر الرابط في البايو الشريك الرئيسي العالمي، دويتشه بنك يُعرض هنا: مشهد للعمل الفني "نهر أدونيس" للفنانة دالا ناصر، 2023، جمعية النهضة (رينيسانس سوسايتي)، شيكاغو، بإذن من الفنانة وجمعية النهضة و"كومونولث آند كاونسل"، تصوير: بوب 24 Oct 2026

Filmed in 1972, William Greaves’s documentary ‘Once Upon a Time in Harlem’ remained unfinished for more than 50 years before his son David Greaves worked from his father’s notes and workprints to complete the project this year. The footage captures an extraordinary gathering at Duke Ellington’s townhouse, where surviving figures of the Harlem Renaissance, who in many cases had not seen each other in 50 years, reminisced, argued, laughed and drank. Speaking to Abirami Logendran (@abilogix), David Greaves discusses completing his father’s film and preserving the conversations, ideas and cultural legacy of a generation of Black artists, writers, musicians and activists. @onceuponatimeinharlem2026 #Frieze Words: David Greaves interviewed by Abirami Logendran Images: 1/3/4/5/6/7/8. ‘Once Upon a Time in Harlem’ still, courtesy of NEON. 2. William Greaves on the set of ‘Once Upon a Time in Harlem’, courtesy of NEON. 23 Oct 2026

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Ddyc8vhoyAk	Early Bird tickets for Frieze Abu Dhabi 2026 are…
DfCvXo4DXDs	THE NOVEMBER/DECEMBER ISSUE IS OUT NOW In the …
DfZ5hRaFw7t	‘For the first time since I was 10, I didn’t hav…

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Ddyc8vhoyAk	Early Bird tickets for Frieze Abu Dhabi 2026 are…
DfCvXo4DXDs	THE NOVEMBER/DECEMBER ISSUE IS OUT NOW In the …
DfZ5hRaFw7t	‘For the first time since I was 10, I didn’t hav…

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