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Today - Prospect Park to Manhattan - NYC, bus riders, chihuahuas, aunties, siblings - all for Palestinian liberation ❤️ 28 Oct 2023 Homesickness, 2024 for @publicartabudhabi 🦪 I wanted to make a choir of singing pearls for the Corniche (the place where I first discovered public art), and one that reflected the luminous building materials of downtown Abu Dhabi. Each oyster is milled from aluminium and contains a speaker embedded in a pearl; each pearl emits separate tracks of a spatial composition. The main three-note theme is taken from the song “Tob, Tob Ya Bahar”, originally sung by the wives of pearl divers praying for their safe return. It was a dream to work on this with @helloacrush - and sorry for the windy audio….added a little Logic clip at the end for more musical context. Public art and new mediums are both scary things but I had so much support. Shoutout to the @publicartabudhabi team, esp Luz and Nikolai, Reem, the ACRUSH team, @jgutierrezhadid for helping a Logic girl with Ableton, @andrew_js whose feedback helped shape the music, the contractors, builders and engineers, and Manu, who is the festival attendant for my work. The location pin is on the PAAD website and is very close to an incredible drum piece by @lawrenceabuhamdan, ahlan wa sahlan Visual and Sound ID in comments 16 Nov 2024 Thank you to everyone who came out to the opening Wednesday night 🖤 Rubberneck is up @francoisghebaly until Dec 12. The Lost Pony, 70x48 in, 2024 - documentation by Paul Salveson. One of many photographs in the show from my time at the @chinatifoundation in Marfa 07 Nov 2026 Tonight in LA - walkthrough at 5:30, opening 6-8. It’s a beautiful day. Come hang out in FGG and Mameg’s secret Beverly Hills garden! Bonus for Brian de Palma heads - park at the Hideaway around the corner (not cheap) where Body Double’s iconic mall scene was filmed. Slides 4-6 As always major thanks to the @francoisghebaly team, to @technikal.support for printing, Mendel for framing, and Paul Salveson for the beautiful install pics 💚🖤💜 04 Nov 2026 Rubberneck, my second show w @francoisghebaly, opens Nov 4 in the Beverly Hills space. Please come by if you are in LA ❤️ thank you to friend and horror club member @we5_______ for the beautiful press release Image: Balqis with Dove, 2026, 31x40 inches 24 Oct 2026 Farah Al Qasimi is having one of the most visible years of her career. Following shows at the Tate Modern and MoMA PS1, an Art Basel Emerging Artist Medal, and a new short film, the Emirati/Lebanese-American artist is now preparing for ‘TAILSPIN’, her upcoming solo exhibition at the Whitney Museum of American Art. Yet the more visible her work, the less interested she is in the labels and expectations that have followed it. For ISSUE 07, Al Qasimi is photographed by @upstairsaterics and in conversation with @sarraalayyan, reflects on the shifting power of photography, turning inward, and why fiction and fantasy increasingly offer us another way of making sense of the world. “I’ve always felt that even if you have big ideas or thoughts about how history has coloured the conditions of the present, the best way to reveal or understand it is by looking at something really small.” Tap the link in bio to read the full cover story. 🔗 @frequentlyaskedquestion wears @LOEWE Photographer @upstairsaterics Stylist @@thetrillestb Words @sarraalayyan Makeup @raisaflowers Hair @clapsflatiron Production @agpnyc @alexeyg Producer @al_pal____ Tailor @honorhonziali Manicurist @ibedoingnails Photo Assistants @nocturnalfame @salesmalcolm Styling Assistants Coniese Banton @champauma_ Production Team @ernest_klimko Post Production @onehundredberlin Editor-In-Chief @ahmadaswaid Deputy Editor @sarraalayyan Art Director @da.o.ud Photo Editor @fatimamouradd Fashion Director at Large @omaimasss Creative Director at Large @chndy_ Content Director @fadynageeb Fashion Editors @marligger @z_ztape Social Editor @zeinkaram 01 Oct 2026 ONLINE EXCLUSIVE 🚨🔔🚨 TIME OF MISFORTUNE (2006) by FARAH AL QASIMI @frequentlyaskedquestion In Time of Misfortune, Farah Al Qasimi approaches history through a child’s eyes. Her own drawings from age five, including a headless camel and a falling plane, appear alongside pigeons, domestic interiors, bilingual text, and montages of burning oilfields and pop-culture imagery. The work reads like a dreamlike scrapbook of early memory.  Lines that sound like a child accidentally casting a spell hint at the work’s central concerns. Originally presented as an installation, the 18-minute video was shown alongside sound, vinyl, and inkjet prints at La Biennale di Venezia. Courtesy of the National Pavilion UAE Big thank you to the dearest and brilliant Farah 🧿 what a pleasure to share this! Link: Airtime.world 30 Sep 2026 Pink algae dispatch from the salt lake 🎻🧂🦐 13 Aug 2026 Fatima’s car right outside of @chinatifoundation in 2024, on view as part of Greater NY. I drove out to Marfa for the residency with Cleo (who was originally found wandering the streets of Waxahachie, Texas) and spent two months making photographs, searching for oil wells, hiking, playing music with Andrew and Mateo, and drinking diet Ocean Water from the Sonic in Alpine. 17 more days to see the show! @momaps1 Miss you @chekhovs_texas 29 Jul 2026 CFG-20260717 Look 28 Farah Al Qasimi @frequentlyaskedquestion Farah is giving your glamorous auntie who just flew in to see the family. Hair still blowing from the plane’s jets ᯓ★ ⊹₊⟡⋆ Vision: @cfgny2 Lookbook Photography: @davidbrandongeeting Styling: @avenagallagher Styling Coordinator: @willum.iv Hair: @Kazukatahira Makeup: @souhi_lee @milkmakeup Nails: @c_ielle Shoes: @marsell.official Eyewear: @mykitaofficial @akila.la Jewelry: @lauralombardi @hera_jwlry @hannahjewett._ @jwoo___________ Sound: @l_y_d_o Lighting: @s.arai__ Movement: @elliot_reed_laboratories Dramaturg/PR: @cyntheticpleasures Amant PR: @nothingobstacle Kitchen PR: @purplepr Stage Management: @buffysierra Production: @amant.arts @thekitchen_nyc Catering: @h31.syk @bong.nyc @puredegrees 23 Jul 2026 Tomorrow is the last day to see my artist room at the @tate after 2.5 years of display🥲 eternally grateful to @nabilaanabi, @bilalakkouche, to everyone in the work, to the MENAAC, the Tate art handlers, guards, and programmers and to everyone who visited or posted about it, messaged me, or sat and watched any part of the film. Grammar fails me but you get the idea. I feel so privileged to have shared this work for so long. عاشت أم النار 👁️ 19 Jun 2026 Install shots of my work in Greater New York c/o Kris Graves and @momaps1 - photographs and a film made in NY, Michigan, Texas, UAE, and Kuwait. Up till August 19 and free for New Yorkers! Shoutout to my roomie @yuchenyuchen and her stunningly detailed and engrossing studies of coral 🪸 11 Jun 2026

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