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cur ato rial y * 𝓂á𝓈 . / si me deseas , descárgame
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Recent posts
🫧📹📼
CFG-20260717
PRE-ORDER ENDS SEPT 12
DM FOR LINESHEET
📍🍡🍒
Video by @tal.studio__ @thankyo
03 Sep 2026
CFG-20260717
Look 5 Angelique Rosales Salgado @ang.pdf
Curator, talk-show host, video vixen dom, art historian, diplomat. After opening your third eye with art historic #FACTS during office hours you can find them at the clurb where, if you dare, they will open your other third eye in a follow up graduate level course.
Vision: @cfgny2
Lookbook Photography: @davidbrandongeeting
Styling: @avenagallagher
Styling Coordinator: @willum.iv
Hair: @Kazukatahira
Makeup: @souhi_lee @milkmakeup
Nails: @c_ielle
Shoes: @marsell.official
Eyewear: @mykitaofficial @akila.la
Jewelry: @lauralombardi @hera_jwlry @hannahjewett._ @jwoo___________
Sound: @l_y_d_o
Lighting: @s.arai__
Movement: @elliot_reed_laboratories
Dramaturg/PR: @cyntheticpleasures
Amant PR: @nothingobstacle
Kitchen PR: @purplepr
Stage Management: @buffysierra
Production: @amant.arts @thekitchen_nyc
Catering: @h31.syk @bong.nyc @puredegrees
25 Jul 2026
💋 333 to the ttto the * 0 📆 las k pueden pueden y las k no … aplauden 💋
24 Jul 2026
Swerve Fatigue continues... ⭑.ᐟ
“The swerve is something that begins as a minor adjustment and accumulates into a collective condition...”
🌀❤️🔥On the occasion of Jonathan González’s multi-week residency (March 23–April 9) and public presentation of Swerve Fatigue at The Kitchen on April 10–11, 2026, Assistant Curator and organizer of Swerve Fatigue Angelique Rosales Salgado speaks with González about queer nightlife, archival throughlines in The Kitchen’s programmatic history, black femme voices at the center of popular music, desire, and enduring tensions in life that offer no immediate resolve, plus much more.
Responding to questions around notions of intimacy and embodiment in their practice as a choreographer and writer, and in Swerve Fatigue, González shares:
“… intimacy, then, is not about securing closeness but about remaining available to that instability when our touch meets. embodiment here becomes a site of return without resolution, where touch, sound, light, and haze can be encountered again, differently, without being fully known...”
Read the full conversation in our online magazine On Mind, originally published within the performance program, alongside documentation by photographer Elvin Tavarez and filmmaker Rudy Gerson.
Performers are Ananda Naima González, India Lena González, Marguerite Hemmings, Kingsley Ibeneche, AJ Wilmore, and Wayne Arthur. Sound design by Alexis De La Rosa and GENG PTP.
Production by David Riley, Production & Exhibitions Manager, Tassja Walker, Production Supervisor, The Kitchen, Greta Hartenstein, Producer, and Nora Chellew, Stage Manager.
🔗 Head to the link in bio for more
__________
Image credits: 1, 6, 7, 11–13, 17, 18) Photos by Elvin Tavarez @estudioelvin. 2) Beverly Buchanan, standing in Marsh Ruins, concrete and tabby, 1981. © Beverly Buchanan. Photograph courtesy the artist and Jane Bridges. 3–5) Swerve Fatigue Performance Program. 8–10, 14–16, 19) 16mm stills by Rudy Gerson @_ruudbwoy.
28 Apr 2026
bay area oracle
15 Mar 2026
recent thot spiral 👛 on @savecoumba’s new
work 👛 my exhibition text for % for Art: Regulating
Civic Space in Zurich Coumba Samba: The National Expo at gta exhibitions @gtaverlag , on view in zurich
until 28 november 2025
🌬️ essay , continued in full . 🌬️ at link in bio 🌬️
photos nelly rodriguez
10 Oct 2025
WE ARE BACKKK ‼️ Curator and writer Angelique Rosales Salgado leads a BIPOC CV and Resume Workshop that considers artist Sondra Perry’s “spectral bio” (2:26–10:20), created for the alternative experimental program Dark Study (developed by artists Caitlin Cherry and Nicole Won Hee Maloof), where Perry was a student advisor in 2022. Through this poetic pursuit as a departure point, the workshop explores strategies and resources for shaping a compelling CV / resume document in the arts. “ How do you name your multiplicity? “ (Kameelah Janan Rasheed) Together we will engage a series of questions, prompts, and exercises that guide how to narrativize your creative experiences, and conclude with individualized feedback on your CV, resume, or cover letter.
📝This in-person workshop is open to everyone across ages, industries, and professional experience (artists, designers, administrators, technicians, art workers, curators). Please note that the program prioritizes participants aged 17-30 and those who identify as QTBIPOC. Please be mindful of the limited capacity.
Angelique Rosales Salgado (Ciudad de México, México) is a curator and writer based in New York City. Their curatorial, research, and creative practice is grounded in queer study, and focuses on performance, experimental dance, collective work, and time-based media. Currently they are Assistant Curator at The Kitchen, and have held curatorial positions at Pioneer Works, The Museum of Modern Art, and the Studio Museum in Harlem.
⌛️ Ticket Link in Bio | Organized by Sarai Frazier
11 Sep 2025
closing day today @mocadetroit & almost one entire year of Code Switch: Distributing Blackness, Reprogramming Internet Art
Code Switch is a multi-sited exhibition that redefines the history of “Black data,” and explores the relationship between Black cultural production and the legacy of computation as a mode of machinic engagement and creative inspiration.
a decade+ scheme / journey by @ellerustle carried into full scale only the way @thekitchen_nyc could
gratitude to form part of it, shape it on & off for five or so years
@ellerustle @jovalynne_ @v.m0iist who hold that held that . realest 🖤
what more to say than historic . . . UNRAVELING, CONGREGATING like no other, find me forever in the cut of it all
* domain 3
Museum of Contemporary Art Detroit (May 2–August 10, 2025) @mocadetroit
American Artist, manuel arturo abreu, Minne Atairu, Xenobia Bailey, Neta Bomani, Danielle Brathwaite-Shirley, chukwumaa, Tony Cokes, Shawanda Corbett, Sofía Córdova, Taína Cruz, A.M. Darke, Stephanie Dinkins, Charles Gaines, L. Franklin Gilliam, Cameron A. Granger, fields harrington, Auriea Harvey, Juliana Huxtable, E. Jane, Devin Kenny, Kalup Linzy, Pope.L, Nandi Loaf, Pastiche Lumumba, Julie Mehretu, Nonstikelelo Mutiti, Marilyn Nance, Mendi + Keith Obadike, Ayodamola Okunseinde, Sondra Perry, Howardena Pindell, Venusloc (Vanessa Reynolds), Tabita Rezaire, Cameron Rowland, Kahlil Robert Irving, RaFia Santana, Bogosi Sekhukhuni, Martine Syms, Wes Taylor, -{ john-henry }-[ thompson ], Muriel Tramis, Fatimah Tuggar, Jack Whitten
* domains 1-2
Schomburg Center for Research in Blck Culture (October 15–December 19, 2024) @schomburgcenter
W.E.B DuBois, Evelyn Boyd Granville, Dorothy Vaughan, Creola Katherine Johnson, Mary Jackson, Annie Easley, Gladys West, Clarence “Skip” Ellis, Tom Lloyd, David Drake (“Dave the Potter”), Benjamin Patterson, Howardena Pindell, Candis Mosely Pettway, Mattie Ross, Ulysses Jenkins, Milford Graves, Faith Ringgold, Blondell Cummings, Lorraine O’Grady, Jack Whitten, George Lewis, Samuel R. Delany, Octavia E. Butler, Marion Stokes
exhibition identity by the only @pacific_pacific @elizabethkarpevans @adam.turnbull
10 Aug 2025
☆ now ON SCREEN @thekitchen_nyc Olukemi Lijadu: Two Hundred Years Together ☆
The Kitchen’s Video Viewing Room series presents an excerpt of Lijadu’s forthcoming film Sister, Sister (2025), an impressionistic portrait of Yéyé Taiwo and Kehinde Lijadu, the legendary music duo @thelijadusisters. The film is paired with Lijadu’s recent sound composition Mind Baby (2024), a sound work comprising three pieces of reimaginings of the lullaby / folk song “Brown Skin Girl” sung to Lijadu by her Jamaican grandmother, created as part of Alvaro Barrington’s Tate Britain commission Grace, alongside my essay
♡ @kemkemlij ♡
special @speciwomen @at.magnet @99canal.nyc
link in bio 🌐
Credits: 1-2) Video excerpt, Olukemi Lijadu, Sister, Sister, 2025. Single-channel film, color, sound. Courtesy of the artist. 3) Film still, Olukemi Lijadu, Sister, Sister, 2025. Single-channel film, color, sound. Image courtesy of the artist.
17 May 2025
CALLEPEROELEGANTE
07 May 2025
profile on Harmony Holiday now live on @jupiter.magazine
read 🗣️ more 🔗 online 💢
20 Dec 2024
“Alternative Education” 📝 a resource-sharing initiative designed to uplift and empower artists, technicians, curators, and art workers at various stages of their careers. Our first program as part of this initiative is a CV & Resume Workshop tailored specifically for arts workers seeking to enhance their professional presence. This workshop is led by Angelique Rosales Salgado. RSVP in bio or scan the QR on the flyer. Space is limited.
Angelique Rosales Salgado @ang.pdf (Ciudad de México, México) is a curator and writer based in New York City. Their curatorial, research, and creative practice is grounded in queer study, and focuses on performance, experimental dance, collective work, and time-based media. They have curated, co-organized, produced, and supported numerous exhibitions, commissions, live works, online programs, and artistic projects. Currently they are the curatorial assistant at The Kitchen, and have held curatorial positions at Pioneer Works, The Museum of Modern Art, and the Studio Museum in Harlem.
This workshop is Organized by Performance Space New York’s Production Manager, Sarai Frazier and Keith Haring Curatorial Fellow, X Arriaga Cuellar.
Sarai Frazier @s.arai__ is Bessie nominated lighting designer, technical producer, and artist born and raised in New York City. Her work spans performance art exploring the presence of black, disappearing, and isolated bodies through light. She is currently curating a series of workshops at PSNY for technicians that emphasizes community, collaboration, and professional development, with a particular focus on supporting QTBIPOC folks.
X Arriaga Cuellar @algritaralviento is an archivist, and curator based in Harlem, NY. Their curatorial work is shaped by Central American life, contemporary performance and visual art. Cuellar is the co-curator and founder of “Cinco Estrellas,” an archive dedicated to the collection and preservation of Honduran cultural memory.
Alternative Education📚 serves as a reminder that artistic practice is non-linear and challenges the institutional gatekeeping of knowledge and resources. Sign up!🛠️
25 Nov 2024
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