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An independent non-profit organization FEP produces unique and influential museum-quality photography exhibitions and circulates them around the world
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[LAST DAYS]
That’s almost a wrap in Buenos Aires! Final days to experience “Thomas Demand: The Stutter of History” at Fundación PROA.
Curated by Douglas Fogle, the exhibition brings together more than seventy works - large-format photographs, films, and wallpapers - spanning two and a half decades of a practice situated between sculpture, photography, and conceptual art.
Among the many series on view, Dailies turns to the overlooked details of everyday life, offering a complementary counterpoint to Demand’s monumental photographic reconstructions.
For Dailies, Demand creates paper models based on personal photographs taken with his iPhone during walks around his neighborhood and while traveling. He then rephotographs and frames them, transforming fleeting observations into meticulously constructed images. Printed using a dye-transfer process that is on the verge of disappearing, the works also carry a sense of material impermanence, lending another dimension to their quiet reflections on memory and time.
‘Every Daily seems to offer the opening sequence to a story that remains to be written. How long has that pile of mail been accumulating beneath the mail slot in the front door in Daily 27, and what does it portend? What was written on the yellow photocopied poster with the takeaway tags that is stapled to the telephone pole in Daily 34? “We pay cash for homes”? A phone number to report a missing pet? Perhaps the invisible dog from Daily 28 went missing? (…) When history stutters, Demand’s Dailies fill the gaps.’ — Douglas Fogle
The exhibition “Thomas Demand: The Stutter of History” at Fundación PROA closes on November 8, before continuing its international tour.
Before the exhibition ends, join a free special guided tour (in Spanish): 🗓️ Saturday, 31 October at 17:00
@fundacion_proa
📸 : Daily 32, 2017
📸 : Daily 27, 2016
📸 : Daily 34, 2020
📸 : Daily 28, 2016
Courtesy of the artist, Matthew Marks Gallery, Galerie Sprüth Magers, Esther Schipper, Berlin, and Taka Ishii Gallery © Thomas Demand, VG Bild-Kunst, Bonn
30 Oct 2026
QUEDAN DOS SEMANAS | Thomas Demand en Proa
Una fotografía puede documentar un hecho, reconstruir una escena o abrir preguntas sobre aquello que damos por cierto.
En “Thomas Demand. El tartamudeo de la historia”, las imágenes nos llevan a pensar las relaciones entre fotografía, historia y memoria, y a mirar de otra manera aquello que parece familiar.
La muestra entra en sus últimas 2 semanas. Si todavía no la recorriste, ¡es el momento!
📍 Av. Pedro de Mendoza 1929, La Boca
🕒 Miércoles a domingos y feriados, de 12 a 19 h
Auspicia Tenaris - Ternium - Tecpetrol
29 Oct 2026
[ON VIEW]
“Nadav Kander – The edge of things”
The edge of things opened at Foam, Amsterdam, last month. This major solo exhibition by the internationally renowned artist Nadav Kander spans four decades of his career and brings together his acclaimed portraits of presidents, actors, and artists with landscapes, seascapes, still lifes, interiors, and video installations from the 1990s to the present day.
The exhibition and an accompanying publication by Thames & Hudson resulted from in-depth exchanges between the artist and David Campany, who curated the show. The edge of things is not a chronological exhibition. Instead, it proposes an intuitive weave across time and themes, highlighting affinities and unexpected resonances between Kander’s works.
‘Kander’s work is pensive, laden with possibility. People and places are permitted to keep their secrets. Some images seem to hold almost cosmic measures of time, while others feel bound to our troubled twenty-first century. There is a delicate mix of the eternal and the ephemeral. The moods shift from the sublime to the melancholy and back again, through tragedy and ecstasy. There are images here that recall the histories of painting, sculpture, cinema and literature, while offering what only still photographs can. What emerges is Kander’s willingness to meet the world, experience it as it passes, and mark it with an image.’ David Campany
The exhibition “Nadav Kander – The edge of things” is on view at Foam in Amsterdam until 31 January 2027.
@nadavkander
@davidcampany
@foam_amsterdam
@thamesandhudson
📸
All images : installation views of Nadav Kander – The edge of things, Foam, Amsterdam, October 2026. © Courtesy of Foam / Christian van der Kooy
26 Oct 2026
[OPENING]
“Nadav Kander – The edge of things”
The major solo exhibition of the internationally renowned artist Nadav Kander, curated by David Campany, will open at Foam in Amsterdam on 17 September 2026.
Over the past four decades, Kander has created some of the most celebrated images in contemporary photography.
From prize-winning photographs of the banks of China’s great Yangtze River, the shores of London’s Thames Estuary and the stark landscapes of Chernobyl, to portraits of global figures such as Barack Obama, Rosamund Pike and David Lynch, and studies of the human form.
At a time of constant global change and endless distraction, Kander’s images invite reflection and contemplation, searching for the unexpected resonance in people and places, the moments when something profound is revealed to the eye and the camera.
Alongside photographs, the exhibition includes video work underscored by music composed by Max Richter and a projection with voiceover by the artist. Together, these works shift in tone from the sublime to the melancholic, from the epic to the intimate, revealing a visual language that moves between the eternal and the ephemeral.
‘Images can speak to each other, with echoes and subtle connections appearing across time and between different series. Whether portraits or landscapes, individual works can be arranged in constellations on a wall, meandering through different genres and striking similar notes that shape and enrich the work overall.’ Nadav Kander
The exhibition “Nadav Kander – The edge of things” will be on view at Foam in Amsterdam until 31 January 2027.
@nadavkander
@davidcampany
@foam_amsterdam
📸
Yibin I (Bathers), Sichuan Province, China, 2007 (from the series Yangtze – The Long River)
Treow V (Trust and Promise), Wales, 2021
David Lynch I, Los Angeles, USA, 2007
All images © Nadav Kander. Courtesy Howard Greenberg & Flowers Gallery
11 Sep 2026
[ON VIEW]
Our exhibition “Thomas Demand : The Stutter of History” opened last month at Fundación PROA in Buenos Aires, Argentina.
Following its presentation at institutions such as the Jeu de Paume in Paris, the Museum of Fine Arts, Houston and the Taipei Fine Arts Museum, this is the first retrospective in Argentina dedicated to the renowned German artist, organised in collaboration with Fundación Proa. Curated by Douglas Fogle, the exhibition brings together more than sixty works—large-format photographs, videos, and wallpapers—spanning three decades of a practice situated between sculpture, photography, and conceptual art.
‘I make cardboard sculptures, photograph them, and then I no longer need them. They reflect something you may have seen before. They are based on images we know from the news, cinema, or history. What you see is a copy of a copy, something familiar but never entirely reliable,’ the artist explained during his first visit to Buenos Aires.
The exhibition provides an overview of the artist’s way of seeing the world, as well as a lesson in how we might approach the onslaught of historical events that we consume through the world of images.
@fundacion_proa
Curated by Douglas Fogle, the exhibition is on view until 29 November 29 2026.
📸 Installation shots of the exhibition “Thomas Demand : The Stutter of History”. © Ph. Patricio Pidal – Courtesy Fundación Proa
07 Sep 2026
[OPENING]
“Thomas Demand : The Stutter of History”
Our internationally touring exhibition dedicated to the photographer Thomas Demand and curated by Douglas Foyle is opening at Fundación PROA, Buenos Aires, Argentina, this coming Thursday, 20 August 2026.
Bringing together 70 large-scale works, including photographs, films and wallpapers that span the arc of his career, the exhibition “Thomas Demand : The Stutter of History” provides both an overview of the artist’s way of seeing the world and a lesson in how we might approach the onslaught of historical events that we consume through images.
Thomas Demand’s images may initially appear to depict the real world, yet closer inspection reveals a fragile sense of similitude: they are, in fact, photographs of meticulously constructed three-dimensional sculptures, handmade by the artist from paper and cardboard and based on images sourced from the media.
At the heart of Demand’s practice is a complex feedback loop between the historical world we inhabit, the photographic images through which that world is documented and circulated, and the artist’s sculptural recreations of those images, which he ultimately returns to the world as large-scale photographs.
After a successful tour across Asia, Europe and the US, the exhibition “Thomas Demand : The Stutter of History” continues its journey to South America.
The opening event at Fundación PROA will be followed by a series of talks by Thomas Demand, Douglas Foyle, and Todd Brandow (FEP Founder and Director) on Friday, 21 August, reflecting on three dimensions of photography: the production of artworks, curatorial practice, and the international touring of photography exhibitions.
The exhibition “Thomas Demand : The Stutter of History” will be on view at Fundación PROA until November 2026.
@fundacion_proa
📸 : Refuge II, 2021, C-Print / Diasec, 160 x 200 cm (Bett)
© Thomas Demand, VG Bild-Kunst, Bonn
Courtesy the artist and Matthew Marks Gallery / Sprüth Magers / Esther Schipper, Berlin / Taka Ishii Gallery
18 Aug 2026
[LAST DAYS]
This is your last chance to visit "Civilization—Our Life in Focus" at the @museumgestaltung Zürich. The exhibition closes this Sunday, July 19.
Featuring the work of nearly 100 internationally renowned photographers, "Civilization" offers a compelling look at how we live, build, connect, and transform the world around us.
Before the exhibition closes, join a special guided tour (in German):
📅 Sunday, July 19, 2026
🕚 11 am (🎟️ Registration via the museum's website is recommended. Walk-ins are welcome, subject to availability)
Don't miss this final opportunity to see one of this year's major photography exhibitions in Switzerland!
This exhibition is coproduced by @fep_photo and @mmcakorea, in collaboration with the Museum für Gestaltung Zürich.
"Civilization: The Way We Live Now" is an exhibition curated by William A. Ewing and Holly Roussell @rongsiyu, assisted by Juliette Hug (formerly Assistant Curator, FEP). The exhibition has been adapted for the Museum für Gestaltung Zürich by William A. Ewing, in collaboration with Gianna Rovere @keine.gioia (Co-Curator, Museum für Gestaltung) and Justine Chapalay @justine_articule (Associate Curator, FEP). Project directors are Todd Brandow @toddbrandow, Executive Director, Foundation for the Exhibition of Photography, Minneapolis/Lausanne; Bartomeu Marí @bartomeu_mari, Former Director, Museum of Modern and Contemporary Art, Seoul, Korea.
🤝 Supported by: @swiss_re_group
📸 Zhang Xiao, Coastline No.2, 2009 © Zhang Xiao, courtesy Blindspot Gallery
16 Jul 2026
[LAST DAYS]
After a remarkable journey through Europe, Asia, and the United States, "Arnold Newman: Masterclass" is entering its final weeks. The exhibition will close on August 2 at the Museum of the Shenandoah Valley, bringing to an end a successful international tour that introduced Arnold Newman’s iconic photography to audiences around the world.
Reflecting on the exhibition’s conclusion, Eric Newman, Arnold Newman’s son, shared: “And as the last of the Masterclass exhibits comes to a close, thank you and all at FEP for organizing such a great exhibition (and book). Our father would have been very pleased.”
A meaningful endorsement from the Newman family, these words provide a fitting close to a tour that celebrated the enduring legacy of one of the 20th century’s greatest portrait photographers.
📸 Arnold Newman, Self-portrait, Philadelphia, 1938 © Arnold Newman / Getty Images
14 Jul 2026
[CLOSING]
Final days to experience BURTYNSKY: Extraction/Abstraction at Seoul Museum of History!
Burtynsky’s work focuses on what he describes as “the largest-scale industrial incursions on the planet.” Through his mastery of the photographic medium, he invites viewers to look at places that exist beyond our common experience—places that satisfy our wants and needs in the present while determining the future of our habitat.
As the exhibition draws to a close, don’t miss the opportunity to experience these monumental works in person.
The exhibition closes March 2. It has been organized by @seoulmuseumofhistory in association with @saatchi_gallery and FEP - Foundation for the Exhibition of Photography
📸: Edward Burtynsky, Thjórsá River # 1, Southern Region, Iceland, 2012
@edwardburtynsky
25 Feb 2026
[OPENING]
"Arnold Newman: Masterclass"
Our internationally touring exhibition dedicated to Arnold Newman is opening this Saturday at the Museum of the Shenandoah Valley (MSV), in Winchester, Virginia (USA). The work of one of the twentieth century’s most influential portrait photographers will be on view from February 21 through August 2, 2026.
Over nearly seven decades, Arnold Newman (1918–2006) photographed cultural figures in the arts, politics, and public life, including John F. Kennedy, Pablo Picasso, Salvador Dalí, Andy Warhol, and Marilyn Monroe. His portraits helped redefine how people could be represented, capturing not just their likeness but the essence of their character and work.
Curated by William A. Ewing and featuring 100 prints, "Masterclass" brings together works from across Newman’s career, highlighting his innovative approach to portraiture and the distinctive ways he revealed his subjects’ personalities and creative lives.
@visitmsv
📷 Marilyn Monroe, actress and singer, Beverly Hills, California, 1962
© 1962 Arnold Newman / Getty Images
19 Feb 2026
Have a Baubly Holiday Season! 🎄
Warmest wishes from all of us at FEP ✨
Looking forward to many thrilling exhibitions in 2026, including “Burtynsky: Extraction/Abstraction,” currently on view at the Seoul Museum of History until March 2, 2026; “Civilization—Our Life in Focus,” opening at the Museum für Gestaltung Zurich on March 13, 2026; “Nadav Kander: The Edge of Things,” opening at FOAM in Amsterdam in September 2026; a monographic exhibition on Slim Aarons coming to Italy in the fall of 2026—and more!
📸 Slim Aarons, Christmas Swim, Hollywood, California, 1954 © Slim Aarons/Getty Images
@slimaaronsofficial @gettyimages
@edwardburtynsky @seoulmuseumofhistory @museumgestaltung
@nadavkander @foam_amsterdam
17 Dec 2025
[OPENING]
"BURTYNSKY: Extraction/Abstraction" opened this weekend, making its Asian debut at the Seoul Museum of History!
From December 13, 2025, to March 2, 2026, the Seoul Museum of History will host the Asian debut of the largest-ever solo exhibition of world-renowned photographer Edward Burtynsky, showcasing his 40 years of work with "BURTYNSKY: Extraction/Abstraction".
In celebration of the Korea-Canada Year of Cultural Exchanges, this special exhibition offers a comprehensive survey of more than four decades of the artist’s practice. By illuminating moments in which the traces of industrial EXTRACTION are transformed into the aesthetics of ABSTRACTION, the exhibition invites visitors to reflect deeply on the traces humanity has left on our planet.
@edwardburtynsky @seoulmuseumofhistory
This exhibition has been organized by the Seoul Museum of History in association with Saatchi Gallery and FEP.
@saatchi_gallery
📸 1. Edward Burtynsky, WASTE - Nickel Tailings # 34, Sudbury, Ontario, Canada, 1996 © Edward Burtynsky / 2.-5. Installation views of the exhibition at the Seoul Museum of History
16 Dec 2025
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