@epiphany_couch_art

epiphany couch

@epiphany_couch_art she, her

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Do that shit in a good way ✨ spuyaləpabš | Yakama | Scandinavian ✨ AiR @iscp_nyc | Temporal @tcmofa | Belonging Otherwise @columbiaarts

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epiphanycouch.com www.columbiaarts.org/event-details/belonging-otherwise www.orartswatch.org/epiphany-couch-weaves-identity-and-inheritance

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#ceasefirenow #roots #portlandart #columbiarivergorge #contemporaryart #pnwartists

Recent posts

A call for compassion #ceasefirenow 14 Feb 2024

Come hang out with me in NEW YORK! Join us at @iscp_nyc November 13 and 14 for Fall Open Studios, an international contemporary art exhibition by the 33 artists and curators in residence from all around the world 🌍 This year, we are honored to host artist Coco Fusco (@cocof_usco) as our guest speaker. Open Studios offers audiences access to artists’ and curators’ private studios, where residents share recent projects, works in progress, site-specific installations, and archives with thousands of art professionals and enthusiasts from New York and beyond. This fall, join us for an opportunity to engage in dialogue about contemporary art with artists and arts professionals from around the world! Visitors will also have the opportunity to view exhibition ‘The Skin of the Earth Is Seamless’ featuring artists Seba Calfuqueo, Magdalena Ciemierkiewicz, Verónica Gaona, Gi (Ginny) Huo, Simon Liu, Brenda Mallory, Kara Springer, and Nardeen Srouji. 🥂Opening reception: Friday, November 13, 6–9pm ⏰Open Hours: Saturday, November 14, 1–6pm 📍1040 Metropolitan Ave, Brooklyn Design by Erika Wentworth 04 Nov 2026

Happy Native American Heritage Month. Here is a work from 2024 that still means so much to me. ✨ Gifts (November) ✨ My sister and I practice a prayer in Twulshootseed, our ancestral language. We sit on her bed, papers in hand, fumbling through the words, repeating and repeating and repeating until they start to become smooth. I imagine we are water, and the words are river rocks, bits of earth that hold our history. As we swirl the words in our mouths the sharp edges become softened. As we polish the letters with our tongues we savor the rocks until they become part of us. This prayer is to be our gift for potlatch. A gift for our friends and family. A gift for our ancestors. We begin ʔəsk’ʷədiidəxʷ čəɫ txʷəl ti sləx̌il. We are praisingly thankful for this day. ʔəsk’ʷədiidəxʷ čəɫ txʷəl ti sliǰəɫ. We are praisingly thankful for this life. hawadubš @twulshootseed for teaching me the power and beauty of our language. 05 Nov 2026

Kicking off week 1️⃣ at the International Studio and Curatorial Program @iscp_nyc! I spent the afternoon yesterday just sitting in the studio, feeling the energy of this space I will occupy for the next 3 months. (The energy is good in part I'm sure to @nataninotah 🔥) Feeling very grateful to the @leonpolksmithfoundation for making this residency possible, and to the nominators and committee for believing in my work. Let's go! 06 Oct 2026

It's been a whirlwind first 2 weeks in New York @iscp_nyc thanks to @leonpolksmithfoundation 🌪️ I'm feeling amazed, overwhelmed, enriched, inspired and little baffled to be here. I've been thinking a lot about how my artwork isn't made in isolation and how much my community and family come with me in spirit everywhere I go. I've been thinking about how I wouldn't be able to be here, making the work and telling the stories I tell without the support of @etharfurning @lauren_faulkner_art and my loving family who is taking such good care of Eddy boi while I'm away from home. Travel is an amazing thing because it opens your eyes to new ideas and perspectives but also highlights what you value and cherish. (And babez, I am a PNW girl through and though ☺️🥲🌊) Also, for some reason I've been listening to chromeo non stop 🤷 15 Oct 2026

wovoka x land x epiphany Collab with my cuz @indigenous_gothic in the works 👀 Last month we visited a couple special spots on the homelands and made some magic. More to come. 10 Oct 2026

‘Roots: Forests, Rewilding and Ways of Being’/Part 5: The road to abundance. Epiphany Couch’s work is rooted in Indigenous ecological knowledge and her connection to ancestral lands. In the paired collage works ‘Chokecherry Sister’ and ‘Huckleberry Sister’, based on the Yakama story, she explores the depth of her relationship with her sister and with the forests of Washington. Each sister is rendered as a European-style silhouette, cut from a photographic print of nature. Her larger series, ‘Before the Fire Lit My Dreams’, explores seasonal transformation on her tribal lands in Washington State and the sacred role of fire in Native American cultural traditions, land and forest use. In Robin Wall Kimmerer’s essay “Burning Cascade Head”, she describes a fire ritual that called the salmon home, binding people, land, and waterways in reciprocal balance—a balance that faded along with the ceremony. The essay evokes the awakening moment when we recognize the threads tying us to each other and the world that sustains us, with the fire lighting the way. ‘Before the Fire Lit My Dreams’ is Couch’s attempt to connect with those threads, to touch the place where memory meets presence. Through twelve diptychs—one for each month of a full year—we witness the seasons change, reflecting on the ways the families, tribal lands, and waterways hold stories of time and place. Some of these images are in-camera double exposures, layered frames that evoke the interwoven connections between people and land, seasons and cycles. Couch invites us to not only witness these connections but to reflect on our own place within the ever-turning cycles of this planet, finding a mirror to our own relationship with nature’s rhythms. Image 1: Epiphany Couch, ‘Chokecherry Sister’ and ‘Huckleberry Sister’, 2023 Images 2-4: Epiphany Couch, from ‘Before the Fire Lit My Dreams’ series, 2024 Epiphany’s work will be presented as part of the Photoworks Festival conference, ‘Un/Stable Lands, Anxieties, Dreams’, link in bio. @photoworks_uk @epiphany_couch_art #roots 01 Oct 2026

Showing with @tcmofa is always such a JOY and I am thrilled to be able to do it again this fall alongside so many incredible artists 🥹 Indigenous futurism is taking over the Thurston County Museum of Fine Arts this fall for the 4th annual CSMoFa (Coast Salish Museum of Fine Arts) in collaboration with @indigenouscreativescollective and @x0mikaela0x 𝘛𝘦𝘮𝘱𝘰𝘳𝘢𝘭: 𝘚𝘵𝘰𝘳𝘪𝘦𝘴 𝘰𝘧 𝘐𝘯𝘥𝘪𝘨𝘦𝘯𝘰𝘶𝘴 𝘗𝘳𝘦𝘴𝘦𝘯𝘵, 𝘙𝘦-𝘪𝘮𝘢𝘨𝘪𝘯𝘪𝘯𝘨 𝘐𝘯𝘥𝘪𝘨𝘦𝘯𝘰𝘶𝘴 𝘍𝘶𝘵𝘶𝘳𝘦𝘴 highlights real people and real stories of Indigenous presence in the now: who we are, the ones we love, the stories we tell, the homes we live in, and the marks we leave behind that shape the future. Our own voices, our own space. It envisions a future where we exist in the moment on our own terms. 📅 Opening Reception: Oct. 2nd, 6-9 PM Featuring performances from @ablefarmspdx and others, interactive features, Indigenous foods, and a chance to meet some of the artists. Exhibition runs: Oct. 2nd – Dec. 11th, 2026. Featuring work from an incredible lineup of artists: • Tammie Dupuis (Confederated Salish and Kootenai Tribes) • Justin Olmstead (Santa Ynez and Barbareno Chumash) • Liz Chikayaasix̂ Morrow (Unangax̂ – Naknek Native Village) • Epiphany Couch (spuyaləpabš/Yakama) • Carissa Eich (Navajo) • Cynthia Matherson (Comanche) • Traci Jones (Tulalip Tribes) • Inanna kʷaɁowišč tyee McCarty (Makah/Tsawout) • Mikiʻala Souza (Kanaka ʻŌiwi/Native Hawaiian) • Megita Denton (Tap Pilam Coahuiltecan) • Daniel R. Smith (Swinomish) • Woodrow Hunt (Klamath/Modoc, Cherokee) • Ash Frantz (Makah) • Stefan Gonzales (Prio/Manso/Tiwa) 22 Sep 2026

Still the Seed Sprouts and Grows Upward Out of the Earth, 2026 Glass beads and archival giclée inkjet print on wood panel, 7.25" x 5.5" x 1" Part of my Fireweed studies, this work will be available at this years @sitkacenter Art Invitational, opening one month from today, October 16-18, 2026, 11am to 5pm @oregoncontemporary I've spent a lot of time with Fireweed this year. It's one of the first plants that emerges in burn areas and I recently learned that it has another nickname, “bombweed,” due to its ability to grow in the rubble and craters of landscapes devastated by bombing. This beautiful plant blooms bright, and in the process, its rhizomes help stabilize and enrich the earth, creating conditions for other plants to return. Plants can teach us so much and what I am learning from Fireweed is this: in the wake of destruction there IS regeneration. Sometimes it’s impossible to return to what was before, but the connections that remain can become the foundation for what comes next. 16 Sep 2026

Baby's first museum solo is a wrap! Soooo many people helped make it possible and showed up to celebrate this milestone exhibition. To my family, my friends, my tribe, ʔəsk'ʷədiitubułəd čəd I am grateful to you all. Thank you to @tacomaartmuseum for your belief in my work and for the flawless installation of the show. Be sure to check out the next Project Northwest exhibition by David Hytone opening September 17th. 🙏 14 Sep 2026

A prayer for my fierce, free, wise, witty and powerful friend @timothy.whiteeagle on his journey to join the ancestors ✨🙏 Last year, we began collaborating on our first project together, what we both believed would be the first of many. I believed we would have more time together to dream, to expand, to dig deep, to banter. I am incredibly grateful for the conversations, walks and food we shared together and for the work we created. Tonight, as we gathered to share stories, songs, prayers, laughter, wailing—and, of course, food—another friend of Whitey’s reminded me that this is not the end. Like many of the people I come to know in this life, TWE is a strong spirit, and so I welcome our future collaborations whenever he is ready. I hope to see you in dreams Whitey, to wake up and frantically take down notes, the same way I did when you were earthside, speaking one of those wildly wise observations of yours. hišəbəʔ for your teachings, your spirit, and your profound belief in me. huy’ my teacher. 09 Sep 2026

Belonging Otherwise: Epiphany Couch and Charlie-Anne Hopkins 📍 Columbia Center for the Arts, 215 Cascade Ave, Hood River, OR 🗓️ Sept 4 – Oct 30, 2026 | Opening reception: Sept 4, 5–7pm ⏳ Wed–Sun, 12–5pm | Free admission Belonging Otherwise brings together two artists whose distinct practices converge around identity, ecology, and the layered histories of the American West. Epiphany Couch and Charlie-Anne Hopkins create a dialogue between ancestral knowledge and ecological urgency, personal memory and collective narrative — reframing the West not as static history but as living, evolving terrain. Presented alongside the main exhibition: Kristie Strasen’s “Columbia River in VI Sections,” on view in the lobby. 📸 Swipe for both artists’ work. #PortlandArt #ColumbiaRiverGorge #ContemporaryArt #PNWArtists @littleweavingsco @epiphany_couch_art @charlie_anne_hopkins @columbiaarts 03 Sep 2026

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C3VvVnKPhTK	A call for compassion #ceasefirenow
DfUkCigvEog	Come hang out with me in NEW YORK! Join us at @i…
DfXQbdgFjLW	Happy Native American Heritage Month. Here is a …

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shortcode	caption	likes	comments
C3VvVnKPhTK	A call for compassion #ceasefirenow
DfUkCigvEog	Come hang out with me in NEW YORK! Join us at @i…
DfXQbdgFjLW	Happy Native American Heritage Month. Here is a …

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