Eliza Bourner

Eliza Bourner

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@elizabourner

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Recent posts

Very excited to share my photography for this week's cover story for the Financial Times Weekend Magazine. With thanks as always to Emma for the assignment and edit, and to Matt for the incredible story, it's such an honour to work on these fascinating stories and help bring them to life ✨️ @ft_weekend @emma_bowkett @mattevella 07 Mar 2026 'Heart Stealers' for @obsmagazine is out today ❤️‍🔥 with biggest thanks to @joannacochrane, and story by Andrew Anthony 11 May 2025 It's been a dream come true working on this incredible cover story for the Financial Times Weekend Magazine @ft_weekend recently! I've loved creating these photographs and channelling my inner spy for this MI6 story. . 'The Perfect Spy: inside the world of female MI6 officers. For the first time, MI6's highest-ranking female officers talk about the lives they lead and the lies they tell in service to their country' written by Helen Warrell. . I can't thank @emma_bowkett and Matt Vella enough for giving me the opportunity to create the photography for this. I've always admired the photography in the FT so it feels extra special to have had this commission. . Link to the online article is in my bio and print copies are in newsstands this Saturday! . Director of Photography: @emma_bowkett Photo Editor: @joshklustig Art Director: @shannon_z_gibson Associate AD: @bristar 08 Dec 2022 A (horny) word in your ear: the growing desire for audio erotica The erotic audio industry is booming as listeners seek an ethical and more immersive alternative to porn. So what does it take to write and voice modern sexual appetites? In search of answers, @miles.ellingham went beyond the research and tried his hand at writing an erotic story of his own. Swipe to listen to a taster, then read the full piece at the link in our bio. Extract read by @xxautumnivyxx @autumnivyacts of @bloomstories.official. Artwork by @elizabourner 30 Oct 2026 On the cover of this weekend’s O, The Observer Magazine: Very Horny Voices. What does the rise of audio erotica tell us about modern desire? A few months ago, @miles.ellingham travelled to Amsterdam, home to many of the voice actors behind the genre, to find out why narrative porn is having a moment. “Scripts are meant to be expansive, not mechanical, with narratives that encompass sex, not the other way around,” Miles writes in this week’s cover story. And, inspired by the voice actors and producers he met along the way, he decided to try his hand at writing one himself. Read the full piece in this Sunday's Magazine or online now. Photographer/artist - @elizabourner AD: @c_ll_ct_v_ly Picture Editor @agentortiz Deputy Editor @hannahkeegan Editor @moshakis 30 Oct 2026 My photography for this week's cover of O, The Observer Magazine: The Ghost at the Feast 🤍 I had so much fun photographing this cover, embodying the toxic kitchen culture of Michelin star restaurants and the long shadow of René Redzepi at Noma, a huge thank you to @leeds_mark for the assignment  ✨️ Story by @xaviergreenwoodobserver Art direction: @leeds_mark and @c_ll_ct_v_ly Picture Editor: @agentortiz Editor: @moshakis @obsmagazine @obsfood 14 Jun 2026 Thrilled to have worked on this weekend's @obsmagazine feature and heartfelt story 'Missing Pieces' by @hannahtoveyauthor ❤️ With thanks to @agentortiz for the assignement and @joannacochrane and @leeds_mark for the edit ✨️ 03 May 2026 The missing pieces of a dementia diagnosis @hannahtoveyauthor on her mother battling a neurodegenerative disease, the fight to find her care, and a system struggling to provide solutions 'My mother always had a thick, full-bodied, guttural laugh, and she was either laughing or talking – she was never quiet. She could make a conversation about rice cakes interesting and funny and memorable. When her words began to muddle, around the same time she began writing the lists, I noticed. Instead of saying “garden”, she would say, “I need to go to the place at the back of the house.” She started using the word “dodgy” a lot: the weather was dodgy, her banking app was dodgy, the daily Covid briefing was dodgy. I thought the word-finding difficulties were related to stress. We were in the midst of a global pandemic. She was living alone in South Wales, unable to visit her children and grandchildren in London. She’d recently separated from my father, after 38 years of marriage. 'But when Covid restrictions lifted, my mother showed no interest in seeing her friends. She had always been the last person standing at the party. Now, she seemed distant and apathetic, vacant and pensive, and everything became an effort. When my second novel was published, in July 2021, she failed to call, which I found devastating – we had always spoken multiple times a day. And there were more days like this, days during which we didn’t connect. 'With my mother’s blessing, we spoke with her doctor, and she was sent to the memory clinic at her local hospital for an assessment, during which they asked about her family history and mental health, and requested she recall a list of items, solve simple maths problems and answer orientation questions, such as “What town are we in?” She did well with the maths. But she required prompts in order to answer the orientation questions correctly. This was December 2021, about two years after we first noticed the changes. My mother was 66 years old.' Read @hannahtoveyauthor's full piece on our website - link in bio - and in Sunday's magazine Photographer: @elizabourner Art director: @joannacochrane 01 May 2026 Eliza Bourner (@elizabourner)’s work is born of disillusionment with our fast‑paced, media-saturated world. Through carefully constructed self-portraits - for which she takes full creative control - cultural disconnection and anxious consumption take physical form: a lone, obscured face, vintage TVs, floral cushions and empty rooms. The curtain conceals. The mirror deflects. We see a life that is pristine and curated, but ultimately vacuous. • Bathed in nostalgia and cinematic tension, the images feel like half-forgotten daydreams, hovering between the familiar and the uncanny. They speak to the performative nature of modern life, where productivity overshadows connection and emptiness masquerades as contentment. The word ‘act’ of the series title carries weight in its double meaning: both a thing done and a pretence. • Eliza puts it well in her series statement: “I illustrate this ‘age of anxiety’ - the struggle to stay present and content in a postmodern culture filled with passive entertainment and empty distractions of materialism.” • #lifeframer #conceptualphotography #creativephotography 29 Jun 2025 Some more photos from Sunday's @obsmagazine article on the rise of romance fraud ❣️ 16 May 2025 Mind the Minimalism. By @elizabourner #mindtheminimalism #minimal #minimalism #minimalist #minimalistart #minimalistphotography #minimalphotography #minimalphotos #minimalzine #contemporaryphotography #fineartphotography #streetphotography #landscapephotography #architecturephotography #nightphotography #aerialphotography #portraitphotography #conceptualphotography #abstractphotography #photomanipulation #longexposure #bnwminimalismmag 19 Jan 2025 Bibin Photography Magazine Photographer: @elizabourner Tag @bibinmagazine to get featured. #Bibinphotomag #BibinPhotographyMagazine #photography #artphotography ‌ 11 Nov 2024

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DVlrTuajOvZVery excited to share my photography for this we…
DJgonIENupY'Heart Stealers' for @obsmagazine is out today ❤…
Cl52o_jt8DjIt's been a dream come true working on this incr…

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