Don Hunstein

Don Hunstein

@don.hunstein

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On October 26th, 1963 and an afternoon ripe with impending particulars, — Kennedy was in office, the U.S. Army was performing underground nuclear tests in Nevada and Jimmy Gilmer And The Fireballs’ “Sugar Shack” topped the charts — New York City’s Carnegie Hall played unwitting host to an altogether different genesis. More specifically, it was on this day in music history that no-frills, freewheeling newcomer Bob Dylan (@bobdylan) opened an ambitious solo concert with “The Times They Are a-Changin’.” Though it may be hard to imagine the song as anything less than the sum of those pivotal moments and profound socio-political movements by which the time-honored anthem has been adopted over the last 63 years, there remains something to be said for the sanctity beheld by those fortunate enough to have been present for the very first time it was heard publicly, just two days after it was recorded at Columbia Records’ nearby studio and three months shy of its January 1964 release date. More #BobDylan highlights now on view at morrisonhotelgallery.com. — Ph. Don Hunstein (@don.hunstein) Bob Dylan, Carnegie Hall, New York City, October 26, 1963 #morrisonhotelgallery 26 Oct 2026 Gifted trumpeter, innovative band leader and confounding cultural figure, the complex legacy left behind by Miles Davis (@milesdavis) posits endlessly compelling avenues for retrospection; fittingly, among his most celebrated is ‘Kind of Blue.’ Released on August 17, 1959, the studio album which brought together seven future legends at the apex of their careers (tenor saxophonist John Coltrane, alto saxophonist Julian “Cannonball” Adderly, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers, drummer Jimmy Cobb and, of course, trumpeter Miles Davis) would culminate in the best-selling jazz record of all time. Revered as much by rock and classical music fans as jazz lovers, the universally acknowledged masterpiece sets a new, unorthodox standard for genre-transcendent greatness. 67 years onward, its cool innovation prevails as a masterclass in “first take” magic and no frills, all thrills artistry. For more highlights from #MilesDavis and other jazz greats, please visit morrisonhotelgallery.com. — Ph. Don Hunstein (@don.hunstein), Miles Davis, New York City, 1958 #morrisonhotelgallery 17 Aug 2026 HAPPY HEAVENLY BIRTHDAY @milesdavis || A master of his craft and instrument, the late-great Miles Davis may have been laid to rest with his beloved custom “Moon and Stars” trumpet but the beat doesn’t end there as the celebration continues upon the occasion of the late-great legend’s 100th birthday as Morrison Hotel Gallery presents ‘Birth of The Cool: 100 Years of Miles Davis.’   Now on view New York City and West Hollywood, the bi-coastal photographic retrospective featuring genre-defining works by Joe Alper, Glen Craig, David Gahr, Lynn Goldsmith, Patrick Harbron, Don Hunstein, Herman Leonard, Paul Natkin, Amalie R. Rothschild, Leigh Wiener, Barrie Wentzell, Charlyn Zlotnik and more. Serving as a star-studded kick-off to the late legend’s year-long centennial birthday celebration, ‘Birth of The Cool: 100 Years of Miles Davis’ will remain on view at both Morrison Hotel Gallery locations and at morrisonhotelgallery.com through Sunday, June 14th, 2026. — Ph. Don Hunstein (@don.hunstein), Miles Davis, New York City, 1969 #morrisonhotelgallery 26 May 2026 JUST ANNOUNCED || A master of his craft and instrument, the late-great Miles Davis (@milesdavis) may have been laid to rest with his beloved custom “Moon and Stars” trumpet but the beat doesn’t end there as Morrison Hotel Gallery sets the stage for a career-spanning renaissance with ‘Birth of The Cool: 100 Years of Miles Davis.’   Opening in New York City and West Hollywood on Thursday, May 14th, 2026, the bi-coastal photographic retrospective featuring genre-defining works by Joe Alper, Glen Craig, David Gahr, Lynn Goldsmith, Patrick Harbron, Don Hunstein, Herman Leonard, Paul Natkin, Amalie R. Rothschild, Leigh Wiener, Barrie Wentzell and Charlyn Zlotnik. Serving as a star-studded kick-off to the late legend’s year-long centennial birthday celebration, ‘Birth of The Cool: 100 Years of Miles Davis’ will remain on view at both Morrison Hotel Gallery locations and at morrisonhotelgallery.com through Sunday, June 14th, 2026. ‘Birth of The Cool: 100 Years of Miles Davis’ Opening Reception — Thursday, May 14 NY 6-8PM // LA 7-9PM RSVP LINK IN BIO — Ph. Don Hunstein (@don.hunstein), Miles Davis, New York City, 1958 #morrisonhotelgallery 17 Apr 2026 From building snowmen to burrowing in well-deserved hibernation, what is your favorite snow day activity? Bracing ourselves for the impending winter storm, we are looking to music legends and MHG viewers for some much-needed inspiration. Winterlude, web-exclusive collection and accompanying playlist now live at link in bio. — Ph. Don Hunstein (@don.hunstein), Bob Dylan and Suze Rotolo, ‘Freewheelin’ Album Cover, New York City, 1963 24 Jan 2026 On October 26th, 1963 and an afternoon ripe with impending particulars, — Kennedy was in office, the U.S. Army was performing underground nuclear tests in Nevada and Jimmy Gilmer And The Fireballs’ “Sugar Shack” topped the charts — New York City’s Carnegie Hall played unwitting host to an altogether different genesis. More specifically, it was on this day in music history that no-frills, freewheeling newcomer Bob Dylan (@bobdylan) opened an ambitious solo concert with “The Times They Are a-Changin’.” Though it may be hard to imagine the song as anything less than the sum of those pivotal moments and profound socio-political movements by which the time-honored anthem has been adopted over the last 62 years, there remains something to be said for the sanctity beheld by those fortunate enough to have been present for the very first time it was heard publicly, just two days after it was recorded at Columbia Records’ nearby studio and three months shy of its January 1964 release date. More #BobDylan highlights now on view at morrisonhotelgallery.com. — Ph. Don Hunstein (@don.hunstein) Bob Dylan, Carnegie Hall, New York City, October 26, 1963 #morrisonhotelgallery 26 Oct 2025 Gifted trumpeter, innovative band leader and confounding cultural figure, the complex legacy left behind by Miles Davis (@milesdavis) posits endlessly compelling avenues for retrospection; fittingly, among his most celebrated is ‘Kind of Blue.’ Released on August 17, 1959, the studio album which brought together seven future legends at the apex of their careers (tenor saxophonist John Coltrane, alto saxophonist Julian “Cannonball” Adderly, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers, drummer Jimmy Cobb and, of course, trumpeter Miles Davis) would culminate in the best-selling jazz record of all time. Revered as much by rock and classical music fans as jazz lovers, the universally acknowledged masterpiece sets a new, unorthodox standard for genre-transcendent greatness. 65 years onward, its cool innovation prevails as a masterclass in “first take” magic and no frills, all thrills artistry. For more highlights from #MilesDavis and other jazz greats, visit the link in bio. — Ph. Don Hunstein (@don.hunstein), Miles Davis, New York City, 1958 #morrisonhotelgallery #onthisday 17 Aug 2024 On October 26th, 1963 and an afternoon ripe with impending particulars, — Kennedy was in office, the U.S. Army was performing underground nuclear tests in Nevada and singer-songwriter Natalie Merchant was born — New York City's Carnegie Hall played unwitting host to an altogether different genesis. More specifically, it was on this day in music history that no-frills, freewheeling newcomer Bob Dylan (@bobdylan) opened an ambitious solo concert with "The Times They Are a-Changin'." Though it may be hard to imagine the song as anything less than the sum of those pivotal moments and profound socio-political movements by which the time-honored anthem has been adopted over the last sixty years (and counting), there remains something to be said for the sanctity beheld by those fortunate enough to have been present for the very first time it was heard publicly, just two days after it was recorded at Columbia Records' nearby studio and three months shy of its January 1964 release date. More #BobDylan highlights now on view at link in bio. — Ph. Don Hunstein (@don.hunstein) Bob Dylan, Carnegie Hall, New York City, October 26, 1963 #morrisonhotelgallery 26 Oct 2023 Gifted trumpeter, innovative band leader and confounding cultural figure, the complex legacy left behind by Miles Davis (@milesdavis) posits endlessly compelling avenues for retrospection; fittingly, among his most celebrated is 'Kind of Blue.' Released on August 17, 1959, the studio album which brought together seven future legends at the apex of their careers (tenor saxophonist John Coltrane, alto saxophonist Julian "Cannonball" Adderly, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers, drummer Jimmy Cobb and, of course, trumpeter Miles Davis) would culminate in the best-selling jazz record of all time. Revered as much by rock and classical music fans as jazz lovers, the universally acknowledged masterpiece sets a new, unorthodox standard for genre-transcendent greatness. 63 years onward, its cool innovation prevails as a masterclass in "first take" magic and no frills, all thrills artistry. For more highlights from #MilesDavis and other jazz greats, visit the link in bio. — Ph. Don Hunstein (@don.hunstein), Miles Davis, New York City, 1958 #morrisonhotelgallery #onthisday 17 Aug 2022 Johnny Cash Photographed by Don Hunstein, 1958 #Johnnycash #donhunstein #1950s #blackandwhite #countrymusic #photography #vintage 01 Apr 2021 Johnny Cash performs at Press Party in February 1959, Photographed by Don Hunstein. #donhunstein #Johnnycash #countrymusic #blackandwhite #legend #1950s #vintage #oldslides #cool #classic 07 Mar 2020 Johnny Cash at Columbia Studio, by Don Hunstein, 1960 #blackandwhite #donhunstein #legend #photography #johnnycash #countrymusic #vintage #oldies #1950s #1960s 26 Oct 2019

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