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Represented by @benhunter.gallery Editor of @effectsjournal
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Recent posts
Bar Far is a site-specific installation and working bar by Clementine Keith-Roach and Christopher Page, and the inaugural show at Villa Lontana’s new space in Trastevere, Rome.
Like our dreams, Bar Far is a condensation of paradoxical layers. Keith-Roach’s plaster cast reliefs dramatise the building itself: body-parts emerge from walls and combine with construction materials—brick, pipe, timber—appearing not only to adorn but also to build Bar Far, like infrastructural Caryatids. Page’s wall-painting makes the final room into an illusory colonnade or cloister, one that does not survey a heavenly landscape but instead offers an ominous infinity that lures us in with an ambiguous and otherworldly glow.
Come and have a drink at the bar with us 🍸
The exhibition runs until 14 March 2026.
Wednesday-Saturday, 3-9pm or by appointment.
Via Garibaldi 68-69, Rome.
Ph: @jasperfry
@clementinekeithroach @christopheropage @vittoriabonifati #barfar #villalontana #trompeloeil #artistbar
15 Dec 2025
Studio view.
I eternally return to three ongoing series: mirrors (reflection), frames (shadow), and windows (cloud).
Above all, they are three different ways of approaching the paradox of pictorial space.
29 Oct 2026
A Garden Among Flames
acrylic on canvas, 2025
@benhunter.gallery
📸: @jackelliotedwards
16 Sep 2026
Swipe right to see the process -> diary of a wall painting
Long overdue but better late than never.
This work was a part of Bar Far @villalontana with @clementinekeithroach curated by @vittoriabonifati
First and last 📸: @jasperfry
03 Sep 2026
Mirror, none have ever truly described
What you are in your being.
You, like a sieve full of nothing but holes,
Filled with intervals of time.
You, devourer of empty halls,
When evening falls, as in some far forest,
And the chandelier, a sixteen-point stag,
Vanishes into your inaccessibility.
Sometimes you are full of paintings.
Some seem to have settled within you.
Others you’ve shyly sent on their way.
But the loveliest will remain – until
Into those frames, contained within,
Bright Narcissus, dissolving, enters.
—Rilke, Sonnets to Orpheus
This work:
You, devourer of empty halls (2026)
acrylic on canvas
80 x 80 cm
📸: @jackelliotedwards
#christopherpage @benhunter.gallery
21 Jul 2026
It’s a rare pleasure when an artist you admire responds to your work with a beautiful text.
@fay_nicolson has written a prose poem in response to a painting from my last exhibition @benhunter.gallery, alongside three other works. The text gives voice to the painting—the illusory mirror addresses the viewer, wondering about their motivations for looking.
If you’d like to read it, find Fay Nicolson’s “Four Paintings in Search of a Viewer” on Substack.
14 Jul 2026
I had the pleasure of interviewing the brilliant art historian Susanna Berger alongside my dear friend and Effects co-founder Orlando Reade (@concupiscent_curd) for @effectsjournal.
Susanna’s exquisite new book, The Deformation, looks at a series of extraordinary Baroque artworks that frustrate straightforward understanding: anamorphic paintings, distorted images, perspectival architecture, that only reveal themselves from certain viewpoints. Rather than treating these works as mere curiosities, she shows how they emerged from profound questions about truth, revelation, perception and faith.
Swipe right to see the incredible anamorphic fresco at Trinità dei Monti in Rome that we discuss, and read the full interview now via @effectsjournal.
22 Jun 2026
Today is the last day of my exhibition In vain your image comes to meet me @benhunter.gallery
Thanks to everyone who visited, who shared their thoughts, who dipped into the book of collected writings that was published alongside the show. I’m so grateful for all the new conversations that have emerged over the last month.
This work:
I am you when I am I (2026)
acrylic on canvas
90 x 55 cm
📸: @jackelliotedwards
#christopherpage #benhunter #exhibition #lastday
27 May 2026
Happy to see this review in @theweekmagazine of ‘In vain your image comes to meet me’ @benhunter.gallery
Thanks to Digby Warde-Aldam and also to @mdemarland and @eloiselawson
The exhibition ends next week, 27th May. Go see it if you can!
#christopherpage #review #theweekmagazine
18 May 2026
The room where you are not
2026
acrylic on canvas
80 x 65 cm
Part of ‘In vain your image comes to meet me’ @benhunter.gallery, until May 27th.
📸: @jackelliotedwards
#christopherpage #benhunter #painting #illusion #mirror
11 May 2026
We are thrilled to share Christopher Page’s new publication ‘Volume I: Writings & Interviews’.
Published on the occasion of Page’s solo exhibition at the gallery, the book holds a collection of the artists essays and interviews.
£12.50 (+p&p)
Available to purchase via our website.
Design: Harry Roberts
Print: FE Burman @feburmanltd
Photography: @jackelliotedwards
#christopherpage #benhunter
05 May 2026
Appearing to be a full length mirror and hanging alone in the main gallery, the painting beckons us toward it—but denies us our image looking back.
What, then, is at stake in looking? What becomes of us when the visual persists without us at its centre? Are we dismayed or relieved to find ourselves absent? What new possibilities emerge when our image fails to meet us?
‘In vain your image comes to meet me’ continues @benhunter.gallery until 27th May.
This work:
In vain your image comes to meet me (2026)
acrylic on canvas
130 x 50 cm
📸: @jackelliotedwards
#christopherpage #benhunter #mirror #illusion #painting
05 May 2026
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