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📍202, Building 17, 50 Moganshan Road, Shanghai 📍19/F, 37 Wong Chuk Hang Road, Hong Kong •••

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#antennaspace #artbaselparis #leahkeyizheng #stanislavakovalcikova #artbaselparis2026 #art021 #liming #finalgirl #ackkyoto #lastweek

Recent posts

Antenna Space to show at Art021 @art021_official With works by: Cui Jie Guillaume Dénervaud Owen Fu Guan Xiao Hongyan Li Ming Shuang Li Siyi Li Evelyn Taocheng Wang Yu Honglei Zhou Siwei Antenna Space / Booth W29 November 11–14, 2026 Selected Works: Zhou Siwei Fence (Grassland, Cows, Malevich) Oil on linen 100 x 120 cm 2026 Guan Xiao The Rising Torch Brass, acrylic, and motorcycle parts 83 x 64 x 98~100 cm 2023 Evelyn Taocheng Wang Pee in Tuscany Calligraphy ink on silk 102.5 x 34 cm 2026 Owen Fu Rain in the Courtyard Mixed media on antique screen panel 39 x 170 cm (opened) / 39 x 85 cm (closed) 2026 Yu Honglei The Night Folded Once on the Left Acrylic on canvas 103.5 x 78.5 cm (framed) 2026 #AntennaSpace #Art021 10 Nov 2026

Installation Views Part 1 @leahkeyizheng #leahkeyizheng #antennaspace 09 Nov 2026

Opening Tmr 柯顗 Leah Ke Yi Zheng @leahkeyizheng November 9 (Mon.), 3–7 pm Antenna Space, Shanghai Images: Leah Ke Yi Zheng Untitled (outside illumination), 2026 Acrylic on silk over cherry wood stretcher 67 x 63.5 inches (170 x 161.3 cm) #LeahKeYiZheng #AntennaSpace #art021 07 Nov 2026

Installation Views of Stanislava Kovalcikova @queenstagrame : Final Girl; Featuring guest artist Li Ming @inspirati_on_off ; curated by @martin.germann Jūshin Kaikan Address: 36 Nijuninkocho, Shimogyo Ward, Kyoto The exhibition will last till Nov 11th 2026. Opening Hours: 10:00-22:00 Nov 5th-8th, 14:00-22:00 Nov 9th-11th #stanislavakovalcikova #finalgirl #liming #ackkyoto #antennaspace 06 Nov 2026

Antenna Space is pleased to share our upcoming exhibition in Kyoto: Final Girl Stanislava Kovalcikova @queenstagrame Featuring guest artist Li Ming @inspirati_on_off Curated by Martin Germann @martin.germann Opening: November 5, 2-10pm Opening Reception: 6-8pm, co-hosted with Blau International @blauinternational Duration: November 5–11, 2026 Address: Jūshin Kaikan, 36 Nijuninkocho, Shimogyo Ward, Kyoto For her first exhibition in Japan, Stanislava Kovalcikova (*1988) transforms parts of Jūshin Kaikan, an abandoned dormitory once used by Buddhist students, into a luminous, nocturnal environment. Evoking the soft, organic decay of inherited forms of Western painting, she creates a bodily space between life and death. Conceived as a mausoleum, the exhibition begins with a monumental, object-like painting composed of canvases filled with goose down. Other works form a parcours up through the former sleeping chambers, as paintings that edge toward objects. The goose recurs throughout the exhibition, recalling the artist’s childhood in rural Transdanubia, where geese have long been part of everyday life. As a migratory bird, it also suggests passage between waking and dreaming and serves as a stand-in for the artist herself—who is also a passionate goose-eater.“ Early video works by guest artist Li Ming inhabit the more secluded spaces within the building’s labyrinthine architecture. The show’s title, Final Girl, evokes the lone survivor of the slasher film, here refracted through Japanese horror’s haunted figures, in whom trauma lives on. Painting, too, has been declared dead many times and persists like a ghost or a zombie. Works in the images: Stanislava Kovalcikova Fragmented Empathy, 2026 Oil on sanding paper 36.5 x 6.5 cm Stanislava Kovalcikova Deposition from Cross (detail), 2026 suminagashi, acrylic, mineral pigment, 24 karat gold foil on paper 57.5 x 35 cm #StanislavaKovalcikova #LiMing #AntennaSpace 02 Nov 2026

Antenna Space is honored to announce the representation of Leah Ke Yi Zheng. She is also represented by Mendes Wood DM and supported by Galerie Emanuel Layr. Her eponymous solo exhibition at Antenna Space, which is also her first solo exhibition in China, will open during the upcoming Shanghai Art Week. 柯顗 Leah Ke Yi Zheng @leahkeyizheng Opening: November 9 (Mon.), 3–7 pm Duration: November 9, 2026–January 10, 2027 Leah Ke Yi Zheng continues the subtle yet potent development of her set of motifs: the machine (including the fusée and stepped reckoner, and a new appearance of a magnetometer) and the I Ching’s hexagrams, painted in diluted acrylic on silk stretched over warm-toned wood stretchers. The gallery’s architecture, layout, and window dimensions have been altered and tailored to create an interaction between natural light and the paintings. Ke Yi Zheng first approached the boundary as an integral element of her practice in 2018. In her new works, through continual variation and change, Ke Yi Zheng’s machines harbor new asymmetries and secrets of composition. Ke Yi Zheng and her silk surfaces have become translucent membranes that process the interconnecting themes of invention, time, order, and the epiphany of difference in our contemporary industrialized moment. Images: Leah Ke Yi Zheng Untitled (Fusée center), 2026 Acrylic on silk over sapele wood stretcher 228.6 x 152.4 cm #LeahKeYiZheng #AntennaSpace 27 Oct 2026

Installation Views of Antenna Space Stand 1. L15 @artbasel Paris #artbaselparis #antennaspace Photos by Andrea Rossetti 20 Oct 2026

Opening Today at Art Basel Paris 2026 21-25 October | Booth 1.L15 Stanislava Kovalcikova @queenstagrame ‘Fourfold Simon’ pastel and oil pastel on felt 120 × 90 cm 2026 Stanislava Kovalčíková (b. 1988, Slovak Republic) lives and works in Paris and Lens, France. Her elegiac works are studies of painting itself. Drawing on depictions of the human figure from past and present, she incorporates direct art-historical references and styles. Working within a tradition of mythology, religion and mysticism, Kovalčíková explores the figure as an icon: the individual psychic experience portrayed in her work always points to something larger—an archetype drawn from a collective narrative. #StanislavaKovalcikova #AntennaSpace #ArtBaselParis #ArtBaselParis2026 20 Oct 2026

Mussel Migration, 2026. Bronze 192(H) x 235(W) x 143(D) cm. #lastweek @antennaspace SH. Countless mussels cling to seaside rocks and ship hulls, layering over one another to form dense, heavy surfaces. When a mussel opens, its shape resembles the wings of a butterfly. Every year, hundreds of millions of Monarch butterflies migrate thousands of kilometers to overwinter in Mexico, densely covering entire fir trees, much like mussels blanket rocks beneath the sea. This phenomenon also reminds me of bees. Swarms can envelop everyday objects, such as radiators or bicycle seats, gradually reshaping them with beeswax. While mussels and butterflies give objects a new “skin,” bees transform them into sculptures collectively constructed by the swarm. I find this shared instinct across entirely different species fascinating—a transcendent connection between forms of life that can never communicate, one in the sky, the other beneath the waves. Mussel Migration was also influenced by the irregular, intersecting lines in Günther Förg’s paintings, where wildness and urbanity, looseness and restraint coexist. This resonates with my attempt to bring the wild abstraction of tree roots into art while preserving their raw energy and opening them to multiple interpretations. The branches form an intersecting structure of vertical and horizontal lines, reaching upward as their textures take on a coral-like quality. Branches, mussels, butterflies, and beehives intertwine, forming a shared nest upon an impossible “marine tree.” Forms of life that could never meet in nature ultimately become one. #guanxiao #antennaspace 18 Oct 2026

Mire Lee will present at Art Basel Paris 2026 Booth 1.L15 Mire Lee Endless House: Four Heads, Two of Which Open Burlap, silicone resin, and concrete 154 × 118 × 76 cm 2021-2025 Mire Lee’s ”Endless House“ draws on Friedrich Kiesler‘s architectural concept of the same name, transforming architecture into a form that exists somewhere between body, organ, and machine. A concrete shell encases a soft, almost flesh-like silicone, where enclosure and openness, protection and exposure seem to coexist. To the artist, this ”endless interior“ carries the warmth of the womb and the darkness of a torture chamber at the same time. The house is no longer merely a place that contains the body, but becomes the body itself: everything within it is connected, yet its interior is without an end. #MireLee #AntennaSpace #ArtBaselParis #ArtBaselParis2026 16 Oct 2026

Evelyn Taocheng Wang will present at Art Basel Paris 2026 Booth 1.L15 1-2. Evelyn Taocheng Wang Georgia O‘Keeffe’s Ghost Ranch, Song Dynasty Poem, and Imitation of Agnes Martin Acrylic color, pencil, gesso on canvas 155 x 155 cm 2026 3.Evelyn Taocheng Wang Frog Princess Found a Smartphone at a Summer Night Party Oil on canvas 50 x 50 cm 2026 In ”Georgia O‘Keeffe’s Ghost Ranch, Song Dynasty Poem, and Imitation of Agnes Martin“, Evelyn Taocheng Wang places two different painterly references within the same image: one drawn from Georgia O‘Keeffe’s ”Red Hills and White Flower“, and the other from Agnes Martin‘s restrained, almost silent bands of color. A white flower is set among the undulating red mountain forms, while broad, pale horizontal bands of color unfold across the canvas. The Song dynasty verse that appears in the picture, ”鬓亸欲迎眉际月，酒红初上脸边霞 (Her sideburns slant as if to welcome the moon at her brow; the flush of wine first rises like sunset glow upon her cheeks),“ seems to introduce another layer of transformation concerning looking: the moon and the sunset glow are not merely natural scenery, but are used to compare the brows and complexion of a person. #EvelynTaochengWang #ArtBaselParis #ArtBaselParis2026 12 Oct 2026

Allison Katz’s (@allison.katz) first major exhibition in Quebec is now on view at the Montreal Museum of Fine Arts (MMFA) (@mbamtl). Allison Katz: Jeu d’esprit Curated by Mary-Dailey Desmarais, Zhao-Ionescu Chief Curator of the MMFA October 9, 2026 - March 14, 2027 Drawing inspiration from such varied sources as art history, literature, psychoanalytic theory and popular culture, Katz has developed a unique visual vocabulary that explores the depths of the human psyche and the infinite possibilities of painting. For her, painting serves as a bridge between worlds: it unites autobiography and art history, humour and ambiguity, language and image, without ever being reduced to one single meaning. A central figure in the exhibition is Gradiva, meaning “she who steps forward.” Gradiva is a fictional character created by the 19th century German author Wilhelm Jensen, which is based on a Roman bas-relief and had an inspirational influence on psychoanalytic literature and Surrealism. Under Katz’s brush, this character becomes a contemporary muse who crosses thresholds, interconnects paintings and reminds us that images, like memories, can always resurface in new forms. Photo credit: Allison Katz, Gradiva, 2024 Courtesy of Y.D.C. © Allison Katz. Photo Eva Herzog Allison Katz, AKgraph (Mountain Time), 2025 Collection of Candace Barasch. © Allison Katz. Photo Eva Herzog View of the exhibition Allison Katz: Jeu d’esprit. © Allison Katz. Photo MMFA, Denis Farley #allisonkatz #mbam #mmfa 10 Oct 2026

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shortcode	caption	likes	comments
Dfj5qW0GD0J	Antenna Space to show at Art021 @art021_official…
Dfg8riHmBxv	Installation Views Part 1 @leahkeyizheng #lea…
DfeOKPoGCjw	Opening Tmr 柯顗 Leah Ke Yi Zheng @leahkeyizheng …

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shortcode	caption	likes	comments
Dfj5qW0GD0J	Antenna Space to show at Art021 @art021_official…
Dfg8riHmBxv	Installation Views Part 1 @leahkeyizheng #lea…
DfeOKPoGCjw	Opening Tmr 柯顗 Leah Ke Yi Zheng @leahkeyizheng …

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