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A modern eye on fashion, culture and ideas. Read on anothermag.com ↙️
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Recent posts
Celebrating @martine_rose, who has been named the new creative director of @balenciaga.
A champion of outsiders and subcultures, the London-born designer has spent nearly two decades challenging the conventions of menswear. Her appointment also marks a return to Balenciaga, where she worked alongside Demna as a menswear consultant from 2015 to 2018. At the link in bio, read an interview with Rose from AnOther Magazine Autumn/Winter 2020 📲
📸 Self-portrait by Martine Rose
07 Nov 2026
Happy birthday Tilda Swinton. The actress turns 66 years old today.
In an excerpt from her book, the actress shares her notes for radical living, from dancing daily to looking beyond the binary. See more at the link in bio 📲
📸 1. Taken from AnOther Magazine A/W18. Photography by @willyvanderperre. Styling by Olivier Rizzo. Hair by @anthonyturnerhair. Make-up by @peterphilipsmakeup
2-3. Courtesy of @taschen
05 Nov 2026
Since founding her eponymous label in 2020, @meryllrogge.personal has developed an eclectic approach to womenswear, interpreting the everyday wardrobe through an offbeat, playful lens. With previous stints at Marc Jacobs and Dries Van Noten, she is now balancing her own label with the role of creative director at Marni, a mantel she took up in 2025. Reading has become something of a luxury, reserved for “less chaotic times”.
Her recent collaboration with @saintmartinbookshop offers a glimpse into that long-standing fascination. The project invites a rotating cast of friends of the house to curate capsule collections of one-of-a-kind books – independent publishing rarities of the kind Saint Martin has become synonymous with – set to accompany Rogge’s seasonal releases. For its first edition, ceramist and collaborator @elise_gettliffe, whose natural-glazed pottery explores the imperfections of traditional craft, takes the lead.
Across art, film and literature, Rogge finds herself drawn to the mundane – what she calls “the common thread”. “That’s why I like autobiographies. People who live extraordinary lives are always seen through the big picture, but I find comfort in their daily challenges.” This sensibility carries through to her selection for AnOther, a collection of books she describes as being as “fragmented as life itself”.
@pedromvasconcelos speaks with the designer at the link in bio 📲
📸 Meryll Rogge. Photography by @mariedehe
04 Nov 2026
@paulina.muenzing and Gent Berbatovci, the designers behind the new Berlin-based brand @grandexport.world, make “post heritage luxury products” from disused garments – “each piece becomes a conversation between us,” they tell @mad.e.leiner.
For their collection Trophies, the pair enlisted photographer @sharnaosborne, who shot the collection in her signature filmic lo-fi – a canny hedge between then and now, a sort of refrain of the label’s time-slipped designs – alongside stylist @emmawyman, art directors @carinafreystefaniebarth and casting director @julialangecasting. “It’s also nice to start with a team who knows exactly what they’re doing from the start,” Münzing reflects, “because we can go together as we grow.”
Grandexport’s garments are curious yet entirely logical: they barely resemble the materials they began as, though each keeps the charge it was made with. A batch of counterfeit Sergio Tacchini tracksuits, bought from a man whose uncle had been selling them before the Berlin Wall fell, have been picked apart and puzzled into dresses, with a corset inside, a wired-open neckline and the jacket’s ribbed waistband for a hem. Army tent fabric from the GDR, once woven to be strong enough for any terrain, becomes a camouflage mini skirt and top which button together, come apart and recombine with the layers above.
Read more at the link in bio 📲
📸 Photography by @sharnaosborne. Styling by @emmawyman. Courtesy of @grandexport.world
03 Nov 2026
November brings with it a glut of new releases in film and television from Andrey Zvyagintsev, Javier Ambrosso and Javier Calvo, Lance Oppenheim, Cristian Mungiu and more.
Read @alex_j_denney's list at the link in bio 📲
📸 Film stills
01 Nov 2026
“Look into my eyes, can’t you see they’re open wide?” sings a dirty-blonde-bobbed Léa Seydoux from behind a piano in the opening scene of Austrian director @mariekreutzer’s new feature, Gentle Monster, which arrives in select UK cinemas today. “Would I lie to you, baby, would I lie to you?”
Seydoux plays the French pop-classical musician Lucy Weiss, whose enchanting mezzo-soprano voice is soon interrupted when her partner, Austrian filmmaker Philip (Laurence Rupp), arrives home to their Munich apartment, crumbling to the floor in a panic. The film follows the couple who relocate with their young son to Bavaria, seeking a slower pace of life after Philip suffers from burnout. All seems well as they settle into their new home in the countryside, but before long reality-warping horror unfolds. The story is observed through Lucy’s perspective, through her shock and isolation, her denial.
“I like that it’s told this way, not via the perpetrator, or the victim; it’s very much [about] how Lucy reacts, and how she deals with all these contradictory emotions,” Seydoux tells @rose_dodd in a conversation ahead of the London Film Festival. “I was moved to tears when I read [the script] and I fell in love with Lucy. [...] I’ve had traumas in my life, but never something as terrible as this. I don’t know how I would have reacted, honestly, but I had an immense empathy for the character.”
Read the interview at the link in bio 📲
📸 Gentle Monster, 2026 (Film stills)
#LeaSeydoux #GentleMonster
30 Oct 2026
So the story begins: in May 2024, hundreds of sheets of paper were discovered in a Tokyo warehouse, initially mistaken for ordinary paperwork. They were in fact original drawings by @yohjiyamamotoofficial, dating back to his Paris debut in 1981 through to 1999, drawn to communicate his ideas to the pattern cutters who would make them clothes.
There are figures that slump over, coats that seem to catch fire, ideas of dresses conjured with a handful of marks. Most have never been seen publicly. Selected by Yamamoto with fashion curator @alexandre.samson.paris, his daughter @limifeu_official and close collaborators, with design support from @petersavillearchival, they make visible a part of his working life long kept private. Now, we glimpse these sketches for the first time, in a book – Yohji Yamamoto Drawings – published by @thamesandhudson.
Samson recounts Yamamoto referring to them as “just drawings”. They were not intended as art objects, but as a way to communicate with the patternmakers. Often he found it easier to draw than to speak. The lines are as restless and expressive as the finished garments are composed. Looking at them again, even their maker was taken aback. “What a creative ‘dessin’ I did,” he tells @georgepistachio. “Now, I can’t draw it.”
Yohji-san answers questions about the book at the link in bio 📲
📸 Yohji Yamamoto Drawings. © Yohji Yamamoto Inc
1. Autumn/Winter 1988–89 womenswear. Press illustration. Ink and wash on printed copy of original drawing
2. Spring/Summer 1985 womenswear. Press illustration. Ink and wash
3. Autumn/Winter 1989–90 womenswear. Press illustration. Graphite
5. Autumn/Winter 1987–88 womenswear. Sketch. Printed copy of original drawing
6. Autumn/Winter 1987–88 womenswear. Concept sketch. Printed copy of original drawing
8. Spring/Summer 1982 womenswear. Press illustration. Graphite, ink and wash
9. Autumn/Winter 1987–88 menswear. Press illustration. Ink and wash
#YohjiYamamoto
29 Oct 2026
@lucyjbridge has always lived her life in full colour. When she was at school, the make-up artist dyed her hair a new shade every week, much to the despair of her teachers, and after moving to London in 2008, it was her affinity for popping to the shops with neon pink blusher and green glitter eyebrows that turned the head of famed photographer Tim Walker – who scouted her for a shoot in i-D after spotting her on the 55 bus.
Her debut book Colour Mode, created over three and a half years in collaboration with creative director @studioveronicaditting, is a smorgasbord of shades. A trip down the rabbit hole into the make-up artist’s mind, alongside ten commissioned shoots – featuring photographers Paolo Roversi, Oliver Hadlee Pearch and Thurstan Redding – ‘Looks in Process’ captured by Jean Marques offers a glimpse into the fantastical creations as they come together.
At the link in bio, Bridge talks @dominic.cadogan through the inspiration behind three of the stories in Colour Mode and her collaborative process with each photographer 📲
📸 Lucy Bridge: Colour Mode. Courtesy of @thamesandhudson
1. Photography by @mrqs.jean
2. Photography by @matthieulavanchy
3. Photography by @carlijnjacobs
4. Photography by @carlijnjacobs
5. Photography by @samrocksamrock
6. Photography by @timwalker
7. Photography by @luisalbertorodriguezstudio
8. Photography by @jackdavisonphoto
9. Photography by @esther_theaker
27 Oct 2026
“Friends, especially the friends who inspired the main characters, were very, very much a part of the process, because these are my real relationships,” @roisintapponi explains of the characters that populate her debut book, Scene City. “People probably think it’s a salacious art world exposé, but it’s absolutely not. There’s no gossip.”
The form of the novel itself is similarly of its time – literally composed in Tapponi’s notes app, it’s “a reading experience more akin to scrolling” than the books or films of a bygone era. “I really want to write 21st-century novels,” Tapponi says. “How we experience life and communicate now is so specific, through disassociation, brainrot, doomscrolling, yapping, Instagram captions ... all of those things are in the book as formal devices.”
Similarly, the book embraces the bewildering nature of our fragile reality. This means that there’s no story to follow, as such. Romy – the “marginalised flaneuse” or “Leopold Bloom if he had a 24-inch waist” – drifts from one gallery opening to the next, to a party, to a private members’ club. The next morning is lost to a hangover before the cycle starts all over again. In a world that’s lost the plot, Scene City is a novel of yapping, of vibes.
@t.s.waite interviews Tapponi about her book at the link in bio 📲
📸 Photography by @willwaterworth. Styling by @jordanduddy
27 Oct 2026
@jordanmcasteel’s son was born in April of this year. “Nearly everything I’ve engaged with since then has had him in mind as I shift perspective and take on this new role of mother,” the artist tells Laura Allsop for the Autumn/Winter 2026 issue of AnOther Magazine.
In preparation for her new show, Winter Sun, which has just opened at @thaddaeusropac Paris Marais and will run until 23 December, she’s spent months studying Hilma af Klint’s botanical paintings as seen in her book What Stands Behind the Flowers – looking at one watercolour in particular: Convolvulus arvensis (Field Bindweed), Monotropa hypopitys (Pinesap). “The composition feels similar to a diagram but still rooted in what was directly in front of her,” says Casteel. “She’s gathering multiple ways of seeing into a single image, paying close attention to colour and form, adding handwritten notes. The subjects begin to carry something more interior or symbolic. That combination speaks to the way I work in my own paintings, bringing together multiple images, observations and memories to arrive at a final point of view.”
She finds this way of looking at the world – observing, record-taking – essential to care, and to mothering. “It’s possible I was drawn to af Klint’s studies and her notes for their similarity to the notes I’m taking regularly of my child’s development,” she tells Allsop. Read more at the link in bio 📲
Taken from the Autumn/Winter 2026 issue of AnOther Magazine.
Photography by @sammykhoury__
25 Oct 2026
@massimodutti has officially arrived in Manhattan, opening the doors to its new flagship at 575 Broadway in SoHo. To celebrate, the brand invited New York’s creative community for an evening of fashion, art and conversation, marking the beginning of a wider cultural programme inspired by the city.
24 Oct 2026
“I landed on that album title [Popstar] because it just so perfectly encompasses all of the things that I was trying to say, and I realised it didn’t have to be any more complicated than that,” @tinashenow tells AnOther Magazine.
Bop connoisseurs know that Tinashe has always been a premium popstar – ever since she broke through with her beautifully fluid debut single, 2014’s 2 On. Since then, she’s released a series of accomplished albums blending supple alt-R&B with cutting-edge pop, while puncturing the mainstream with hits as varied as 2024’s viral banger Nasty and last year’s house heater No Broke Boys. But now, with her eighth studio set Popstar, she’s captured the moment with a transcendent blend of sharp, shapeshifting beats and smart, self-aware lyrics.
At the link in bio, she breezes through @misternicklevine’s eclectic questions like the unflappable popstar she was born to be 📲
24 Oct 2026
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