@alexcunninghamcameron

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CULTURED at Home Issue 2 is finally here!⁠ ⁠ The second edition of our annual design publication covers fantasy rooms, obsessive collections, and bacchanals. Inside the issue, we visit homes from Madrid to Malibu, unearth Pompeii's hidden archives, document Brooklyn sex dungeons, hack bathroom sinks in Vienna, visit a group of hot young craftspeople reviving ancient building traditions from Cairo to New Mexico, and much, much more.⁠ ⁠ Get your copy at the link in bio, and don’t forget to sign up for the CULTURED at Home newsletter today for more from the issue and beyond.⁠ ⁠ Cover Image: Berlin-based uber-gallerist @ulrichfiedler shot at home by @baharkygsz⁠ ⁠ Editor in Chief: @sarahgharrelson⁠ Guest Editor: @alexcunninghamcameron⁠ Creative Director: @e__knut⁠ Executive Editor: @maraveitch⁠ Market Editor: @adamcharlaphyman⁠ Kitchen and Bath Editor: @samchermayeffoffice⁠ Contributing Editors: @blankforms_, @cyntheticpleasures, and @jasonwigg Resource Editor: @monicacarmella 29 Oct 2026

(no caption) 27 Sep 2026

Years in the making, @cooperhewitt announced today the acquisition of a major collection of work by the designer Tobias Wong (1974–2010) and forthcoming exhibition. Thanks to the many collaborators who made this possible including the Wong family and friends @kaufmanprojects @pablo.griff @aricchen and the curatorial, conservation and registrar teams at the museum especially @emilymarshallorr @sunena_maju @loic_derrien and @vivianegosselin123 from the @museumofvan Born and raised in Vancouver, British Columbia, Canada, Wong studied architecture at the University of Toronto and sculpture at Cooper Union where he earned a Bachelor of Fine Arts in 2000. Wong used design as a means to impart objects with ideas that were fresh and innovative while disrupting the status quo of the art and design worlds. He described his practice as “para-Conceptual,” suggesting that he went beyond or around an idea before turning to the object. A wide range of proposals emerged from his studio, spanning product, graphic, spatial and digital designs that expanded discourse around the role of design in everyday life and the function of designer as social critic. Wong collaborated on products and installations with forward-thinking brands including Colette in Paris and Comme des Garçons in Tokyo, as well as on short-term installations with artists and designers in the “Terminal 5” exhibition (2004) and the “Wrong Store” (2007) that experimented with new formats for retail and exhibition display. He worked as a consultant, product developer and design director for Capellini, Cite, Prada, Reflux Editions, Swarovski and Troy in New York. Wong was named Young Designer of the Year by Wallpaper magazine in 2004 and by the Brooklyn Museum in 2006. His work was exhibited around the world, including at the Museum of Modern Art, Museum of Vancouver, San Francisco Museum of Modern Art and Cooper Hewitt. 08 May 2025

Thank you Bentonville, @spectorcraftprize @abigail_klem @crystalbridgesmuseum 12 Nov 2026

Rest in Peace Toukie Smith. Walking in the Willi Smith for WilliWear, Fall 1978 Presentation. Styled as Willi. 10 Nov 2026

Black Designers in Chicago: Culture and Community in the Twentieth Century, a book edited by @david_hartt @dingdingdingwall and @schulmanchicago from @uchicagopress is finally out in the world. Essays from @romicraw @normanteague @kinohin Plus one from me on the politics of fashion, advertising, modeling and aesthetic influence during the Black Power and Black Arts Movements. Inspired by @paigeonne 08 Nov 2026

Note the sewing machines and sushi belt of books @qatarnationallibrary @oma.eu 05 Nov 2026

Thank you @vogue.polska @i.lekiewicz.levy @haniarydlewska @arturburchacki for including me and @donaldjuddfurniture in your new issue dedicated to arts leadership and its intersections with business, politics, fashion, culture, and new technologies. My portrait by @jeremy_liebman and Donald Judd Furniture: Wood and Metal install shots by @timothydoyon 31 Oct 2026

For the second issue of CULTURED at Home, writer Jarrett Earnest visited a handful of kinksters across Brooklyn with photographer Matt Grubb to glimpse how they make room for fantasy amid the detritus of daily life. “When considering decor for sexual fantasy,” Earnest writes, “it is important to remember, as one dom recently told me, ‘You can be anywhere when you’re blindfolded.’” But what happens when the erotic imagination laps against our banal homegoods? The books on the shelves and pictures on the walls? The electric kettles and grocery store orchids? Find out at the link in bio, and get your copy of CULTURED at Home Issue 2 before it sells out. Words: Jarrett Earnest Photography: @mattgrubb.americas.waffle Editor in Chief: @sarahgharrelson Guest Editor: @alexcunninghamcameron Creative Director: @e__knut Executive Editor: @maraveitch Market Editor: @adamcharlaphyman Kitchen and Bath Editor: @samchermayeffoffice Contributing Editors: @blankforms_, @cyntheticpleasures, and @jasonwigg Resource Editor: @monicacarmella 30 Oct 2026

Take a peek inside Issue 2 of CULTURED at Home. The latest volume of our annual design magazine is filled with gold-leafed abodes, radical sinks, hand-poured concrete castles, and countryside house parties. Get your copy now at the link in bio. 29 Oct 2026

Isamu Noguchi (1904–1988), Lady Mirror 1982/83, hot-dipped galvanized steel, polished steel 57¼ h × 12 w × 12 d in (145 × 30 × 30 cm) 27 Oct 2026

Bringing a new idea into the world in 3-D is the most thrilling and the most harrowing part of curating. A renowned and seasoned curator once asked me why I would take the risk of constantly seeking out commissions. They are more complicated, she said, and the result isn’t always “good.” She wasn’t wrong. But working with living designers and artists to realize their experiments has always seemed to me the point. Last week in Paris, I visited the emerging designer commissions from Apple, which @rodmanprimack and Molly Anderson invited me to jury this past Spring alongside a group of brilliant designers and organizers. The resulting works by @isabel_rower @parafernali.a @salemcharabi and @yoonjeonglee_studio are each rooted in regional production, channeling inherited craft into something that captures our moment. In particular, its reckoning with time, digital technologies, and our restless hands that need to make things to feel ok. It seemed fitting to put these works on view in France, where savoir-faire and a pride in design innovation have long been fundamental to how the nation understands itself. And I was lucky to see some more of that spirit across many projects in and adjacent to the fairs and museums. Reflected in a tour of the Puiforcat workshops where artisans can spend up to 350 hours on a single tureen. And the home of Benjamin and Alice Paulin where France’s postwar utopian design language juxtaposes contemporary stage craft. And in a dream encounter with Barbara Chase-Ribaud who, at 87, remains a force across the literary and plastic arts. Who sees her work within a millennia-long continuum of words and forms (thank you @febubufe). I first laughed when Conan said on @subwaytakes that monuments should be made from soap, to erode and be reconstructed every 10 years. But that sidesteps the issue that we can’t so easily shed the monumental influences already at work within us. All we can do is refigure them piece by piece, building them new for the world we want. 25 Oct 2026

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shortcode	caption	likes	comments
DfE9WvmlAsR	CULTURED at Home Issue 2 is finally here!⁠ ⁠ The…
Dd0AsvcjpP_
DJZOV5QuWR-	Years in the making, @cooperhewitt announced tod…

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shortcode	caption	likes	comments
DfE9WvmlAsR	CULTURED at Home Issue 2 is finally here!⁠ ⁠ The…
Dd0AsvcjpP_
DJZOV5QuWR-	Years in the making, @cooperhewitt announced tod…

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username	full_name	user_id	is_verified	is_private	profile_pic_url

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Every account this one follows, same fields.

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