@maraveitch - IGDataHub

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@maraveitch

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exec editor @cultured_mag

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For the second issue of CULTURED at Home, @apasq914 dives deep into human mortality’s next frontier: the evasion of death entirely. This new death industrial complex is, unsurprisingly, the playground of the ultra-rich: Paris Hilton (net worth: $400 million) and Peter Thiel (net worth: $31.9 billion) are allegedly prepaying customers of Alcor, known as the Maserati of U.S.-based cryopreservation organizations. Jeff Bezos ($365 billion) and Sam Altman ($3.2 billion) each have hundreds of millions tied up in life-extension biotech firms. At a summit in Beijing last year, a hot mic caught Vladimir Putin and Xi Jinping—authoritarians without guardrails or term limits—chummily discussing organ replacement as a road to longer living. At least the despots of the past died, and often young. Ours is a vampiric age. From ancient pyramids to modernist mausoleums, designing for death has long been an obsession of the rich and mighty. But what happens when the one percent seems more interested in maximizing their own lifespan than investing in what they leave behind? Head to the link in bio to read Andrew Pasquier’s assessment of the shifting design mores around death in Western culture, and buy your copy of CULTURED at Home Issue 2 today. Editor in Chief: @sarahgharrelson Guest Editor: @alexcunninghamcameron Creative Director: @e__knut Executive Editor: @maraveitch Market Editor: @adamcharlaphyman Kitchen and Bath Editor: @samchermayeffoffice Contributing Editors: @blankforms_, @cyntheticpleasures, and @jasonwigg Resource Editor: @monicacarmella 31 Oct 2026

CULTURED at Home Issue 2 is finally here!⁠ ⁠ The second edition of our annual design publication covers fantasy rooms, obsessive collections, and bacchanals. Inside the issue, we visit homes from Madrid to Malibu, unearth Pompeii's hidden archives, document Brooklyn sex dungeons, hack bathroom sinks in Vienna, visit a group of hot young craftspeople reviving ancient building traditions from Cairo to New Mexico, and much, much more.⁠ ⁠ Get your copy at the link in bio, and don’t forget to sign up for the CULTURED at Home newsletter today for more from the issue and beyond.⁠ ⁠ Cover Image: Berlin-based uber-gallerist @ulrichfiedler shot at home by @baharkygsz⁠ ⁠ Editor in Chief: @sarahgharrelson⁠ Guest Editor: @alexcunninghamcameron⁠ Creative Director: @e__knut⁠ Executive Editor: @maraveitch⁠ Market Editor: @adamcharlaphyman⁠ Kitchen and Bath Editor: @samchermayeffoffice⁠ Contributing Editors: @blankforms_, @cyntheticpleasures, and @jasonwigg Resource Editor: @monicacarmella 29 Oct 2026

Consider this: The same New York apartment that cost $171 a month in 1975, and $550 a month in 1988, could now go for $3,397—the median rent for a studio circa May 2025. Even after adjusting for inflation, that means median rents have tripled since the mid-1970s. “Of course, New York isn’t the only ever-inflating city, and artists aren’t the only people suffering from a dearth of affordable housing in these places,” writes @fifidunks for the inaugural issue of CULTURED at Home. “However, artists offer an interesting case study ... Both uniquely valued by society and also disproportionately at risk, existing mostly outside of the social safety net, the artist’s way is one of precarity.” For her deep dive into the intersecting worlds of art-making and real estate, Duncan spoke to the likes of @csopie and @amaliaulman to glean insight into a few pressing questions: How are contemporary artists contending with the affordable housing crisis? Have they found creative workarounds? “The more I researched this topic, the more depressed I became,” the writer observes. “In the end, the only thing that could get me out of it was to make a meme.” Read the full feature at the link in bio, and order your copy of the issue today. Words: @fifidunks Editor-in-Chief: @sarahgharrelson Guest Editor: @alexcunninghamcameron Creative Director: @e__knut Executive Editor: @maraveitch 22 Jan 2026

There’s a revolution happening in television. Its theater. Prestige TV—a 21st-century vestige of 20th-century American monoculture reflecting the millennial emphasis on ideological coherence, narrative heft, and novelistic dimension—was one of the organizing principles of the 2010s. Among the spoils of this ebullient period was a wave of great series: ‘Game of Thrones,’ ‘Girls,’ ‘Breaking Bad,’ ‘The Walking Dead,’ ‘Orange Is the New Black,’ ‘Homeland.’ These prestige dramas reflected a collective faith in TV as a culture-unifying apparatus and a pressure-release valve for our anxieties. Now, just 15 years later, American television has come to embody that decline more than its salvation. Some of the most-watched new series of 2024 were reboots, spinoffs, and IP extensions, and the last genuinely era-defining drama, ‘Succession,’ ended its run in 2023 without a clear heir apparent. But all that prestige has to go somewhere. One playwright (who has also been in his fair number of TV pitch meetings) would argue that, since the pandemic, it has migrated steadily onto the stage. Link in bio to read how theater overtook TV as the cultural disruptor for our times. Words: Matthew Gasda 18 Dec 2025

In the wake of the 2008 financial crisis, before algorithms choked the internet, a small group of RISD graduates coined an aesthetic language that would come to define much of material culture over the last decade and a half. Their work—willfully unpolished, borrowing unselfconsciously from history and pop kitsch, conflating white glove opulence, craftwork, and gutter scrap—has been copied widely and critiqued just as often: dismissed as dilettantish or opportunistic, or else flattened into trends with little regard for its internal logic. What gets noticed is the provocation; what gets overlooked is the material fluency and technical specificity that underpin the output. For CULTURED at Home, Sina Sohrab investigates the legacy of his RISD classmates, a cohort that includes Eckhaus Latta cofounders MIKE ECKHAUS (Sculpture 2010) and ZOE LATTA (Textiles 2010), Charlap Hyman & Herrero cofounders ADAM CHARLAP HYMAN (Furniture 2011) and ANDRE HERRERO, KATIE STOUT (Furniture 2012), MISHA KAHN (Furniture 2011), and F TAYLOR COLANTONIO (Furniture 2013), MARTINE GUTIERREZ (Printmaking 2012). Read the full piece at the link in bio. Editor in Chief: Sarah Harrelson @sarahgharrelson Guest Editor: Alexandra Cunningham Cameron @alexcunninghamcameron Creative Director: Erin Knutson @e__knut Executive Editor: Mara Veitch @maraveitch Words: @sinasohrab 04 Dec 2025

CULTURED at Home is finally here. The new design publication from CULTURED, guest edited by @alexcunninghamcameron, “chases the impulse for abundant experience across ruined gardens, calamitous interiors, midnight listening parties, and sancta sanctorum,” to capture how artists and designers really live, mess and all. The inaugural issue is part resource—mapping landscapes of contemporary design culture—and part reverie—a collection of intimate looks into the homes of critics, novelists, filmmakers, and designers. Above all, ACC sees CULTURED at Home as an homage to the “intelligence each of us gains from a lifetime of sensory experience. To place a rose in a vase on the table just so is an opus. Only you can do it like that.” Head to the link in bio to snag your copy before they sell out. Editor in Chief: Sarah Harrelson @sarahgharrelson Guest Editor: Alexandra Cunningham Cameron @alexcunninghamcameron Creative Director: Erin Knutson @e__knut Executive Editor: Mara Veitch @maraveitch Market Editor: Adam Charlap Hyman @adamcharlaphyman Kitchen and Bath Editor: Sam Chermayeff @samchermayeffoffice Gardens Editor: Precious Okoyomon @devilintraining_ Books Editor: Carson Chan @chan.carson Contributing Editors: Ruba Katrib, Lawrence Kumpf (@blankforms_), Cynthia Leung (@cyntheticpleasures), Stella Roos (@stellarooss), Jason Wigginton (@jason.wigg) Cover photography: @oliverhelbig_ with creative direction by @samchermayeffoffice 22 Oct 2025

mes bébés 21 Mar 2023

many good 03 Sep 2021

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shortcode	caption	likes	comments
DfKcN5JIGEJ	For the second issue of CULTURED at Home, @apasq…
DfE9WvmlAsR	CULTURED at Home Issue 2 is finally here!⁠ ⁠ The…
DT09G4HCdUH	Consider this: The same New York apartment that …

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shortcode	caption	likes	comments
DfKcN5JIGEJ	For the second issue of CULTURED at Home, @apasq…
DfE9WvmlAsR	CULTURED at Home Issue 2 is finally here!⁠ ⁠ The…
DT09G4HCdUH	Consider this: The same New York apartment that …

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username	full_name	user_id	is_verified	is_private	profile_pic_url

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Everyone they follow

up to 3,707 accounts

$18.54

Every account this one follows, same fields.

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username	full_name	user_id	is_verified	is_private	profile_pic_url

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