@_hannahwhitaker - IGDataHub

Hannah Whitaker

@_hannahwhitaker

7,530

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1,733

Following

529

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Photos/Videos in last 12

Bio

@nytmag Art: @marinarogallery @galeriechristophegaillard Bookings: @thesouthjamesagency Apparel collab: @signspointtoyes.biz

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hannahwhitaker.info

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#risography

Recent posts

I shot this past weekend’s @nytmag cover and inside spread for a story about the problems with the fish farming industry. Heroic prop styling by @maya___rossi and the best mag team @allison_pasek annie76828 @gailbichler @j_dims 🐟🐟🐟🐟🐟🐟🐟🐟 26 Oct 2026

My photographs for I Need an IV Drip to Recover From My IV Drip by @axwwxa for @nytmag with @redithw @vescobar.studio 16 Sep 2026

Shot for @nytmag to accompany the always brilliant Taffy Brodesser-Akner’s take on cold plunges 🥶🥶🥶 featuring our eminently patient cold plunger @paigehapeman. 🧊🧊🧊(actually the ice is fake and the water was warm shhhhh 🤫) 12 Jul 2026

For @nytimes @jmwender I Saw Something New in San Fansisco by @ezraklein 13 Apr 2026

A digital interactive with my photographs in the ✨new✨ @nytmag of Dumb phones and the stuff that people who use them carry around. Ty to all the brilliant people who brought this to life @amykellner @gailbichler @j_dims @iguessnick @kate_larue @axwwxa 07 Apr 2026

A photo portfolio in the ✨new✨ @nytmag of Dumb phones and the stuff that people who use them carry around. Ty to all the brilliant people who brought this to life @amykellner @gailbichler @j_dims @iguessnick @kate_larue @axwwxa 06 Apr 2026

Today is the day! The MU Photo Club is so excited to have @_hannahwhitaker join us to talk about her work, practice, and creative process. Hannah Whitaker is hosting an artist talk TONIGHT at 6 p.m. CST. Join us in the Fine Arts building room A103 or join us on zoom, the link can be found in our bio! See you there! 05 Feb 2026

‼️ ZOOM ARTIST TALK INCOMING ‼️ Thursday, February 5th @ 6 p.m. CST The MU Photo Club is so excited to have @_hannahwhitaker host an artist talk just for us! Hannah is a Brooklyn-based artist and photographer whose work has been exhibited internationally and featured in The New Yorker and Frieze. Interested in structural limitations, she makes photographs either by layering exposures onto 4×5 film through hand-cut paper screens or through the aid of elaborate sets and lighting configurations. These techniques allow her to combine the photographic with the graphic. The resulting space is both flat and dimensional, lacking optical coherence. She’ll be joining us to talk about her work, practice, and creative process. This is a great opportunity to hear from an artist working today. Seriously you do not want to miss this! *Zoom link in bio or join us in the Fine Arts building room A103. (be there!) 25 Jan 2026

Part 2: Forty four 44-year olds for @nymag including yours truly and @emilybooksgould who wrote this illuminating piece about being 🌟4️⃣4️⃣🌟 Thank you to @daniwalsh @belaqueue @jodyquon and all the fabulous 44-year olds who participated 12 Dec 2025

Forty four 44-year olds for @nymag including yours truly and @emilybooksgould who wrote this illuminating piece about being 🌟4️⃣4️⃣🌟 Thank you to @daniwalsh @belaqueue @jodyquon and all the fabulous 44-year olds who participated 11 Dec 2025

color/shift: the color studies ... New prints by Hannah Whitaker; Emily Margarit Mason; and Daniel Everett Swing by our web shop to grab one of these or the other 20ish prints that are done so far. All prints are 40%off -> use code "HDBLACK" at checkout. -------------------------------------- Since 2020, I have been working on an open-source color project employing #risography to disrupt photographic color. These 10 prints are from a set of 60 prints that will be produced to supplement the color/shift book (coming in 2026). On the surface, color/shift is a technical resource—a library of open-source spot color values, workflow tutorials, custom profiling charts, and hundreds of ICC profiles. Beneath this toolkit, however, is a wager on possibility: that expanding the imagination through color poverty might loosen the grip the printing apparatus has on artists. In technical contexts, “color shift” names a failure; here, it becomes a method. To print is to articulate a contemporary version—this paper, these inks, this light, this moment. The print is not a copy but a version that gestures— a printed movement in the direction of meaning. color/shift thrives on connection—with artists, with printers, with images, with the printing system itself. The printer’s task is not to preserve likeness but to offer vitality. Separations, curves, and halftone screens become provocations rather than processes. The printer does not serve the file; the printer serves the life of the picture. In much the same way, publishing, too, is an apparatus. The risograph, in addition to poverty, returns the publishing act to the atelier—when decisions stay close to the work—the negotiation shifts from distribution to making. The risograph is the wrong machine. Color/shift is built on the choice to use it anyway. To embrace it as poor, local, and unruly. Zielinski’s call for variant practice, Steyerl’s defense of degradation, and Ngai’s promotion of affect all converge here. Imprecision is an ethic. “Sorry, Not Sorry” is my apology to the photographers with whom I work. 23 Nov 2025

Newest cover for @nytmag, a Frankensteined Frankenstein for a story by Parul Sehgal about our enduring fascination with Shelley’s iconic creature. With creative direction by @gailbichler art direction by @janlichte photo direction by @j_dims diligent stitching/prop styling by @heather_a_greene along with @olgadapolga 10 Nov 2025

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529 posts & reels

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

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shortcode	caption	likes	comments
De9sHXImzIy	I shot this past weekend’s @nytmag cover and ins…
DdXSoJ4j6GI	My photographs for I Need an IV Drip to Recover …
DauSyDlDtMp	Shot for @nytmag to accompany the always brillia…

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Everyone who follows them

up to 7,530 followers

Handle, full name, ID, and verified/private flags for each follower.

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username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

$37.65

Everyone they follow

up to 1,733 accounts

Every account this one follows, same fields.

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username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

$9.99

minimum

Every post & reel

529 posts & reels

$9.99

minimum

Caption, likes, comments, views, duration, mentions, co-authors and sponsored status for every post and reel.

See a sample

shortcode	caption	likes	comments
De9sHXImzIy	I shot this past weekend’s @nytmag cover and ins…
DdXSoJ4j6GI	My photographs for I Need an IV Drip to Recover …
DauSyDlDtMp	Shot for @nytmag to accompany the always brillia…

Real rows from this account. The file continues in the same shape.

Everyone who follows them

up to 7,530 followers

$37.65

Handle, full name, ID, and verified/private flags for each follower.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

Everyone they follow

up to 1,733 accounts

$9.99

minimum

Every account this one follows, same fields.

See the columns

username	full_name	user_id	is_verified	is_private	profile_pic_url

These are the columns. We can't show live rows: Instagram serves no follower or following list to a logged-out client, so we hold none until you order.

You only pay for rows we deliver. Counts are the maximum available today; if an export comes back smaller, the difference is refunded automatically. Counts as last collected 11 hours, 13 minutes ago.