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Across technology, environment, politics and design. • Teaching at @rca.ads8 @royalcollegeofart @rca.architecture @houseeurope.eu supporting practice
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#2050plus#joannapiotrowska#burrowed#palazzostrozzi#firenze#imaginarypalace#offwhite#10x10#massimodanolfimartinaparenti#canicula
Recent posts
@2050.plus has designed the exhibition design and scenography for “Joanna Piotrowska. BURROWED”, the first solo exhibition by Polish artist @janka_piotrowska presented by an Italian institution.
Opening November 10 at the Project Space of @palazzostrozzi in Florence, curated by @leonardobigazzi.
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Working with photography and collage, Joanna Piotrowska explores the hidden tensions of human relationships. The exhibition brings together a series of new works in which everyday gestures, bodies and domestic settings become charged with ambiguity, suspended between intimacy and control, protection and confinement.
Drawing on the notion of the house as a cradle — a space that shelters daydreaming and protects the dreamer — the scenography defines the space through two surfaces: a semi-transparent fabric ceiling lowered above, letting the architecture behind remain perceptible, and a carpet grounding the space below. Together they create a soft, protective skin that holds the artworks within an intimate and suspended atmosphere.
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Joanna Piotrowska. BURROWED” is promoted and organized by Fondazione Palazzo Strozzi
Curated by @leonardobigazzi
Exhibition design and scenography: @2050.plus (@fralantieri, @ippopeste, @sofivtapia)
Photos by Ela Bialkowska (@ela.bialkowska), OKNO Studio (@okno.studio)
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Palazzo Strozzi, Florence
On view through January 24, 2027
#JoannaPiotrowska #Burrowed #PalazzoStrozzi #Firenze
10 Nov 2026
Opening on November 10, “Joanna Piotrowska. BURROWED” is the first solo exhibition by the Polish artist @janka_piotrowska at an Italian institution. Hosted in the Project Space of @palazzostrozzi in Florence, the exhibition is curated by @leonardobigazzi, with exhibition design and scenography by @2050.plus.
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Curated by @leonardobigazzi
Exhibition design and scenography: @2050.plus (@fralantieri, @ippopeste, @sofivtapia)
“Joanna Piotrowska. BURROWED” is promoted and organized by Fondazione Palazzo Strozzi.
Public supporters: @cittadifirenzeufficiale, @regionetoscana, Metropolitan City of Florence, @cameracommerciofirenze.
Private supporters: @fondazionecrfirenze, @intesasanpaolo, Fondazione Hillary Merkus Recordati, Comitato dei Partner di Palazzo Strozzi.
Special thanks to Consonni Radziszewski (Lisbon, Milan, Warsaw).
Photo credit (card): “Untitled” (2026), 21 × 27 cm. Silver gelatin print.
Courtesy of the artist and Consonni Radziszewski – Lisbon, Milan, Warsaw.
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Project Space, Palazzo Strozzi, Florence
On view through January 24, 2027
Opening hours: daily, 10.00 – 20.00
Free admission
#JoannaPiotrowska #Burrowed #PalazzoStrozzi #Firenze
06 Nov 2026
IED Torino – MA Communication and Creative Technologies 2026 / 2027
IRL/URL – DESIGNING THE THRESHOLD
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Traces of a short circuit between the physical and the digital are everywhere: chatbots function as new oracles, Italian Brainrot materializes on souvenir stalls, the backrooms make their way into cinema, and AI slop establishes itself as the official visual language of mainstream politics. Beneath each of these phenomena lies the material substrate of data itself: what Jussi Parikka defines as a “geology of media” — minerals, energy, territories, and labour. The cloud thus emerges not as an immaterial space, but as one of the most materially intensive and territorially embedded formations of our time.
Which opportunities lie at the threshold between the physical and the digital, and which forms of connection are at risk of being erased? What is made visible, and what is obscured? Which narrative potential emerges through this mediation, and how are the body, presence, and the perception of space reconfigured?
IRL/URL will investigate the relationship between the physical and digital realm as a hybrid field in which these two dimensions continuously and mutually reshape reality. It will place this perspective as a methodological question for research, converging into curatorial practice and exhibition design.
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MA @iedtorino
Communication and Creative Technologies 2026 / 2027
IRL/URL: Designing The Threshold
Led by 2050+ (@sai_______i, @___radicale___, @ippopeste, @eri.pet, @massimotnn)
#IRL #URL #IEDTorino #communication #design
22 Oct 2026
«Across these terrains — Lesotho, Lebanon, Bolivia, Kashmir, the Golan Heights, the UAE, and the other chronicles presented in the exhibition — we see winter sports not as Alpine or Scandinavian traditions only, but as globally mobile practices, continually transforming and acquiring new meanings across continents, cultures, and social classes. Their diffusion is neither linear nor uniform: at times it takes the form of mimicry, at others cultural hybridisation, and elsewhere acts of reclamation or reparation. In certain contexts, the mountain becomes more than a site of leisure or sport — it is a stage upon which gendered, religious, or other identitarian forms of resistance and emancipation are asserted. Here, winter sports manifest not only as geographically mobile, but continually renegotiated through questions of visibility, inclusion, and representation, taking shape in ways as diverse as the latitudes they span.»
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Extract from “Winters Elsewhere”, a curatorial exploration of the “microhistories of snow” and how they can reshape our understanding of winter cultures, written by @eri.pet for the 7th issue of @hardpackmagazine, edited by @zachseely.
Published months after the closing of the exhibition “Fuoripista. Art, Sport and Winter” hosted at @gres_art_671, the text explores the “unbeaten” territories of winter sports — but are they really? — with a view to broadening their cultural and emotional horizon.
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Words by @2050.plus (@eri.pet)
Edited by @zachseely
Commissioned and published by @hardpackmagazine
Photographs by @toddantonyphoto @kari_medig @paolobiava_ph @diegodepol @_marcog
FUORIPISTA was on view at gres art 671, Bergamo through 08.02.2026
Curated by @2050.plus (@ippopeste, @eri.pet) with @gres_art_671 (@francacquati)
Exhibition design and scenography by @2050.plus (@sai___i, @matteo__bozzi, @fralantieri, @ippopeste, @massimotnn)
Research by 2050+ (@_marcog, @___radicale___, @liviamazzocchetti, @sofivtapia, @clarettt)
#Hardpackmagazine #Fuoripista #Microhistories #WinterSports #Exhibition
13 Oct 2026
@2050.plus has designed the set up and scenography for “She Flickered In and Out of History”, a new video and mixed-media installation by interdisciplinary artist @elisagiardinapapa, now on view at @icalondon.
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“She Flickered In and Out of History” tells the story of a Mediterranean island that emerged from the sea, sparked a colonial scramble, and vanished before anyone could claim it. Conceived in close dialogue with Elisa Giardina Papa, the scenography by 2050+ extends the film into the exhibition space, translating its atmospheres and material qualities into a physical environment.
A modular platform of black rubber tiles anchors the room, functioning at once as a viewing device and as an abstract topography. Its fragmented geometry echoes the unstable outline of the ephemeral volcanic island at the heart of the work. Both familiar and geological, the textured surface recalls cooled lava and volcanic sediment, suggesting a landscape suspended between emergence and disappearance.
Low to the ground, a scattering of LED lights casts the gallery in a submerged orange tone; their cables left exposed trail across the floor like tendrils of some marine organism, or currents tracing invisible paths along a seabed. Blurring film, architecture, and geology, the space is shaped by uncertainty, transformation, and the continuous negotiation between land and sea.
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Installation views by Rob Harris
ICA London
Until September 6th, 2026
The exhibition at the ICA is generously supported by the Christian Levett Collection and Musée FAMM Mougins.
The project is supported by the Italian Council programme (2024), promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture; the Bogotá Museum of Modern Art (MAMBO); the Malcolm S. Forbes Center for Culture & Media Studies, Department of Modern Culture and Media, Brown University; the Humanities Research Fund, Brown University; MACTE, Museo di Arte Contemporanea di Termoli; the Italian Cultural Institute in London; and Michele Cristella.
Exhibition design by @2050.plus (@sai_______i, @fralantieri, @ippopeste).
#elisagiardinapapa #icalondon #sheflickeredinandoutofhistory
28 Jul 2026
Last July, @2050.plus was invited to take part in the summer workshop programme at @boisbuchet with “Scrap-Kammer: A Cabinet of Curiosities” — an architecture workshop exploring the reinvention of the 16th-century typology of the Kunstkammer.
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Domaine de Boisbuchet is an international centre for design and architecture in southwest France, founded by Alexander von Vegesack, legendary design collector and founding director of the Vitra Design Museum.
Set across a 150-hectare estate, Boisbuchet encompasses an architectural park, residencies, and a long-running programme of workshops led by internationally recognised architects and designers. Over the years, the programme has welcomed figures including Ron Arad, Jasper Morrison, Shigeru Ban, Lina Ghotmeh and Álvaro Siza, among others.
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For “Scrap-Kammer”, participants were invited to experiment with the residual matter of Domaine de Boisbuchet — scraps, errors, leftovers, tests, mock-ups, fragments and found objects generated through the ongoing activities of the Domaine. The workshop explored how these overlooked materials could be collected, reinterpreted and transformed into new forms of architectural curiosity. The same collection of materials was transformed into two contrasting installations: one a dream-like, suspended composition inspired by the kinetic movement of mobiles; the other organised vertically according to the specific weight of each object, understood both as physical mass and material value.
The “Scrap-Kammer” became both archive and device, memory and generator — a living index of collective experimentation at the Domaine.
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Photos and videos by @xxyachu, @m_arrouge
Workshop by @2050.plus (@___radicale___, @ippopeste, @eri.pet)
Living Matter curated by @boisbuchet (@sevillaisnotacity, @guillegilfernandez)
#Boisbuchet #ScrapKammer #2050plus #Workshop
10 Sep 2026
This past September, Ginza Sony Park in Tokyo transformed into GU PARK, a project designed by @2050.plus for @gu_global.
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For the release of his first collection as creative director of GU, Francesco Risso approached the brand as its own cinematic universe, conceiving of six distinct characters: Minimal, Classic, Sport, Utility, Cozy, and Playful.
Embracing the idea of multiplicity and nonconformity, 2050+ translated these six characters into corresponding set pieces, constructed by built elements, props, and the characters inhabiting them. The unique vignettes coexisted under the same roof, allowing actors and visitors to drift freely between them, crossing over imaginary fourth-walls. Over a 48-hour festival, GU PARK hosted unexpected encounters, try-on experiences, and sudden live music performances. Just like a theatrical machine, the sets operated under a fictional script narrating specific moments for each character: from intimate jam sessions in hotel lobbies, spontaneous pickleball matches at the sports club, impromptu DJ sets inside a laundromat, to tarot card readings at the funfair.
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GU PARK
5 Chome-3-1 Ginza, Chuo City, Tokyo, Japan
September 5-6, 2026
Set design by @2050.plus (@liviamazzocchetti, @martinapecorarii, @ippopeste, @sofivtapia, @massimotnn)
@gu_global
@francescorisso
@kennedyldn
@piers_de_resistance
@visionsandparadox
#GU #GUPARK #GU26FW #2050plus
08 Oct 2026
Impressions from “IMAGINARY PALACE,” a project conceived and designed by @2050.plus for @off____white “10x10: Icons Reimagined.”
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The scenography by 2050+ took over Off-White’s Milan Showroom for a two-day event during Milan Fashion Week, where 10 distinct rooms encapsulated the creative visions of 10 global artists.
Each room becomes its own universe where products coexist with their references, and materials unfold as architectural forms – all connected through a central capsule. Playing with repetition, reflection, distortion, and a reconstruction of familiar materials, atmospheres get translated into an “IMAGINARY PALACE” that continually alters what is seen and reveals unexpected perspectives.
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Off-White 10x10: Icons Reimagined | “IMAGINARY PALACE”
Via Orobia 13, Milan
September 23-24, 2026
Photos by @_marcog
Set design by @2050.plus (@liviamazzocchetti, @martinapecorarii, @ippopeste, @sofivtapia, @massimotnn)
Featuring works by:
@renellmedrano @kidcudi @avanope @guillermoandrade @venedaacarter @readymade_official @bafic @raullopez @stephane_ashpool @asapnast
@off____white
@kennedyldn
#ImaginaryPalace #2050plus
#OffWhite #10x10
02 Oct 2026
Happy to announce “IMAGINARY PALACE,” a project conceived and designed by @2050.plus for @off____white “10x10: Icons Reimagined.”
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This year, Off-White has invited 10 global creatives to approach 10 of its most recognizable icons as starting points for personal interpretation, experimentation and intentional rebellion.
The 10 artists’ distinct visions are translated into a space that acts as blank canvas; a labyrinthic “IMAGINARY PALACE” where rooms become sequential fragments that repeat, connect, and lead to unexpected places. Defined only by the walls around it, each room holds its own universe: from ‘90s youth culture lived-in scenes to monolithic cave-like atmospheres. Materials become tools for expression just as abstract concepts become tangible architectures, creating spaces of reflection and experimentation. Openings, interruptions, layers, and materials frame objects and their references alike through new perspectives, inviting visitors to experience the work, and to enter the distinct creative universes behind it.
“IMAGINARY PALACE” is on view September 23-24, 2026, at Via Orobia 13, Milan.
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Set design by @2050.plus (@liviamazzocchetti, @martinapecorarii, @ippopeste, @sofivtapia, @massimotnn)
Featuring works by:
01. @renellmedrano
02. @kidcudi
03. @avanope
04. @guillermoandrade
05. @venedaacarter
06. @readymade_official
07. @bafic
08. @raullopez
09. @stephane_ashpool
10. @asapnast
@off____white
@kennedyldn
#ImaginaryPalace #2050plus
#OffWhite #10x10
23 Sep 2026
Sneak peak from the upcoming video documentation of CANICULA, where 2050+ architects Ippolito Pestellini Laparelli e Francesca Lantieri expand upon the concept of the exhibition’s scenography
Developed in close relation with the content of the works, as well as with the architecture and history of the Complesso dell’Ospedaletto, the exhibition design becomes an additional perceptive and narrative element in the overall experience of the exhibition, starting from the use of materials that evoke and make manifest the erosive action of muggy weather and sunlight. The exhibition route comprises the environments that house the works, as well as rooms and spaces that appear isolated and protected, as if in an effort to stem the destructive potential of damaging external agents. And it is the staging of a hypothetical dialogue with a threatening outside world that guides the use of light throughout the exhibition – a light that hints, at different levels of intensity, at an intolerable climate bearing down on the space of the exhibition
CANICULA is open until November 22 at the Complesso dell’Ospedaletto in Venice and features 8 new site-specific video installations commissioned from Lawrence Abu Hamdan, Massimo D’Anolfi and Martina Parenti, Roman Khimei and Yarema Malashchuk, Janis Rafa, P. Staff, Wang Tuo, Yuyan Wang, and Maya Watanabe
Curated by @alessandro.rabottini and @leonardobigazzi
Scenography by @2050.plus
Video credits:
Directed and edited by @daviderapp
Filmed by @_giorgiodemarco_
Editorial Supervision and Project Coordination by @anninacastelli
Graphic Design by @lorenzomasonstudio
06 Oct 2026
Impressions from “Canicula”, the third and final chapter of the “Trilogy of Uncertainties” – a series of exhibitions commissioned by @fondazioneinbetweenartfilm exploring the design of moving-image-based shows as embodied experiences – currently on view at Complesso dell’Ospedaletto in Venice.
“Canicula” is curated by @alessandro.rabottini and @leonardobigazzi, respectively Artistic Director and Curator at the Fondazione, with set up and scenography by @2050.plus.
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The exhibition design creates a sense of entropy, precarity and vulnerability, reflecting instability as a breaking point between escape and withdrawal. Heat becomes a spatial presence, turning the exhibition into a site of tension between exposure and protection, inertia and intensity, where perception is blurred and matter breaks loose. The spaces respond to these conditions, activated through incision, wrapping and distortion. Architectural proportions shift, while technical systems are exposed and repurposed as agents of the exhibition design, generating a space both being formed and on the verge of collapse.
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With new site-specific installations by @lawrenceabuhamdan, #MassimoDAnolfiMartinaParenti, @janisrafa, @buddhathugtuo, @yaremaandkhimei, @p___staff, @maya_watanabe_, and @yuyanwang.
Images courtesy Fondazione In Between Art Film ©️
1-5, 7-12 @_marcocappelletti and @beppemiotto @marcocappellettistudio
6, 13 @g.i.a.c.o.m.o.b.i.a.n.c.o
On view through November 22nd
Exhibition design and scenography by @2050.plus (@sai_______i, @matteo__bozzi, @fralantieri, @ippopeste, @sofivtapia)
Installation by @altofragile_studio
Typography by @lorenzomasonstudio
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#Canicula #2050plus #fondazioneinbetweenartfilm #BiennaleArte2026
20 May 2026
@2050.plus has designed the set up and scenography for “Canicula”, a group exhibition commissioned by @fondazioneinbetweenartfilm, which just opened in Venice at Complesso dell’Ospedaletto, in parallel with @labiennale 2026.
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Following “Penumbra” (2022) and “Nebula” (2024), “Canicula” is the third and final chapter of the “Trilogy of Uncertainties” – a series of exhibitions initiated by the Fondazione at the Complesso dell’Ospedaletto, curated by @alessandro.rabottini and @leonardo.bigazzi. With this trilogy, 2050+ has explored the design of moving-image-based shows as embodied experiences, where scenography operates as an integral part of the curatorial framework.
Here, scenography operates as an extension of the films, translating their atmospheres and rhythms into spatial form. Conceived in continuous dialogue with the Foundation’s curators and the artists, the exhibition design becomes part of the curatorial script rather than a backdrop or technical support, moving beyond vision to engage the body and activate the works.
Canicula unfolds as a material, climatic, and mental condition – a state of saturation and suspension generated by relentless heat and light: floors rise, ceilings descend, surfaces blister or soften as if fatigued by exposure. Artificial light punctuates the path, shifting from flare to near-darkness while dense hues of orange suggest a metaphorical heat permeating the spaces from outside.
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With new site-specific installations by @lawrenceabuhamdan, #MassimoDAnolfiMartinaParenti, @janisrafa, @buddhathugtuo, @yaremaandkhimei, @p___staff, @maya_watanabe_, and @yuyanwang.
On view through November 22nd
Images courtesy Fondazione In Between Art Film ©️
1-10, 12-13 @_marcocappelletti and @beppemiotto @marcocappellettistudio
11, 14 @g.i.a.c.o.m.o.b.i.a.n.c.o
Exhibition design and scenography by @2050.plus (@sai_______i, @matteo__bozzi, @fralantieri, @ippopeste, @sofivtapia)
Installation by @altofragile_studio
Typography by @lorenzomasonstudio
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#Canicula #2050plus #fondazioneinbetweenartfilm #BiennaleArte2026
12 May 2026
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