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🔜 Paris Photo (10-15 Nov) @annelaurebuffard Modena workshop (21-22 Nov) @_sugarpaper_
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Recent posts
𝗣𝗔𝗥𝗜𝗦 𝗣𝗛𝗢𝗧𝗢 - 𝗜𝗧’𝗦 𝗢𝗣𝗘𝗡 ✨
@ilanitillouz @vyogananthan
📍 PARIS PHOTO @parisphotofair
Grand Palais, Paris
Secteur principal - Stand A48
Duo Show : Ilanit Illouz et Vasantha Yogananthan
📅 Du 12 au 15 novembre 2026
La Galerie Anne-Laure Buffard présente un duo show d’Ilanit Illouz et de Vasantha Yogananthan. Deux paysages extrêmes s’y répondent : la mer Morte, l’une des terres émergées les plus basses du monde, et le Ladakh, l’une des régions habitées les plus hautes. Ilanit Illouz montre sa série Les Dolines, Mer Morte (2016-2026), où le tirage subit une mue presque géologique. Son travail fait partie du parcours Elles x Paris Photo. Vasantha Yogananthan présente Silver Hands, Summer’s End (Inde, 2022-2026), des photographies du Ladakh rehaussées à la main aux crayons de couleur. Son stand fait partie des cinq expositions à ne pas manquer sélectionnées par le @prixpictet.
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Galerie Anne-Laure Buffard presents a duo show by Ilanit Illouz and Vasantha Yogananthan. Two extreme landscapes face each other: the Dead Sea, one of the lowest points on Earth’s land surface, and Ladakh, one of the highest inhabited regions in the world. Ilanit Illouz presents her series Les Dolines, Mer Morte (2016-2026), in which the print undergoes an almost geological transformation. Her work is part of the Elles x Paris Photo trail. Vasantha Yogananthan shows Silver Hands, Summer’s End (India, 2022-2026), photographs of Ladakh hand-coloured with pencils. His work is one of the five exhibitions not to miss selected by @prixpictet.
📸 Photos by by Wonwoo Kim @bebeoutes
@parisphotofair @ilanitillouz @annersseau @vyogananthan @prixpictet @aldeide_delgado @armance.co @atelier_image_collee @apresmidilab
11 Nov 2026
Son Pictures by Trent Davis Bailey is one of my favorite books published by Chose Commune this year. It’s rare to find books that truly push the medium of photography forward, and it’s important to recognize those that do. Hats off to @trentdavisbailey @cecilesayuri and @chose_commune
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In the words of the publisher: A multigenerational family story centered on the limited relationship between a bereaved son and his long-deceased mother—who died in a plane crash—as well as that same son’s new life as a husband and father. This nonlinear, narrative-driven book charts an artist’s journey through alternating currents of grief, pleasure, love, and heartache, suggesting how the past is ever-present.
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If you’re in Paris next week, do visit the Chose Commune booth (J07) at Paris Photo. Along with their catalogue, they will be presenting three new books by @karla.voleau @juliecockburnartist and @divyacowasji ✨✨✨
06 Nov 2026
𝐔𝐏𝐂𝐎𝐌𝐈𝐍𝐆 | 𝐏𝐀𝐑𝐈𝐒 𝐏𝐇𝐎𝐓𝐎 𝐏𝐀𝐑𝐈𝐒
@parisphoto is coming up soon ✨
𝐏𝐀𝐑𝐈𝐒 𝐏𝐇𝐎𝐓𝐎
Secteur principal
_ Stand A48 _
𝐈𝐥𝐚𝐧𝐢𝐭 𝐈𝐥𝐥𝐨𝐮𝐳 𝐞𝐭 𝐕𝐚𝐬𝐚𝐧𝐭𝐡𝐚 𝐘𝐨𝐠𝐚𝐧𝐚𝐧𝐭𝐡𝐚𝐧
Grand Palais, Paris
12 - 15 novembre 2026
Focus sur Vasantha Yogananthan et sa nouvelle série Silver Hands, Summer’s End, présentée en dialogue avec Ilanit Illouz.
Depuis 2022, Vasantha Yogananthan travaille au Ladakh, entre villages et villes transformés par le tourisme. Il photographie les corps et les gestes au plus près, pris dans un réseau de relations avec la terre, les bâtiments, les machines et les croyances, pour rendre sensible la montagne comme espace habité. De retour en France, il retravaille ses tirages, rehaussés aux crayons de couleur. Ce geste lent prolonge l’expérience du terrain. Il ne s’agit pas d’embellir l’image, mais d’en éprouver la prétendue neutralité documentaire.
Le projet se déploie en trois chapitres, au rythme des saisons. Silver Hands, Summer’s End en est le premier : l’été, temps du travail agricole et des chantiers.
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Focus on Vasantha Yogananthan and his new series “Silver Hands, Summer’s End”, in dialogue with Ilanit Illouz.
Since 2022, Vasantha has been working in Ladakh, photographing bodies and gestures up close to make the mountain felt as an inhabited space. Back in France, he reworks his prints with coloured pencils, a slow gesture that extends the experience of the field. The aim is not to embellish the image, but to test its supposed documentary neutrality.
“Silver Hands, Summer’s End” is the first chapter of a trilogy following the seasons: summer, the time of farm work and building sites.
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“The Forbidden”, série Silver Hands, Summer’s End, 2026. Tirage rehaussé aux crayons de couleur. 80 x 100 cm
“Listening to the Wind 2”, série Silver Hands, Summer’s End, 2026. Tirage rehaussé aux crayons de couleur. 71 x 89 cm
Portrait de Vasantha Yogananthan ©️ Cécile Poimbœuf-Koizumi
@parisphotofair @ilanitillouz @vyogananthan @clement_cheroux @annelaurebuffard_alb @studio_aza @apresmidilab
01 Nov 2026
𝐔𝐏𝐂𝐎𝐌𝐈𝐍𝐆 | 𝐏𝐀𝐑𝐈𝐒 𝐏𝐇𝐎𝐓𝐎 𝟮𝟬𝟮𝟲
@parisphotofair is coming up soon ✨
𝐏𝐀𝐑𝐈𝐒 𝐏𝐇𝐎𝐓𝐎
Secteur principal
_ Stand A48 _
𝐈𝐥𝐚𝐧𝐢𝐭 𝐈𝐥𝐥𝐨𝐮𝐳, 𝐕𝐚𝐬𝐚𝐧𝐭𝐡𝐚 𝐘𝐨𝐠𝐚𝐧𝐚𝐧𝐭𝐡𝐚𝐧
Grand Palais, Paris
📆 12-15 novembre 2026
La Galerie Anne-Laure Buffard est heureuse de présenter un Duo Show pour cette édition de Paris Photo : entre le désert de Judée, l’une des zones terrestres émergées les plus basses du monde, et le Ladakh, l’une des régions habitées les plus hautes, deux paysages extrêmes se répondent.
Avec 𝗟𝗲𝘀 𝗗𝗼𝗹𝗶𝗻𝗲𝘀 (Mer Morte, 2016-2026), Ilanit Illouz applique sur ses tirages le sel collecté sur place : en se cristallisant, il donne à l’image l’aspect d’un territoire lunaire.
Avec 𝗦𝗶𝗹𝘃𝗲𝗿 𝗛𝗮𝗻𝗱𝘀, 𝗦𝘂𝗺𝗺𝗲𝗿’𝘀 𝗘𝗻𝗱 (Ladakh, 2022-2026), Vasantha Yogananthan rehausse ses photographies aux crayons de couleur, un geste lent qui met à l’épreuve la prétendue neutralité documentaire.
Deux approches poétiques du tirage : une mue géologique, une colorisation à la main.
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The Anne-Laure Buffard gallery is delighted to present a Duo Show for this year’s Paris Photo: between the Judean Desert, one of the lowest land areas on Earth, and Ladakh, one of the highest inhabited regions, two extreme landscapes speak to one another.
With 𝗟𝗲𝘀 𝗗𝗼𝗹𝗶𝗻𝗲𝘀 (Dead Sea, 2016-2026), Ilanit Illouz applies salt collected on site to her prints: as it crystallizes, the image takes on the look of a lunar landscape.
With 𝗦𝗶𝗹𝘃𝗲𝗿 𝗛𝗮𝗻𝗱𝘀, 𝗦𝘂𝗺𝗺𝗲𝗿’𝘀 𝗘𝗻𝗱 (Ladakh, 2022-2026), Vasantha Yogananthan enhances his photographs with colored pencils, a slow gesture that challenges documentary neutrality.
Two poetic approaches to the print: a geological molting, hand-coloring.
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@parisphotofair @annelaurebuffard @ilanitillouz @vasanthayogananthan @apresmidilab @atelier_image_collee
#parisphoto2026 #photography #parisphoto #ilanitillouz #vasanthayogananth
29 Oct 2026
‘La France de Profil’, Paul Strand (La Guilde du Livre, Lausanne, Switzerland, first edition, 1952). Thank you for the great gift @clemverger !
29 Oct 2026
About last week.
27 Oct 2026
Light waves
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(Back on the Causse Méjean in Lozère for the fourth and final week of my artist residency)
25 Oct 2026
Kandel began her ten-year project, ‘At Home’, in 1979. It was published by @stanleybarkerbooks in 2021. In a short introductory text, Kandel explains: ‘I approached folks in grocery stores, bowling alleys, Woolworth’s, and corner stores. I told them that I would give them some pictures in exchange for allowing me to come and photograph them at home.’
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Kandel’s wide-angle lens, coupled with the use of a flash, allows her to take sharp pictures in which every detail is visible. Wallpapers and tablecloths, mothers’ floral dresses and fathers’ checked shirts create Matisse-like planes within the frame, forming a dazzling mix of harmonious patterns.
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It remains to be seen how families would respond to Kandel’s proposal in 2026 — fifty years later. If almost every parent has a camera phone, why would they allow a stranger into their intimacy? Kandel is a voyeur; she sneaks into people’s homes. In turn, readers of this book also feel like voyeurs. ‘At Home’ is an imaginary family album made up of dozens of individual family albums. It depicts life as it unfolds. We see everything: games, lunch, dinner, and bedtime routines. Rather than portraying the people themselves, Kandel captures the relationships between them amidst their daily routine.
22 Oct 2026
***DEADLINE EXTENDED*** On 21–22 November, Vasantha Yogananthan (@vyogananthan) joins us at Sugar Paper for De/constructing your Story, a two-day workshop on editing and sequencing.
We’ll look through photobooks, spend time with his work and take a fresh look at yours. There’ll be room to try another beginning, question a favourite image and see what happens when someone else looks at the sequence you’ve been staring at for weeks.
Bring prints of a project in progress. We’ll work towards a small book dummy.
🗓 21–22 November 2026 · 10 am–6 pm
📍 Sugar Paper · Via Cassiani 188/A, Modena
Up to 12 participants · In English
€250 until 31 October, then €300.
Lunch, water and coffee included both days.
Registration closes on 18 November.
↗ Programme and registration via the link in bio.
Wondering whether your project would fit? Drop us a message.
19 Oct 2026
It’s always a pleasure to be in conversation with artists from @jhavericontemporary — here’s a few installation shots from Jhaveri’s beautifully curated booth at Frieze London.
17 Oct 2026
‘Foto Povera’ by Giorgio Wolfensberger, published by @editionpatrickfrey in 2018. This understated book is about the medium of photography. Wolfensberger treats all subjects equally; the most beautiful landscape is given the same importance as a discarded object found in the street. The camera is used solely as a recording tool, with no artifice. The whole is greater than the sum of its parts.
16 Oct 2026
I’m thrilled to be giving a 2-day workshop with @_sugarpaper_ in Modena, Italy (21-22 November)
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This workshop will explore the different possibilities of photographic storytelling, questioning where a story begins, how it can be shaped, and how far we can move away from reality while still creating something meaningful. Through practical exercises and discussions, participants will be encouraged to experiment with narrative structures and to develop their own ways of telling stories with photographs.
14 Oct 2026
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