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On Wednesday, November 18 at 3:00 PM, the NABA campus in Milan will host the masterclass “Archivi della disobedienza” with French director Jean-Gabriel Périot, promoted by the Visual Arts and Curatorial Studies Area @visual_arts_naba on the occasion of the upcoming edition of the Filmmaker Festival @filmmakerfest , featuring an introduction by Marco Scotini @marco_scotini , Artistic Director of NABA, and film critic Cristina Piccino @cristinapiccino .
At the Filmmaker Festival 2026, Jean-Gabriel Périot will present his new documentary Une vie manifeste (2026) in the International Competition. The work, previously selected for the Cannes Classics section, retraces the intense trajectory of Michèle Firk: film critic, journalist, and anti-colonialist fighter. Through the use of archival materials, Périot transforms her radical choice into a reflection on political commitment, the violence of history, and the role of the intellectual in the face of revolution. “And just as in Une jeunesse allemande or Retour à Reims, he looks into history to investigate issues that question the present. The space of women, for example. And the relationship between art and politics—how much and in what way the former enters the latter, and vice versa.” (Cristina Piccino)
Jean-Gabriel Périot (Bellac, 1974) has directed numerous short films straddling the line between documentary,experimental cinema, and fiction. His works have been presented and awarded at numerous international festivals.Through research focused on film and photographic archives, he interrogates history, its violence, conflicts, and contradictions. His films include: Une jeunesse Allemande (2015); Lumières d’été (2017), his fiction debut; Nos Défaites(2019); Retour à Reims - Fragments (2021); and Se souvenir d‘une ville (2023).
Promoted by @visual_arts_naba
@tattoguidotti
@andrisbrinkmanis2
@hotpotatoes.it
@carteryin505
13 Nov 2026
Siamo felici di annunciare che la mostra Deposito morte Gerry di Gerardo Iudicone è prolungata fino al 28 novembre.
Presentato da @gianni_politi in partenariato con NABA, Nuova Accademia di Belle Arti, Iudicone esordisce con la sua prima mostra personale, indagando le dinamiche dell’attrazione, del desiderio e della proiezione, attraverso pratiche e linguaggi differenti.
La mostra si inserisce perfettamente nella mission della Fondazione Pastificio Cerere che da sempre è impegnata nel sostegno e nella valorizzazione delle nuove generazioni di artisti.
Orari di apertura: dal martedì al sabato dalle ore 15.00 alle 19.00 e lunedì su appuntamento. Fondazione Pastificio Cerere, Via degli Ausoni 7 – Roma
@gerry_x_iud
🍈 We are delighted to announce that Gerardo Iudicone’s exhibition *Deposito morte Gerry* has been extended until 28 November.
Presented by Gianni Politi in partnership with NABA, the New Academy of Fine Arts, Iudicone makes his debut with his first solo exhibition, exploring the dynamics of attraction, desire and projection through a variety of practices and artistic languages.
The exhibition fits perfectly with the mission of the Fondazione Pastificio Cerere, which has always been committed to supporting and promoting new generations of artists.
Opening hours: Tuesday to Saturday from 3.00 pm to 7.00 pm and Mondays by appointment. Fondazione Pastificio Cerere, Via degli Ausoni 7 – Rome
03 Nov 2026
"Controdizionario. Le sabbie mobili della memoria culturale"
Workshop con Justin Randolph Thompson
In collaborazione con Biennio in Arti Visive e Studi Curatoriali, NABA, Nuova Accademia di Belle Arti, campus di Roma
e con PERLa Research Unit - IUAV
Parte del Public Program di @contecontutto a cura di @lungomare_bozen_bolzano
Auto formazione / Baldwin's "A Talk to Teachers" / Voicing questions / Fare glossari / Place / Posizionalità / Riparazione-stare insieme attraverso i traumi/ Restituzione/ Arabic admiral / Beliefs are the police of the mind > Tools and Toolbox
Thank you all!!!
@justinrandolphthompson
@angelika__burtscher @dlbolzano
@ccanziani @g_olden_trash #elisadelprete
@perla_performanceresearch @aannjiii
@visual_arts_naba
02 Nov 2026
Quattro studentesse di NABA, Nuova Accademia di Belle Arti di Milano, hanno portato a The Others 2026 il gesto come luogo della memoria, personale e collettiva ✨
A cura di Jacopo Martinotti, Il corpo della memoria mette in scena ritualità e ripetizione: un messaggio trasmesso a voce tra sconosciuti, corpi assenti evocati dalla polvere di ferro, il linguaggio silenzioso del ventaglio, un corpo che abita e attiva lo spazio.
Il Performance Program di The Others 2026 è a cura di Lýdia Pribišová.
🇬🇧 Four students from NABA, Nuova Accademia di Belle Arti in Milan, brought gesture as a place of memory, personal and collective, to The Others 2026 ✨
Curated by Jacopo Martinotti, Il corpo della memoria stages ritual and repetition: a message whispered between strangers, absent bodies evoked by iron dust, the silent language of a fan, a body that inhabits and activates space.
The Performance Program of The Others 2026 is curated by Lýdia Pribišová.
📅 29 OCT • 01 NOV 2026
The Others 2026 / XV EDITION
🎟️ Biglietti/Tickets: theothersartfair.com
📍 Parcheggio Lancia, Piazzale Chiribiri / Turin / Italy
⏰ 29 ottobre • 16:00-22:00 / 30 ottobre • 11:00-21:00 / 31 ottobre • 11:00-21:00 / 01 novembre • 11:00-21:00
@regionepiemonte.official @cittaditorino @gtt_gruppotorinesetrasporti @gruppo_iren
#theothers2026 #contemporaryart #contemporaryartweek #turin #torinoartweek
31 Oct 2026
In the last Friday 23th October, in occasion of Beyond the Curatorial, we were honored to welcome curator and art historian Carol Yinghua Lu @carolyinghualu and artist and curator Liu Ding @liu.ding_liuding to NABA. Joined by curator Zasha Colah #zashacolah , they engaged in a deep discussion centered around imagining a ”post-revolutionary world,“ spontaneous practice, and the 8th Yokohama Triennale, Wild Grass.
The talk framed COVID-19 as a critical turning point, directly addressing the alienation and spectacle-driven nature of large-scale exhibitions (biennials and triennials) shaped by neoliberal systems and capital. The two curators proposed that amid a perpetual state of anxiety and crisis, individuals still retain a degree of ”spontaneous agency“ that transcends established rules and control.
Reflecting on their Little Movements research initiative launched in 2009, the talk emphasized non-hierarchical and anti-utilitarian artistic practices. In the 8th Yokohama Triennale, guided by the spiritual anchor of Lu Xun’s Wild Grass, the exhibition refocused its lens on the micro-existences of ordinary people, re-establishing the significance of the individual within both history and the present.
The discussion also delved into the local historicization of Chinese contemporary art since 1949. It highlighted that rather than simply applying Western binary narratives of ”avant-garde versus institution,“ research must be grounded in local historical continuity and complex realities, building a self-determined narrative through concrete historical inquiry.
We extend our sincere thanks to Carol Yinghua Lu and Liu Ding for their insightful presentation, as well as to our audience and the faculty and students of the NABA Visual Arts Department for their active participation!
27 Oct 2026
We are deeply honored to launch the new Beyond the Curatorial of 2026-27 academic year with Liu Ding @liu.ding_liuding and Carol Yinghua Lu @carolyinghualu , artistic directors of the 2027 Istanbul Biennial. They will present a talk on their curatorial practice titled ”From Little Movements to Wild Grass: Imagining the Post-Revolutionary World in Art.“
In 2013, Liu Ding and Carol Yinghua Lu co-curated Little Movements, taking a global look at the various components of the art system—from artists and curators to publishers and critics—to ask what producing art truly means in today’s globalized world.
In 2024, for the 8th Yokohama Triennale, Wild Grass: Our Lives, they responded to turbulent social realities by critically re-examining rigid artistic practices and institutional strategies. Pushing their exploration of the art system‘s internal momentum even further, they sought to reactivate a more sovereign and resilient future for artistic practice through a re-engagement with history and thought—imagining and building a post-revolutionary world in art.
The discussion will be moderated by Zasha Colah #zashacolah , Professor of Curatorial Studies at NABA Milan.
Beyond the Curatorial is a series of conversations curated by Andris Brinkmanis @andrisbrinkmanis2 in collaboration with Marco Scotini @marco_scotini and Zasha Colah, departing from the notion of the curatorial as an expanded, interdisciplinary practice that transcends the mere arrangement of objects within designated spaces (such as museums or galleries). It speculates whether even this already broad understanding could be further developed—and perhaps surpassed.
From Little Movements to Wild Grass: Imagining the Post-Revolutionary World in Art. In Dialogue with Carol Yinghua Lu and Liu Ding
Moderated by Zasha Colah
⏰October 23 | 11:00 – 13:00
📍Room T3.2， NABA Milan
Supported by
@tattoguidotti
@andrisbrinkmanis2 @hotpotatoes.it @carteryin505
@visual_arts_naba @naba
Biography
Liu Ding, is an artist and curator, who teaches exhibition display as a visiting professor at NABA Milan is known for work investigating how narratives are constructed and understood within historical and contemporar
21 Oct 2026
In the latest edition of NABA Reading Room last week October 16th, we had the pleasure of hosting Professor Nicholas Mirzoeff @nickmirzoeff on the occasion of the launch of his new books Sguardo Bianco and Vedere Nell’Oscurità—translated by Gruppo Ippolita and published by Meltemi Editore @meltemipress with Area Leader Andris Brinkmanis @andrisbrinkmanis2, professor Lorenza Pignatti @radicalcartographies and professor Beatrice Catanzaro @catanzarobeatrice from NABA Visual Arts, Marco Liberatore from Gruppo Ippolita.
Professor Mirzoeff guided us through a critical re-examination of our contemporary visual realm, spanning from the hyper-saturation of TikTok feeds to the chilling drone logic of ”kill boxes.“
Visuality is never neutral. From Renaissance perspective to colonial statuary in urban spaces, ”White Sight“ has long operated as a covert infrastructure of racial hierarchy and power control—a mechanism further intensified and normalized by today‘s pervasive surveillance technologies.
To counter the totalizing monopoly of capital and hegemony over the visual, we must ”activate the visual“ by shifting from passive consumption to reciprocal gazes, fostering an uncommodified, shared space of the common (communis). At the same time, we must assert the ”right to opacity“—defending our freedom to remain unmonitored, illegible, and undefined by dominant structures—while embodying the logic of ”murmurations“ through decentralized, spontaneous, and creative collective action to break hierarchies, slash through artificial screens, and confront hidden lived realities.
Our deepest gratitude to Nicholas Mirzoeff for such a vital conversation. Let us continue to rethink how we navigate the dark, reclaim our sight, and reassert the right to see and be seen.
Curated by Yin Shuai @carteryin505
Supported by Visual Arts Department
@tattoguidotti
@andrisbrinkmanis2
@hotpotatoes.it
@marco_scotini
#NABAReadingRoom #NicholasMirzoeff
19 Oct 2026
Weekend 3 | 28-31 ottobre 2026
Pratiche vocali e narrazioni collettive
Padiglione Italia, Tese delle Vergini, Arsenale
La voce come manifestazione corporea e creazione di spazio comunitario, strumento di memoria oltre i confini linguistici e culturali.
✦ Sabato 31 ottobre, ore 13 → Controdizionario. Le sabbie mobili della memoria culturale, workshop di Justin Randolph Thompson
Con la partecipazione dell’Unità di Ricerca PERLa – IUAV (Anja Dimitrijevic e Sara Tammone).
In collaborazione con il Biennio in Arti Visive e Studi Curatoriali e Manuela Pacella, NABA Roma
✦ Disponibilità posti limitata, iscrizione obbligatoria fino a tre giorni prima dell’evento su: [email protected]
Il Public Program è concepito e prodotto da Angelika Burtscher e Daniele Lupo (Lungomare).
Il Public Program è realizzato nell'ambito del Padiglione Italia alla 61. Esposizione Internazionale d'Arte - La Biennale di Venezia, promosso dalla Direzione Generale Creatività Contemporanea del Ministero della Cultura.
Weekend 3 | 28–31 October 2026
Vocal Practices and Collective Narrations
Padiglione Italia, Tese delle Vergini, Arsenale
The voice as bodily manifestation and creation of communal space, as an instrument of memory beyond linguistic and cultural borders.
✦ Saturday, 31 October, 1 pm → “Counterlexicon. The shifting sands of Cultural Memory”, workshop by Justin Randolph Thompson
With the participation of the PERLa Research Unit – IUAV (Anja Dimitrijevic and Sara Tammone).
in collaboration with the MA in Visual Arts and Curatorial Studies and Manuela Pacella, NABA, Rome Campus
✦ Limited places available; registration required no later than three days before the event writing to: [email protected]
The Public Program is conceived and developed by Angelika Burtscher and Daniele Lupo (Lungomare).
The Public Programme is presented as part of the Italian Pavilion at the 61st International Art Exhibition – La Biennale di Venezia, promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture.
contecontutto.it
#MiC #DGCC #BiennaleArte2026 #PadiglioneItalia2026 #ItalianPavilion2026
@mic_italia @creativita_contemporanea @labienna
18 Oct 2026
We are pleased to invite you on October 16, from 11:00 AM to 1:00 PM in Room G0.4, to the presentation of two recent books by Nicholas Mirzoeff, Professor and Chair of the Department of Media, Culture, and Communication at New York University. The event will feature Gruppo Ippolita, editors of the Culture Radicali series published by Meltemi; Beatrice Catanzaro, Professor of Visual Arts at NABA, Lorenza Pignatti, Professor of Phenomenology of Contemporary Art at NABA, and Lucrezia Cippitelli, Professor of Aesthetics at the Brera Academy of Fine Arts. .
This meeting is the first of the NABA Reading Room series running throughout the 2026/2027 academic year, focusing on contemporary artistic contexts and theoretical questions. In the past, we have had the pleasure of hosting artists, curators, publishers, and thinkers such as Raqs Media Collective, Pierre Bal-Blanc, Rirkrit Tiravanija, Tiziana Villani, Ilona Németh, Crackers (with Chiara Bottici), and Antonella Huber, who shared their practices and experiences with our students.
During the presentation, we will discuss White Sight: Visual Politics and Practices of Whiteness, a book in which the author traces the genealogy of the ”white gaze“—paraphrasing Simone de Beauvoir, ”one is not born white, but becomes white.“ Mirzoeff analyzes racializing capitalism, the cultural significance of statues and monuments, decolonial demands, and white supremacy to encourage reflection on what is too often taken for granted and to unveil what the dominant gaze hides and shapes.
In Seeing in the Dark: Palestine and Visual Activism, the author delves into historical and contemporary visual culture materials. He bridges theory with contemporary media analysis, offering a framework aimed at educating our vision toward solidarity and resistance, positioning Palestine as the crossroads of all struggles against colonialism, oppression, and abuse of power.
Nicholas Mirzoeff @nicholasmirzoefftqm is a visual culture theorist and Professor of Media, Culture, and Communication at New York University. A pioneering figure in Visual Culture Studies, his work critically examines the intersections of visuality, race, racializing capitalism,
14 Oct 2026
Visual Arts Department at NABA has established two discursive platforms last academic year—Beyond the Curatorial curated by Andris Brinkmanis @andrisbrinkmanis2 and Reading Room curated by Yin Shuai @carteryin505 —focusing on artistic sites and theoretical questions. Previously, we were honored to host artists, curators, publishers, and thinkers such as Raqs Media Collective @raqsmediacollective , Pierre Bal-Blanc @the_private_score , Rirkrit Tiravanija, Tiziana Villani @ti.villani , Ilona Németh @ilonanemethilona , Crackers @crackersthebooks (with Chiara Bottici @chiarabottici ), and Antonella Huber, who shared their practices and experiences with our students.
For the 2026/27 academic year, we will continue to deepen the academic trajectories of these platforms, inviting contemporary art practitioners to share their insights, engage with global perspectives, and foster meaningful dialogues between the contemporary world and our own practices.
We are pleased to announce our first two high-profile academic dialogues taking place this October:
NABA Reading Room
Deconstructing the White Gaze in Contemporary Art. Reading with Nicholas Mirzoeff @nicholasmirzoefftqm
• Date & Time: October 16 | 11:00 – 13:00
• Location: Room G0.4
• Moderator: Gruppo Ippolita #gruppoippolita
NABA Beyond the Curatorial
From Little Movements to Wild Grass: Imagining the Post-Revolutionary World in Art. In Dialogue with Carol Yinghua Lu @carolyinghualu and Liu Ding @liu.ding_liuding
• Date & Time: October 23 | 11:00 – 13:00
• Location: Room T3.2
• Moderator: Zasha Colah #zashacolah
Special thanks to
@tattoguidotti
@hotpotatoes.it
@radicalcartographies
@lilja.db
@marco_scotini
@visual_arts_naba
@naba
30 Sep 2026
Noi siamo ancora qui, all’emozione della prima mostra personale di Gerardo Iudicone presentata da Gianni Politi “Deposito morte Gerry” realizzata dalla Fondazione Pastificio Cerere, in partenariato con @visual_arts_naba @naba
La ricerca artistica di @gerry_x_iud ruota attorno a nuclei ossessivi che assumono il carattere di immagini-guida. Attraverso pratiche e linguaggi differenti, l’artista indaga le dinamiche dell’attrazione, del desiderio e della proiezione, trasformando soggetti apparentemente ordinari in indagini sul sé. La prima personale di Gerardo Iudicone si inserisce perfettamente nella mission della Fondazione Pastificio Cerere che da sempre è impegnata nel sostegno e nella valorizzazione delle nuove generazioni di artisti.
📍Deposito morte Gerry di Gerardo Iudicone, presentato da Gianni Politi
fino al 14 novembre 2026.
Orari di apertura: dal martedì al sabato dalle ore 15.00 alle 19.00 e lunedì su appuntamento.
Fondazione Pastificio Cerere, Via degli Ausoni 7 – Roma
🍈We are still here, caught up in the excitement of Gerardo Iudicone’s first solo exhibition, presented by Gianni Politi: *Deposito morte Gerry*, organised by the Fondazione Pastificio Cerere in partnership with NABA, the Nuova Accademia di Belle Arti.
Gerardo Iudicone’s artistic practice revolves around obsessive themes that take on the character of guiding images. Through different practices and languages, the artist explores the dynamics of attraction, desire and projection, transforming seemingly ordinary subjects into explorations of the self. Gerardo Iudicone’s first solo exhibition fits perfectly with the mission of the Fondazione Pastificio Cerere, which has always been committed to supporting and promoting new generations of artists.
‘Deposito morte Gerry’ by Gerardo Iudicone, presented by Gianni Politi
until 14 November 2026.
Opening hours: Tuesday to Saturday from 3.00 pm to 7.00 pm and Mondays by appointment.
Fondazione Pastificio Cerere, Via degli Ausoni 7 – Rome
Photo credit Angie Russo
26 Sep 2026
Get @reshare_app • @fondazionepastificiocerere
La ricerca di Arianna Pontil Ceste nasce da una condizione di doppia appartenenza, geografica e digitale, che le permette di cogliere le dinamiche e le iconografie della cultura di Internet con la distanza critica di chi le abita senza esserne pienamente parte. Attraverso pittura, video e l’utilizzo diretto delle piattaforme stesse, viviseziona il panorama online e cristallizza momenti virali, individuando significati più profondi nella cultura chronically online e rendendoli tangibili.
@thatoneartistwithpinkhair è tra le artiste e artisti selezionati per la VII edizione di #6artista. Progetto per giovani artisti, il programma di residenze ideato da @marcellosmarrelli per la Fondazione Pastificio Cerere, vede quest’anno le nuove collaborazioni con l’ @abaroma__ , @visual_arts_naba e rinnova la sinergia con @rufa_university con il sostegno del @mic_italia e di @siae_official nell’ambito del programma #PerChiCrea.
👾 Arianna Pontil Ceste’s research stems from a sense of dual belonging – both geographical and digital – which enables her to capture the dynamics and iconography of internet culture with the critical distance of someone who inhabits it without being fully part of it. Through painting, video and the direct use of the platforms themselves, she dissects the online landscape and crystallises viral moments, identifying deeper meanings within ‘chronically online’ culture and making them tangible.
Arianna Pontil Ceste is among the artists selected for the seventh edition of #6artista. A project for young artists, the residency programme conceived by Marcello Smarrelli for the Fondazione Pastificio Cerere sees new collaborations this year with the Academy of Fine Arts in Rome and NABA – Nuova Accademia di Belle Arti, whilst renewing its partnership with RUFA – Rome University of Fine Arts, with the support of the Ministry of Culture and SIAE as part of the #PerChiCrea programme.
photo credits @carloromanodh
18 Sep 2026
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