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The daily magazine for those who are driven Powered by @Porsche
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The Dissent of the Enclosure is the name of this manor extension sitting on a former wine estate 🍇
It fits, to be honest. Dissent means opposition, and while the manor looks refined and structured, the extension house by Marc Demailly is bent, distorted, and geometric. It’s asymmetrical in every shape and form, yet it works, even reminiscent of a Frank Gehry building.
The extension stands proud with its prismatic volumes, folded metal sheets, and cantilevers pulled in several directions. The silhouette changes as lines cross and planes shift almost everywhere, until no face of it looks the same. While steel shapes the structure, large glass panels overlook the garden and ponds outside. Then there’s the local stone that gives the house the character of the manor next door.
Inside the extension, there’s a large living room, two bedrooms, a bathroom, two offices, and outdoor pools. It is reflective inside and out, thanks to the steel surfaces, and large glass windows dress it with an open feel, going against the project’s title. The Dissent of the Enclosure is a 300-square-meter extension finished in Germany in 2026, sitting beside a nineteenth-century manor house on a former wine estate.
Photos by @marc_demailly
Words by @itsmatthewburgos for @type7
05 Nov 2026
@vanquishceo’s take on @996roadtrip ⛺️ 🇯🇵
04 Nov 2026
Humo House is two homes joined together, their roofs cut diagonally in perfect measure 🔻
Architect @comodoroo started the project with a cube structure and split it in half. The two larger facades open to the lake, while the two smaller ones, with the cut roofs, face the open land, with the entrance tucked into the lower corner.
Inside, the house greets visitors with an open space running the full height and holding all the shared rooms. Then the other half of the house has the private rooms across three levels. In the dining area, a long table made from a fallen larch trunk fills the ground floor.
Upstairs are two master bedrooms, with their doors facing each other across a shared corridor. Higher up, a study overlooks the triple-height space below. The roof’s shape pinches one wall of this floor, and then the room opens to five meters on the other side.
Inside and out, the house is clad in raw timber slats, each stained by hand. A path links two small ponds that run through the entrance and terrace, crossing the stream and reaching a fire pit. Past the trees, a small bay opens in the vegetation, and that is where the lake first comes into view.
Photos by @marcoszegers and BARO
Words by @itsmatthewburgos for @type7
04 Nov 2026
‘Walking Men Worldwide’ by @mayabarkai 🚶
The works made their debut in January of 2010, as ‘Walking Men 99,’ a commission from the Alliance for Downtown NY.
These 99 figures were aptly displayed at 99 Church Street in Manhattan and spanned 500 feet of construction privacy canvas. They were left on display for the public to enjoy for nearly three years.
Baraki’s process for gathering the images was a contest or collaboration of sorts, as she put out an open call to photographers from around the world to submit “walking men” to her platform.
Photos by @mayabarkai @walkingmenww
03 Nov 2026
It’s hard to imagine a more 90s colour than Ocean Jade Metallic 😮💨
Driving through Daikanyama toward our shoot location, @s_line_ag_kameda lets the car do most of the talking.
At his workshop in Yokohama, Kameda-san focuses on the cars collectors spent years ignoring: 986s, 987s, and the first-generation 996. While most people stuck to air-cooled cars, he built his work around the oddballs, the misunderstood, and the bold.
Few cars show that better than this 1998 Carrera 4.
Imported new to Japan by Mizwa, it left the factory in Ocean Jade Metallic over a full Nephrite Green leather interior. Even in the late nineties, all that green felt like too much for most people. Today, it looks like pure confidence - a daring snapshot of late-90s Porsche.
Kameda first saw the car a decade ago when a regular customer brought it in for service. It was driven often and cared for properly. When Kameda finally told the owner how much he loved it, the owner made a simple promise: “Whenever I’m ready to let it go, she’s yours.”
Ten years later, the keys were finally handed over. Kameda’s goal is simple: keep the car clean, original, and true to what it is.
Still, the real reason he waited so long has little to do with rare paint codes.
“My daughter fought a terminal illness over the past few years,” Kameda says quietly. “This green was her favorite color in the world. I needed to have it - not just as a Porsche, but as a lasting thread between us.”
Photos and words by @azzyjelly
03 Nov 2026
The @euskalmuseoa in Bilbao has been restored to its former glory 🔨
@vaillo.architects pulled the design back to neutral classicism for the restoration, so the surface gets a lime-mortar finish (that was how these buildings were usually treated for centuries). Wood, stone, and steel, the traditional materials of Basque culture, frame the structure and interiors.
The roof’s timber trusses shape the canopy, inspired by the traditional baserri farmhouses and old shipbuilding. In the curators’ words, Basque culture is “aretz bizia,” a living organism, and these materials represent that.
Architects used the original 1867 plan of the building as the blueprint for the restoration, with the aim was to restore the complex’s original layout and line it up with the cloister’s original floor levels. The result: the cloister holds the permanent collection, the Plaza Unamuno building has temporary galleries and accessible storage, and the old almshouse tells the museum’s story through themed rooms.
Bilbao’s Basque Museum began in 1600 as a Jesuit college, and after the Jesuits were expelled, the complex was rebuilt, reshaped, and rebuilt again. The Casa de Misericordia, an almshouse, arrived in 1711, and then a third floor was added to the municipal school in 1830. The Basque Archaeological and Ethnographic Museum opened in 1914, and the Municipal Courts moved in in 1924.
The cloister was restored in 1976, the Plaza Unamuno building was renovated in 1980 and then demolished and rebuilt in 1986, and a glass roof went over the cloister in 2018. The renovation began in 2020, and today, the restoration stands as the refreshed work around and within the museum.
Photos by @bergeraphoto
Words by @itsmatthewburgos for @type7
02 Nov 2026
Though we’re used to a world where photo manipulation is almost comically easy, there was once a real art to pulling off images like this, as @stanevansphoto has been showing us with his Porsche in the Wild series. 🌺
Each one of Stan’s images is shot twice on a single sheet of 4x5 film. First he takes a photo of a car, then he carries that undeveloped negative with him until he’s found a second subject to expose it against.
4x5 cameras have produced some of the most beautiful images in photography, but they come with a whole wealth of risks that even the most seasoned of film photographers usually never meddle with. Like any art form however, wrestling skill and artistic intent against the difficulties of the medium is part of the point. There are easier ways of achieving a similar thing, but truly unique results don’t come without some obstacles.
Enjoying film photography like this on a screen is one thing, but seeing it in print is the only way to really do the medium justice. If you’re in LA this Weekend and you want to learn more, be sure to check out Stan’s work in person at @themotoringclub where the full Porsche in the Wild series will be on display.
Images by @stanevansphoto
02 Nov 2026
The student residence OASIS has the kind of exterior color that 2026, and beyond, needs 🟩
In a sea of gray, colorless buildings, it’s quite a vibrant change and a bold step by @atelier_stephanefernandez. The L-shaped building sits on the Plaine du Var, the stretch of land between the city of Nice and the river.
The exterior shines in a single, monochromatic soft-green shade, enough to stop passersby in their tracks to admire it. The windows are made of opalescent recycled glass, uniformly sized and placed in rows of tall panels.
Inside, the student residence is post and beam, with drywall partitions, so the spaces can change their layout over time. All 200 student units are arranged along walkways.
A coworking space, study rooms, a gym, a café, a laundry, and rooftop community gardens sit within the building as shared rooms, and at ground level, a commercial frontage, a bicycle repair space, a literary café, and a courtyard open onto a garden of local plants. It’s more of a neighborhood and community than a residence full of students.
OASIS connects directly to Meridia Square and Mercantour Park through a pedestrian zone. There’s also one underground parking level that keeps the ground free for people and plants. May this radiant residence continue to pull modern buildings away from muted colors.
Photos by @vladimirdmdj
Words by @itsmatthewburgos for @type7
01 Nov 2026
Resting against the empty stalls of Hong Kong’s century-old wholesale fruit market sits the 964 30th Anniversary Edition: Unveiled in 1993 to celebrate three decades of the 911, the Jubilee combined the widebody from a Turbo, an all-wheel-drive grip but with the purity of a naturally aspirated flat-six engine.
Of the 911 units produced globally, roughly 50 left the factory in right-hand drive – most of them bound for the UK, where Joe found this sample about 10 years ago. After properly enjoying the Jubi on its native roads, it was then exported to join his collection in Hong Kong. This specific 30th Anniversary Edition is dressed in Viola metallic and was mostly kept original until he replaced the 17” Cup wheels with the 18” Speedline Turbos to accentuate the turbo look.
As the first light broke over the Kowloon peninsula, we started rolling. Leaving the fruit market behind, the air-cooled 3.6-liter flat-six hums to life as Joe stretches the Jubi’s legs along the
Island’s coastal bypasses. A decade on from bringing it across two continents, his honeymoon phase with the 964 shows no signs of ending: He has zero interest in keeping it locked away – it’s his early-morning ritual, best enjoyed at 6,000 rpm against the backdrop of Hong Kong.
Photos and words by @spottedbycyrus for @type7
01 Nov 2026
The House of Rejuvenation transforms a traditional Korean hanok into a wooden art gallery, tea house, and wellness clinic 🍵
@j.k_a.r splits the space into three distinct halls. The Hall of Remedy is a traditional Korean wellness and medicine clinic, but instead of sterile white walls and lighting, it sits within a space filled with wooden slabs and natural light.
The Hall of Meditation, despite its name, is an art gallery inspired by Samgwejeong, a 200-year-old traditional house, and the Jahamun of Bulguksa temple in Gyeongju. Then there’s the Hall of Contemplation, where visitors can sip tea and attend ceremonies under the canopy of traditional East Asian wooden joinery.
Outside, three yards also offer different paths. The courtyard connects the main entrance to each hall, while the back yard serves as the service and parking area. In the front yard, guests can see the mountain and open-air museum Gyeongju Namsan from where they’re standing.
The architects say the House of Rejuvenation can set an example in Korea of how using local materials and new designs can allow traditional hanok houses and roofs to keep up with the demands of contemporary buildings and function as one.
Photos by @rohspace
Words by @itsmatthewburgos for @type7
31 Oct 2026
Trick or treat? 🎃
📸 @jonjonmokfilm
31 Oct 2026
In 1973, architect Raffaele Contigiani designed the Hôtel du Lac in Tunis, Tunisia 🏨
It looked like an inverted concrete staircase, and each floor was wider than the one below it. It stood on the edge of Lake Tunis, overlooking the water and the city, and was built nearly 60 meters deep into the ground of the lake to keep the structure stable.
Inside, the floors were covered in linoleum, and the walls were reportedly plain concrete with no decoration, true to its Brutalist nature. In the 1990s, the hotel went into decline before permanently closing in 2000.
The next 20 years saw several attempts to renovate and preserve the structure amid its degrading architecture, caused by weather, water, and even fires. In 2010, the Libyan investment company LAFICO acquired the hotel and announced plans to demolish it and replace it with a 20-story hotel and shopping center.
A public backlash followed, including from revered architects, historians, and heritage groups, and these groups managed to postpone the demolition twice between 2010 and 2020. In 2022, Tunisia’s Ministry of Culture even gave Hôtel du Lac temporary architectural protection, but it lapsed in 2023 and was never renewed.
In August 2024, the local government officially approved the demolition, with engineers citing the architectural risk and wear of the structure over the last 25 years as a reason to tear it down.
The demolition began in August 2025, marking the first step toward replacing it with a 20-story hotel and shopping center. It is believed to replicate the design Contigiani conceived, only made from glass and steel instead of concrete.
Photos by @carlos_viaja and @aguynamedriadh
Words by @itsmatthewburgos for @type7
31 Oct 2026
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