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@thecoldmagazine

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Spreading culture since 2024.

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COLD is landing in the city of water. 🌊 Our first exhibition in Italy opens at @creavenice, on the island of Giudecca, in the closing days of the 61st Venice Biennale. An Exhibition in Two Voices brings together 17 artists selected through our international open call, shown alongside a group of 8 invited artists & judges. Artistic direction by @ethe_rrealm. Curated by @sallyhernandez.e, @ilaricera, @tati_marti and @carloopzan. Muro ondoso by @macchiato.celebratioartis. Drawing experiences by @minedeplomb.studio with @elisajugeholtermann. The opening includes a Jelly cocktail experience curated by @wuquelab. 📍 CREA Cantieri del Contemporaneo, Spazio Hydromirò, Giudecca 211, Venice 🗓️ Public opening: Saturday 21 November, 17:00–20:00 Open to the public 21–28 November Limited capacity on arrival. Check the full schedule, which includes performances, and RSVP at the link in bio. In collaboration with @creavenice, @malelingueedizioni, @macchiato.celebratioartis and @wuquelab. At the end of the exhibition, a prize will be presented in collaboration with @10zerouno. This project is supported by @multiformelighting Media partner: @artslifemagazine 09 Nov 2026

A good night out, according to Alisha Boe (@alishaboe), starts with a long dinner. The Norwegian-Somali actor is best known for her roles in 13 Reasons Why and The Buccaneers, and is also the newest global ambassador for YSL Beauty (@yslbeauty). “[It] usually involves seafood. Oysters, gildas, little small plates,” she tells COLD. “From there, another cosy bar, perhaps some dancing, and a karaoke room to finish.” “LA knows how to make a night feel spontaneous; London knows how to make a night feel like it might go on forever,” our October cover star says. “Both get it wrong when they try too hard to be cool. The best nights happen when nobody’s checking what time it is – or who’s watching.” It’s a conversation that has found its way into the beauty industry, too, with YSL Beauty’s latest Black Opium campaign taking inspiration from a post-pandemic generation increasingly interested in human connection. Read the full interview at the link in bio. Words by @penelope.bianchi Edited by @flosivie 30 Oct 2026

A battered pair of trainers, a faded photograph, layers of old staples left on empty poles. RCA graduate Richie Culver (@richieculver) brings these everyday relics together in his new exhibition, The Persistence of Things, exploring how objects outlast the moments and the people we associate them with. Often grounded in British club culture, these objects form part of Culver’s process of memorialisation, which immortalise those things that might otherwise be forgotten. We see footwear collected since the 1990s encased in resin and personal photographs stapled to supports and torn away. In The architecture of absence (2026), Culver references gig and rave posters that covered telegraph poles in a pre-social media world. As the paper is removed, our attention to shifts to the staples – though the events are long over, their enduring physical traces remain. Terry’s Reeboks 1997 ish (2026), recalls a time in the 90s when the Reebok Classic was a staple of British club culture. “When I went to Ibiza for the first time,” Culver recalls, “I remember seeing Alexander McQueen at Pacha wearing camouflage trousers and Reebok Classics. I thought, yes, this is happening.” He began collecting his friends’ worn trainers to hold onto the memories attached to them. Preserved in resin, the shoes retain all the scuffs and creases of evenings past. Rebooks return in less joyful circumstances in His Last Words (2026), where a photograph of Culver’s stepfather in his final moments, being cared for by the artist’s mother, is loosely attached to a curled Reebok Classic. Printed on cartridge paper, the intimate image and its unexpected placement, brings the exhibition’s questions about memory into the complex territory of grief. “As men, even as little boys, we’re not taught how to speak about the act of dying, death or mourning. The work isn’t a celebration of death, rather, I wanted to bring the experience to life in some way.” Here, keeping an object becomes a way of holding on to someone, even as the life around it continues. The Persistence of Things runs at @pacheco.london, 9 Linhope Street, until 19 December 2026. 12 Nov 2026

The Mandrake Hotel (@themandrakehotel), a luxury-property based in the heart of Fitzrovia, central London, is somewhat of a labyrinth. The greenery-laden interiors are destined to be lost on passers-by. Walking into the hotel for the first time on Halloween night was an unforgettable experience. Sultry performers greeted us as an air of curiosity and slightly darkened energy subsumed the space. We arrived right as The Swarm performance began. We watched, chartreuse over ice in hand, as movement artists and actors began taking over the central performance space. Adorned in very little fabric, they slithered across the floor as haunting bass and vocals cemented the energy. Dressed in their best Halloween garb – ghouls, demons, and devils could be seen in every corner, sauntering throughout the space as if they owned it. Energy was high and everyone had a drink in hand, ready for the next chit chat, galavant over to the bar, or quick nip outside for a cigarette. This was no average halloween party, the theme being Dante’s Inferno. Guests were expected to curate their look in accordance with the predetermined dress code. And they certainly delivered. When it comes to the creative direction of The Mandrake, its efforts focus on internal event production and concept development. The team works on any number of interesting and exciting events programming throughout the year. Instead of bringing agencies in to execute their unique and particular vision, the creative team is based in-house. This internal team delivers an exciting docket of events from the minds who live and breathe The Mandrake directly. In order to get a fuller vision of what the creative process looks like, COLD chatted with Creative Director, @scanadully, and Head of Production, @andressaclaas. Read the full article at the link in bio. Written by @smhlorn Photography by @lozfolio Rami Fustok wears Mmesomachi Ohanwe & Silje wears Annies Ibiza. @om4licha and @anniesibiza 11 Nov 2026

M John Harrison makes Booker Prize history at 81. The science fiction writer has won the 2026 Booker Prize (@thebookerprizes) for his novel The End of Everything, becoming the oldest-ever recipient of the prestigious literary award. The win marks another significant milestone, as Harrison’s post-apocalyptic novel is the first Booker Prize winner to emerge from the established science fiction world, according to prize chief executive Gaby Wood. Published by Serpent’s Tail, The End of Everything is set in a deteriorating near-future Britain, where mysterious sea creatures and an enigmatic artefact threaten an already fragile society. The judges, chaired by Mary Beard, reached a unanimous decision, praising the novel for its originality, dark humour, and literary ambition. Harrison has been publishing for six decades. He succeeds a distinguished line of Booker winners, with Margaret Atwood previously holding the record as the oldest recipient, at 79, in 2019. Words by @lexicovalsen Read the full article at the link in our bio. 10 Nov 2026

The V&A (@vamuseum) have announced their new exhibition ‘Punk to Pop’, opening in March 2027. COLD attended the press breakfast at the historic @100clublondon, with a talk from senior curator Kate Bailey (@kbaileycurator) and a sneak peek of the featured objects, including the original artwork for ‘Never Mind The Bollocks Here’s The Sex Pistols’ (1977). Over 300 objects chart the explosion of creativity and punk subculture from 1972-1985 amidst political austerity and Thatcherism across music, fashion and film. Highlights include photographs of Grace jones by Andy Warhol, The Clash’s Mick Jones’ first electric guitar, clothing worn by Sylvester and George Michael’s stage costumes. The exhibition runs from 13th March 2027 - 2nd January 2028 at the V&A and is sponsored by Virgin. *Cover image: Sonia Eyes, 1983. Photograph by Robyn Beeche Words by @flosivie 10 Nov 2026

Pitchfork London Festival on Saturday night saw @asianpaper @meyy____ @bigthaiboy @mechatok @skrillex @waitareyoutwins take to the stage at @villageunderground @pitchforklondon @pitchfork @pitchforkfest @easternmargins Photography by @simran_k_01 10 Nov 2026

In Bernard’s social drama, we follow a group of best friends whose love and empathy are put to the test. Becoming adults in a world so unsuitable for new generations isn’t something they had dreamed of. Gradually, Dickensian great expectations are exchanged for struggle, frustration and, ultimately, disappointment, while the pureness of youth is swapped for depression, addiction and infidelity. Would their friendship survive as the whole fractures? Read COLD's interview at the link in our bio. Written by: @tracz_janek photographer: @gabriela_szczypa 09 Nov 2026

It’s Pitchfork London Festival time of year again. Wednesday night saw @d4ine @mgnacrrrta and @touching_ice take to the stage at @villageunderground with more nights planned across London for the rest of this week. Photography by @simran_k_01 @pitchforklondon @pitchfork @pitchforkfest 08 Nov 2026

Autumn has brought a run of music documentaries, and most of them are looking back. Garth Jennings follows @welovepulp to the biggest arena show of their career in What Do You Do For An Encore?, narrated by Jarvis Cocker himself. @rickrubin sits Jay-Z down for eight long, black and white conversations in JAŸ-Z In 8, and both are now streaming on @mubi. @oasis put their 2025 reunion on screen in Don’t Look Back In Anger, with Liam and Noel’s first joint interview in over 20 years, now on @disneyplusuk. And Patrick Wolf finally explains where he went in WOLF, guided by his old friend Tilda Swinton. It opened this year’s Doc’n Roll Film Festival and screens again at the @barbicancentre on 8 November. Two of them are looking forward instead. @macdemarco spends a week in LA writing a ballad with Italo disco star Ryan Paris in 7 Days in May, premiering at the @icalondon on 3 November. And France’s biggest rapper Ninho wonders whether he wants to carry on at all in Fame Ain’t Worth It, landing on @netflixuk on 4 November. Six films and where to watch them, at the link in bio. Words by @roisinteeling 08 Nov 2026

Leonard Cohen passed away a decade ago today, on November 7, 2016, at the age of 82. His death came two weeks after the release of his final album, You Want It Darker: an unflinching meditation on mortality, aging, faith and a final reckoning with God. “I’m ready, my Lord”, his raspy chainsmoker voice growls at the end of the title track. Three Cold writers pay tribute to the late Canadian folk artist, poet and novelist. One climbed the spiral staircase in the pouring rain to his cottage on the Greek island of Hydra, which he inhabited with the muse behind the song “So Long, Marianne” – and got a skirt with his face on, custom-made. Another spoke with the younger generation of habitués of the Chelsea Hotel, where Cohen lived in the late 1960s. Words by @charliehills_ @conniefletcher_ @missoteric @phoebe.la.pirata 07 Nov 2026

Pointing a camera, beneath its glamour or nostalgia, reveals an anxious awareness of time: the desire to collect what is beautiful and worthy of attention before it disappears. See the full editorial at the link in bio. Creative Direction and Photography: Natalia Peralta @maria____nataliafor Nicolas y los Fumadores @los_fumadores Art Direction and Styling: Maria Prieto @delirio.furioso Photography Assistant: Maria Prieto Gaffers: Julian Franco @julianrfranco and Mauve Herrera Clothing by @mil.disfraces and @furiosatienda Executive Producer & Management: Santiago Velasquez @santi_vel1 07 Nov 2026

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shortcode	caption	likes	comments
Dfhs232tRj4	COLD is landing in the city of water. 🌊 Our fir…
DfHqNbNtDye	A good night out, according to Alisha Boe (@alis…
DfpHdo0CIWv	A battered pair of trainers, a faded photograph,…

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shortcode	caption	likes	comments
Dfhs232tRj4	COLD is landing in the city of water. 🌊 Our fir…
DfHqNbNtDye	A good night out, according to Alisha Boe (@alis…
DfpHdo0CIWv	A battered pair of trainers, a faded photograph,…

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username	full_name	user_id	is_verified	is_private	profile_pic_url

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up to 194 accounts

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Every account this one follows, same fields.

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