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Bio
Contemporary art in DTLA. Expanding in 2028. See what’s here now & watch what’s next.
Links
thebroad.org/linkinbio ticketing.thebroad.org/events/84185978-8137-44a7-9774-356133b9997d www.thebroad.org/events/celebrate-community-la-taco www.latimes.com/entertainment-arts/story/2026-10-20/broad-moving-art-paris-leimert-park-construction www.timeout.com/los-angeles/news/the-broads-next-free-exhibition-confronts-mass-media-and-memory-082026-
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Recent posts
Have you ever stared too long at a work at The Broad and thought “Why?” “How?” or “Who?”
Our Visitor Experience team can answer all your questions during our free public tours occurring every day at 3 pm in the collection galleries, except Thursdays, when the tour moves to our special exhibition galleries.
Discover how popular media and religious narratives shaped Roy Lichtenstein's I...I'm Sorry! (1966). Encounter works by Mickalene Thomas, like Le Déjeuner sur l'herbe: Les Trois Femmes Noires d'après Picasso (2022), which centers the multilayered experiences of Black women, subjects who have been excluded from Western art history.
Free public tours will take you beyond the wall labels, helping visitors discover the stories and ideas behind the artists and their work.
General Admission to The Broad is free. Reserve your tickets at the link in bio.
30 Jul 2026
Something is happening inside The Broad. The galleries are shifting…almost two-thirds of them. Come see what’s changing now through October.
General Admission to The Broad is free. Reserve your tickets at the link in bio.
18 Sep 2026
Picture the house you grew up in. Do the walls line up perfectly in your memory? Perhaps they resemble the tilting perspectives in Jonas Wood's paintings🏠
In 10 Pigeon Hill Road (2024), Wood travels back in time to visit his childhood home in Massachusetts. A family portrait hangs unevenly on a wall, while moving boxes scattered throughout the skewed room suggest a home in transition.
For his vibrant, boldly patterned paintings, Wood draws from memories and the people and places closest to him, often beginning with a collage of personal photographs. He compresses space, flattens objects, and alters scale, resulting in off-kilter, yet familiar images. The artist explains, “of all the possible things I could paint, the thing that interests me is something that I can get close enough to in order to paint it honestly.” Wood captures authenticity through the emotional experience of remembering, making the painting a portrait of memory itself.
10 Pigeon Hill Road is one of more than 30 works from the vault installed in our collection galleries. General admission is free. Reserve your tickets at the link in bio 🎟️
Artist Credits:
Jonas Wood, 10 Pigeon Hill Road, 2024, oil and acrylic on canvas, The Broad Art Foundation.
01 Jan 1970
Come for the Flea, stay for the drag! 🪶✨
Join The Chapter House for a full weekend of Indigenous art, community, and unapologetic Indigequeer joy!
🛍️ LA NDN Flea with our partners at The Broad (@thebroadmuseum): On Saturday, November 7 (10 AM to 5 PM) and Sunday, November 8 (10 AM
to 4 PM), shop and support Native-owned businesses, enjoy food, and connect with community organizations. FREE tickets at thebroad.org.
💋Sage-Based Drag Night at REDCAT
(@calartsredcat): On Sunday, November 8 at 6
PM, catch @janaunplgd, @brian_bahe, @landalakes, @ladyshugdrag, @bigmamatama, and @bohennearreaux for Indigenous comedy, drag, audience participation, and a live recording of the @sagebasedwisdom podcast. $27 tickets at redcat.org.
#LANDNFlea #DragShow #TheChapterHouse #TheBroad #NativeAmericanHeritageMonth
04 Nov 2026
DTLA ArtNight is back this Thursday 🌃
The Broad joins DTLA ArtNight (@dtlaartnight) on Thursday, November 5, as part of our weekly free Thursday evenings, when we’re open late from 5pm to 8pm. Come see our third-floor galleries, where we’ve installed more than 30 works from the vault, including pieces by El Anatsui, Philip Taaffe, Takashi Murakami, John Baldessari, and Cindy Sherman.
Keep the night going across Grand Avenue, the Historic Core, and the Fashion District, where galleries and venues open their doors for free, many until 10pm.
Head to the link in bio to see who’s taking part, explore the full lineup, and reserve your free tickets to The Broad 🎟️
📸[2-7] photos by @salvador_ceja_garcia
03 Nov 2026
Psst... SOUND ON for the tea ☕️
Indigenous art, community, and joy all in one place. 🪶✨
The LA NDN Flea is back with our partners at The Broad (@thebroadmuseum)! Join us for a celebration of Indigenous creativity featuring vendors, handcrafted goods, art, food, community organizations, workshops, and music.
Come shop and support Native artists and entrepreneurs, connect with community, and celebrate the many Indigenous Peoples who make Los Angeles home. Bring your friends!
📅Saturday, November 7 & Sunday, November 8
⏰Saturday 10 AM-5 PM, Sunday 10 AM-4 PM
📍 The Broad in DTLA
🎟️Tickets are free, link in bio
#LANDNFlea #TheChapterHouse #TheBroad #NativeAmericanHeritageMonth #LosAngeles
02 Nov 2026
We’re getting into the Halloween spirit with the work of Mike Kelley 💀
Kelley, who would have turned 72 this week, was known for pulling from B-movies, comic books, and underground music, then twisting their meaning to find “what is hidden, repressed, within it.”
Emerald Eyehole (1989), Satan’s Nostrils (1989), and Blood and Soil (Potato Print) (1989) may look like spooky doodles from the margins of a high school notebook, but Kelley enlarged them to the size of gym banners. The banners from the Pansy Metal/Clovered Hoof series were originally designed as costumes for a performance Kelley staged with dancer Anita Pace on a fashion show-style ramp set to Motörhead. Rendered in black, white, red, and green, the ghoulish skulls, devils, and Irish clovers mock heavy metal’s attempts to appear menacing, down to the Motörhead-style umlaut Kelley gave his own name.
While these works are currently stored in our vault, over 30 other artworks from the collection have been reinstalled in our third floor galleries. General admission is free. Reserve your tickets at the link in bio 🎟️
Artist Credits:
Mike Kelley, Emerald Eyehole (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk, The Broad Art Foundation
Satan's Nostrils (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk, The Broad Art Foundation
Blood and Soil (Potato Print) (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk, The Broad Art Foundation
31 Oct 2026
A fitting title for this Halloweekend: Philip Taaffe’s The Sorcerer’s Apron (1998–1999) is newly on view, alongside El Anatsui’s Intermittent Signals (2009) and more 🎃
Nearly two-thirds of our collection galleries have been reinstalled, with works brought out of the vault and onto the walls. Spend this spooky weekend with us 💀
Free general admission. Reserve at the link in bio.
29 Oct 2026
The aunties are clocking IN! 🔥
Presented by @thechapterhousela, @thebroadmuseum, @calartsredcat, and @sagebasedwisdom, join us for SAGE-BASED DRAG NIGHT, an unforgettable evening of Indigenous comedy, drag, and the smudgiest, sagiest advice you never knew you needed! 👑
Hosted by @janaunplgd and @brian_bahe, and featuring @landalakes, @ladyshugdrag, @bigmamatama, and @bohennearreaux, this night brings together stand-up comedy, fabulous drag performances, and a LIVE recording of @sagebasedwisdom
🗓️Sunday, November 8, 2026
⏰ 6 PM
📍 REDCAT, Downtown Los Angeles
$27 (redcat.org)
Grab your tickets now! Link in bio.
🔞 Mature content. The aunties are NOT holding back.
#SageBasedWisdom #IndigenousDrag
#NativeComedy #LANDNFlea
28 Oct 2026
Celebrate Community filled The Broad’s East West Bank Plaza with art, music, and food this past weekend 🎨🎧🌮
Visitors explored newly installed works from the Broad collection, witnessed murals painted live, tried their hand at spray painting, shopped local vendors, and enjoyed food from L.A. favorites, all while dancing to DJ sets.
Saturday’s festivities were part of Grand Ave Arts: All Access, a free annual day of performances, tours, and activities across Grand Avenue cultural organizations. #GrandAveArts
Miss out on the fun this time? Our next event, LA NDN Flea, is happening November 7 & 8. Presented with The Chapter House (@thechapterhousela), the Native flea market celebrates National Native American Heritage Month, with a queen-centric comedy and drag show, Sage-Based Drag Night, at REDCAT that Sunday evening. Tickets at the link in bio 🎟️
Photos by @salvador_ceja_garcia
27 Oct 2026
Still figuring out your Halloween costume? Tell us which artwork would make the perfect look ⬇️
25 Oct 2026
For Cindy Sherman, the camera’s been ON since the 1970s 📸
Sherman has spent decades photographing herself, but these are not self-portraits. Rather, she becomes different characters, reflecting on the role of images and media in shaping identity.
Sherman came to prominence in the early 1980s with her Untitled Film Stills series, black-and-white photographs that mimicked the format of promotional movie stills from 1950s and 60s cinema. Sherman played every role, and the resulting images are at once recognizable but unplaceable. In the decades to follow, she has continued to take on the dual role of photographer and sitter, often using obvious artifice and humor to draw out the plasticity of identity. See Sherman’s Untitled #571 (2016) on view now at The Broad, alongside other works by her. Reserve your free general admission tickets at the link in bio.
Artist Credits: Cindy Sherman, Untitled #571, 2016, dye sublimation metal print, The Broad Art Foundation.
Untitled Film Still #7, 1978, gelatin silver print, The Broad Art Foundation.
Untitled #193, 1989, chromogenic color print, The Broad Art Foundation.
Untitled #355, 2000, chromogenic color print, The Broad Art Foundation.
Untitled 468, 2008, chromogenic color print, The Broad Art Foundation.
Untitled 613, 2019, dye sublimation metal print, The Broad Art Foundation.
23 Oct 2026
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